Telecinematic Discourse

Approaches to the language of films and television series

Edited by Roberta Piazza, Monika Bednarek and Fabio Rossi
University of Sussex / University of Sydney / University of Messina
This cutting-edge collection of articles provides the first organised reflection on the language of films and television series across British, American and Italian cultures. The volume suggests new directions for research and applications, and offers a variety of methodologies and perspectives on the complexities of "telecinematic" discourse – a hitherto virtually unexplored area of investigation in linguistics.
The papers share a common vision of the big and small screen: the belief that the discourses of film and television offer a re-presentation of our world. As such, telecinematic texts reorganise and recreate language (together with time and space) in their own way and with respect to specific socio-cultural conventions and media logic. The volume provides a multifaceted, yet coherent insight into the diegetic – as it revolves around narrative – as opposed to mimetic – as referring to other non-narrative and non-fictional genres – discourses of fictional media. The collection will be of interest to researchers, tutors and students in pragmatics, stylistics, discourse analysis, corpus linguistics, communication studies and related fields.
[Pragmatics & Beyond New Series, 211]  2011.  xi, 315 pp.
Publishing status: Available
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ISBN 9789027256157 | EUR 95.00 | USD 143.00
 
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Table of Contents

Contributors
ix–xi
Chapter 1. Introduction: Analysing telecinematic discourse
Roberta Piazza, Monika Bednarek and Fabio Rossi
1–17
Part I. Cinematic discourse
Chapter 2. Discourse analysis of film dialogues: Italian comedy between linguistic realism and pragmatic non-realism
Fabio Rossi
21–46
Chapter 3. Using film as linguistic specimen: Theoretical and practical issues
Michael Alvarez-Pereyre
47–67
Chapter 4. Multimodal realisations of mind style in Enduring Love
Rocio Montoro
69–83
Chapter 5. Pragmatic deviance in realist horror films: A look at films by Argento and Fincher
Roberta Piazza
85–104
Chapter 6. Emotion and empathy in Martin Scorsese’s Goodfellas: A case study of the “funny guy” scene
Derek Bousfield and Dan McIntyre
105–123
Chapter 7. Quantifying the emotional tone of James Bond films: An application of the Dictionary of Affect in Language
Rose Ann Kozinski
125–139
Chapter 8. Structure and function in the generic staging of film trailers: A multimodal analysis
Carmen Daniela Maier
141–158
Part II. Televisual discourse
Chapter 9. “I don’t know what they’re saying half the time, but I’m hooked on the series”: Incomprehensible dialogue and integrated multimodal characterisation in The Wire
Michael Toolan
161–183
Chapter 10. The stability of the televisual character: A corpus stylistic case study
Monika Bednarek
185–204
Chapter 11. Star Trek: Voyager’s Seven of Nine: A case study of language and character in a televisual text
Susan Mandala
205–223
Chapter 12. Relationship impression formation: How viewers know people on the screen are friends
Claudia Bubel
225–247
Chapter 13. Genre, performance and Sex and the City
Brian Paltridge, Angela Thomas and Jianxin Liu
249–262
Chapter 14. Bumcivilian: Systemic aspects of humorous communication in comedies
Alexander Brock
263–280
References
281–302
List of tables
303
List of figures
305
Index of films and TV series
307–309
Index

Quotes

“The articles in this collection consist mainly of in-depth case studies of particular movies or television series, which offer valuable insights in the budding study of telecinematic discourse. The contents are based on several different perspectives and methodologies (e.g. pragmatics, discourse analysis, corpus linguistics, and stylistics) and most authors not only base their analysis on purely linguistic aspects but also use a multimodal approach to interpreting their data. Overall, this collection is a first step in the systematic analysis of telecinematic discourse and illustrates the need for further research in this field.”
Sofia Rüdiger, University of Bayreuth, on E-Language, dated 20/07/12
“This volume presents a well-thought out and balanced selection of interrelated articles showing the endless possibilities for further research in this field. Indeed, one of the strengths of this volume is that its contributions feature many approaches which do not exclusively focus on the verbal channel (i.e. by taking a multimodal stance, examining the types of frames, gestures, sounds) and which stimulate cross-disciplinary analyses. [...] I would recommend this volume to scholars interested in disciplines such as Pragmatics, Corpus Linguistics, Stylistics, Film Studies and Cultural Studies.”
Simon Labate, University of Namur & FNRS, in English Text Construction Vol. 5:2 (2012)

Subjects

Benjamins Subject classification

BIC Subject

CFG: Semantics, Pragmatics, Discourse Analysis

BISAC Subject

LAN009000: LANGUAGE ARTS & DISCIPLINES / Linguistics
U.S. Library of Congress Control Number:  2011015156
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