Achieved spontaneity and spectator’s performative experience – The motor dimension of the actor-spectator relationship

Sofia, Gabriele

doi:10.1075/aicr.89.05sof

Part of

Moving Imagination: Explorations of gesture and inner movement
Edited by Helena De Preester
[Advances in Consciousness Research 89] 2013
► pp. 69–86

Achieved spontaneity and spectator’s performative experience – The motor dimension of the actor-spectator relationship

Gabriele Sofia | Dipartimento di Storia dell'Arte e Spettacolo, Sapienza Università di Roma

Published online: 29 May 2013

https://doi.org/10.1075/aicr.89.05sof

Cited by

Cited by 4 other publications

Order by:

De Preester, Helena, Manos Tsakiris & Josh Bongard

2014. Sensitivity to Differences in the Motor Origin of Drawings: From Human to Robot. PLoS ONE 9:7 ► pp. e102318 ff.

Garner, Stanton B.

2018. Movement, Attention, and Intentionality. In Kinesthetic Spectatorship in the Theatre, ► pp. 109 ff.

Mirodan, Vladimir

2015. Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis. Theatre, Dance and Performance Training 6:1 ► pp. 30 ff.

Sofia, Gabriele, Clément Mager, Lionel Brunel & Anne-Sophie Noel

2024. Theater practice and interpersonal synchronization behaviors: a pilot study comparing actors and non-actors. Frontiers in Human Neuroscience 18

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