Cover not available
Part of
Multimodality and Cognitive Linguistics
Edited by María Jesús Pinar Sanz
[Benjamins Current Topics 78] 2015
► pp. 27–44

Metaphor and symbol

SEARCHING FOR ONE’S IDENTITY IS LOOKING FOR A HOME in animation film

The quickly growing discipline of multimodality has hitherto primarily found its inspirational models in semiotics and in Systemic Functional Linguistics. However, Cognitive Linguistics, and specifically its Conceptual Metaphor Theory branch, has over the past years proved a store of knowledge and methods of analysis that can benefit the further advance of the young discipline. In this paper the metaphor searching for one’s identity is looking for a home in animation films is examined. It is shown that (a) analysing this metaphor presupposes understanding “home” as a symbol; (b) animation has medium-specific affordances to implement the metaphor; (c) the metaphor combines embodied and cultural dimensions.
Keywords: animation film, conceptual metaphor, life is a journey, multimodality, source-path-goal, symbolism
Published online: 15 October 2015
DOI logo
https://doi.org/10.1075/bct.78.03for
References
Beckson, K., & Ganz, A.
(1975) Literary terms: A dictionary. New York: Farrar, Strauss and Giroux.Google Scholar
Black, M.
(1979) More about metaphor. In A. Ortony (Ed.), Metaphor and thought (pp. 19–43). Cambridge: Cambridge University Press.Google Scholar
Brown, D.E.
(2010 [1991]) The universal people. In B. Boyd, J. Carroll & J. Gottschall (Eds.), Evolution, literature & film (pp. 83–95). New York: Columbia University Press.Google Scholar
Bounegru, L., & Forceville, C.
(2011) Metaphors in editorial cartoons representing the global financial crisis. Journal of Visual Communication, 10, 209–229. DOI logoGoogle Scholar
Coëgnarts, M., & Kravanja, P.
(2012) From thought to modality: A theoretical framework for analysing structural-conceptual metaphor and image metaphor in film. Image [&] Narrative, 13(1),96–11Google Scholar
Fahlenbrach, K.
(2007) Embodied spaces: Film spaces as (leading) audiovisual metaphors. In J.D. Anderson & B. FisherAnderson (Eds.), Narration and spectatorship in moving images (pp. 105–124). Cambridge: Cambridge Scholar Press.Google Scholar
(2010) Audiovisuelle Metaphern: Zur Korper- und Affektasthetik in Film und Fernsehen. Marburg: Schuren.Google Scholar
Fludernik, M.
(Ed.) (2011) Beyond cognitive metaphor theory: Perspectives on literary metaphor. London: Routledge.Google Scholar
Forceville, C.
(1996) Pictorial metaphor in advertising. London: Routledge. DOI logoGoogle Scholar
(2006) The source-path-goal schema in the autobiographical journey documentary: McElwee, Van der Keuken, Cole. New Review of Film and Television Studies, 4, 241–261. DOI logoGoogle Scholar
(2010a) Review of C. Jewitt (Ed.), The Routledge handbook of multimodal analysis (2009). Journal of Pragmatics, 42, 2604–2608. DOI logoGoogle Scholar
(2010b) Why and how study metaphor, metonymy, and other tropes in multi-modal discourse? In R. Caballero & M.J. Pinar (Eds.), Ways and modes of human communication (pp. 57–76). Cuenca: Ediciones de la Universidad de Castilla La Mancha.Google Scholar
(2011a) The journey metaphor and the source-path-goal schema in Agnès Varda’s autobiographical gleaning documentaries. In M. Fludernik (Ed.), Beyond cognitive metaphor theory: Perspectives on literary metaphor (pp. 281–297). London: Routledge.Google Scholar
(2011b) Structural pictorial and multimodal metaphor. Lecture 7/8 of the Course in pictorial and multimodal metaphor. [URL]
Forceville, C., & Jeulink, M.
(2011) The flesh and blood of embodied understanding: The source-path-goal schema in animation film. Pragmatics & Cognition, 19, 37–59. DOI logoGoogle Scholar
Gentner, D., & Jeziorski, M.
(1993) The shift from metaphor to analogy in Western science. In A. Ortony (Ed.), Metaphor and thought (2nd ed.) (pp. 447–480). Cambridge: Cambridge University Press. DOI logoGoogle Scholar
Gibbs, R.W. Jr
(1994) The poetics of the mind: Figurative thought, language, and understanding. Cambridge: Cambridge University Press.Google Scholar
Gibbs, R.W. Jr., & Steen, G.J.
(Eds.) (1999) Metaphor in cognitive linguistics. Amsterdam: John Benjamins. DOI logoGoogle Scholar
Hampe, B.
(2005) When down is not bad, and up not good enough. A usage-based assessment of the plus-minus parameter in image-schema theory. Cognitive Linguistics, 16, 81–112. DOI logoGoogle Scholar
Jewitt, C.
(Ed.) (2009) The Routledge handbook of multimodal analysis. London: Routledge.Google Scholar
Johnson, M.
(1987) The body in the mind: The bodily basis of meaning, imagination and reason. Chicago: University of Chicago Press.Google Scholar
Kappelhoff, H., & Müller, C.
(2012) Embodied meaning construction: Multimodal metaphor and expressive movement in speech, gesture, and feature film. Metaphor and the Socia World, 1(2), 121–153. DOI logoGoogle Scholar
Katz, A.N., & Taylor T.E.
(2008) The journeys of life: Examining a conceptual metaphor with semantic and episodic memory recall. Metaphor and Symbol, 23, 148–173. DOI logoGoogle Scholar
Kövecses, Z.
(2005) Metaphor in culture: Universality and variation. Cambridge: Cambridge University Press. DOI logoGoogle Scholar
(2010) Metaphor: A practical introduction (2nd ed.). Oxford: Oxford University Press.Google Scholar
Kress, G., & van Leeuwen, T.
(1996) Reading images: The grammar of visual design (2nd ed. published in 2006). London: Routledge.Google Scholar
(2001) Multimodal discourse. London: Arnold.Google Scholar
Lakoff, G.
(1993) The contemporary theory of metaphor. In A. Ortony (Ed.), Metaphor and thought (2nd ed.) (pp. 202–251). Cambridge: Cambridge University Press. DOI logoGoogle Scholar
Lakoff, G., & Johnson, M.
(1980) Metaphors we live by. Chicago: University of Chicago Press.Google Scholar
Lakoff, G., & Turner, M.
(1989) More than cool reason: A field guide to poetic metaphor. Chicago: University of Chicago Press. DOI logoGoogle Scholar
Pettersson, B.
(2011) Literary criticism writes back to metaphor theory: Exploring the relation between extended metaphor and narrative in literature. In M. Fludernik (Ed.), Beyond cognitive metaphor theory: Perspectives on literary metaphor (pp. 94–112). London: Routledge.Google Scholar
Ritchie, D.L.
(2008) X is a journey: Embodied simulation in metaphor interpretation. Metaphor and Symbol, 23, 174–199. DOI logoGoogle Scholar
Rothenberg, A.
(2008) Rembrandt’s creation of the pictorial metaphor of self. Metaphor and Symbol, 23, 108–129. DOI logoGoogle Scholar
Royce, T.D., & Bowcher, W.L.
(Eds.) (2007) New directions in the analysis of multimodal discourse. Mahwah, NJ: Lawrence Erlbaum.Google Scholar
Semino, E., & Culpeper, J.V.
(Eds.) (2002) Cognitive stylistics: Language and cognition in text analysis. Amsterdam: John Benjamins. DOI logoGoogle Scholar
Turner, M.
(1996) The literary mind. New York: Oxford University Press.Google Scholar
Wales, K.
(2001) A dictionary of stylistics (2nd ed.). Harlow, England: Pearson.Google Scholar
Yu, N.
(1998) The contemporary theory of metaphor: A perspective from Chinese. Amsterdam: John Benjamins. DOI logoGoogle Scholar
(2009) Nonverbal and multimodal manifestations of metaphors and metonymies: A case study. In C. Forceville & E. Urios-Aparisi (Eds.), Multimodal metaphor (pp. 119–143). Berlin: Mouton de GruyterGoogle Scholar
Cited by

Cited by 2 other publications

Forceville, Charles & Thijs Renckens
2013. The GOOD IS LIGHT and BAD IS DARK metaphor in feature films. Metaphor and the Social World 3:2 ► pp. 160 ff. DOI logo
Naciscione, Anita
2020. Chapter 11. Multimodal creativity in figurative use. In Performing Metaphoric Creativity across Modes and Contexts [Figurative Thought and Language, 7], ► pp. 249 ff. DOI logo

This list is based on CrossRef data as of 16 november 2023. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.