Romantic Drama

Editor
| Stanford University
HardboundAvailable
ISBN 9789027234414 (Eur) | EUR 180.00
ISBN 9781556196003 (USA) | USD 270.00
 
e-Book
ISBN 9789027277114 | EUR 180.00 | USD 270.00
 
In Romantic Drama, three dozen comparatists join forces for a supranational, crosscultural reexamination of the deep paradigm shifts appearing around the start of the nineteenth century which revolutionized drama as a literary art within the enormous civilization constituted by Europe and her overseas extensions. Romantic pronouncements on the canon and poetics of drama, the symptomatic subject-matters treated by Romantic playwrights, the structural means by which they expressed their view of the world, and regional peculiarities are illuminated from multiple perspectives. The volume aspires to skirt the pitfalls of simplistic genetic or teleological thinking. It does not treat Romanticism as a limited “period” dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers. Finally, this involves recognizing the Romantic heritage in literary phenomena reaching into our own times. Thus the Romantic celebration of imagination, creation of a theater of the mind, experience of intertextuality, dissolving of generic boundaries, and embrace of “myth” as a challenge to older “history” figure among the important topics, as do Romantic foreshadowings of Symbolist, Existentialist, and Absurdist drama.

SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series’ total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism’s own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Publishing status: Available
Table of Contents
Introduction
ix
I. Renewal and Innovation
1. Shakespeare and the Formation of Romantic Drama in Germany and France
Lilian R. Furst
3
2. The Reception of the Spanish Theater in European Romanticism
Douglas Hilt
17
3. “Theater in the Theater” and “Word Theater”: Play Thematics and the Breakthrough of Romantic Drama
Manfred Schmeling
35
4. Illusion and Romantic Drama
Frederick Burwick
59
II. Themes, Styles, Structures
1. Shakespeare Refracted: Writer, Audience, and Rewriter in French and German Romantice Translations
André Lefevere
101
2. Folklore and Romantic Drama
Miroslav J. Hanak
115
3. Nationalism and the Romantic Drama in Europe
Marvin Carlson
139
4.Romantic Redefinitions of the Tragic
Jeffrey N. Cox
153
4. The Romantic Tragedy of Fate
Gerhart Hoffmeister
167
5. Empathy and Distance: German Romantic Theories of Acting Reconsidered
Gloria Flaherty
181
6. What is Romantic Opera? — Toward a Musico-Literary Definition
Ulrich Weisstein
209
III. Affinity, Dissemination, Reception
1. The Italian Romantic Drama in Its European Context
Marvin Carlson
233
2. Romantic Drama in the Hispanic World: The Picturesque Mode
John Dowling
249
3. Polish Romantic Drama in Perspective
Harold B. Segel
259
4. Russian Romantic Drama: The Case of Griboedov
Alexander Gershkovich
273
5. Romanticism in Genres of Drama in Bohemia
Hana Voisine-Jechova
287
6. Romantic Drama in Hungary
Mihály Szegedy-Maszák
297
7. Romantic Trends in Scandinavian Drama
George Bisztray
317
8. From Dark into Light: Nineteenth-Century Romantic Drama in English-Canada
Richard Plant
329
9. Nineteenth-Century American Drama: A Romantic Quest
Dinnah Pladott
343
10. The Romantic Theater in Hispanic America
Emilio Carilla
359
IV. The Romantic Legacy
1. Classic Vision in the Romantic Age: Goethe’s Reconstitution of European Drama in Faust II
Gerald Gillespie
379
2. Romantic Irony and Biedermeier Tragicomedy
Virgil Nemoianu
399
3. Romantic Cosmic Drama
Martin Esslin
413
4. The Past is Prologue: The Romantic Heritage in Dramatic Literature
Gerald Gillespie
429
Bibliography
465
Index
489
Subjects

Literature & Literary Studies

Comparative literature & literary studies
BIC Subject: DSB – Literary studies: general
BISAC Subject: LIT000000 – LITERARY CRITICISM / General
U.S. Library of Congress Control Number:  93034838