Manuscripts

Bodleian Library
MS Rawlinson B 183.
British Library
Additional MS 33,392.
Harleian MS 6917.
MS Stowe 960.

Printed materials

Abrams, M. H. et al.
(eds) (1974) The Norton anthology of English literature, 3rd Edition (New York: Norton).Google Scholar
Alcaeus
(1982) F 366, in Greek Lyric, Volume I: Sappho and Alcaeus, ed. and trans. David A. Campbell, (Cambridge, Mass.: Harvard University Press 1982 [Loeb Classical Library 142], 396–397.Google Scholar
Alexander, Catherine M. S. and Stanley Wells
(eds) (2000) Shakespeare and Race (Cambridge: Cambridge University Press).Google Scholar
André, Sylvie
(2015) “World literature / World culture: TV series and video games”, in Major versus minor?Languages and literatures in a globalized world, eds Theo D’haen, Iannis Goerlandt, and Roger D. Sell (Amsterdam: Benjamins), 187–204. DOI logoGoogle Scholar
Anon
(1623) The Joyfull Returne [Spanish original by Andrés de Almansa y Mendoza] (London: Nathaniell Butter and Henry Seile).Google Scholar
(1623) Something Written by occasion of that Fatall memorable accident in Blacke-Friers on Sonday, being the 26. of October 1623. stilo antiquo, and the 5. of Nouember stilo nouo, or Romano (London: [publisher unknown]).Google Scholar
Appiah, K. Anthony
(1994) “Identity, authenticity, survival: Multicultural societies and social reproduction”, in Amy Gutman (ed.), Multiculturalism: Examining the politics of recognition (Princeton: Princeton University Press), 149–163. DOI logoGoogle Scholar
Appiah, Kwame Anthony
(2010) The honor code: How moral revolutions happen (New York: Norton).Google Scholar
Archer, William
(1923) The old drama and the new (London: Heinemann).Google Scholar
Arnold, Matthew
(1988) “Wordsworth,” in his Essays in criticism: Second series, (London: Macmillan), 122–162.Google Scholar
Ashbery, John
(1992) Interview, Oxford Poetry 6 (2): 61.Google Scholar
Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin
(eds) (2002) The empire writes back: Theory and practice in post-colonial literature, 2nd ed. (New York: Routledge).Google Scholar
Ashton, Rosemary
(1996) The life of Samuel Taylor Coleridge: A critical biography (Cambridge, Mass: Blackwell).Google Scholar
Attridge, Derek
(1974) Well-weighed syllables: Elizabethan verse in classical metres (Cambridge: Cambridge University Press).Google Scholar
(1982) The rhythms of English poetry (Longman: London).Google Scholar
(1995) Poetic rhythm: An introduction (Cambridge: Cambridge University Press).Google Scholar
Auerbach, Erich
(1969) “Philology and Weltliteratur ” [1952], The Centennial Review 13: 1–17.Google Scholar
Bakes, Samuel
(2010) Written on water: British Romanticism and the maritime empire of culture (Charlottesville: University of Virginia Press).Google Scholar
Bakhtin, M. M.
(1981) The dialogic imagination: Four essays (Austin: University of Texas Press 1981).Google Scholar
Bald, R. C.
(1934) “The Ancient Mariner,” Times Literary Supplement (26 July), 528.Google Scholar
Baldo, Jonathan
(2014) Review of Roger D. Sell, Communicational criticism, Modern Language Review 109: 1062–4). DOI logoGoogle Scholar
Balibar, Étienne
(2002) “The nation form: History and ideology,” in Race critical theories, eds Philomena Essed and David Theo Goldberg (London: Blackwell), 220–230.Google Scholar
Barber, Charles
(1965) The theme of Honour’s tongue: A study of social attitudes in the English drama from Shakespeare to Dryden (Gothenburg: University of Gothenburg).Google Scholar
Barker, Pat
(1996) The regeneration trilogy (London: Viking).Google Scholar
Barthes, Roland
(1977) “The death of the author” [1968], in his Image-Music-Text: Essays selected and translated by Stephen Heath (Glasgow: Fontana), 142–148.Google Scholar
Bate, Jonathan
(1997) The genius of Shakespeare (London: Picador).Google Scholar
Bateson, F. W.
(1972) The scholar-critic: An introduction to literary research (London: Routledge).Google Scholar
Bayley, John
(1960) The characters of love (London: Constable).Google Scholar
(1976) The uses of division: Unity and disharmony in literature (New York: Viking).Google Scholar
Beaumont, Francis and John Fletcher
(1988) The Maid’s Tragedy, ed. T. S. Craik (Manchester: Manchester University Press).Google Scholar
(2009) Philaster, ed. Suzanne Gossett (London: Methuen).Google Scholar
Beaumont, Sir John
(1974) The shorter poems of Sir John Beaumont: A critical edition with an introduction and commentary, ed, Roger D. Sell [= Acta Academiae Aboensis, ser. A, vol. 49] (Åbo: Åbo Akademi Press 1974).Google Scholar
Beer, J. B.
(1959) Coleridge the visionary (London: Chatto & Windus).Google Scholar
Beer, John
(2002) “Coleridge’s afterlife,” in The Cambridge companion to Coleridge, ed. Lucy Newlyn (Cambridge: Cambridge University Press), 231–244. DOI logoGoogle Scholar
(2010) Coleridge’s play of mind (Oxford: Oxford University Press). DOI logoGoogle Scholar
Bellamy, Alastair
(2011) “The court,” in Thomas Middleton in context, ed. Suzanne Gossett (Cambridge: Cambridge University Press), 117–25.Google Scholar
Bergonzi, Bernard
(1990) Exploding English: Criticism, theory, culture (Oxford: Clarendon Press).Google Scholar
Bergvall, Åke
(2009) “Religion as contention and community-making in The Faerie Queene ”, in “Writing and religion in England, 1558-1689: Studies in community-making and cultural memory”, eds Roger D. Sell and Anthony W. Johnson (Farnham: Ashgate 2009), 73–90 and 91–107.Google Scholar
Best, Geoffrey
(2001) Churchill: A study in greatness (London: Penguin).Google Scholar
Bhabha, Homi
(1994) The location of culture (London: Routledge).Google Scholar
Billington, Michael
(2007) Harold Pinter (London: Faber and Faber).Google Scholar
Björkstrand, Christel
(2013) “Politeness and social utopia in Friedrich Schiller’s Wilhelm Tell ,” Language and Dialogue 3: 34–55. DOI logoGoogle Scholar
Black, Max
(1962) “Metaphor,” in Philosophy looks at the arts: Contemporary readings in aesthetics, ed. Joseph Margolis (New York: Scribner’s), 216–235.Google Scholar
Blake, William
(1974) The Marriage of Heaven and Hell [1790], in Blake: Complete writings, ed. Geoffrey Keynes (London: Oxford University Press), 148–60.Google Scholar
Bliss, Lee
(1983) The world’s perspective: John Webster and the Jacobean drama (Brighton: Harvester).Google Scholar
Bloom, Harold
(1973) The anxiety of influence: A theory of poetry (New York: Oxford University Press).Google Scholar
Bohm, David
(1996) On dialogue (London: Routledge).Google Scholar
Bordieu, Pierre
(1984) Distinctions: A social critique of the judgement of taste (London: Routledge & Kegan Paul).Google Scholar
Bostetter, Edward E.
(1973) “The nightmare world of ‘The Ancient Mariner’” [1962], in Coleridge: The Ancient Mariner and other poems: A casebook, eds Alun R. Jones and William Tydeman (London: Macmillan), 184–199.Google Scholar
Boswell, James
(1906) The life of Samuel Johnson [1791], ed. Ernest Rhys (London: Dent).Google Scholar
(1996) The life of Samuel Johnson [1791], ed. Claude Rawson (New York: Alfred A. Knopf).Google Scholar
Bowers, Fredson
(1966) Elizabethan revenge tragedy [1940] (Princeton: Princeton University Press).Google Scholar
Bradbrook, M. C.
(1980) John Webster: Citizen and dramatist (London: Weidenfeld and Nicolson).Google Scholar
Brah, Avtar
(1996) Cartographies of diaspora: Contesting identities (London: Routledge).Google Scholar
Bridges, Robert
(ed.) (1916) The Spirit of Man: An anthology in English & French from the philosophers & poets made in 1915 by the Poet Laureate & dedicated by gracious permission to his majesty The King (London: Longmans Green).Google Scholar
(ed.) (1940) The Spirit of Man: An anthology in English & French from the philosophers & poets made by Robert Bridges, O.M., Poet Laureate & dedicated by gracious permission to his majesty The King George V (London: Readers’ Union and Longmans Green).Google Scholar
Brooks, Cleanth
(1968) The well wrought urn: Studies in the structure of poetry [1947] (London: Methuen).Google Scholar
(1968) “The heresy of paraphrase” [1947], in his The well wrought urn: Studies in the structure of poetry (London: Methuen), 157–175.Google Scholar
Brown, Huntington
(1945) “The gloss to The Rime of the Ancient Mariner ,” Modern Language Quarterly 6: 319–324. DOI logoGoogle Scholar
Buber, Martin
(1978) Between man and man (New York: Macmillan).Google Scholar
Buchan, A. M.
(1969) “The sad wisdom of the Mariner,” in Twentieth century interpretations of The Rime of the Ancient Mariner, ed. James D. Boulger (Engelwood Cliffs: Prentice-Hall), 92–110.Google Scholar
Burton, William
(1622) The description of Leicester Shire (London: Iohn White).Google Scholar
Butler, James A.
(2003) “Poetry 1798–1807: Lyrical ballads and Poems in Two Volumes ,” in Cambridge companion to Wordsworth, ed. Stephen Gill (Cambridge: Cambridge University Press), 38–54. DOI logoGoogle Scholar
Butler, Martin
(1985) “Romans in Britain: The Roman Actor and the early Stuart classical play”, in Philip Massinger: A critical reassessment, ed. Douglas Howard (Cambridge: Cambridge University Press), 139–70.Google Scholar
(2017) “Massinger’s divided communities,” in Roger D. Sell, Anthony W. Johnson and Helen Wilcox (eds), Community-making in early Stuart theatres: Stage and audience (London: Routledge), 338–352.Google Scholar
Bygrave, Stephen
(1986) Coleridge and the self: Romantic egotism (Basingstoke: Macmillan). DOI logoGoogle Scholar
Carey, John
(2014) The unexpected professor: An Oxford life in books (London: Faber).Google Scholar
Carlson, Lauri
(1983) Dialogue games: An approach to discourse analysis (Dordrecht: Reidel).Google Scholar
Chandra, Sarika
(2008) “Reproducing a nationalist literature in the age of globalization: Reading (im)migration in Julia Alvarez’s How the García girls lost their accents ,” American Quarterly 60 (2008): 829–885. DOI logoGoogle Scholar
Chapman, George
(1961) Bussy D’Ambois, in Thomas Marc Parrott (ed.), The plays of George Chapman: The tragedies, vol. 1 (New York: Russell and Russell), 1–74.Google Scholar
(1965) Bussy D’Ambois: George Chapman, ed. Maurice Evans (London: Ernest Benn).Google Scholar
Chapman, Raymond
(1989) “The reader as listener: Dialect and relationships in The Mayor of Casterbridge ,” in The pragmatics of style, ed. Leo Hickey (London: Routledge).Google Scholar
Chen, Yi
(2014) “Silence and dialogue: The hermetic poetry of Wáng Wéi and Paul Celan,” in Literature as dialogue: Invitations offered and negotiated, ed. Roger D. Sell (Amsterdam: Benjamins), 41–66.Google Scholar
Christensen, Jerome
(1982) Coleridge’s blessed machine of language (Athens: University of Georgia Press).Google Scholar
Christie, William
(2006) Samuel Taylor Coleridge: A literary life (Basingstoke: Palgrave Macmillan), 161–162. DOI logoGoogle Scholar
Churchill, Winston S.
(1959) My early life: A roving commission [1930] (London: Collins).Google Scholar
Clark, Tom, Emily Finlay, and Philippa Kelly
(eds) (2017) Worldmaking: Literature, language, culture (Amsterdam: Benjamins). DOI logoGoogle Scholar
Cogswell, Thomas
(1984) “Thomas Middleton and the Court, 1625: A Game at Chess in context,” Huntington Library Quarterly 47: 273–288. DOI logoGoogle Scholar
(1989) The blessed revolution: English politics and the coming of war, 1621–1624 (Cambridge: Cambridge University Press 1989).Google Scholar
Coleman, Deirdre
(2002) “The journalist,” in The Cambridge companion to Coleridge, ed. Lucy Newlyn (Cambridge: Cambridge University Press), 126–141. DOI logoGoogle Scholar
Coleridge, Samuel Taylor
(1797) Poems: Second edition (Bristol: J. Cottle).Google Scholar
(1890) Aids to reflection (London: George Bell).Google Scholar
(1956) Biographia Literaria [1817], ed. George Watson (London: Dent).Google Scholar
(1956–1971) The collected letters, 6 vols, ed. Earl Leslie Griggs (Oxford: Clarendon Press).Google Scholar
(1957–2002) The notebooks, eds Kathleen Coburn and A. J. Harding, 5 vols. (Princeton: Princeton University Press).Google Scholar
(1968) The Friend, 2 vols, ed. Barbara Rooke (Princeton: Princeton University Press).Google Scholar
(1987) The collected works: Lectures 1809–1819: On literature, ed. R. A. Foakes (Princeton: Princeton University Press).Google Scholar
(1988) Coleridge’s “Dejection”: The earliest manuscripts and the earliest printings, ed. Stephen Maxfield Parrish (Ithaca: Cornell University Press).Google Scholar
(1990) Table talk recorded by Henry Nelson Coleridge (and John Taylor Coleridge), ed. Carl C. Woodring, 2 vols. (Princeton: Princeton University Press).Google Scholar
(1997) “Constancy to an Ideal Object” [1828], in Samuel Taylor Coleridge, The complete poems, ed. William Keach (London: Penguin), 332–333.Google Scholar
Connerton, Paul
(1989) How societies remember (New York: Cambridge University Press). DOI logoGoogle Scholar
Connor, Steven
(1985) Charles Dickens (Oxford: Blackwell).Google Scholar
Cousins, Tony
(2009) “Satire III and the Satires: John Donne on true religion”, in Writing and religion in England, 1558–1689: Studies in community-making and cultural memory, eds Roger D. Sell and Anthony W. Johnson (Farnham: Ashgate 2009), 127–149.Google Scholar
C[?rashaw], W[?illiam]
(1623) The Fatall Vesper (London: Richard Whitaker).Google Scholar
Creaser, John
(1995) “Milton: The truest of the sons of Ben,” in Margo Swiss and David A. Kent (eds), Heirs of fame: Milton and writers of the English Renaissance (London: Bucknell University Press), 158–183.Google Scholar
Culler, Jonathan
(1975) Structuralist poetics: Structuralism, linguistics and the study of literature (London: Routledge and Kegan Paul). DOI logoGoogle Scholar
Cunningham, John E.
(1965) Elizabethan and early Stuart drama (London; Evans Brothers).Google Scholar
D’Aguiar, Fred
(1994) The longest memory (London: Chatto and Windus).Google Scholar
Daiches, David
(1956) Critical approaches to literature (London: Longman).Google Scholar
Damrosch, David
(2004) “World literature in a postcanonical, hypercanonical age,” in Comparative literature in an age of globalization, ed. Haun Saussy (Baltimore: Johns Hopkins University Press 2004), 43–53.Google Scholar
Darbishire, Helen
(1972) “Wordsworth’s Prelude ” [1926], in Wordsworth, The Prelude: A casebook, eds W. H. Harvey and Richard Gravil (London: Macmillan), 81–98.Google Scholar
Davie, Donald
(1975) Ezra Pound (Harmondsworth: Penguin).Google Scholar
Denham, Sir John
(1668) “Coopers Hill,” in his Poems and Translations with the Sophy (London: H. Herringman), 1–22.Google Scholar
De Quincey, Thomas
(1893) The posthumous works, ed. Alexander H. Japp, 2 vols (London: Heinemann).Google Scholar
Derbyshire, Harry
(2009) “Pinter as a celebrity,” The Cambridge companion to Harold Pinter, ed. Peter Raby (Cambridge: Cambridge University Press), 266–282. DOI logoGoogle Scholar
Derrida, Jacques
(1974) Of grammatology [1967] (Baltimore: Johns Hopkins University Press).Google Scholar
de Saussure, Ferdinand
(1978) Course in general linguistics [1916] (London: Fontana).Google Scholar
Dewey, John
(1934) Art and experience (London: George, Allen and Unwin).Google Scholar
Dickens, Charles
(1966) David Copperfield [1850] (Harmondsworth: Penguin).Google Scholar
(1982) Dombey and Son [1848], ed. Alan Horsman (Oxford: Oxford University Pres).Google Scholar
(1996) Hard Times [1854], eds George Ford and Sylvère Monod [New York: Norton).Google Scholar
(1999) Great Expectations [1861], ed. Edgar Rosenberg (New York: Norton).Google Scholar
Dilworth, Thomas
(2007) “Symbolic spatial form in The Rime of the Ancient Mariner and the problem of God,” Review of English Studies 58: 500–530. DOI logoGoogle Scholar
Dirlik, Arif
(2007) “In search of contact zones: Nations, civilizations, and the spaces of culture,” in Cultures in Contact, eds Balz Engler and Lucia Michalcak (Tübingen: Gunter Narr), 15–33.Google Scholar
Donaldson, Ian
(2011) Ben Jonson: A life (Oxford: Oxford University Press).Google Scholar
Dowden, Edward
(1906) Shakspere [sic]: A critical study of his mind and art [1875] (London: Kegan Paul, Trench, Trübner).Google Scholar
Drayton, Michael
(1603) To the Maiestie of King James. A gratulatorie Poem (London: T. M[an] and H. L[ownes].Google Scholar
Dryden, John
(1934) The dramatic works, vol. 1, ed. Montague Summers (London: Nonesuch Press).Google Scholar
(1978) “Absalom and Achitophel,” in Dryden: A selection, ed. John Conaghan (London: Methuen 1978), 91–123.Google Scholar
Dutton, Richard
(2001) “Receiving offence: A Game at Chess again,” in Andrew Hadfield (ed.), Literature and censorship in Renaissance England (Basingstoke: Palgrave), 50–71.Google Scholar
Dyck, Sarah
(1973) “Perspective in ‘The Rime of the Ancient Mariner’,” Studies in English Literature 13: 591–604. DOI logoGoogle Scholar
Eagleton, Terry
(1986) “Liberality and order: The criticism of John Bayey”, in his Against the grain: Essays 1975–1985 (London: Verso 1986), 33–47.Google Scholar
(2003) The gatekeeper: A memoir (New York: St. Martin’s Press).Google Scholar
Eilenberg, Susan
(1992) Strange powers of speech: Wordsworth, Coleridge and literary possession (New York: Oxford University Press).Google Scholar
Elias, Norbert
(2000) The civilizing process: Sociogenetic and psychogenetic investigations [1939] (Oxford: Blackwell).Google Scholar
Eliot, T. S.
(1951) “Dante” [1929], in his Selected essays (London: Faber), 237–277.Google Scholar
(1951) “The Metaphysical Poets” [1921], in his Selected essays (London: Faber), 281–291.Google Scholar
(1951) “Philip Massinger” [1920], in his Selected essays (London: Faber), 205–220.Google Scholar
(1951) “Thomas Middleton” [1927], in his Selected Essays (London: Faber), 161–170.Google Scholar
(1951) “Tradition and the individual talent” [1919], in his Selected Essays (London: Faber), 13–22.Google Scholar
(1964) The use of poetry and the use of criticism [1933] (London: Faber).Google Scholar
(1964) The use of poetry and the use of criticism [1933] (Cambridge, Mass.: Harvard University Press).Google Scholar
(1964) “Philip Massinger,” in his The Sacred Wood: Essays on poetry and criticism [1920] (London: Methuen), 123–43.Google Scholar
(1975) “In memory of Henry James” [1918], in T.S. Eliot: Selected prose, ed. Frank Kermode (London: Faber), 151–152.Google Scholar
(1975) Selected prose, ed. Frank Kermode (London: Faber).Google Scholar
Empson, William
(1930) Seven types of ambiguity (London: Chatto and Windus).Google Scholar
(1972) “Introduction” and editorial materials, in Coleridge’s verse: A selection, eds William Empson and David Pirie (London: Faber and Faber 1972).Google Scholar
(1986) “The Ancient Mariner” [1964], in Samuel Taylor Coleridge: The Rime of the Ancient Mariner, ed. Harold Bloom (New York: Chelsea House), 19–43.Google Scholar
Empson, William and John Haffenden
(1993) “The Ancient Mariner: An answer to Warren,” Kenyon Review 15: 155–177.Google Scholar
Engell, James
(2002) “ Biographia Literaria ,” in The Cambridge companion to Coleridge, ed. Lucy Newlyn (Cambridge: Cambridge University Press), 59–74. DOI logoGoogle Scholar
Engler, Balz
(1990) Poetry and community (Tübingen: Stauffenberg Verlag).Google Scholar
Fairclough, Norman
(1995) Critical discourse analysis: The critical study of language (London: Longman).Google Scholar
Fairer, David
(2009) Organising poetry: The Coleridge circle, 1790–1798 (Oxford: Oxford University Press). DOI logoGoogle Scholar
Farr, Dorothy M.
(1979) John Ford and the Caroline theatre (Basingstoke: Macmillan). DOI logoGoogle Scholar
Farrell, J. G.
(1975) The Siege of Krishnapur [1973] (Harmondsworth: Penguin).Google Scholar
Ferguson, Frances
(1986) “Coleridge and the deluded reader” [1977], in Samuel Taylor Coleridge: The Rime of the Ancient Mariner, ed. Harold Bloom (New York: Chelsea House), 57–73.Google Scholar
Ferreira-Meyers, Karen
(2015) “From minor genre towards major genre: Crime fiction and autofiction”, in Major versus minor? Languages and literatures in a globalized world”, eds Theo D’haen, Iannis Goerlandt, and Roger D. Sell (Amsterdam: Benjamins), 171–186. DOI logoGoogle Scholar
Fielding, Henry
(1903) “An essay on conversation” [1743], in The writings of Henry Fielding, vol. 14, ed. William Ernest Henley (London: Heinemann), 245–277.Google Scholar
Finch, Jason
(2013) “Genuine and distorted communication in autobiographical writing: E.M. Forster’s ‘West Hackhurst’ and its contexts,” in The ethics of literary communication: Genuineness, directness, indirectness, eds Roger D. Sell, Adam Borch, and Inna Lindgren, (Amsterdam: Benjamins), 61–80. DOI logoGoogle Scholar
Finkelpearl, Philip J.
(1990) Court and country politics in the plays of Beaumont and Fletcher (Princeton: Princeton University Press). DOI logoGoogle Scholar
Finkelpearl, P. J.
(2004) “Beaumont, Francis (1584/5–1616),” Oxford Dictionary of National Biography, eds H. C. G. Matthew and Brian Harrison (Oxford: Oxford University Press).Google Scholar
Firbas, Jan
(1964) “On defining the theme in functional sentence analysis,” Travaux linguistiques de Prague 1: 267–280.Google Scholar
Fishelov, David
(2010) Dialogues with/and great books: The dynamics of canon formation (Brighton: Sussex Academic Press). Fishelov, David (2014).Google Scholar
(2014) “Dialogue and dialogicality: Swift’s A Modest Proposal and Plato’s Crito ,” in Literature as dialogue: Invitations offered and negotiated, ed. Roger D. Sell (Amsterdam: Benjamins 2014), 23–40.Google Scholar
Floyd, John
(1623) A word of comfort, or, A discourse concerning the late lamentable accident of the fall of a room at a Catholicke sermon, in the Blackfriars ([St Omer]: [English College Press]).Google Scholar
Ford, John
(1995) ’Tis Pity She’s a Whore, in Marion Lomax (ed.), John Ford: The Lover’s Melancholy, The Broken Heart, ’Tis Pity She’s a Whore, Perkin Warbeck (Oxford: Oxford University Press), 165–239.Google Scholar
Forster, E. M.
(1974) Aspects of the novel and related writings, ed. Oliver Stallybrass (London: Arnold).Google Scholar
Foss, Sonja K.
(2009) Rhetorical criticism: Exploration and practice, Fourth Edition (Long Grove, Illinois: Waveland).Google Scholar
Fowler, Alastair
(1982) Kinds of literature: An introduction to the theory of genres and modes (Oxford: Oxford University Press).Google Scholar
Fowler, Roger
(1977) Linguistics and the novel (London: Methuen).Google Scholar
(1981) Literature as social discourse: The practice of linguistic criticism (London: Batsford Academic and Educational).Google Scholar
(1983) “Polyphony and problematic in Hard Times ,” in The changing world of Charles Dickens, ed. Robert Giddings (London: Barnes and Noble), 91–108.Google Scholar
(1986) Linguistic criticism (Oxford: Oxford University Press).Google Scholar
Freebury–Jones, Darren
(2016) “Exploring co-authorship in 2 Henry VI ,” Journal of Early Modern Studies 5: 201–16.Google Scholar
Fulford, Tim
(2002) “Slavery and superstition in the supernatural poems,” in The Cambridge companion to Coleridge, ed. Lucy Newlyn (Cambridge: Cambridge University Press), 45–58. DOI logoGoogle Scholar
Gadamer, Hans-Georg
(1986) The relevance of the beautiful and other essays (Cambridge: Cambridge University Press 1986).Google Scholar
(1989) Truth and method: Second, revised edition (London: Sheed and Ward).Google Scholar
Garnsey, Peter
(1999) Food and society in classical antiquity (Cambridge: Cambridge University Press). DOI logoGoogle Scholar
Gee, John
(1624) The Foot out of the Snare (London: Robert Milbourne).Google Scholar
Gill, Stephen
(2011) Wordsworth’s revisitings (Oxford: Oxford University Press). DOI logoGoogle Scholar
Gilmour, Robin
(1981) The idea of the gentleman in the Victorian novel (London: Allen Unwin).Google Scholar
G[oad], T[homas]
(1623) The Doleful Even-Song (London: William Barret and Richard Whitaker).Google Scholar
Goldberg, Dena
(1987) Between worlds: A study of the plays of John Webster (Waterloo, Ontario: Wilfred Laurier University Press).Google Scholar
Goodin, George
(2013) Dickens’s dialogue: Margins of conversation (Brooklyn: AMS Press).Google Scholar
Gordon, George
(1928) Shakespeare’s English (Oxford: S.P.E. Tracts).Google Scholar
Gose, Elliot B.
(1986) “Coleridge and the numinous gloom: An analysis of the ‘Symbolical Language’ in The Rime of the Ancient Mariner ” [1960], in Samuel Taylor Coleridge: The Rime of the Ancient Mariner, ed. Harold Bloom (New York: Chelsea House), 7–18.Google Scholar
Grabovsky, Ernst
(2004) “The impact of globalization and the new media on the notion of world literature,” in Comparative literature and comparative cultural studies, ed. Steve Tötösy Zepetnek (West Lafayette: Purdue University Press 2004), 45–57.Google Scholar
Greene, Thomas M.
(1982) Anti-hermeneutics: The case of Shakespeare’s Sonnet 129 (New Haven: Yale University Press). DOI logoGoogle Scholar
Griffin, Robert J.
(1995) Wordsworth’s Pope: A study in literary historiography (Cambridge: Cambridge University Press).Google Scholar
Gross, John
(1973) The rise and fall of the man of letters: English literary life since 1800 (Harmondsworth: Penguin).Google Scholar
Gurr, Andrew
(2004) Playgoing in Shakespeare’s London, 3rd ed. (Cambridge: Cambridge University Press).Google Scholar
Habermas, Jürgen
(1970) “Systematically distorted communication,” Inquiry 13: 205–218. DOI logoGoogle Scholar
(1984 & 1987) The theory of communicative action, vols. 1 & 2 (Boston: Beacon Press).Google Scholar
(1994) “Struggles for recognition in the democratic constitutional state,” in Multiculturalism: Examining the politics of recognition, ed. Amy Gutman (Princeton: Princeton University Press), 107–148. DOI logoGoogle Scholar
(1998) Justification and application: Remarks on discourse ethics (Cambridge, Mass.: MIT Press).Google Scholar
(1998) On the pragmatics of communication (Cambridge, Mass.: MIT Press).Google Scholar
(1998) “On the distinction between poetic and communicative uses of language” [1985], in his On the pragmatics of communication (Cambridge, Mass.: MIT Press), 383–401.Google Scholar
Halbwachs, Maurice
(1980) The collective memory [1950] (New York: Harper Colophon Books).Google Scholar
Haley, Alex
(1977) Roots [1976] (London: Picador).Google Scholar
Hall, Peter
(2005) “Interview,” in Pinter in the Theatre, ed. Ian Smith (London: Nick Hern Books), 131–157.Google Scholar
Hallett, Charles A. and Elaine S. Hallett
(1980) The revenger’s madness (Lincoln, Nebraska: University of Nebraska Press).Google Scholar
Hamlin, Hannibal
(2004) Psalm culture and early modern English literature (Cambridge: Cambridge University Press).Google Scholar
Hampshire, Stuart
(1992) Innocence and experience (Harmondsworth: Penguin).Google Scholar
Harding, D. W.
(1941) “The theme of ‘The Ancient Mariner’,” Scrutiny 9: 334–342.Google Scholar
Hart, Roderick P. and Suzanne Doughton
(2005) Modern rhetorical criticism (Boston: Pearson).Google Scholar
Hazlitt, William
(1910) Lectures on the English poets and Spirit of the Age (London: Dent).Google Scholar
(1930–1934) The complete works of William Hazlitt, 21 vols, ed. P. P. Howe (London: Dent).Google Scholar
Heinemann, Margot
(1980) Puritanism and theatre: Thomas Middleton and opposition drama under the early Stuarts (Cambridge: Cambridge University Press). DOI logoGoogle Scholar
Herbert, George
(1970) The works of George Herbert, ed. F. E. Hutchinson (Oxford: Clarendon Press).Google Scholar
Hermansson, Casie and Janet Zepernick
(eds) (2018) Where is adaptation? Mapping cultures, texts, and contexts (Amsterdam: Benjamins). DOI logoGoogle Scholar
Hirsch, E. D.
(1967) Validity in Interpretation (New Haven: Yale University Press).Google Scholar
Hirsch, Marianne and Valerie Smith
(2002) “Feminism and cultural memory: An introduction,” Signs: Journal of Women in Culture and Society 28: 3–8. DOI logoGoogle Scholar
Hiscock, Andrew
(2017) “ ‘Cut my heart in sums’: Community-making and -breaking in the prodigal drama of Thomas Middleton”, in Community-making in early Stuart theatres: Stage and audience, eds Roger D. Sell, Anthony W. Johnson, and Helen Wilcox (London: Routledge), 311–337.Google Scholar
Hobbes, Thomas
(1909) Leviathan, ed. W. G. Pogson Smith (Oxford: Clarendon).Google Scholar
Holmes, David M.
(1970) The art of Thomas Middleton (Oxford: Clarendon Press).Google Scholar
Holmes, Richard
(1990) Coleridge: Early visions (Harmondsworth: Penguin).Google Scholar
Horace
(1966) Ars Poetica, in Horace: Satires. Epistles. The Art of Poetry, ed. and trans. by H. R. Fairclough, (Cambridge MA: Harvard University Press), 450–489.Google Scholar
(1966) Satire II ii, ll. 15–16, in Horace: Satires. Epistles. The Art of Poetry, ed. and trans. H. R. Fairclough, (Cambridge MA; Harvard University Press), 136–137.Google Scholar
(1966)  Sermones I iv 89, in Horace: Satires. Epistles. The Art of Poetry, ed. and trans. by H. R. Fairclough, (Cambridge MA: Harvard University Press), 54–55.Google Scholar
Hord, Richard
(1625) Black-Fryers: Elegia de Admiranda clade (London: I. Marriot and I. Grismand).Google Scholar
House, Humphrey
(1969) “The Ancient Mariner” [1953], in Twentieth century interpretations of The Rime of the Ancient Mariner, ed. James D. Boulger, (Engelwood Cliffs, NJ: Prentice-Hall), 48–72.Google Scholar
Howard-Hill, T. H.
(1995) Middleton’s “Vulgar Pasquin”: Essays on “A Game At Chess” (Newark: University of Delaware Press).Google Scholar
Howard, Douglas
(1985) “Massinger’s political tragedies”, in Douglas Howard (ed.), Philip Massinger: A critical reassessment (Cambridge: Cambridge University Press), 117–37.Google Scholar
Hundsnurscher, Franz
(2005) Studien zur Dialoggrammatik (Stuttgart: Verlag Hans-Dieter Heinz).Google Scholar
Hurley, Michael D.
(2010) “George Saintsbury’s History of English prosody ”, Essays in Criticism 60: 336–360. DOI logoGoogle Scholar
Isaksson-Wikberg, Maria
(1999) Negotiated and committed argumentation: A cross-cultural study of American and Finland-Swedish student writing (Åbo: Åbo Akademi Press).Google Scholar
Jacob, Giles
(1720) An historical account of the lives and writings of our most considerable ENGLISH poets, whether epick, lyrick, elegiack, epigrammatists, &c (London: E. Curll).Google Scholar
James VI
(1584) The Essayes of a Prentise, in the Divine Art of Poesie (Edinbugh [sic]: Thomas Vautroullier).Google Scholar
(1958) “Off Jacke and Tom,” The poems of James VI, ed. J. Craigie (Edinburgh: STC), 192–193.Google Scholar
James VI & I
(1603) Lepanto, or heroical song being part of his poeticall excercises at vacant houres [1584] (London: Simon Stafford and Henry Hooke).Google Scholar
James, Henry
(1962) “The Art of Fiction” [1884], in Henry James: Selected literary criticism, ed. Morris Shapira (Harmondsworth: Penguin 1962), 78–97.Google Scholar
(1968) Selected literary criticism, ed. Morris Shapiro (Harmondsworth: Penguin).Google Scholar
Johnson, Anthony W.
(1994) Ben Jonson: Poetry and architecture (Oxford: Clarendon Press).Google Scholar
(2009) “Introduction,” in Jason Finch et al. (eds), Humane readings: Essays on literary mediation and communication in honour of Roger D. Sell (Amsterdam: Benjamins), 1–15. DOI logoGoogle Scholar
(2009) “Jonson’s eirenic community: The case of The Masque of Augures (1622),” in Roger D. Sell and Anthony W. Johnson (eds), Writing and religion in England, 1558–1668: Studies in community-making and cultural memory (Farnham: Ashgate), 169–193.Google Scholar
Johnson, Anthony W., Ilkka Juuso, Marc Alexander, Tapio Seppänen, and †Lisa Lena Opas-Hänninen
forthcoming). Time and text: Cultural imagology, ‘big’ data and the Scottish historical novel (Eyecorner Press: Roskilde).
Johnson, Samuel
(1758) The Prince of Abissinia: A tale. In two volumes. Vol. II. Second edition (London: Dodsley).Google Scholar
(1925) “Abraham Cowley”, in his Lives of the English poets, ed. L. Archer Hind, vol. I (London: Dent), 1–45.Google Scholar
(1925) “Alexander Pope”, in his Lives of English poets, ed. L. Archer Hind, vol. I (London: Dent), 143–243.Google Scholar
(2001) “Preface to Shakespeare”, extract in The Norton anthology of theory and criticism, ed. Vincent B. Leitch (New York: Norton 2001), 468–480.Google Scholar
Jones, David
(2005) The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Illustrated and Introduced by David Jones [1929], edited with preface and afterword by Thomas Dilworth (London: Enitharnon Press).Google Scholar
Jonson, Ben
(1925–1952) Ben Jonson, 11 vols, eds C. H. Herford and Percy and Evelyn Simpson (Oxford: Clarendon Press).Google Scholar
(1974) “Of the honor’d Poems of his honoured Friend Sir John Beaumont, Baronet,” in The shorter poems of Sir John Beaumont: A critical edition with an introduction and commentary, ed, Roger D. Sell [= Acta Academiae Aboensis, ser. A, vol. 49] (Åbo: Åbo Akademi Press 1974), 63.Google Scholar
(2012) Discoveries, ed. Lorna Hutson, in David Bevington, Martin Butler and Ian Donaldson (eds), The Cambridge edition of the works of Ben Jonson, 7 vols. (Cambridge: Cambridge University Press 2012), 7: 481–596.Google Scholar
(2012) Epigrams, ed. Colin Burrow, in The Cambridge edition of the works of Ben Jonson, eds David Bevington et al. (Cambridge University Press: Cambridge), 5: 101–198.Google Scholar
(2012) The Masque of Owls at Kenilworth, ed. James Knowles, in David Bevington, Martin Butler and Ian Donaldson (eds), The Cambridge edition of the works of Ben Jonson, 7 vols. (Cambridge: Cambridge University Press), 5: 673–684.Google Scholar
(2012) Neptune’s Triumph for the Return of Albion, ed. Martin Butler, in David Bevington, Martin Butler and Ian Donaldson (eds), The Cambridge edition of the works of Ben Jonson, 7 vols. (Cambridge: Cambridge University Press), 5: 643–672;Google Scholar
Julius, Anthony
(1995) T.S. Eliot, anti-Semitism, and literary form (Cambridge: Cambridge University Press).Google Scholar
Kant, Immanuel
(1998) Groundwork of the metaphysics of morals [1785] (Cambridge: Cambridge University Press). DOI logoGoogle Scholar
(1951) “The critique of aesthetic judgement” [1790 = Part I of his Critique of Judgement ] (New York: Hafner).Google Scholar
Keane, Patrick J.
(1994) Coleridge’s submerged politics: The Ancient Mariner and Robinson Crusoe (Columbia: University of Missouri Press).Google Scholar
Keanie, Andrew
(2002) Student guide to Samuel Taylor Coleridge (London: Greenwich Exchange).Google Scholar
(2006) “Coleridge, the damaged archangel”, Essays in Criticism 56: 72–93. DOI logoGoogle Scholar
Keats, John
(1906) “On Melancholy,” in The Poems of John Keats, ed. Ernest Rhys (London: Dent), 61–62.Google Scholar
(1954) Selected letters of John Keats, ed. Frederick Page (London: Oxford University Press).Google Scholar
Kenyon, F. G.
(1889) “Some missing poems of Sir John Beaumont,” The Athenaeum, 524, 635.Google Scholar
Kermode, Frank
(1971) “The banquet of sense”, in his Shakespeare, Spenser, Donne (London: Routledge), 84–115.Google Scholar
(1983) The classic: Literary images of permanence and change (Cambridge, Mass.: Harvard University Press).Google Scholar
(2001) “F.W. Bateson Memorial Lecture: Literary criticism: Old and new styles,” Essays in Criticism 51: 191–207. DOI logoGoogle Scholar
Kerrigan, John
(1996) Revenge tragedy: Aeschylus to Armageddon (Oxford: Clarendon Press).Google Scholar
King, W.
(1776) The original works, Vol. I (London: N. Conant).Google Scholar
Kinzel, Till and Jarmila Mildorf
(eds) (2012) Imaginary dialogues in English: Explorations of a literary form (Heidelberg: Universitätsverlag Winter).Google Scholar
(eds) (2014) Imaginary dialogues in American literature and philosophy: Beyond the mainstream (Heidelberg: Universitätsverlag Winter).Google Scholar
Kipling, Rudyard
(1920) Kim [1908] (London: Macmillan).Google Scholar
Klancher, Jon
(1987) The making of English reading audiences, 1790–1832 (Madison: University of Wisconsin Press).Google Scholar
Knight, G. Wilson
(1960) “King Lear and the comedy of the grotesque [1930], in his The wheel of fire: Interpretations of Shakespearian tragedy (London: Methuen), 160–176.Google Scholar
Kuurola, Mirja
(2007) “Caryl Phillips’s Cambridge: Discourses in the past and readers in the present,” in Roger D. Sell (ed.), Special issue: Literature as communication, NJES: Nordic Journal of English Studies 6: 129–144. DOI logoGoogle Scholar
Lamb, Charles and Mary
(1975–1978) The letters, ed. Edwin W. Marrs, 3 vols. (Ithaca: University of Cornell Press).Google Scholar
Leavis, F. R.
(1962) The common pursuit [1952] (Harmondsworth: Penguin).Google Scholar
(1962) “Literary Criticism and Philosophy”, in his The common pursuit [1952] (Harmondsworth: Penguin), 211–222.Google Scholar
(1962) The great tradition: George Eliot, Henry James, Joseph Conrad [1948] (Harmondsworth: Penguin).Google Scholar
(1964) “Milton’s Verse,” in F. R. Leavis, Revaluation: Tradition and development in English poetry [1936] (Harmondsworth: Penguin), 42–61.Google Scholar
(1964) “Wordsworth,” in F. R. Leavis, Revaluation: Tradition and development in English poetry [1936] (Harmondsworth: Penguin), 62–86.Google Scholar
(1968) “Henry James as a critic,” in Henry James, Selected literary criticism, ed. Morris Shapiro (Harmondsworth: Penguin), 13–24.Google Scholar
(1972) “Dickens and Blake: Little Dorrit ,” in F. R. Leavis and Q. D. Leavis, Dickens: The novelist [1970] (Harmondsworth: Penguin), 282–359.Google Scholar
(1972) “ Dombey and Son: The first major novel,” in F. R. Leavis and Q. D. Leavis, Dickens: The novelist [1970] (Harmondsworth: Penguin), 21–56.Google Scholar
Leavis, F. R. and Q. D. Leavis
(1972) Dickens: The novelist [1970] (Harmondsworth: Penguin).Google Scholar
Ledent, Bénédicte
(2014) “The dialogic potential of ‘literary autism’: Caryl Phillips’s Higher Ground (1989) and Marie NDiaye’s Trois femmes puissantes (2009),” in Literature as dialogue: Invitations offered and negotiated, ed. Roger D. Sell (Amsterdam: Benjamins), 99–114.Google Scholar
Lejeune, Guillaume
(2014) “Early Romantic hopes of dialogue: Friedrich Schlegel’s Fragments,” in Literature as dialogue: Invitations offered and negotiated, ed. Roger D. Sell (Amsterdam: Benjamins), 251–70.Google Scholar
Lever, J. W.
(1971) The tragedy of state (London: Methuen).Google Scholar
Lévi-Strauss, Claude
(1970) “Overture to Le Cru et le Cuit” [1964], in Structuralism, ed. Jacques Ehrmann (Garden City: Anchor-Doubleday).Google Scholar
Lewis, C. S.
(1942) A preface to Paradise Lost (London: Oxford University Press).Google Scholar
(1961) An experiment in criticism (Cambridge: Cambridge University Press).Google Scholar
Lindgren, Agneta
(1999) The fallen world in Coleridge’s poetry (Lund: Lund University Press 1999).Google Scholar
Lindgren, Inna
(2013) “Kipling, his Narrator, and the public sphere,” in The ethics of literary communication: Genuineness, directness, indirectness, eds. Roger D. Sell, Adam Borch, and Inna Lindgren (Amsterdam: Benjamins), 99–113. DOI logoGoogle Scholar
Lipking, Lawrence
(1986) “The marginal gloss” [1977], in Samuel Taylor Coleridge: The Rime of the Ancient Mariner, ed. Harold Bloom (New York: Chelsea House), 75–82.Google Scholar
Lodge, David
(1990) After Bakhtin: Essays on fiction and criticism (London: Routledge).Google Scholar
(1997) “Pinter’s Last to Go: A structuralist reading,” The practice of writing (Harmondsworth: Penguin), 270–285.Google Scholar
Lopéz, Silvia
(2004) “National culture, globalization and the case of post-ear El Salvador,” Comparative Literature Studies 41: 80–100. DOI logoGoogle Scholar
Low, Jennifer
(2011) “Violence in the city”, in Thomas Middleton in context, ed. Suzanne Gossett (Cambridge: Cambridge University Press), 98–105.Google Scholar
Lowes, John Livingston
(1933) The road to Xanadu: A study in the ways of imagination (London: Constable).Google Scholar
(1945) “Introduction,” in Samuel Taylor Coleridge: The Rime of the Ancient Mariner, illustr. Edward A. Wilson (New York: The Limited Editions Club), 7–17.Google Scholar
Lyotard, Jean-François
(1984) The postmodern condition: A report on knowledge [1979] (Manchester: Manchester University Press).Google Scholar
Lubbock, Percy
(1921) The craft of fiction (London: Jonathan Cape).Google Scholar
Main, C. F.
(1958) “Poems on the ‘Spanish Marriage’ of Prince Charles,” Notes and Queries 200: 336–340.Google Scholar
Marlowe, Christopher
(1909) The First Part of Tamburlaine the Great, in The plays of Christopher Marlowe, ed. Edward Thomas (London: Dent), 1–59.Google Scholar
Marotti, Arthur F.
(1999) “Alienating Catholics in early modern England: Recusant women, Jesuits and ideological fantasies,” in Catholicism and anti-Catholicism in early modern English texts, ed. Arthur F. Marotti (Basingstoke: Macmillan), 1–34. DOI logoGoogle Scholar
Martial
(1993) Epigram V lxxviii, in Martial: Epigrams, Volume I: Spectacles, Books 1–5, ed. and trans. D. R. Shackleton Bailey (Cambridge, Mass.: Harvard University Press) [Loeb Classical Library 94], 388–389.Google Scholar
(1993) Epigram i X xlviii, in Martial: Epigrams, Volume II: Books 6–10, ed. and trans. D. R. Shackleton Bailey (Cambrdige, Mass.: Harvard University Press) [Loeb Classical Library 95], 360–361.Google Scholar
(1993) Epigrams, Volume III: Books 11–14, ed. and trans. D. R. Shackleton Bailey (London: William Heinemann).Google Scholar
Martz, Louis L.
(1954) The poetry of meditation: A study in English religious literature of the seventeenth century (New Haven: Yale University Press).Google Scholar
Massinger, Philip
(1978) The Roman Actor, in The selected plays of Philip Massinger, ed. Colin Gibson, (Cambridge: Cambridge University Press), 95–179.Google Scholar
Matlak, Richard E.
(1997) The poetry of relationship: The Wordsworths and Coleridge 1797–1800 (Basingstoke: Macmillan).Google Scholar
McElderry, B. R.
(1932) “Coleridge’s revision of ‘The Ancient Mariner’,” Studies in Philology 29: 68–94.Google Scholar
McGann, Jerome J.
(1985) “ The Ancient Mariner: The meaning of the meanings,” in his The beauty of inflections: Literary investigations in historical theory and method (Oxford: Clarendon Press) 135–172.Google Scholar
McGoogan, Ken
(2004) Ancient Mariner: The amazing adventures of Samuel Hearne, the sailor who walked to the Arctic Ocean (London: Bantam).Google Scholar
Mee, Jon
(2011) Conversable worlds: Literature, contention, and community 1782–1830 (Oxford: Oxford University Press).Google Scholar
Middleton, Thomas
(1840) The works of Thomas Middleton, 5 vols, ed. Alexander Dyce (Edward Lumley: London).Google Scholar
(1929) A Game at Chesse, ed. R. C. Bald (Cambridge: Cambridge University Press).Google Scholar
(2007) A Game at Chesse: An early form and A Game at Chess: A later form, ed. Gary Taylor, in Gary Taylor and John Lavagnino (eds), Thomas Middleton: The Collected Works (Oxford: Clarendon Press), 1773–1885.Google Scholar
(2009) A Game at Chess: Thomas Middleton, ed. T. H. Howard-Hill (Manchester: Manchester University Press).Google Scholar
Mill, John Stuart
(1982) “Thoughts on poetry and its varieties” [1833], in Collected works of John Stuart Mill, eds M. Robson and Jack Stillinger (Toronto: University of Toronto Press).Google Scholar
Miller, J. Hillis
(1976) “The Critic as Host,” Critical Inquiry 3: 439–47. DOI logoGoogle Scholar
(1995) “The university of dissensus,” The Oxford Literary Review 17: 121–143. DOI logoGoogle Scholar
(2007) “A defense of literature and literary study in a time of globalization and the new tele-technologies,” Neohelicon 34: 13–22; DOI logoGoogle Scholar
Milnes, Tim
(2010) The truth about Romanticism: Pragmatism and idealism in Keats, Shelley, Coleridge (Cambridge: Cambridge University Press). DOI logoGoogle Scholar
Milton, John
(1968) The poems of John Milton, eds John Carey and Alastair Fowler (Longmans: London).Google Scholar
Mitchell, Katie
(2005) “Interview,” in Pinter in the theatre, ed. Ian Smith (London: Nick Hern Books), 191–198.Google Scholar
Montagu, Lady Mary Wortley
(1967) The complete letters of Lady Mary Wortley Montagu, Vol. III, ed. Robert Halsband (Oxford: Clarendon Press).Google Scholar
Moores, D. J.
(2010) The dark enlightenment: Jung, Romanticism and the repressed other (Madison: Fairleigh Dickinson Press).Google Scholar
Müller-Wood, Anja
(2014) “The role of the emotions in literary communication: Joyce’s A Portrait of the Artist as a Young Man , in Literature as dialogue: Invitations offered and negotiated, ed. Roger D. Sell (Amsterdam: Benjamins), 137–59.Google Scholar
Muždeka, Nina
(2014) “Multifaceted postmodernist dialogue: Julian Barnes’s Talking it over and Love, etc. , in Literature as dialogue: Invitations offered and negotiated, ed. Roger D. Sell (Amsterdam: Benjamins 2014), 67–77.Google Scholar
Newdigate, B. H.
(1942) “Sir John Beaumont’s ‘The Crowne of Thornes’”, Review of English Studies, 18: 284–290. DOI logoGoogle Scholar
Newlyn, Lucy
(2002) “Introduction,” in The Cambridge companion to Coleridge ed. Lucy Newlyn (Cambridge: Cambridge University Press), 1–14. DOI logoGoogle Scholar
Nikiulin, Dmitri
(2010) Dialectic and dialogue (Stanford: Stanford University Press). DOI logoGoogle Scholar
Nora, Pierre
(1989) “Between memory and history: Les lieux de mémoire ,” Representations 26: 7–12. DOI logoGoogle Scholar
Nuttall, A. D.
(1996) Why does tragedy give pleasure? (Oxford: Clarendon Press).Google Scholar
Orbison, Tucker
(1974) The tragic vision of John Ford (Salzburg: Saltzburg Studies in English Literature).Google Scholar
Orwell, George
(1963) Coming up for Air [1939] (Harmondsworth: Penguin).Google Scholar
Page, Norman
(1974) Speech in the English novel (London: Longman).Google Scholar
Palmer, Alan
(2004) Fictional minds (Lincoln: University of Nebraska Press).Google Scholar
Parry, Graham
(1985) “Britain’s Roman poet,” in his Seventeenth-century poetry: The social context (London: Hutchinson), 17–41.Google Scholar
(1981) The Golden Age Restor’d: The culture of the Stuart court, 1603–42 (Manchester: Manchester University Press).Google Scholar
(2009) “High-Church devotion in the Church of England, 1620–1642”, in Writing and religion in England, 1558–1689: Studies in community-making and cultural memory, eds Roger D. Sell and Anthony W. Johnson (Farnham: Ashgate), 239–252.Google Scholar
Pater, Walter
(1973) “Style”, in his Essays on literature and art, ed. Jennifer Uglow (London: Dent), 61–78.Google Scholar
Patterson, W. B.
(1997) King James VI and I and the reunion of Christendom (Cambridge: Cambridge University Press).Google Scholar
Paulson, Sarah J. and Anders Skare Malvik
Peltonen, Markku
(2003) The duel in early modern England: Civility, politeness and honour (Cambridge: Cambridge University Press). DOI logoGoogle Scholar
Perry, Seamus
(ed.) (2000) S.T. Coleridge: Interviews and recollections (Basingstoke: Macmillan).Google Scholar
(2002) “The Talker,” in The Cambridge companion to Coleridge, ed. Lucy Newlyn (Cambridge: Cambridge University Press), 103–125. DOI logoGoogle Scholar
Phillips, Caryl
(1991) Cambridge (London: Bloomsbury).Google Scholar
Pieterse, Jan Lederveen
(1995) “Globalization as hybridization,” in Global modernities, eds Mike Featherstone, Scott Lash, and Roland Robertson, London: Sage), 45–68. DOI logoGoogle Scholar
Pinter, Harold
(1996) Plays Two (London: Faber and Faber).Google Scholar
(1997) Plays Three (London: Faber and Faber).Google Scholar
(2005) Ashes to Ashes [1996], in Harold Pinter: Plays Four (London: Faber and Faber), 389–433.Google Scholar
(2009) “A Note on Shakespeare” [1950], in his Various voices: Sixty years of prose, poetry, politics, 1948–2008 (London: Faber and Faber), 14–16.Google Scholar
Piper, H. W.
(1955) “Nature and the supernatural in ‘The Ancient Mariner’” (Armidale: University of New England).Google Scholar
Pirie, David
(1972) “Textual Commentary,” in Coleridge’s verse: A selection, eds William Empson and David Pirie (London: Faber and Faber), 207–216.Google Scholar
Pite, Ralph
(2003) “Wordsworth and the natural world,” in The Cambridge companion to Wordsworth, ed. Stephen Gill (Cambridge: Cambridge University Press 2003), 180–195. DOI logoGoogle Scholar
Pizer, John
(2000) “Goethe’s ‘World Literature’ paradigm and contemporary globalization,” Comparative Literature 52: 213–227. DOI logoGoogle Scholar
Pliny the Elder
(1945) Natural history, Volume IV: Books 12–16, trans. H. Rackham (Cambridge Mass.: Harvard University Press) [Loeb Classical Library 370].Google Scholar
Pope, Alexander
(1963) The poems of Alexander Pope, ed. John Butt (London: Methuen).Google Scholar
Portal, Ethel M.
(1915–1916) “The Academ Roial of King James I”, Proceedings of the British Academy, [7]: 189–208.Google Scholar
Rawson, Claude
(1972) Henry Fielding: The Augustan ideal under stress (London: Routledge and Kegan Paul).Google Scholar
Redworth, Glyn
(2003) The Prince and the Infanta: The cultural politics of the Spanish match (New Haven: Yale University Press).Google Scholar
Richards, I. A.
(1929) Practical criticism: A study in literary judgement (London: Routledge & Kegan Paul).Google Scholar
Richardson, Alan
(2000) “Rethinking Romantic incest: Human universals, literary representation and the biology of mind’, English Literary History 31: 553–72. DOI logoGoogle Scholar
Ricks, Christopher
(1971) “The tragedies of Webster, Tourner and Middleton: Symbols, imagery and conventions”, in Christopher Ricks (ed.), English Drama to 1710 (London: Sphere Books), 306–53.Google Scholar
(1974) Keats and embarrassment (Oxford: Clarendon Press).Google Scholar
(1987) “A sinking inward to ourselves from thought to thought,” in his The force of poetry (Oxford: Clarendon Press), 117–134.Google Scholar
(1994) T.S. Eliot and prejudice (London: Faber).Google Scholar
(2001) “Defects of Kipling (1909),” Essays in Criticism 51: 1–7. DOI logoGoogle Scholar
Ridley, Matt
(1997) The origins of virtue: Human instincts and the evolution of cooperation (Harmondsworth: Penguin).Google Scholar
Rimon, Helena
(2014) “Dialogues of cultures and national identity: Teuven Asher Braudes’ The Two Poles ,” in Literature as dialogue: Invitations offered and negotiated, ed. Roger D. Sell (Amsterdam: Benjamins 2014), 237–50.Google Scholar
Rochester, Joanne
(2010) Staging spectatorship in the plays of Philip Massinger (Farnham: Ashgate).Google Scholar
Rushdie, Salman
(1992) The Satanic Verses [1988] (Dover, Delaware: The Consortium).Google Scholar
(2005) Shalimar the Clown (London: Vintage).Google Scholar
Rybacki, Karyn Charles and Donald Jay Rybacki
(2002) Communication criticism: Approaches and genres (Boston: Pearson).Google Scholar
Saintsbury, George
(1875) “Charles Baudelaire,” Fortnightly Review 18 ns (1st October): 500–518.Google Scholar
Salenius, Maria
(2009) “...’those marks are upon me’: John Donne’s sermons for a community in transition”, in Writing and religion in England, 1558–1689: Studies in community-making and cultural memory, eds Roger D. Sell and Anthony W. Johnson (Farnham: Ashgate), 151–167.Google Scholar
Schegloff, Emanuel A.
(1981) “Discourse as an interactional achievement: Some uses of ‘uh huh’ and other things that come between sentences,” in Analyzing discourse: Text and talk, ed. Deborah Tannen (Washington DC: Georgetown University Press), 71–93.Google Scholar
Scott, Thomas
(1624) The Second Part of Vox Populi ([London: N. Okes and J. Dawson]).Google Scholar
Sell, Roger D.
(1970) “The handwriting of Sir John Beaumont and the editing of his poems,” Huntington Library Quarterly 33: 284–291. DOI logoGoogle Scholar
(1972) “The authorship of The Metamorphosis of Tabacco and Salmacis and Hermaphroditus ,” Notes and Queries, 117: 10–14. DOI logoGoogle Scholar
(1975) “Notes on the religious and family background of Francis and Sir John Beaumont’, Neuphilologische Mitteilungen, 76: 299–307.Google Scholar
(1975) “Two types of style contrast in King Lear: A literary-critical Appraisal,” in Style and text: Studies presented to Nils Erik Enkvist, ed. Håkan Ringbom (Stockholm: Skriptor 1975), 155–71.Google Scholar
(1981) “ Watership Down and the rehabilitation of pleasure,” Neophilologische Mitteilungen 1 82: 28–35 (reprinted in Contemporary literary criticism, vol. 357, ed. Lawrence J. Trudeau (Farmington Hills: Gale 2014), 5–10).Google Scholar
(1985) “Politeness in Chaucer: Suggestions towards a methodology for pragmatic stylistics”, Studia Neophilologica 57: 175–185 (= item 2 in Roger D. Sell, A humanizing literary pragmatics: Theory, criticism, education: Selected papers 1985–2002 (Amsterdam: Benjamins 2019), 29–45).Google Scholar
(1985) “Tellability and politeness in ‘The Miller’s Tale’: First steps in Literary pragmatics”, English Studies 66: 496–512 (= item 1 in Roger D. Sell, A humanizing literary pragmatics: Theory, criticism, education: Selected papers, 1985–2002 (Amsterdam: Benjamins 2019), 9–28).Google Scholar
(1991) “The politeness of literary texts”, in Literary pragmatics, ed. Roger D. Sell (London: Routledge 1991), 208–224.Google Scholar
(1992) “Literary texts and diachronic aspects of politeness”, in Politeness in language: Studies in its history theory and practice, eds Richard J. Watts, Sachiko Ide, and Konrad Ehlich (Berlin: Mouton de Gruyter 1992), 109–129. DOI logoGoogle Scholar
(1993) “Simulative panhumanism: A challenge to current linguistic and literary thought,” Modern Language Review 88: 545–558 (= item 11 in Roger D. Sell, A humanizing literary pragmatics: Theory, criticism, education: Selected papers, 1985–2002 (Amsterdam: Benjamins 2019), 133–149).Google Scholar
(1994) “Literary gossip, literary theory, literary pragmatics,” in Literature and the new interdisciplinarity: Poetics, linguistics, history, eds Roger D. Sell and Peter Verdonk (Amsterdam: Rodopi), 221–241 (= item 13 in Roger D. Sell, A humanizing literary pragmatics: Theory, criticism, education: Selected papers 1985–2002 (Amsterdam 2019), 159–177).Google Scholar
(ed.) (1994) New Casebooks: Great Expectations: Charles Dickens (Basingstoke: Macmillan).Google Scholar
(ed.) (1995) Literature throughout foreign language education: The implications of pragmatics, ed. Roger D. Sell (London: Modern English Language Publications in Association with the British Council).Google Scholar
(1999) “ Henry V and the strength and weakness of words: Shakespearian philology, historicist criticism, communicative pragmatics,” Neuphilologische Mitteilungen 100: 535–63 (reprinted in Shakespeare and Scandinavia: A collection of Nordic studies, ed. Gunnar Sorelius (Newark: University of Delaware Press 2002), 108–41, and revised as Chapter 2, “ Henry V and the strength and weakness of words,” in Roger D. Sell, Communicational criticism: Studies in literature as dialogue (Amsterdam: Benjamins 2011), 51–81.)Google Scholar
(2001) “Communication: A counterbalance to professional specialization,” in Innovation and continuity in English studies: A critical jubilee, ed. Herbert Grabes (Fankfurt: Peter Lang), 73–89 (= item 24 in Roger D. Sell, A humanizing literary pragmatics: Theory, criticism, education: Selected papers 1985–2002 (Amsterdam 2019), 327–342)).Google Scholar
(2001) “Decorum versus indecorum in Dombey and Son ,” in his Mediating criticism: Literary education humanized (Amsterdam: Benjamins), 165–193. DOI logoGoogle Scholar
(2001) “Henry Vaughan’s unexpectedness,” in his Mediating criticism: Literary education humanized (Amsterdam: Benjamins), 139–164. DOI logoGoogle Scholar
(2001) “A historical but non-deterministic pragmatics of literary communication,” Journal of Historical Pragmatics 2:1–32. DOI logoGoogle Scholar
(2001) “How much should history weigh? Mediating criticism and the discourse of conflict,” in Poetics, linguistics and history: Discourse of war and conflict, eds Ina Biermann and Annette Combrink (Potchefstroom: Potchefstroom University), 274–93 (revised as Chapter 6, “ The Waste Land and the discourse of mediation,” in Roger D. Sell, Communicational criticism: Studies in literature as dialogue (Amsterdam: Benjamins 2011), 223–237).Google Scholar
(2001) “The impoliteness of The Waste Land ,” in his Mediating criticism: Literary education humanized (Amsterdam: Benjamins), 107–138. DOI logoGoogle Scholar
(2001) Mediating criticism: Literary education humanized (Amsterdam: Benjamins). DOI logoGoogle Scholar
(2001) “The pains and pleasures of David Copperfield ,” in his Mediating criticism: Literary education humanized (Amsterdam: Benjamins), 263–290. DOI logoGoogle Scholar
(2001) “Waistlines: Bowling, Orwell, Blair”, in Language, Learning, Literature: Studies Presented to Håkan Ringbom, eds Roger D. Sell et al. (English Department Publications 4, Åbo Akademi University), 261–80 (revised as Chapter 8, “Orwell’s Coming Up For Air and the communal negotiation of feelings,” in Roger D. Sell, Communicational criticism: Studies in literature as dialogue (Amsterdam: Benjamins 2011), 259–275).Google Scholar
(ed.) (2002) Children’s literature as communication: The ChiLPA project (Amsterdam: Benjamins). DOI logoGoogle Scholar
(2002) “Introduction,” in Roger D. Sell (ed.), Children’s literature as communication: The ChiLPA Project (Amsterdam: Benjamins,), 1–26. DOI logoGoogle Scholar
(2002) “Reader-learners: Children’s novels and participatory pedagogy”, in Roger D. Sell (ed.), Children’s literature as communication: The ChiLP project (Amsterdam: Benjamins), 263–290. DOI logoGoogle Scholar
(2003) Interviewed by Dusanka Zabukovec. Sobodnost 67: 824–832.Google Scholar
(2004) “Blessings, benefactions and bear’s services: Great Expectations and communicational narratology,” The European Journal of English Studies 8: 49–80 (revised as Chapter 5, “Great Expectations and the Dickens community,” in Roger D. Sell, Communicational criticism: Studies in literature as dialogue (Amsterdam: Benjamins 2011), 195–221).Google Scholar
(2004) “Decency at a discount? English studies, communication, mediation,” The European English Messenger 13: 23–34.Google Scholar
(2004) “What’s literary communication and what’s a literary community?” in Emergent literatures and globalisation: Theory, society, politics, eds Sonia Faessel and Michel Pérez (Paris: In Press Editions), 39–45 (= item 2 in the present selection).Google Scholar
(2005) “Social change and scholarly mediation”, in Re-imagining language and literature for the 21st century, ed. Suthira Duangsamosorn (Amsterdam: Rodopi), 133–50.Google Scholar
(2007) “Gadamer, Habermas and a re-humanized literary scholarship,” in Literary criticism as Metacommunity, eds Smiljana Komar and Uros Mozetic (Ljubljana Slovene Association for the Study of English), 213–220 (= item 3 in the present selection).Google Scholar
(2007) “The importance of genuine communication: Literature within a participatory pedagogy,” in Towards a dialogic Anglistics, eds Werner Delanoy, Jörg Helbig, and Allan James (Vienna: Lit Verlag), 247–261.Google Scholar
(2007) “Literary scholarship as mediation: An approach to cultures past and present”, in Cultures in Contact, eds Balz Engler and Lucia Michalcak (Tübingen: Gunter Narr), 35–58.Google Scholar
(ed.) (2007) Special issue: Literature as communication, NJES: Nordic Journal of English Studies (7): 1–172.Google Scholar
(2007) “Wordsworthian communication”, Nordic Journal of English Studies 6: 17–45. DOI logoGoogle Scholar
Sell, Roger D. Sell
(2009) “Sir John Beaumont and his three audiences” in Roger D. Sell and Anthony W. Johnson (eds), Writing and religion in England, 1558–1689: Studies in community-making and cultural memory (Ashgate: Farnham), 195–221 (= item 4 in the present selection).Google Scholar
Sell, Roger D.
(2009) “Wordsworth and the spread of genuine communication,” Literature and values: Literature as a medium for representing, disseminating and constructing norms and values, eds Sibylle Baumback, Herbert Grabes, and Ansgar Nünning (Wissenschaftlicher Verlag Trier), 125–43 (revised as Chapter 4, “Wordsworth’s genuineness,” in Roger D. Sell, Communicational criticism: Studies of literature as dialogue (Amsterdam: Benjamins 2011), 151–194).Google Scholar
(2010) “Mediational ethics in Churchill’s My Early Life ,” in Auto / Biography and mediation, ed. Alfred Hornung (Heidelburg: Winter), 207–225, (revised as Chapter 7, “Churchill’s My Early Life and communicational ethics,” in Roger D. Sell, Communication criticism: Studies in literature as dialogue (Amsterdam: Benjamins 2011), 239–258).Google Scholar
(2011) Communicational criticism: Studies in literature as dialogue (Amsterdam: Benjamins).Google Scholar
(2011) “Communicational ethics and the plays of Harold Pinter”, in his Communicational criticism: Studies in literature as dialogue (Amsterdam: Benjamins), 293–363. DOI logoGoogle Scholar
(2011) “Dialogicality and ethics: Four cases of literary address,” Language and Dialogue 1: 79–104 (= item 5 in the present selection). DOI logoGoogle Scholar
(2011)  Great Expectations and the Dickens community,” in his Communicational criticism: Studies in literature as dialogue (Amsterdam: Benjamins), 195–237. DOI logoGoogle Scholar
(2011) “Pope’s three modes of address,” in his Communicational criticism: Studies in literature as dialogue (Amsterdam: Benjamins), 83–150. DOI logoGoogle Scholar
(2011) “Wordsworth’s Genuineness,” in his Communicational criticism: Studies in literature as dialogue (Amsterdam: Benjamins 2011), 151–194. DOI logoGoogle Scholar
(2012) “Cultural memory and the communicational criticism of literature”, ESSACHESS: Journal for Communication Studies 5: 201–225 (= item 8 in the present selection).Google Scholar
(2012) “Dialogue versus silencing: Coleridge’s The Rime of the Ancient Mariner , in Literary community-making: The dialogicality of English texts from the seventeenth century to the present, ed. Roger D. Sell (Amsterdam: Benjamins 2012), 91–129 (=item 7 in the present selection). DOI logoGoogle Scholar
(2014) “A communicational criticism for post-postmodern Times,” in Linguistics and literary studies: Interfaces, encounters, transfers, eds Monika Fludernik and Daniel Jacob (Berlin: De Gruyter 2014), 127–146 ( = item 11 in the present selection).Google Scholar
(ed.) (2014) Literature as dialogue: Invitations offered and negotiated (Amsterdam: Benjamins). DOI logoGoogle Scholar
(ed.) (2015) Literary Pragmatics [1991] (London: Routledge).Google Scholar
(2015) “Political and hedonic re-contextualizations: Prince Charles’s Spanish journey in Beaumont, Jonson, and Middleton”, Ben Jonson Journal 22 (2015): 163–187 (= item 13 in the present selection). DOI logoGoogle Scholar
(2015) “Where do literary authors belong? A post-postmodern answer,” Rocznik Komparatystyczny: Comparative Yearbook 6: 47–68 (= item 14 in the present selection). DOI logoGoogle Scholar
(2017) “Dialogue and Literature,” in The Routledge handbook of language and dialogue, ed. Edda Weigand (New York: Routledge 2017), 127–142 (= item 16 in the present selection).Google Scholar
(2017) “The example of Coleridge: A utopian element in literary communication”, in English without boundaries: Reading English from China to Canada, eds Jane Roberts and Trudi L. Darby (Newcastle upon Tyne: Cambridge Scholars Publishing), 88–103.Google Scholar
(2017) “Honour dishonoured: The communicational workings of early Stuart tragedy and tragicomedy”, in Roger D. Sell, Anthony W. Johnson and Helen Wilcox (eds), Community-making in early Stuart theatres: Stage and audience (London: Routledge), 173–198 (= item 15 in the present selection).Google Scholar
(2019) “Ben Jonson’s Epigram 101, ‘Inviting a Friend to Supper’: Literary pleasures immediately tasted,” in Tommi Alho, Jason Finch, and Roger D. Sell (eds), Renaissance Man: Essays on Literature and Culture for Anthony W. Johnson (Amsterdam: Benjamins 2019), 25–57 (= item 17 in the present selection). DOI logoGoogle Scholar
(2019) “Literary pragmatics and the alternative Great Expectations ,” in Roger D. Sell, A humanizing literary pragmatics: Theory, criticism, education (Amsterdam: Benjamins), 179–194. DOI logoGoogle Scholar
Sell, Roger D., Adam Borch, and Inna Lindgren
Sell, Roger D. and Anthony W. Johnson
(eds) (2009) Religion and writing in England, 1558–1689: Studies in community-making and cultural memory (Farnham: Ashgate)Google Scholar
Sell, Roger D., Anthony W. Johnson, and Helen Wilcox
(eds) (2017) Community-making in early Stuart theatres: Stage and audience (London: Routledge).Google Scholar
Sell, Roger D. and Peter Verdonk
(eds) (1994) Literature and the new interdisciplinarity: Poetics, linguistics, history (Amsterdam: Rodopi).Google Scholar
Shakespeare, William
(1959) The Merchant of Venice, ed. John Russell Brown (London: Methuen).Google Scholar
(1961) King Lear, ed. Kenneth Muir (London: Methuen).Google Scholar
(1967) Henry IV i, ed. A. R. Humphreys (London: Methuen).Google Scholar
(1969) Henry VI ii, ed. Andrew Cairncross (London: Methuen).Google Scholar
(1972) Macbeth, ed. Kenneth Muir (London: Methuen).Google Scholar
(1995) Antony and Cleopatra, ed. John Wilders (London: Arden Shakespeare).Google Scholar
(1997) The Norton Shakespeare, ed. Stephen Greenblatt (New York: Norton).Google Scholar
(1997) Shakespeare’s Sonnets, ed. Katherine Duncan–Jones (London: Arden Shakespeare).Google Scholar
Shell, Alison
(1999) Catholicism, controversy and the English literary imagination, 1558–1660 (Cambridge: Cambridge University Press). DOI logoGoogle Scholar
(2001) “What is a Catholic poem? Explicitness and censorship in Tudor and Stuart religious verse’, in Literature and censorship in Renaissance England, ed. Andrew Hadfield, (Basingstoke: Palgrave), 95–111.Google Scholar
Shusterman, Richard Shusterman
(1992) Pragmatist aesthetics: Living beauty, rethinking art (Oxford: Blackwell).Google Scholar
Shusterman, Richard
(1993) “Don’t believe the hype: Animadversions on the critique of popular art,” Poetics Today 14: 101–122. DOI logoGoogle Scholar
Siebers, Johan
(2013) “The utopian horizon of communication: Ernst Bloch’s Traces and Johann-Peter Hebel’s The Treasure Chest ,” in The ethics of literary communication: Genuineness, directness, indirectness, eds Roger D. Sell, Adam Borch, and Inna Lindgren (Amsterdam: Benjamins), 189–212. DOI logoGoogle Scholar
Sillars, Malcolm O. and Bruce E. Gronbeck
(2001) Communication criticism: Rhetoric, social codes, cultural studies (Waveland: Long Grove, Illinois).Google Scholar
Simpson, David
(1979) Irony and authority in Romantic poetry (London: Macmillan). DOI logoGoogle Scholar
Sisman, Adam
(2007) Wordsworth and Coleridge: The friendship (London: Harper Perennial).Google Scholar
Sitterson, Joseph C.
(2000) Romantic poems, poets, and narrators (Kent, Ohio: Kent State University Press).Google Scholar
Sontag, Susan
(1966) Against interpretation and other essays (New York: Farrar, Strauss and Giroux).Google Scholar
Spenser, Edmund
(1913) The poetical works of Edmund Spenser, eds. J. C. Smith and E. De Selincourt (London: Oxford University Press).Google Scholar
Sperber, Dan Sperber and Deirdre Wilson
(1986) Relevance: Communication and cognition (Oxford: Blackwell).Google Scholar
Sprat, Thomas
(1734) The history of the Royal Society of London, for the Improving of Natural Knowledge, fourth edition (London: J. Knapton [et al.]).Google Scholar
Steele, Richard
(1965) The Spectator, ed. Donald F. Bond, 5 vols. (Oxford: Clarendon Press).Google Scholar
Stephen, James Kenneth
(1896) “Sonnet,” in James Kenneth Stephen, Lapsus Calami (Cambridge: Macmillan and Bowes), 83.Google Scholar
Stevens, Wallace
(1953) “Men Made Out of Words”, in his Selected poems (London: Faber and Faber 1953), 90.Google Scholar
Stevenson, Lionel
(1949) “ ‘The Ancient Mariner’ as a dramatic monologue,” The Personalist 30: 34–44.Google Scholar
Stevenson, Warren
(1986) “ The Rime of the Ancient Mariner as epic symbol” [1976], in Samuel Taylor Coleridge: The Rime of the Ancient Mariner, ed. Harold Bloom (New York: Chelsea House), 51–56.Google Scholar
(2001) A study of Coleridge’s three great poems: Christabel, Kubla Khan and The Rime of the Ancient Mariner (Lewistown: Edwin Mellen Press).Google Scholar
Stillinger, Jack
(1994) Coleridge and textual instability: The multiple versions of the major poems (Oxford: Oxford University Press).Google Scholar
Stokes, Christopher
(2011) Coleridge, language and the sublime: From transcendence to finitude (Basingstoke: Palgrave Macmillan). DOI logoGoogle Scholar
Strich, Fritz
(1949) Goethe and world literature [1945], trans. C. A. M. Sym (London: Routledge).Google Scholar
Stromberg, David
(2013) Review of Roger D. Sell, Communicational criticism, in Partial Answers: Journal of Literature and the History of Ideas 11: 337–9). DOI logoGoogle Scholar
Svensson, Lars-Håkan
(2009) “Imitation and cultural memory in Spenser’s The Faerie Queene ,” in “Writing and religion in England, 1558- 1689: Studies in community-making and cultural memory”, eds Roger D. Sell and Anthony W. Johnson (Farnham: Ashgate), 73–90.Google Scholar
Swinburne, A. C.
(1973) “Coleridge” [1875], in The Ancient Mariner and other poems: A casebook, eds Alun R. Jones and William Tydeman (London: Macmillan), 85–95.Google Scholar
Tallis, Raymond
(1997) Enemies of hope: A critique of contemporary pessimism, irrationalism, anti-Humanism and counter-Enlightenment (Basingstoke: Macmillan).Google Scholar
Tannen, Deborah
(1987) “Repetition in conversation: Towards a poetics of talk,” Journal of the Linguistics Society of America 63: 574–605. DOI logoGoogle Scholar
(1990) “Ordinary conversation and literary discourse: Coherence and the poetics of repetition,” in The uses of linguistics, ed. Edward H. Bendix (New York: New York Academy of Sciences), 15–32.Google Scholar
Taussig, Gurion
(2002) Coleridge and the idea of friendship, 1789 – 1804 (Newark: University of Delaware Press.Google Scholar
Taylor, Charles
(1994) “The politics of recognition,” in Multiculturalism: Examining the politics of recognition, ed. Amy Gutman (Princeton: Princeton University Press), 25–73. DOI logoGoogle Scholar
Tee, Ve-Yin
(2009) Coleridge, revision and Romanticism (London: Continuum 2009).Google Scholar
Tennyson, Alfred Lord
(1899) Poetical works of Alfred Lord Tennyson, Poet Laureate (London: Macmillan.Google Scholar
Thackeray, William Makepeace
n.d.). Henry Esmond; The English humourists; The four Georges ed. George Saintsbury London Oxford University Press
Tomlinson, Sophie
(2006) Women on stage in Stuart drama (Cambridge: Cambridge University Press).Google Scholar
Trilling, Lionel
(1950) “Manners, morals, and the novel”, in his The liberal imagination (New York: Viking), 205–222.Google Scholar
(1967) “The fate of pleasure,” in his Beyond culture: Essays on literature and learning (Harmondsworth: Penguin), 62–86.Google Scholar
Varriano, John
(2010) Wine: A cultural history (London: Reaktion Books).Google Scholar
Vassanji, M. G.
(2003) The in-between world of Vikram Lall (Doubleday Canada).Google Scholar
Waldock, A. J. A.
(1947) Paradise Lost and its critics (Cambridge: Cambridge University Press).Google Scholar
Wall, Barbara
(1991) The narrator’s voice: The dilemma of children’s literature (Basingstoke: Macmillan). DOI logoGoogle Scholar
Wall, Wendy
(1987) “Interpreting poetic shadows: The gloss of ‘The Rime of the Ancient Mariner’,” Criticism 29: 179–95.Google Scholar
Wallerstein, Ruth
(1954) “Sir John Beaumont’s Crowne of Thornes: A report,” Journal of English and Germanic Philology 53: 410–434;Google Scholar
Walsham, Alexandra
(1994) “‘The Fatall Vesper’: Providentialism and anti-Popery in late Jacobean London”, Past & Present, 144/1: 36–87. DOI logoGoogle Scholar
Warner, Marina
(2004) “Introduction,” in Samuel Taylor Coleridge: The Rime of the Ancient Mariner, illustr. Mervyn Peake (London: Vintage), v–xiv.Google Scholar
Warren, Robert Penn
(1946) “A poem of pure imagination: An experiment in reading,” Kenyon Review 7: 391–427.Google Scholar
Warton, Thomas
(1762) Observations on the Fairy Queen of Spenser: The Second Edition, 2 vols (London: R. & J. Dodsley and J. Fletcher).Google Scholar
Watson, George
(1966) Coleridge the poet (London: Routledge and Kegan Paul).Google Scholar
Webster, John
(1996) The Duchess of Malfi, in John Webster: The White Devil, The Duchess of Malfi, The Devil’s Law-Case, A Cure for a Cuckold, ed. René Weis (Oxford: Oxford University Press 1996), 1–200.Google Scholar
Wehrs, Donald R. and David P. Haney
(eds) (2009) Levinas and nineteenth-century literature: Ethics and otherness from Romanticism through Realism (Newark: University of Delaware Press).Google Scholar
Weigand, Edda
Weinsheimer, Joel
(1991) Philosophical hermeneutics and critical theory (New Haven: Yale University Press).Google Scholar
West, Sally
(2007) Coleridge and Shelley: Textual entanglements (Aldershot: Ashgate).Google Scholar
Whalley, George
(1947) “The Mariner and the Albatross,” University of Toronto Quarterly 16: 381–398. DOI logoGoogle Scholar
Wheeler, K. M.
(1981) The creative mind in Coleridge’s poetry (London: Heinemann 1981).Google Scholar
Wilcox, Helen
(2009) “In the Temple precincts: George Herbert and seventeenth-century community-making,” in Writing and religion in England, 1558–1689: Studies in community-making and cultural memory, eds Roger D. Sell and Anthony W. Johnson (Farnham: Ashgate), 253–271.Google Scholar
Williams, Raymond
(1988) Keywords: A vocabulary of culture and society (London: Fontana 1988).Google Scholar
Willner, Evan
(2002) Review of Roger D. Sell, Literature as communication, in Essays in Criticism 52: 155–61). DOI logoGoogle Scholar
Wilson, Edmund
(1941) “Dickens: The Two Scrooges”, in his The wound and the bow (Boston: Houghton Mifflin), 1–104.Google Scholar
Wimsatt, W. K.
(1941) The prose style of Samuel Johnson (New Haven: Yale University Press).Google Scholar
Womack, Peter
(2011) Dialogue (London: Routledge). DOI logoGoogle Scholar
Woolf, D. R.
(2004) “Bolton, Edmund Mary,” Oxford Dictionary of National Biography, eds H. C. G. Matthew and Brian Harrison (Oxford: Oxford University Press).Google Scholar
Wordsworth, Jonathan
(1979) “The two-part Prelude of 1799” [1970], in The Prelude, 1799, 1805, 1850, eds Jonathan Wordsworth and Stephen Gill (New York: Norton), 567–585.Google Scholar
Wordsworth, William
(1850) The Prelude or Growth of a poet’s mind; An autobiographical poem (London: Edward Moxon).Google Scholar
(1888) The Complete Poetical Works of William Wordsworth, ed. John Moreley (London: Macmillan).Google Scholar
(1926) The Prelude, ed. Ernest de Selincourt (Oxford: Clarendon Press)Google Scholar
(1952) “Lines composed a few miles above Tintern Abbey, on revisiting the banks of the Wye during a tour. July 13, 1798” [1798], in The poetical works of William Wordsworth: Poems founded on the affections, 2nd ed., ed. Ernest de Selincourt (Oxford: Clarendon Press 1952), 259–263.Google Scholar
Wordsworth, Wordsworth
(1952–1959) The poetical works of William Wordsworth, 5 vols, rev. edn., eds Ernest de Selincourt and Helen Darbishire (Oxford: Clarendon Press).Google Scholar
Wordsworth, William
(1958) “Ode: Intimations of immortality from recollections of early childhood”, in Ernest de Selincourt and Helen Darbishire (eds), The poetical works of William Wordsworth [“Evening Voluntaries” etc.] [1947] (Oxford: Clarendon Press), 279–285.Google Scholar
(1968) “Preface”, in Wordsworth and Coleridge: Lyrical Ballads, eds. R. L. Brett and A. R. Jones (London: Methuen), 241–272.Google Scholar
(1970) Wordsworth: The Prelude or Growth of a Poet’s Mind (Text of 1805), ed. Ernest de Selincourt, corrected Stephen Gill (Oxford: Oxford University Press 1970).Google Scholar
(1974) The prose works of William Wordsworth, 3 vols, eds W. J. B. Owen and Jane Worthington Smyser (Oxford: Clarendon Press).Google Scholar
(1979) The Prelude, 1799, 1805, 1850, eds. Jonathan Wordsworth and Stephen Gill, (New York: Norton).Google Scholar
(1984) Descriptive Sketches, ed. Eric Birdsall (Ithaca: Cornell University Press).Google Scholar
(1992) Lyrical Ballads and Other Poems, 1797–1800, eds James Butler and Karen Green (Ithaca: Cornell University Press).Google Scholar
(1995) The Prelude: The Four Texts (1798, 1799, 1805, 1850), ed. Jonathan Wordsworth (London: Penguin).Google Scholar
(1997) The five-book Prelude, ed. Duncan Wu (Oxford: Blackwell).Google Scholar
(2010) Wordsworth: 21st Century Oxford Authors, ed. Stephen Gill (Oxford: Oxford University Press).Google Scholar
Worth, Jennifer
(2010) Tales from a midwife (London: Phoenix).Google Scholar
Yarlott, Geoffrey
(1967) Coleridge and the Abyssinian maid (London: Methuen).Google Scholar
Young, Andrew
(1967) The new Poly-Olbion: Topographical excursions (London: Rupert Hart-Davis).Google Scholar