List of figures (by Chapter)
All images in Chapter 2 by Emi Gennis
2.1
from “The History of the Vibrator,” first published online at
Oh Joy Sex Toy
2.2
cover from
The Plunge from Kilgore Books, 2016
2.3
detail from
The Plunge from Kilgore Books, 2016
2.4
from the online archive of newspaper coverage of the Radium Dial case maintained by Mr. Leonard Grossman at
http://www.lgrossman.com/pics/radium/
2.5
from “The Radium Girls,” which first appeared in the Spring 2013 issue of
The Cartoon Picayune
2.6
from the online archive of newspaper coverage of the Radium Dial case maintained by Mr. Leonard Grossman at
http://www.lgrossman.com/pics/radium/
2.7
panel excerpted from “From the Beyond,” originally published in the anthology
Then It Was Dark from Peppermint Monster Press
2.8
from “The Radium Girls,” which first appeared in the Spring 2013 issue of
The Cartoon Picayune
2.9
from “Urine: The Miracle Cure,” first published online at
The Nib.
2.10
from “The History of the Vibrator,” first published online at
Oh Joy Sex Toy
2.11
from “Trepanation: Elective Surgery You Need Like A Hole in the Head,” first published online at
The Nib
2.12
from “Urine: The Miracle Cure,” first published online at
The Nib
2.13
from,
Baseline Blvd from Carrion Press, 2015
2.14 and 2.15
cover and single-page comic from
SPAZ! #5 from Carrion Press, 2011
2.16
from,
Baseline Blvd from Carrion Press, 2015
2.17
single-page comic originally published in
SPAZ! #2
2.18 and 2.19
first appeared in “The Radium Girls” published in the Spring 2013 issue of
The Cartoon Picayune
2.20
The Plunge from Kilgore Books, 2016
7.1
Amal Omran, Syrian actress, as Queen Margaret in Richard III, an Arab Tragedy Photograph by Ellie Kurtz. Image courtesy of Sulayman Al Bassam Theatre Company.
All images in Chapter 19 by Jonathan Ogilvie
19.1
Sydney’s Kings Cross
19.2
Stevie’s fingerprints. Still from Lone Wolf Proof-of-Concept 2016
19.3
Stevie’s compass work.
19.4
Still from Lone Wolf proof-of-concept 2016
22.1
Avadoro (on the left) starts telling his stories to an assembly of listeners (Saragossa Manuscript 1965)
22.2
Busqueros starts telling his story to Lope Soarez (Saragossa Manuscript 1965)
22.3
Busqueros’ story is interrupted, and the film shows another setting (Saragossa Manuscript 1965)
22.4
Alphonse van Worden discovers an illustrated book picturing all his encounters (Saragossa Manuscript 1965)