219-7677
10
7500817
John Benjamins Publishing Company
Marketing Department / Karin Plijnaar, Pieter Lamers
onix@benjamins.nl
201809250837
ONIX title feed
eng
01
EUR
831016722
03
01
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JB
John Benjamins Publishing Company
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JB code
FILLM 9 Eb
15
9789027263490
06
10.1075/fillm.9
13
2019006427
DG
002
02
01
FILLM
02
2213-428X
FILLM Studies in Languages and Literatures
9
01
Where is Adaptation?
Mapping cultures, texts, and contexts
01
fillm.9
01
https://benjamins.com
02
https://benjamins.com/catalog/fillm.9
1
B01
Casie Hermansson
Hermansson, Casie
Casie
Hermansson
Pittsburg State University
2
B01
Janet Zepernick
Zepernick, Janet
Janet
Zepernick
Pittsburg State University
01
eng
451
xix
431
LIT000000
v.2006
DSA
2
24
JB Subject Scheme
ART.GEN
General studies in art & art history
24
JB Subject Scheme
COMM.CGEN
Communication Studies
24
JB Subject Scheme
LIT.THEOR
Theoretical literature & literary studies
24
JB Subject Scheme
TRAN.TRANSL
Translation Studies
06
01
<i>Where is Adaptation? Mapping cultures, texts, and contexts</i> explores the vast terrain of contemporary adaptation studies and offers a wide variety of answers to the title question in 24 chapters by 29 international practitioners and scholars of adaptation, both eminent and emerging. From insightful self-analyses by practitioners (a novelist, a film director, a comics artist) to analyses of adaptations of place, culture, and identity, the authors brought together in this collection represent a broad cross-section of current work in adaptation studies. From the development of technologies impacting film festivals, to the symbiotic potential of interweaving disability and adaptation studies, censorship, exploring the “glocal,” and an examination of the Association for Adaptation Studies at its 10th anniversary, the original contributions in this volume aim to trace the leading edges of this evolving field.
04
09
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https://benjamins.com/covers/475/fillm.9.png
04
03
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https://benjamins.com/covers/475_jpg/9789027201492.jpg
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https://benjamins.com/covers/475_tif/9789027201492.tif
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https://benjamins.com/covers/1200_front/fillm.9.hb.png
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https://benjamins.com/covers/125/fillm.9.png
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https://benjamins.com/covers/1200_back/fillm.9.hb.png
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https://benjamins.com/covers/3d_web/fillm.9.hb.png
10
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JB code
fillm.9.lof
xi
xii
2
Miscellaneous
1
01
List of figures
10
01
JB code
fillm.9.pre
xiii
xiv
2
Miscellaneous
2
01
Series editor’s preface
10
01
JB code
fillm.9.con
xv
xx
6
Miscellaneous
3
01
Contributors
10
01
JB code
fillm.9.01her
1
10
10
Miscellaneous
4
01
Introduction: Where is adaptation?
Why ask?
1
A01
Casie Hermansson
Hermansson, Casie
Casie
Hermansson
2
A01
Janet Zepernick
Zepernick, Janet
Janet
Zepernick
10
01
JB code
fillm.9.p1
11
14
4
Section header
5
01
Part I. Adaptation at the borderlines
10
01
JB code
fillm.9.02con
15
30
16
Chapter
6
01
Chapter 1. Adaptation as salvage
Transcoding history into fiction in <i>The Naturalist</i>
1
A01
Thom Conroy
Conroy, Thom
Thom
Conroy
10
01
JB code
fillm.9.03gen
31
56
26
Chapter
7
01
Chapter 2. Adapting history
Queries and notes about nonfiction comics
1
A01
Emi Gennis
Gennis, Emi
Emi
Gennis
2
A01
Sandra Cox
Cox, Sandra
Sandra
Cox
10
01
JB code
fillm.9.04par
57
70
14
Chapter
8
01
Chapter 3. Watching as data mining
Seeing <i>Person of Interest</i> through the prism of adaptation
1
A01
Thomas Van Parys
Van Parys, Thomas
Thomas
Van Parys
10
01
JB code
fillm.9.05her
71
86
16
Chapter
9
01
Chapter 4. Adaptation as city branding
The case of <i>Dexter</i> and Miami
1
A01
Vanessa Herrmann
Herrmann, Vanessa
Vanessa
Herrmann
10
01
JB code
fillm.9.06bro
87
102
16
Chapter
10
01
Chapter 5. The post-nostalgia film
Adapting West Yorkshire in British heritage and social realist film
1
A01
Alexis Brown
Brown, Alexis
Alexis
Brown
10
01
JB code
fillm.9.p2
103
106
4
Section header
11
01
Part II. Adaptation and transculturation
10
01
JB code
fillm.9.07hut
107
124
18
Chapter
12
01
Chapter 6. A spectrum of operatic adaptations
Director’s Opera and audience expectations
1
A01
Michael Hutcheon
Hutcheon, Michael
Michael
Hutcheon
2
A01
Linda Hutcheon
Hutcheon, Linda
Linda
Hutcheon
10
01
JB code
fillm.9.08alm
125
140
16
Chapter
13
01
Chapter 7. “Such a transformation!” Shakespeare remade
Sulayman Al-Bassam’s <i>Richard III, an Arab Tragedy</i>
1
A01
Yusur Al-Madani
Al-Madani, Yusur
Yusur
Al-Madani
10
01
JB code
fillm.9.09cas
141
158
18
Chapter
14
01
Chapter 8. Indian Fakespeare
The idea of Shakespeare in translation
1
A01
Jim Casey
Casey, Jim
Jim
Casey
10
01
JB code
fillm.9.10men
159
174
16
Chapter
15
01
Chapter 9. Transculturating Shakespeare
Vishal Bhardwaj’s Mumbai <i>Macbeth</i>
1
A01
Ana Cristina Mendes
Mendes, Ana Cristina
Ana Cristina
Mendes
10
01
JB code
fillm.9.p3
175
178
4
Section header
16
01
Part III. Adaptation at the contact zone
10
01
JB code
fillm.9.11oli
179
196
18
Chapter
17
01
Chapter 10. Relocation as adaptation in <i>An African City</i>
1
A01
S. Olivia Donaldson
Donaldson, S. Olivia
S. Olivia
Donaldson
10
01
JB code
fillm.9.12raw
197
210
14
Chapter
18
01
Chapter 11. The practice of adaptation in the Turkish Republic
Patriotic communities
1
A01
Laurence Raw
Raw, Laurence
Laurence
Raw
10
01
JB code
fillm.9.13rad
211
228
18
Chapter
19
01
Chapter 12. The limits of Orientalism
Relocating identity in two <i>Arabian Nights</i>
1
A01
Jerod Ra’Del Hollyfield
Hollyfield, Jerod Ra’Del
Jerod Ra’Del
Hollyfield
10
01
JB code
fillm.9.14dal
229
244
16
Chapter
20
01
Chapter 13. Mexican Cinema in the Buffyverse
Toward an ethics of transnational adaptation and appropriation
1
A01
David Dalton
Dalton, David
David
Dalton
10
01
JB code
fillm.9.15wan
245
256
12
Chapter
21
01
Chapter 14. <i>Fresh Off the Boat</i>
Meeting whose expectations?
1
A01
Jiahong Wang
Wang, Jiahong
Jiahong
Wang
10
01
JB code
fillm.9.p4
257
258
2
Section header
22
01
Part IV. Adaptation and intersections
10
01
JB code
fillm.9.16car
259
270
12
Chapter
23
01
Chapter 15. A brief history of the Association of Adaptation Studies
1
A01
Deborah Cartmell
Cartmell, Deborah
Deborah
Cartmell
2
A01
Jeremy Strong
Strong, Jeremy
Jeremy
Strong
3
A01
Imelda Whelehan
Whelehan, Imelda
Imelda
Whelehan
10
01
JB code
fillm.9.17sig
271
286
16
Chapter
24
01
Chapter 16. Adaptation as defense against film censorship
Pasolini’s <i>Salò – 120 Days of Sodom</i> in Italy and the UK
1
A01
Valentina Signorelli
Signorelli, Valentina
Valentina
Signorelli
10
01
JB code
fillm.9.18mcd
287
304
18
Chapter
25
01
Chapter 17. Where is disability in adaptation studies?
1
A01
Jamie McDaniel
McDaniel, Jamie
Jamie
McDaniel
10
01
JB code
fillm.9.19tri
305
320
16
Chapter
26
01
Chapter 18. The new real
Virtual reality and adapting the film festival experience
1
A01
Joi Tribble
Tribble, Joi
Joi
Tribble
10
01
JB code
fillm.9.p5
321
322
2
Section header
27
01
Part V. Adaptation as creative process
10
01
JB code
fillm.9.20ogi
323
342
20
Chapter
28
01
Chapter 19. From rainy Soho to sunny Kings Cross
Remapping and contemporizing Joseph Conrad’s <i>The Secret Agent</i>
1
A01
Jonathan Ogilvie
Ogilvie, Jonathan
Jonathan
Ogilvie
10
01
JB code
fillm.9.21her
343
364
22
Chapter
29
01
Chapter 20. Where does the “meta” go in adapting children’s metafiction to the screen?
The case of “A Series of Unfortunate Events”
1
A01
Casie Hermansson
Hermansson, Casie
Casie
Hermansson
10
01
JB code
fillm.9.22gar
365
380
16
Chapter
30
01
Chapter 21. The adaptation of “adaptation” in translation studies focusing on children’s literature
1
A01
Melissa Garavini
Garavini, Melissa
Melissa
Garavini
10
01
JB code
fillm.9.23nea
381
398
18
Chapter
31
01
Chapter 22. Stories <i>ad infinitum</i>
Embedded narratives and challenges in adapting <i>The Saragossa Manuscript</i>
1
A01
Jessy Neau
Neau, Jessy
Jessy
Neau
10
01
JB code
fillm.9.24sha
399
414
16
Chapter
32
01
Chapter 23. “A dream within a dream”
The politics of dislocation in <i>Head On</i> and <i>Picnic at Hanging Rock</i>
1
A01
Hila Shachar
Shachar, Hila
Hila
Shachar
10
01
JB code
fillm.9.25gue
415
426
12
Chapter
33
01
Chapter 24. Breaking walls
Theater of Cruelty and its adaptations in Jalila Baccar and Fadhel Jaïbi’s <i>Violence(s)</i>
1
A01
Haythem Guesmi
Guesmi, Haythem
Haythem
Guesmi
10
01
JB code
fillm.9.index
427
431
5
Miscellaneous
34
01
Index
02
JBENJAMINS
John Benjamins Publishing Company
01
John Benjamins Publishing Company
Amsterdam/Philadelphia
NL
04
20181016
2018
John Benjamins B.V.
02
WORLD
13
15
9789027201492
01
JB
3
John Benjamins e-Platform
03
jbe-platform.com
09
WORLD
21
01
00
105.00
EUR
R
01
00
88.00
GBP
Z
01
gen
00
158.00
USD
S
397016721
03
01
01
JB
John Benjamins Publishing Company
01
JB code
FILLM 9 Hb
15
9789027201492
13
2018026496
BB
01
FILLM
02
2213-428X
FILLM Studies in Languages and Literatures
9
01
Where is Adaptation?
Mapping cultures, texts, and contexts
01
fillm.9
01
https://benjamins.com
02
https://benjamins.com/catalog/fillm.9
1
B01
Casie Hermansson
Hermansson, Casie
Casie
Hermansson
Pittsburg State University
2
B01
Janet Zepernick
Zepernick, Janet
Janet
Zepernick
Pittsburg State University
01
eng
451
xix
431
LIT000000
v.2006
DSA
2
24
JB Subject Scheme
ART.GEN
General studies in art & art history
24
JB Subject Scheme
COMM.CGEN
Communication Studies
24
JB Subject Scheme
LIT.THEOR
Theoretical literature & literary studies
24
JB Subject Scheme
TRAN.TRANSL
Translation Studies
06
01
<i>Where is Adaptation? Mapping cultures, texts, and contexts</i> explores the vast terrain of contemporary adaptation studies and offers a wide variety of answers to the title question in 24 chapters by 29 international practitioners and scholars of adaptation, both eminent and emerging. From insightful self-analyses by practitioners (a novelist, a film director, a comics artist) to analyses of adaptations of place, culture, and identity, the authors brought together in this collection represent a broad cross-section of current work in adaptation studies. From the development of technologies impacting film festivals, to the symbiotic potential of interweaving disability and adaptation studies, censorship, exploring the “glocal,” and an examination of the Association for Adaptation Studies at its 10th anniversary, the original contributions in this volume aim to trace the leading edges of this evolving field.
04
09
01
https://benjamins.com/covers/475/fillm.9.png
04
03
01
https://benjamins.com/covers/475_jpg/9789027201492.jpg
04
03
01
https://benjamins.com/covers/475_tif/9789027201492.tif
06
09
01
https://benjamins.com/covers/1200_front/fillm.9.hb.png
07
09
01
https://benjamins.com/covers/125/fillm.9.png
25
09
01
https://benjamins.com/covers/1200_back/fillm.9.hb.png
27
09
01
https://benjamins.com/covers/3d_web/fillm.9.hb.png
10
01
JB code
fillm.9.lof
xi
xii
2
Miscellaneous
1
01
List of figures
10
01
JB code
fillm.9.pre
xiii
xiv
2
Miscellaneous
2
01
Series editor’s preface
10
01
JB code
fillm.9.con
xv
xx
6
Miscellaneous
3
01
Contributors
10
01
JB code
fillm.9.01her
1
10
10
Miscellaneous
4
01
Introduction: Where is adaptation?
Why ask?
1
A01
Casie Hermansson
Hermansson, Casie
Casie
Hermansson
2
A01
Janet Zepernick
Zepernick, Janet
Janet
Zepernick
10
01
JB code
fillm.9.p1
11
14
4
Section header
5
01
Part I. Adaptation at the borderlines
10
01
JB code
fillm.9.02con
15
30
16
Chapter
6
01
Chapter 1. Adaptation as salvage
Transcoding history into fiction in <i>The Naturalist</i>
1
A01
Thom Conroy
Conroy, Thom
Thom
Conroy
10
01
JB code
fillm.9.03gen
31
56
26
Chapter
7
01
Chapter 2. Adapting history
Queries and notes about nonfiction comics
1
A01
Emi Gennis
Gennis, Emi
Emi
Gennis
2
A01
Sandra Cox
Cox, Sandra
Sandra
Cox
10
01
JB code
fillm.9.04par
57
70
14
Chapter
8
01
Chapter 3. Watching as data mining
Seeing <i>Person of Interest</i> through the prism of adaptation
1
A01
Thomas Van Parys
Van Parys, Thomas
Thomas
Van Parys
10
01
JB code
fillm.9.05her
71
86
16
Chapter
9
01
Chapter 4. Adaptation as city branding
The case of <i>Dexter</i> and Miami
1
A01
Vanessa Herrmann
Herrmann, Vanessa
Vanessa
Herrmann
10
01
JB code
fillm.9.06bro
87
102
16
Chapter
10
01
Chapter 5. The post-nostalgia film
Adapting West Yorkshire in British heritage and social realist film
1
A01
Alexis Brown
Brown, Alexis
Alexis
Brown
10
01
JB code
fillm.9.p2
103
106
4
Section header
11
01
Part II. Adaptation and transculturation
10
01
JB code
fillm.9.07hut
107
124
18
Chapter
12
01
Chapter 6. A spectrum of operatic adaptations
Director’s Opera and audience expectations
1
A01
Michael Hutcheon
Hutcheon, Michael
Michael
Hutcheon
2
A01
Linda Hutcheon
Hutcheon, Linda
Linda
Hutcheon
10
01
JB code
fillm.9.08alm
125
140
16
Chapter
13
01
Chapter 7. “Such a transformation!” Shakespeare remade
Sulayman Al-Bassam’s <i>Richard III, an Arab Tragedy</i>
1
A01
Yusur Al-Madani
Al-Madani, Yusur
Yusur
Al-Madani
10
01
JB code
fillm.9.09cas
141
158
18
Chapter
14
01
Chapter 8. Indian Fakespeare
The idea of Shakespeare in translation
1
A01
Jim Casey
Casey, Jim
Jim
Casey
10
01
JB code
fillm.9.10men
159
174
16
Chapter
15
01
Chapter 9. Transculturating Shakespeare
Vishal Bhardwaj’s Mumbai <i>Macbeth</i>
1
A01
Ana Cristina Mendes
Mendes, Ana Cristina
Ana Cristina
Mendes
10
01
JB code
fillm.9.p3
175
178
4
Section header
16
01
Part III. Adaptation at the contact zone
10
01
JB code
fillm.9.11oli
179
196
18
Chapter
17
01
Chapter 10. Relocation as adaptation in <i>An African City</i>
1
A01
S. Olivia Donaldson
Donaldson, S. Olivia
S. Olivia
Donaldson
10
01
JB code
fillm.9.12raw
197
210
14
Chapter
18
01
Chapter 11. The practice of adaptation in the Turkish Republic
Patriotic communities
1
A01
Laurence Raw
Raw, Laurence
Laurence
Raw
10
01
JB code
fillm.9.13rad
211
228
18
Chapter
19
01
Chapter 12. The limits of Orientalism
Relocating identity in two <i>Arabian Nights</i>
1
A01
Jerod Ra’Del Hollyfield
Hollyfield, Jerod Ra’Del
Jerod Ra’Del
Hollyfield
10
01
JB code
fillm.9.14dal
229
244
16
Chapter
20
01
Chapter 13. Mexican Cinema in the Buffyverse
Toward an ethics of transnational adaptation and appropriation
1
A01
David Dalton
Dalton, David
David
Dalton
10
01
JB code
fillm.9.15wan
245
256
12
Chapter
21
01
Chapter 14. <i>Fresh Off the Boat</i>
Meeting whose expectations?
1
A01
Jiahong Wang
Wang, Jiahong
Jiahong
Wang
10
01
JB code
fillm.9.p4
257
258
2
Section header
22
01
Part IV. Adaptation and intersections
10
01
JB code
fillm.9.16car
259
270
12
Chapter
23
01
Chapter 15. A brief history of the Association of Adaptation Studies
1
A01
Deborah Cartmell
Cartmell, Deborah
Deborah
Cartmell
2
A01
Jeremy Strong
Strong, Jeremy
Jeremy
Strong
3
A01
Imelda Whelehan
Whelehan, Imelda
Imelda
Whelehan
10
01
JB code
fillm.9.17sig
271
286
16
Chapter
24
01
Chapter 16. Adaptation as defense against film censorship
Pasolini’s <i>Salò – 120 Days of Sodom</i> in Italy and the UK
1
A01
Valentina Signorelli
Signorelli, Valentina
Valentina
Signorelli
10
01
JB code
fillm.9.18mcd
287
304
18
Chapter
25
01
Chapter 17. Where is disability in adaptation studies?
1
A01
Jamie McDaniel
McDaniel, Jamie
Jamie
McDaniel
10
01
JB code
fillm.9.19tri
305
320
16
Chapter
26
01
Chapter 18. The new real
Virtual reality and adapting the film festival experience
1
A01
Joi Tribble
Tribble, Joi
Joi
Tribble
10
01
JB code
fillm.9.p5
321
322
2
Section header
27
01
Part V. Adaptation as creative process
10
01
JB code
fillm.9.20ogi
323
342
20
Chapter
28
01
Chapter 19. From rainy Soho to sunny Kings Cross
Remapping and contemporizing Joseph Conrad’s <i>The Secret Agent</i>
1
A01
Jonathan Ogilvie
Ogilvie, Jonathan
Jonathan
Ogilvie
10
01
JB code
fillm.9.21her
343
364
22
Chapter
29
01
Chapter 20. Where does the “meta” go in adapting children’s metafiction to the screen?
The case of “A Series of Unfortunate Events”
1
A01
Casie Hermansson
Hermansson, Casie
Casie
Hermansson
10
01
JB code
fillm.9.22gar
365
380
16
Chapter
30
01
Chapter 21. The adaptation of “adaptation” in translation studies focusing on children’s literature
1
A01
Melissa Garavini
Garavini, Melissa
Melissa
Garavini
10
01
JB code
fillm.9.23nea
381
398
18
Chapter
31
01
Chapter 22. Stories <i>ad infinitum</i>
Embedded narratives and challenges in adapting <i>The Saragossa Manuscript</i>
1
A01
Jessy Neau
Neau, Jessy
Jessy
Neau
10
01
JB code
fillm.9.24sha
399
414
16
Chapter
32
01
Chapter 23. “A dream within a dream”
The politics of dislocation in <i>Head On</i> and <i>Picnic at Hanging Rock</i>
1
A01
Hila Shachar
Shachar, Hila
Hila
Shachar
10
01
JB code
fillm.9.25gue
415
426
12
Chapter
33
01
Chapter 24. Breaking walls
Theater of Cruelty and its adaptations in Jalila Baccar and Fadhel Jaïbi’s <i>Violence(s)</i>
1
A01
Haythem Guesmi
Guesmi, Haythem
Haythem
Guesmi
10
01
JB code
fillm.9.index
427
431
5
Miscellaneous
34
01
Index
02
JBENJAMINS
John Benjamins Publishing Company
01
John Benjamins Publishing Company
Amsterdam/Philadelphia
NL
04
20181016
2018
John Benjamins B.V.
02
WORLD
08
940
gr
01
JB
1
John Benjamins Publishing Company
+31 20 6304747
+31 20 6739773
bookorder@benjamins.nl
01
https://benjamins.com
01
WORLD
US CA MX
21
47
24
01
02
JB
1
00
105.00
EUR
R
02
02
JB
1
00
111.30
EUR
R
01
JB
10
bebc
+44 1202 712 934
+44 1202 712 913
sales@bebc.co.uk
03
GB
21
24
02
02
JB
1
00
88.00
GBP
Z
01
JB
2
John Benjamins North America
+1 800 562-5666
+1 703 661-1501
benjamins@presswarehouse.com
01
https://benjamins.com
01
US CA MX
21
1
24
01
gen
02
JB
1
00
158.00
USD