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Foundations of Semiotics
19
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Semiotics of the Drama and the Style of Eugene O'Neill
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https://benjamins.com
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A01
Mark Kobernick
Kobernick, Mark
Mark
Kobernick
Jacksonville State University
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eng
173
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162
LIT000000
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DSB
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A semiotic analysis is made of the six major plays by Eugene O'Neill and an attempt is made to yield a systematic analysis towards humanistic interpretations of texts. Theoretical interpretations are enriched with discussions of the plays. Technical matters such as the segmentation of the text are specified in appendices. Six semiotic dimensions have been studied: motifs, theatrical semiotic systems, their use in communicational functions, role function of the dramatis personae, their levels of awareness, and aristotelian divisions.
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4. Approaching the drama of O'Neill through semiotic stylistics
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6. A representative segment analysis
<i>Anna Christie</i> I.vi
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7. Concluding discussion of <i>Desire Under the Elms</i>
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8. Concluding discussion of <i>Long Day's Journey into Night</i>
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9. Conclusion
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Miscellaneous
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Appendices
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Notes
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Bibliography
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John Benjamins Publishing Company
Amsterdam/Philadelphia
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1989
John Benjamins
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FOS
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0168-2555
Foundations of Semiotics
19
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Semiotics of the Drama and the Style of Eugene O'Neill
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fos.19
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https://benjamins.com
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https://benjamins.com/catalog/fos.19
1
A01
Mark Kobernick
Kobernick, Mark
Mark
Kobernick
Jacksonville State University
01
eng
173
xiv
162
LIT000000
v.2006
DSB
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24
JB Subject Scheme
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Semiotics
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A semiotic analysis is made of the six major plays by Eugene O'Neill and an attempt is made to yield a systematic analysis towards humanistic interpretations of texts. Theoretical interpretations are enriched with discussions of the plays. Technical matters such as the segmentation of the text are specified in appendices. Six semiotic dimensions have been studied: motifs, theatrical semiotic systems, their use in communicational functions, role function of the dramatis personae, their levels of awareness, and aristotelian divisions.
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List of appendices
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1. Introduction
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2. Stylistics in relation to linguistics and semiotics
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3. The semiotics of the drama
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4. Approaching the drama of O'Neill through semiotic stylistics
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5. Establishing a controlled semiotics for the dramatic microcorpus
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6. A representative segment analysis
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8. Concluding discussion of <i>Long Day's Journey into Night</i>
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Miscellaneous
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Appendices
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Notes
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Bibliography
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JBENJAMINS
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John Benjamins Publishing Company
Amsterdam/Philadelphia
NL
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19890101
1989
John Benjamins
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WORLD
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245
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