The Hero Reloaded
The reinvention of the classical hero in contemporary mass media
Editors
| Universidad Autónoma de Madrid
| Universidad de Málaga
What was a hero in Classical Antiquity? Why is it that their characteristics have transcended chronological and cultural barriers while they are still role models in our days? How have their features changed to be embodied by comic superheroes and film? How is their essence vulgarized and turned into a mass consumption product? What has happened with their literary and artistic representation along centuries of elitist Western culture?
This book aims at posing these and other questions about heroes, allowing us to open a cultural reflection over the role of the classical world in the present, its meaning in mass media, and the capacity of the Greek and Roman civilizations to dialogue with the modern world. This dialogue offers a glimpse into modern cultural necessities and tendencies which can be seen in several aspects, such as the hero’s vulnerability, the archetype’s banalization, the possibility to extend the heroic essence to individuals in search of identities – vital as well as gender or class identities. In some products (videogames, heavy metal music) our research enables a deeper understanding of the hero’s more obvious characteristics, such as their physical and moral strength.
All these tendencies – contemporary and consumable, contradictory with one another, yet vigorous above all – acquire visibility by means of a polyhedral vehicle which is rich in possibilities of rereading and reworking: the Greco-Roman hero. In such a virtual and postmodern world as the one we inhabit, it comes not without surprise that we still resort to an idea like the hero, which is as old as the West.
This book aims at posing these and other questions about heroes, allowing us to open a cultural reflection over the role of the classical world in the present, its meaning in mass media, and the capacity of the Greek and Roman civilizations to dialogue with the modern world. This dialogue offers a glimpse into modern cultural necessities and tendencies which can be seen in several aspects, such as the hero’s vulnerability, the archetype’s banalization, the possibility to extend the heroic essence to individuals in search of identities – vital as well as gender or class identities. In some products (videogames, heavy metal music) our research enables a deeper understanding of the hero’s more obvious characteristics, such as their physical and moral strength.
All these tendencies – contemporary and consumable, contradictory with one another, yet vigorous above all – acquire visibility by means of a polyhedral vehicle which is rich in possibilities of rereading and reworking: the Greco-Roman hero. In such a virtual and postmodern world as the one we inhabit, it comes not without surprise that we still resort to an idea like the hero, which is as old as the West.
[IVITRA Research in Linguistics and Literature, 23] 2020. xiv, 160 pp.
Publishing status: Available
© John Benjamins
Table of Contents
|
Introduction
|
viii–xiv
|
|
1–17
|
|
|
19–50
|
|
|
51–72
|
|
|
73–102
|
|
|
103–128
|
|
|
129–141
|
|
|
143–157
|
|
|
Index
|
159–160
|
References
References
AAVV
1979 El Cine. Enciclopedia Salvat del 7° Arte, vol. III, and IV. Barcelona: Salvat.
1982 “La epopeya en la Antigüedad.” In Historia Universal del Cine, vol. XV. Madrid: Planeta.
Ahl, Frederick
1976 Lucan. An Introduction. London-Ithaca: Cornell University Press.
Allett, Nicola
2011 “The extreme Metal ‘connoiseur’.” Popular Music History 6 (1) / 6 (2): 164–179. 
Alsford, Mike
2006 Heroes & Villains. Waco, Tex.: Baylor University Press.
Alvar, Jaime, and José Ma, Blázquez
(eds) 1997 Héroes y antihéroes en la Antigüedad clásica. Madrid: Cátedra.
Anderson, Benedict
1983 Imagined Communities. London: Verso.
Arnett, Jeffrey
1991 “Adolescents and Heavy Metal Music: From the Mouths of
Metalheads.” Youth and Society 23 (1): 76–98.
Attolini, Vito
1991 “Il Cinema.” In Lo spazio letterario di Roma Antica, ed. by Guglielmo Cavallo, Paolo Fedeli, and Andrea Giardina, vol. IV, 431–493. Roma: Salerno editrice.
Badalì, Renato
2008 “De Lucano a Stephen King: il nostro incubo
quotidiano.” In Arma virumque cano … L'epica dei greci e dei
romani, ed. by Renato Uglione, 159–182. Alessandria: Edizioni dell'Orso.
Balló, Jordi, and Xavier Pérez
2007
4
. La semilla inmortal. Los argumentos universales del
cine. Barcelona: Anagrama.
2009 “El portador de la conciencia,” epilogue to
Esquilo, Prometeo encadenado, edición bilingüe a cargo de
Ramón Irigoyen, 133–158. Barcelona: Debolsillo.
Banks, Daniel
2010 “From Homer to Hip Hop: Orature and Griots, Ancient and
Present.” Classical World 103 (2): 238–245.
Bartolomé, Jesús
2010 “Los desastres de la guerra civil. Una lectura de
Lucano a través de Goya.” In Los desastres de la guerra: Mirada, palabra e
imagen, dir. by Jesús Bartolomé, 111–136. Madrid: Liceus.
2013 “La narración literaria como espectáculo: el combate
con espectadores.” In Otium cum dignitate. Estudios en honor al profesor José
Javier Iso Echegoyen, ed. by José Antonio Beltrán, Alfredo Encuentra, Gonzalo Fontana, Ana Isabel Magallón, and Rosa María Marina, 215–225. Zaragoza: Universidad de Zaragoza.
Barton, Matt
2008 Dungeons and Desktops: The History of Computer Role-playing
Games. Wellesley, Mass.: A. K. Peters.
Bartsch, Shadi
1997 Ideology in Cold Blood. A Reading of Lucan’s Civil War. Cambridge, Mass.-London: Harvard University Press.
Bauzá, Hugo F.
1998 El mito del héroe. Morfología y semántica de la figura
heroica. Buenos Aires: FCE.
Beard, Mary
2013 Confronting the Classics: Traditions, Adventures and
Innovations. New York-London: Liveright Pub. Cor.
Bennett, Andy
2001 Cultures of Popular Music. Buckingham: Open University Press.
Bettini, Maurizio, and Giulio Guidorizzi
2004 Il mito di Edipo: immagini e racconti dalla Grecia a
oggi. Torino: Einaudi.
Beylie, Claude
1983 “Festival: Peplum cet inconnu.” In L´Avant Scène du Cinema 98: 315–316.
Bishop, Kyle W.
2010 American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead
in Popular Culture. Jefferson, N. C.: McFarland & Co.
Blahuta, Jason P., Michel S. Beaulieu, and William Irwin
(eds) 2009 Final Fantasy and Philosophy: The Ultimate Walkthrough. Hoboken, N. J.: Wiley.
Blanshard, Alastair
2005 Hercules: A Heroic Life. London: Granta.
Blanshard, Alastair J. L., and Kim Shahabudin
2011 Classics on Screen: Ancient Greece and Rome on Film. Bristol: Bristol Classical Press.
Boardman, John et al.
1981–1999 “Herakles.” In Lexicon Iconographicum Mythologiae Classicae. Zurich: Artemis. vol. IV.1 (1988), 728–838; V.1 (1990), 1–192; images: vol. IV.2, 444-559 y V.2, 6–188.
Bollack, Jean
1995 La naissance d´Oedipe. Paris: Gallimard.
Borzsák, István
1973 “
Spectaculum. Ein motiv der ‘tragischen
Geschichtsschreibung’ bei Livius und Tacitus.” AClass 9: 57–67.
Bowra, Cecil M.
1952 Heroic Poetry. London: MacMillan.
Braund, Susan. H.
1992 Lucan. Civil War. A new Translation. Oxford: Oxford University Press.
Brockliss, William, Pramit Chaudhuri, Ayelet Haimson Lushkov, and Katherine Wasdin
(eds) 2012 Reception and the Classics. An Interdisciplinary Approach to the
Classical Tradition. Cambridge, UK: Cambridge University Press.
Brombert, Victor
(ed) 1969 The Hero in Literature. Greenwich, Conn.: Fawcett Publications.
Brombert, Victor H.
1999 In Praise of Antiheroes: Figures and Themes in Modern European
Literature: 1830–1980. Chicago: University of Chicago Press.
Brumble, H. David
1998 Classical Myths and Legends in the Middle Ages and Renaissance: A
Dictionary of Allegorical Meanings. London-Chicago: Fitzroy Dearborn.
Burdge, Anthony, Jessica Burke, and Kristine M. Larsen
(eds) 2012 The Mythological Dimensions of Neil Gaiman. Crawfordville, FL: Kitsune Books.
Calamosca, Fabio
2003 Final Fantasy: vivere tra gli indigeni del
cyberspace. Milan: Unicopli.
Campbell, Ian
2009 “From Achilles to Alexander: The Classical World and the World of
Metal.” In Heavy Metal Music in Britain. ed. by Gerd Bayer, 111–124. Farnham: Ashgate.
Campbell, Joseph
1993 The Hero with a Thousand Faces. London: Fontana Press.
Cano, Pedro Luis
1974 “La Mitología en el cine.” Film Guía 1, November: 26–30.
1975 “Roma y el Cine.” Film Guía 5, March: 7–10.
1985a “Sobre el Peplum como género.” In Espectacle, amor y martiris al cinema de romans, ed. by Pedro Luis Cano, and Joan Lorente, 1–16. Tarragona: Fac. Filosofía i Lettras.
1985b Espectacle, amor i martiris al cinema de romans. Tarragona: Fac. Filosofía i Lettras.
1990 “La otra Roma.” In El cine y el mundo antiguo, ed. by Antonio Duplá, and Ana Iriarte, 91–102. Lejona, Vizcaya: Universidad del País Vasco.
1999a “Aspectos de la mitología griega en el
cine.” In La Mitología. II Curs de Pensament i Cultura
Clàssica, ed. by Francesc Casadesús, 131–151. Palma de Mallorca: Universitat de les Illes Balears.
1999b De Aristóteles a Woody Allen. Poética y retórica para cine
y televisión. Barcelona: Gedisa.
Carlà-Uhink, Filippo
2017 “Between the human and the divine: Cross-dressing and transgender
dynamics in the Graeco-Roman world.” In TransAntiquity. Cross-dressing an Transgender Dynamics in the Ancient
World, ed. by Domitilla Campanile, Filippo Carlà-Uhink, and Margherita Facella, 3–37. London and New York: Routledge.
Casariego, Nicolás
2000 Héroes y antihéroes en la literatura. Madrid: Anaya.
Castagna, Luigi
2002 “Il sublime ‘neogotico’ in Lucano.” In Pervertere: Ästhetik der Verkehrung. Literatur und Kultur
neronischer Zeit und ihre Rezeption, ed. by Luigi Castagna, and Gregor Vogt-Spira, 97–104. München-Leipzig: De Gruyter.
Cavallini, Eleonora
2009 “Achilles in the Age of Steel: Greek Myth in Modern Popular
Music.” Conservation Science in Cultural Heritage 9: 113–141. Available at: <
http://conservation-science.unibo.it/article/view/1746/1127
>. [15/04/2014] .
.
2010 “Cantare glorie di eroi, oggi: Achille nella
‘popular music’ contemporanea.” In Omero mediatico. Aspetti della ricezione omerica nella
civittà contemporánea, nuova edizione aggiornata, ed. by Eleonora Cavallini, 217–235. Bologna: Du Press.
Cherbuliez, Juliette
2007 “Here’s No Place Like (Fun) Home.” In Transatlantica (on line), 1, http://transatlantica.revues.org/index1227.html [17/09/2017].
Chute, Hillary
2008 “Comics as Literature? Reading Graphic Narrative.” The Modern Language Association of America 123 (2): 452–465.
Clauss, James J.
2008 “
Hercules Unchained: Contaminatio, Nostos, Katabasis, and
the Surreal.” Arethusa 41: 51–56.
Clinton Simms, R.
2011 “The Burden of War. From Homer to Oeming.” In Classics and Comics, ed. by George Kovacs, and C. W. Marshall, 115–128. New York: Oxford University Press.
Cohen, Anthony
1985 The Symbolic Construction of Community. London: Tavistock.
Conte, Gian Biagio
1988 [1981] La ‘Guerra civile’ di Lucano. Studi e prove di
commento. Urbino: QuattroVenti .
Coogan, Peter
2007 “The Definition of the Superhero.” In Super/Heroes. From Hercules to Superman, ed. by Wendy Haslem, Angela Ndalianis, and Chris Mackie, 21–36. Washington, D.C.: New Academia Publishing.
Corneliu, Michael G.
(ed) 2011 Of Muscles and Men: Essays on the Sword and Sandal Films. Jefferson, NC: McFarland & Company.
Cristóbal, Vicente
2005 “Sobre el concepto de tradición
clásica.” In Antiquae Lectiones. El legado clásico desde la Antigüedad
hasta la Revolución Francesa, ed. by Juan Signes et al., 29–34. Madrid: Cátedra.
Cuddy, Luke
2008 The Legend of Zelda and Philosophy. Chicago: Open Court.
D’Alessandro Behr, Francesca
2007 Feeling History. Lucan, Stoicism, and the Poetics of Passion. Columbus: Ohio State University Press.
Danna, Elizabeth
2005 “Wonder Woman Mythology: Heroes from the Ancient World and Their
Progeny.” In The Gospel According to Superheroes. Religion and Popular
Culture, ed. by Brisio J. Oropeza, 67–82. New York-Washington, D.C.-Baltimore-Bern-Frankfurt am Main-Berlin-Brussels-Vienna-Oxford: Peter Lang.
Deeks, Mark
2013 “Landscape and Mythology as Heavy Metal Fashion y Nordic Heavy
Metal as a Representation of Place.” Unpublished paper, available at: https://www.academia.edu/3528687/Landscape_and_Mythology_as_Heavy_Metal_Fashion_April_2013 [26/09/2014].
Delcourt, Marie
1944 Oedipe ou la légende du conquérant. Paris: Droz.
Dethloff, Craig
2011 “Coming Up to Code. Ancient Divinities Revisited.” In Classics and Comics, ed. by George Kovacs, and C. W. Marshall, 103–114. New York: Oxford University Press.
Djurslev, Christian Th
2015 “The Metal King: Alexander the Great in heavy metal
music.” Metal Music Studies 1 (1): 127–141. <doi: >.
>.Doniger, Wendy
1999 Splitting the Difference: Gender and Myth in the Ancient Greece and
India. Chicago: University of Chicago Press.
Duplá, Antonio, and Ana Iriarte
(eds) 1990 El cine y el mundo antiguo. Lejona, Vizcaya: Universidad del País Vasco.
Eco, Umberto
1964 Apocalittici e integrati. Milano: Bompiani.
1972 “The Myth of Superman.” Diacritics 2 (1): 14–22.
1975 Apocalípticos e integrados ante la cultura de
masas. Barcelona: Lumen.
Edwards, Catherine
1994 “Beware of Imitations: Theatre and the Subversion of Imperial
Identity.” In Reflections of Nero. Culture, History and Representation, ed. by Jas Elsner, and Jamie Masters, 83–97. London: Duckworth.
Egolf, Jamie
2007 “Dreaming Superman: Exploring the Action of the Superhero(ine) in
Dreams, Myth, and Culture.” In Super/Heroes. From Hercules to Superman, ed. by Wendy Haslem, Angela Ndalianis, and Chris Mackie, 139–151. Washington: New Academia Publishing.
Eldred, Katherine O.
2002 “This Ship of Fools. Epic Vision in Lucan’s Vulteius
Episode.” In The Roman Gaze. Vision, Power, and the Body, ed. by David Frederick, 57–85. Baltimore: Johns Hopkins.
Eliot, Thomas E.
1970 “Ulysses, order and myth.” In James Joyce: The Critical Heritage, ed. by Robert H. Deming, 268–271. London-New York: Routledge & Paul Keegan.
Elley, Derek
1984 The epic film: Myth and history. London: Routledge & Kegan Paul.
Espino Martín, Javier
2002 “La reinterpretación del mito clásico en el
comic book USA. Un análisis del mito en el
Sandman de Neil Gaiman y el Epicurus el
sabio de Messner-Loebs.” In El mito, los mitos, ed. by Carlos Alvar, 45–54. Madrid: SELGYC – Ediciones Caballo griego para la poesía.
Esposito, Paolo, and Luciano Nicastri
(eds) 1999 Interpretare Lucano. Miscellanea di studi. Napoli: Arte Tipografica.
Estèves, Aline
2006 “Poétique de l’horreur dans l’épopée et
l’historiographie latines, de l’époque cicéronienne à l’époque flavienne:
imaginaire, esthétique, réception.” L’Information Littéraire 2: 27–32.
Feldherr, Andrew
1995 “Ships of State: ‘Aeneid’ 5 and Augustan Circus
Spectacle.” CA 14: 245–265.
1998 Spectacle and Society in Livy’s History. Berkeley: University of California Press.
Finch, Christopher
2011 El arte de Walt Disney: de Mickey Mouse a Toy
Story. Madrid: Lunwerg.
Fitzgerald, William
2013 How to Read a Latin Poem. If You Can’t Read Latin Yet. Oxford: Oxford University Press.
Fletcher, Kristopher
2014 “Classical Myth and History in Heavy Metal: Power, Escapism and
Masculinity.” Unpublished paper, available at: <http://www.academia.edu/7042377/Classical_Myth_and_History_in_Heavy_Metal_Power_Escapism_and_Masculinity> [26/09/2014].
Frenzel, Elisabeth
1999 Motive der Weltliteratur: ein Lexikon
dichtungsgeschichtlicher Längsschnitte. Stuttgart: Kröner.
2005 Stoffe der Weltliteratur ein Lexikon
dichtungsgeschichtlicher Längsschnitte. Stuttgart: Kröner.
Freud, Sigmund
1920 A General Introduction to Psychoanalysis. New York: Boni and Liveright.
1999 The Interpretation of Dreams. Oxford, New York: Oxford University Press.
Fromme, Johannes, and Alexander Unger
(eds) 2012 Computer Games and New Media Cultures: A Handbook of Digital Games
Studies. Dordrecht: Springer Netherlands.
Frye, Northrop, and Jay Macpherson
2004 Biblical and Classical Myths: The Mythological Framework of Western
Culture. Toronto: University of Toronto Press.
Gaines, Donna
1991 Teenage Wasteland: Suburbia’s' Dead End Kids.New York: Pantheon Books.
Gainsford, Peter
2010 “Homer and Hip Hop. Improvisation, Cultural Heritage, and Metrical
Analysis.” Melbourne Historical Journal 38: 5–17.
Galinsky, Karl
1972 The Herakles Theme: The Adaptations of the Hero in Literature from Homer
to the Twentieth Century. Oxford: Blackwell.
Gantz, Timothy
1993 Early Greek Myth: A Guide to the Literary and Artistic Sources. Baltimore: John Hopkins University Press.
García Alonso, Juan Luis
2002 “Heracles y Herc: del héroe al
superhéroe.” In Actas del X Congreso Español de Estudios Clásicos, ed. by José Francisco González Castro, and José Luis Vidal, vol. III, 561–567. Madrid: Ediciones Clásicas.
García González, Jesús M. et al.
(eds) 1996 Pervivencia y actualidad de la cultura clásica. Granada: Universidad de Granada.
García Gual, Carlos
2012 Enigmático Edipo, Mito y Tragedia. Madrid: FCE.
Garel, Alain
1976 “Le péplum.” In Image et
Son 305, April: 32–45.
Garnier, Xavier
2002 L'éclat de la figure: étude sur l'antipersonnage de
roman. Brussels: Peter Lang.
Gellar-Goad, T. H. M., and John Bedingham
2014 “Hercules the Brute, Hercules the Tactician in Steve Moore’s
The Thracian Wars and the Knives of
Kush Comics.” Electra 3: 17–26. http://electra.lis.upatras.gr/index.php/electra/article/view/2178 [03/03/2015].
George Kovacs and C. W. Marshall
(eds.) 2011 Classics and Comics, New York: Oxford University Press.
Gervais, Kyle
2013 “Viewing violence in Statius’ Thebaid and the
films of Quentin Tarantino.” In Epic Visions: Visuality in Greek and Latin Epic and its
Reception, ed. by Helen Lovatt, and Caroline Vout, 139–167. Cambridge: Cambridge University Press.
Ghita, Cristian E., and Giorgos Andrikopoulos
2009 “Total War and Total Realism: A
Battle for Antiquity in Computer Game History.” In Classics for All. Reworking Antiquity in Mass Culture, ed. by Dunstan Lowe, and Kim Shahabudin, 109–126. Newcastle upon Tyne: Cambridge Scholars.
Gil Ruiz, Francisco. J.
2014 La construcción del personaje en el relato
cinematográfico: héroes y villanos. doctoral thesis. Madrid: Universidad Complutense.
Gilabert Barberà, Pau
2008 “Woody Allen and the spirit of Greek Tragedy: from Crimes and
Misdemeanors 1989 to Match Point (2005).” English Language and Literature Studies 17: 1–18.
2009 “Cassandra´s Dream de Woody Allen: la
contemporaneitat de la tragedia grega.” Faventia 31 (1–2): 279–293.
González Delgado, Ramiro
2010 “Orfeo y Eurídice en el cómic.” CFC (ELat) 30 (1): 193–216.
González Manjarés, Miguel Ángel
2013 “Venus en las canciones de Georges
Brassens.” In Mito e Interdisciplinariedad. Los mitos antiguos,
medievales y modernos en la literatura y las artes contemporáneas, ed. by José Manuel Losada Goya, and Antonella Lipscomb, 269–280. Bari: Ed. Levante.
Gorman, Vanessa
2000 “Lucan’s Epic Aristeia and the Hero of the
Bellum Civile.” The Classical Journal 96: 263–290.
Grafton, Anthony, Glenn W. Most, and Salvatore Settis
(eds) 2010 The Classical Tradition. Cambridge, MA: Harvard University Press.
Green, Daniel
1991 “The Comedian´s Dilemma: Woody Allen´s Serious
Comedy.” Literature/Film Quartely 19 (2): 70–76.
Grene, David, and Richmond A. Lattimore
(eds) 1991 The Complete Greek Tragedies: Sophocles I. Chicago: University of Chicago Press.
Grimal, Pierre
1982
7
. Dictionnaire de la mythologie grecque et romaine. Paris: Les Éditions G. Crès et Cie (first edition 1951).
Gurung, Rita
2010 The archetypal antihero in postmodern fiction. New Delhi: Atlantic.
Hardwick, Lorna, and Christopher Stray
(eds) 2008 A Companion to Classical Receptions. Malden, MA: Blackwell.
Hardwick, Lorna, and Stephen Harrison
2013 Classics in the Modern World. A ‘Democratic’ Turn? Oxford: Oxford University Press.
Hardwick, Lorna
2003 Reception Studies. Oxford: Oxford University Press.
Henderson, John
1998 [1987] “Lucan. The Word at War.” In Fighting for Rome. Poets and Caesars, History and Civil War, ed. by John Henderson, 165–211. Cambridge: Cambridge University Press.
Hill, Rosemary, and Karl Spracklen
(eds) 2010 Heavy Fundametalisms: Music, Metal and Politics. Oxford: Inter-Disciplinary Press. Available at: http://www.inter-disciplinary.net/wp-content/uploads/2010/02/mmp2ever1150210.pdf [26/09/2014].
Hjelm, Titus, Keith Kahn-Harris, and Mark LeVine
2011 “Heavy Metal: Controversies and Countercultures.” Popular Music History 6 (6): 5–18.
Hömke, Nicola
2010 “Bit by Bit towards Death- Lucan’s Scaeva and the Aesthetisization
of Dying.” In Lucans “Bellum Civile”. Between Epic Tradition and Aesthetic
Innovation, ed. by Nicola Hömke, and Christiane Reitz, 91–104. New York: De Gruyter.
Housel, Rebecca
2005 “Myth, Morality, and the Women of the X-Men.” In Superheroes and Philosophy. Truth, Justice, and the Socratic
Way, ed. by Tom Morris, and Matt Morris, 75–88. Chicago: Open Court.
Howatson, Margaret C.
1989
2
. The Oxford Companion to Classical Literature. Oxford-New York: Oxford University Press (first edition 1937).
Hunink, Vincent
1993 M. Annaeus Lucanus, Bellum Civile, Book III. A
Commentary. Amsterdam: J. C. Gieben.
Jasper, Tony, and Derek Oliver
1983 The International Encyclopedia of Hard Rock and Heavy Metal. New York: Facts on File.
Jenkins, Thomas E.
2011 “Heavy Metal Homer. Countercultural Appropriations of the
Odyssey in Graphic Novel.” In Classics and Comics, ed. by George Kovacs, and C. W. Marshall, 221–235. New York: Oxford University Press.
Johnson, Walter Ralph
1987 Momentary Monsters. Lucan and his Heroes, Ithaca-London: Cornell University Press.
Jones, Christopher P.
2010 New Heroes in Antiquity: From Achilles to
Antinoos. Cambridge, Mass. – London: Harvard University Press.
Jones, Steven E.
2008 The Meaning of Videogames: Gaming and Textual Strategies. New York: Routledge.
Joshel, Sandra R., Margaret Malamud, and Donald T. McGuire
(eds) 2001 Imperial Projections: Ancient Rome in Modern Popular Culture. Baltimore and London.
Juul, Jesper
2011 Half-real. Video Games between Real Rules and Fictional Worlds. Cambridge, Mass.: The MIT Press.
Kahn-Harris, Keith
2000 “Roots? The Relationship between the Global and the Local within
the Extreme Metal Scene.” Popular Music 19 (1): 3–30.
Karazantza, Efimia
1993 ‘Homo heroicus’: Prometheus, Herakles and Philoctetes. A Structural and
Semantic Analysis of their Mythologies. Diss. University of Reading.
Kayser, Wolfgang
1981 The Grotesque in Art and Literature. [orig. 1st ed. 1957] New York: Columbia University Press.
Kelly, Richard V.
2004 Massively Multiplayer Online Role-Playing Games: The People, the
Addiction and the Playing Experience. Jefferson-London: McFarland.
Kerényi, Karl
2009
Los héroes griegos, vers. esp. de Die Mythologie
der Griechen. Teil II: Die
Heroengeschichten. Girona: Atalanta.
King, Geoff, and Tanya Krzywinska
2006 Tomb Raiders and Space Invaders: Videogame Forms and Contexts. London: I. B. Tauris.
Knight, Gladys L.
2010 Female Action Heroes: A Guide to Women in Comics, Videogames, Film and
Television. Santa Barbara, Calif.: Greenwood.
Knowles, Chris
2007 Our Gods Wear Spandex: The Secret History of Comic Book Heroes. San Francisco: Weiser Books.
König, Jason
2005 Athletics and Literature in the Roman Empire. Cambridge: Cambridge University Press.
Kovacs, George
2011 “Comics and Classics: Establishing a Critical
Frame.” In Classics and Comics, ed. by George Kovacs, and C. W. Marshall, 3–24. New York: Oxford University Press.
Kripal, Jeffrey J.
2011 Mutants and Mystics: Science Fiction Superhero Comics, and the
Paranormal. Chicago, IL: University of Chicago Press.
Krumeich, Ralf, Nikolaus Pechstein, and Bernd Seidensticker
(eds) 1999 Das griechische Satyrspiel. Darmstadt: Wissenschaftliche Buchgesellschaft.
Lax, Eric
2007 Conversations with Woody Allen: His Films, the Movies, and
Moviemaking. New York: Knopf.
Leigh, Matthew
1997 Lucan. Spectacle and Engagement. Oxford: Clarendon Press.
Leng, Dean
2010 God of War: Ghost of Sparta: Official Strategy Guide. Indianapolis, Ind.: Brady Games.
Lillo Redonet, Fernando
2010 Héroes de Grecia y Roma en la pantalla. Madrid: Ediciones Evohé.
Lindner, Martin
2008 “Colourful Heroes: Ancient Greece and the Children’s Animation
Film.” In Hellas on Screen: Cinematic Receptions of Ancient History, Literature
and Myth, ed. by Irene Berti, and Marta García Morcillo, 39–55. Stuttgart: Steiner.
Liverani, Elena
2009 Da Eschilo ai Virgin Steele: Il mito degli Atridi nella
musica contemporanea. Bologna: Dupress.
LoCicero, Don
2008 Superheroes and Gods: A Comparative Study from Babylonia to
Batman. Jefferson, NC: McFarland.
López Eire, Antonio, and Mª. del Henar Velasco López
2012 La mitología griega: lenguaje de dioses y hombres. Madrid: Arco/Libros.
López Gregoris, Rosario
2009 “Julio Verne y Virgilio pasean por el infierno.
Viaje al centro de la Tierra y otras reescrituras
clásicas.” CFC (ELat) 29 (1): 209–226.
2013 “
Lisístrata: De Aristófanes a König.” In Καλὸς καὶ ἀγαθὸς ἀνήρ· διδασκάλου παράδειγμα. Homenaje al
Profesor Juan Antonio López Férez, ed. by Luis M. Pino Campos, and Germán Santana Henríquez, 479–486. Madrid: Ediciones Clásicas.
Lovatt, Helen
2005 Statius and the Epic Games. Cambridge: Cambridge University Press.
2013 The Epic Gaze: Vision, Gender and Narrative in Ancient Epic. Cambridge: Cambridge University Press.
Lovatt, Helen, and Caroline Vout
(eds) 2013 Epic Visions: Visuality in Greek and Latin Epic and its
Reception. Cambridge: Cambridge University Press.
Lowe, Dunstan, and Kim Shahabudin
(eds) 2009 Classics for All: Re-Working Antiquity in Mass Cultural Media. Cambridge: Cambridge Scholars Press.
Lucas, Caroline, Mark Deeks, and Karl Spracklen
2011 “Grim Up North: Northern England, Northern Europe and Black
Metal.” Journal for Cultural Research 15 (3): 279–295.
Lucerga Pérez, María J.
2004 “Del uniforme del Capitán América al azul desnudo
del Dr. Manhattan: Ascenso y caída del superhéroe como principio de
construcción identitaria.” Tonos. Revista electrónica de Estudios
Filológicos 8. http://www.um.es/tonosdigital/znum8/estudios/13-supertonos.htm#_ftnref23 [01/05/2014].
Macías Villalobos, Cristóbal
2013 “Aplicaciones didácticas de los videojuegos en el
ámbito del mundo clásico.” RELat 13: 203–238.
Mackie, Chris J.
2007 “Men of Darkness.” In Super/Heroes. From Hercules to Superman, ed. by Wendy Haslem, Angela Ndalianis, and Chris Mackie, 83–95. Washington, D. C.: New Academia Publishing.
Malamud, Margaret
2001 “Serial Romans.” In Imperial Projections. Ancient Rome in Roman Culture, ed. by Sandra R. Joshel, Margaret Malamud, and Donald T. McGuire, 209–228. Baltimore: Johns Hopkins University.
Marques Pereira, Susana
2013 “Raíces clásicas del repertorio musical de Zé
Ramalho.” In Mito e Interdisciplinariedad. Los mitos antiguos,
medievales y modernos en la literatura y las artes contemporáneas, ed. by José Manuel Losada Goya, and Antonella Lipscomb, 281–292. Bari: Ed. Levante.
Marshall, C. W.
2011 “The Furies, Wonder Woman and Dream. Mythmaking in DC
Comics.” In Classics and Comics, ed. by George Kovacs, and C. W. Marshall, 89–101. New York: Oxford University Press.
Martín Rodríguez, Antonio María
1995 “Paralelos folclóricos en la figura de
Aquiles.” In Estudios de Religión y Mito en Grecia y Roma, coord. by Jesús Mª Nieto Ibáñez, 247–256. León: Universidad de León.
2005 “Contaminadores contaminados: materiales plautinos y
terencianos en Golfus de Roma (Richard Lester,
1966).” In Con quien tanto quería. Estudios en homenaje a María del
Prado Escobar Bonilla, ed. by Germán Santana Henríquez et al., 337–348. Las Palmas de Gran Canaria: Universidad de Las Palmas de Gran Canaria.
2009 “Todo lo puede el amor: Harry Potter y los
clásicos.” In Omnia vincit Amor. Consideraciones sobre el amor en la
literatura universal, ed. by Eugenio Padorno Navarro, and Germán Santana Henríquez, 153–182. Madrid: Ediciones Clásicas.
2010 “De la lírica a la canción: vino viejo en odres
nuevos.” In La palabra y la música, ed. by Germán Santana, and Eugenio Padorno, 129–195. Madrid: Ediciones Clásicas.
2012 “Amores inadecuados en la comedia plautina y su
pervivencia en los nuevos géneros dramáticos de la cultura de
masas.” In Estudios sobre teatro romano: el mundo de los sentimientos
y su expresión, ed. by Rosario López Gregoris, 523–554. Zaragoza: Pórtico.
2015 “The Fall of Troy: Intertextual Presences in Wolfgang Petersen’s
Film.” In Return to Troy: New Essays on the Hollywood Epic, ed. by Martin M. Winkler, 203–223 (fc). Leiden: Brill.
Martindale, Charles
2013 “Reception – a new humanism? Receptivity, pedagogy, the
transhistorical.” Classical Receptions Journal 5: 169–183.
Martindale, Charles & Richard F. Thomas
(eds.) 2006 Classics and the Uses of Reception. Oxford: Blackwell.
Mazzocchini, Paolo
2000 Forme e significati della narrazione bellica nell’epos
virgiliano. Fasano: Schena.
Meteling, Arno
2006 Monster: Zu Körperlichkeit und Medialität im modernen
Horrorfilm. Bielefeld: Transcript Verlag.
Metger, Wilhelm
1970 [1957] “Kampf und Tod in Lucans Pharsalia.” In Lucan, ed. by Wener Rutz, 422–438. Darmstad: Wissenschaftliche Buchgesellschaft.
Metz, Christian
1974 Film Language: A Semiotic of Cinema. New York: Oxford University Press.
Micozzi, Laura
1999 “Aspetti dell’influenza di Lucano nella
Tebaide.” In Interpretare Lucano. Miscellanea di studi, ed. by Paolo Esposito, and Luciano Nicastri, 343–387. Napoli: Arte Tipografica.
Miller, Dean. A.
2000 The Epic Hero. Baltimore-London: Johns Hopkins University.
Montiglio, Silvia
2011 From Villain to Hero. Odysseus in Ancient Thought. Ann Arbor: The University of Michigan Press.
Morris, Tom, and Matt Morris
(eds) 2005 Superheroes and Philosophy: Truth, Justice and The Socratic Way. Chicago: Open Court.
Morrison, Grant
2011 Supergods: Our World in the Age of the Superhero. London: Jonathan Cape.
Most, Glenn
1992 “
Disiecti membra poetae: The Rhetoric of Dismemberment in
Neronian Poetry.” In Innovations in Antiquity, ed. by Ralph Hexter, and Daniel Selden, 391–419. London: Routledge.
Muller, Agnès
2007 “Images as Paratext in Alison Bechdel’s Fun
Home.” In GRAAT 1: 15–25, on-line journal: http://www.graat.fr/backissueabechdel.htm [17/09/2017].
Müller, Gerhard
1953 “Seneca Oedipus als Drama.” Hermes 81: 447–464.
Nagy, Gregory
2013 The Ancient Greek Hero in 24 Hours. Cambridge, Massachusetts, London: The Belknap Press of Harvard University Press.
Narducci, Emanuele
1999 “Deconstructing Lucano ovvero le nozze (coi fichi
secchi) di Ermete Trismegisto e di Filologia.” In Interpretare Lucano. Miscellanea di studi, ed. by Paolo Esposito, and Luciano Nicastri, 39–83. Napoli: Arte Tipografica.
Ndalianis, Angela
2004 Neo-Baroque Aesthetics and Contemporary Entertainment. Cambridge, Mass.: MIT Press.
Nicolavitch, Alex
2011 Mythe & Super Héros. Lyon: Les Moutons électriques.
Nilsson, Martin P.
1972 The Mycenaean Origin of Greek Mythology. Berkeley: University of California Press.
Noel, Dan, Stacy Dale, and David Brothers
2008 God of War: Chains of Olympus Official Strategy Guide. Indianapolis, Ind.: Brady Games.
Oosterhuis, Dave
2012 “Orpheus, the Original Penniless Poet: Plutus/Pluto in Anais
Mitchell’s Hadestown.” SyllClass 23: 103–206.
Paduano, Guido
1994 Lunga storia di Edipo re: Freud, Sofocle e il teatro
occidentale. Turín: Einaudi.
2008 La nascita dell´eroe. Achille, Odisseo, Enea: le origine
della cultura occidentale. Milano: RCS Libri.
Palacios Martín, Ángela
1979 “Turno y Eneas a través de los símiles en la
Eneida.” Anuario de Estudios Filológicos 2: 191–209.
Parham, Thom
2005 “Superheroes in Crisis: Postmodern Deconstruction and
Reconstruction in Comic Books and Graphic Novels.” In The Gospel According to Superheroes. Religion and Popular
Culture, ed. by Brisio J. Oropeza, 197–214. New York-Washington, D.C.-Baltimore-Bern-Frankfurt am Main-Berlin-Brussels-Vienna-Oxford: Peter Lang.
Parker, Fred
2008 “Classic Simplicity.” In Translation and the Classic: Identity as Change in the History of
Culture, ed. by Alexandra Lianeri, and Vanda Zajko, 227–242. Oxford: Oxford University Press.
Paul, Joanna
2013 Film and the Classical Epic Tradition. Oxford: Oxford University Press.
Pérezc Gómez, Leonor
1996 “El Cine de romanos.” In Pervivencia y actualidad de la cultura clásica, ed. by Jesús García González et al., 235–261. Granada: Universidad de Granada.
Pérez Gómez, Leonor
2012 Séneca. Tragedias completas. Madrid: Cátedra.
2013 “Presencia de la cultura greco-latina en la novela
Veinte mil leguas de viaje submarino de J.
Verne.” Florentia Iliberritana 24: 177–197.
2014 “El Coro de la tragedia, comentarista invitado en
Mighty Aphrodite de Woody Allen.” In Texto, Traducción, ¡acción! El legado clásico en el
cine, ed. by Alberto J. Quiroga Puertas, 88–99. Granada: El Círculo Rojo.
Pérez Latorre, Óliver
2012a “Del ajedrez a Starcraft. Análisis comparativo de
juegos tradicionales y videojuegos.” Comunicar 38: 121–129.
2012b El lenguaje videolúdico: Análisis de la significación del
videojuego. Barcelona: Laertes.
Pérez Rufi, José P.
2014 Kubrick y el antihéroe: narrativa del personaje en el cine
de Kubrick. Saarbrücken, Ger.: Editorial Académica Española.
Perron, Bernard
(ed) 2009 Horror Video Games: Essays on the Fusion of Fear and Play. Jefferson. N.C.: McFarland & Co.
Peters, Brian M.
2003 “Qu(e)erying Comic Book Culture and Representations of Sexuality
in Wonder Woman.” CLCWeb: Comparative Literature and Culture 5 (3). [01/05/2014]
[01/05/2014]Petersen, Robert S.
2011 Comics, Manga and Graphic Novels. A History of Graphic
Narratives. Santa Barbara, CA: Praeger.
Peterson, Jon
2012 Playing at the World: A History of Simulating Wars, People and Fantastic
Adventures, from Chess to Role-Playing Games. Theoklesia, Llc.: Unreason Press.
Pihel, Erik
1996 “A Furified Freestyle: Homer and Hip Hop.” Oral Tradition 11 (2): 249–269.
Pitcher, Luke V.
2009 “Saying ‘Shazam’: the Magic of Antiquity in Superhero
Comics.” New Voices in Classical Reception Studies 4: 27–43.
Pratt, Norman T.
1983 Seneca´s Drama. Chapel Hill: The University of North Carolina Press.
Propp, Vladimir
1995 “Oedipus in the light of folklore.” In Oedipus: A Folklore Casebook, ed. by Lowell Edmunds, and Alan Dunde, 76–121. Wisconsin: University of Wisconsin Press.
Quiroga Puertas, Alberto J.
(ed) 2014 Texto, Traducción, ¡acción! El legado clásico en el
cine. Granada: El Círculo Rojo.
Raglan, Fitzroy R.
1975 The Hero. A Study in Tradition, Myth, and Drama. Westport, Conn.: Greenwood Press.
Rebello, Stephen, and Jane M. Healey
1997 The Art of Hercules: The Chaos of Creation. New York: Hyperion.
Reed, Jay D.
2007 Virgil’s Gaze. Nation and Poetry in the Aeneid. Princeton-Oxford: Princeton University Press.
Renaut, Christian
1997 De Blanche-Neige à Hercule. 28 long métrages d’animation
des Studios Disney. Paris: Dreamland.
Renger, Almut B., and Jon Salomon
(eds) 2013 Ancient Worlds in Film and Television. Gender and Politics. Leiden-Boston: Brill.
Reynolds, Richard
1992 Superheroes: A Modern Mythology. Jackson, MS: University Press of Mississippi.
Ritoré Ponce, Joaquín
2009 “Heracles en la encrucijada: significados y
metamorfosis del mito en la literatura griega antigua.” In Cuatro estudios sobre exégesis mítica, mitografía y novela
griegas, ed. by Enrique Ángel Ramos Jurado, 61–120. Zaragoza: Pórtico.
Rodríguez de Sepúlveda, Margarita
1985 Apolodoro, Biblioteca. Madrid: Gredos.
Rodríguez, Audy
2008 “Les fêlures du miroir ou les dieux vecteur de mise
en abîme. Modalités, formes et enjeux de la transmission de la référence
antique. Un exemple: les dieux Grecs.” In Imagines: La Antigüedad en las Artes escénicas y
visuales. Congreso Internacional (Universidad de La Rioja, Logroño 22-24
de octubre de 2007), ed. by María J. Castillo Pascual, 615–632. Logroño: Universidad de la Rioja.
Rogers, Brett M.
2011 “Heroes UnLimited. The Theory of the Hero’s Journey and the
Limitation of the Superhero Myth.” In Classics and Comics, ed. by George Kovacs, and C. W. Marshall, 73–86. New York: Oxford University Press.
Rossi, Andreola
2003 Contexts of War, Manipulation of Genre in Virgilian Battle
Narrative. Ann Arbor: The University of Michigan Press.
Ruipérez, Martín S.
2006 El mito de Edipo. Lingüística, psicoanálisis y
folklore. Madrid: Alianza.
Samuel, Raphael
1994 Theatres of Memory: Past and Present in Contemporary Culture, vol. 1. New York: Verso Books.
Sánchez Parrón, José A.
2014 “La codificación del mito heroico. Análisis
semiótico de la configuración de un lenguaje de masas.” LifePlay 2: 17–34, available at http://www.lifeplay.es/volumen2/Dossier/017_034_ SANCHEZ%20PARR%C3%
93N.pdf.
Sánchez Pérez, Carlos
2014 “Prometeo en femenino: Usos del elemento clásico en
Promethea de Alan Moore.” Universidad Autónoma de Madrid: MA Thesis.
Sanjuán Iglesias, Eva M.
ª 2004 “Amazonas en el siglo XX: Wonder Woman,
actualización de un mito.” Minius 12: 25–40.
Santana Henríquez, Germán
2012 “Un héroe griego en dibujos animados:
Hércules de Walt Disney.” In Literatura y cine, ed. by Germán Santana Henríquez, 247–280. Madrid: Ediciones Clásicas.
Savenkova, Olga S.
2013 Reception Classical Mythology in Woody Allen´s Dramas: Crimes and
Misdemeanors, Match Point and Cassandra´Dream. Salt Lake City: Univ. of Utah.
Schenck, Ken
2005 “Superman: A Popular Culture Messiah.” In The Gospel According to Superheroes. Religion and Popular
Culture, ed. by Brisio J. Oropeza, 33–48. New York-Washington, D.C.-Baltimore-Bern-Frankfurt am Main-Berlin-Brussels-Vienna-Oxford: Peter Lang.
Schott-Billmann, France
2000 “Les nouveaux rituels dionysiaques.” Cahiers du GITA 13 [Bacchanales. Actes des colloques DIONYSOS de Montpellier
(1996–1998)]: 201–243.
Segado Boj, Francisco
2005 “Tambores de guerra en viñetas: Spiderman y el
11-S.” Revista Historia y comunicación social 10: 233–246. http://alumnos.unir.net/christianarroyo/files/2013/03/c9fe174c-3d28-fb033.pdf [01/05/2014].
Segal, Charles
2001
2
. Oedipus Tyrannus. Tragic Heroism and the Limitis of Knowledge. New York: Oxford University Press.
Settis, Salvatore
2006 The Future of the Classical. Cambridge, UK; Malden, MA: Polity Press.
Simmons, David
2008 The Anti-hero in the American Novel: From Joseph Heller to Kurt
Vonnegut. New York: Palgrave Macmillan.
2011 “’By Jupiter’s Cock!’: Spartacus: Blood and Sand, Video
Games, and Camp Excess.” In Of Muscles and Men: Essays on the Sword and Sandal Films, ed. by Michael G. Corneliu, 144–153. Jefferson, NC: McFarland & Company.
Rodrigues, Nuno Simões
2003 “A Antiguidade clássica em banda
desenhada.” In, Som e Imagem no Ensino das Línguas Clássicas, ed. by José Ribeiro Ferreira, and Paula Barata Dias, 51–81. Coimbra: Instituto de Estudos Clássicos.
2004 “O regreso de Ulisses à banda
desenhada.” Boletim de Estudos Clássicos 42: 189–197.
2005 “Da Odisseia à
Eneida. Novos temas classicos em banda
desenhada.” Boletim de Estudos Clássicos 44: 153–180.
2006 “Ulisses chega a Ítaca e reencontra Penélope desta
vez … aos quadrinhos.” Boletim de Estudos Clássicos 45: 187–195.
Smith, Anthony
1991 National Identity. London: Penguin.
Solomon, Jon
2001
2
. The Ancient World in the Cinema. New Haven: Yale University Press.
Sontag, Susan
1987 “Notes on ‘Camp’.” Against Interpretation, 275–282. London: André Deutsch.
Spaltenstein, François
1986
Commentaire des Punica de Silius Italicus
(livres 1 à 8). Genève: Librairie Droz.
Späth, Thomas, and Margrit Thröhler
2013 “Muscles and Morals: Spartacus, Ancient Hero of Modern
Times.” In Ancient Worlds in Film and Television. Gender and
Politics, ed. by Almut B. Regner, and Jon Salomon, 41–64. Leiden-Boston: Brill.
Spina, Luigi
2008 “By Heracles! From Satyr-play to Peplum.” In Hellas on Screen: Cinematic Receptions of Ancient History,
Literature and Myth, ed. by Irene Berti, and Marta García Morcillo, 57–64. Stuttgart: Steiner.
Spracklen, Karl
2010 “Gorgoroth’s Gaahl’s Gay! Power, Gender and the Communicative
Discourse of the Black Metal Scene.” In Heavy Fundamentalisms: Music, Metal and Politics, ed. by Rosemary Hill, and Karl Spracklen, 89–102. Oxford: Inter-Disciplinary Press.
Stanley, Kelli E.
2005 “ ‘Suffering Sappho!’ Wonder Woman and the (Re)Invention of the
Feminine Ideal.” Helios 32 (2): 143–171.
Steinmeyer, Elke
2007 “Elektra in the Marvel Universe.” In Alma parens originalis? The Receptions of Classical Literature and
Thought in Africa, Europe, the United States, and Cuba, ed. by John Hilton, and Anne Gosling, 317–340. Oxford-Bern-Berlin-Brussels-Frankfurt am Main-New York- Vienna: Peter Lang.
Stora-Sandor, Judith L.
1984 L´humour juif dans la littérature: De Job a Woody Allen. Paris: PUF.
Strong, Anise K.
2011 “A Dream of Augustus: Neil Gaiman’s Sandman and
Comics Mythology.” In Classics and Comics, ed. by George Kovacs, and C. W. Marshall, 173–182. New York: Oxford University Press.
Tallon, Felix, and Jerry Walls
2005 “Superman and Kingdom Come. The Surprise of
Philosophical Theology.” In Superheroes and Philosophy. Truth, Justice, and the Socratic
Way, ed. by Tom Morris, and Matt Morris, 207–220. Chicago: Open Court.
Taylor, Aaron
2007 “ ‘He’s Gotta Be Strong, and He’s Gotta Be Fast, and He’s Gotta Be
Larger than Life’: Investigating the Engendered Superhero
Body.” Journal of Popular Culture 40 (2): 344–360.
Taylor, Matthew
2014 “Eternal Defiance: Celtic Identity and the Classical Past in Heavy
Metal.” Unpublished paper, available at: https://camws.org/meeting/2014/abstracts/panels/002.HeavyMetal/HeavyMetal.2.pdf [26/09/2014].
Taylor, T. L.
2006 Play Between Worlds: Exploring Online Game Culture. Cambridge, Mass.: The MIT Press.
Tenório Rocha, José María
1993 “Cultura greco-romana nos cantares do povo
nordestino.” Oralidad 5: 32–37. Available at: http://unesdoc.unesco.org/images/0010/001001/100145m.pdf#100156 [15/04/2014].
Thomas, Richard
2012 “The Streets of Rome: The Classical Dylan.” In Reception and the Classics. An Interdisciplinary Approach to the
Classics, ed. by William Brockliss et al., 134–159. Cambridge: Cambridge University Press.
Tison, Hélène
2007 “Drag as metaphor and the quest for meaning in Alison Bechdel’s
Fun Home: A Family Tragicomic.” In GRAAT 1: 26–39, on-line journal: http://www.graat.fr/backissueabechdel.htm.
Tolmie, Jane
2009 “Modernism, Memory and Desire: Queer Cultural
Production in Alison Bechdel’s Fun Home.” In Topia: Canadian Journal of Cultural Studies 22: 77–96.
Trice, Ashton. D., and Samuel A. Holland
2001 Heroes, Antiheroes, and Dolts: Masculinity in American Popular Films:
1921–1999. Jefferson, N. C.: McFarland.
Umurhan, Osman
2012 “Heavy Metal and the Appropriation of Greece and
Rome.” SyllClass 23: 127–152.
2014 “Metal Reception(s) of Classical Antiquity: Its Place and Future
Direction.” Unpublished paper, available at: https://camws.org/meeting/2014/abstracts/panels/002.HeavyMetal/HeavyMetal.5.pdf [26/09/2014].
Unceta Gómez, Luis
(fc). “
Chroniques de l’Antiquité Galactique. Antiquity and Space
Opera in French Bande Dessinée.“
2007 “Mito clásico y cultura popular: reminiscencias
clásicas en el cómic estadounidense.” Epos 23: 333–344.
2012 “
Greek Street: el mito griego visita los bajos
fondos.” Minerva 25: 189–209.
2013 “La musa vejada. Clasicismo posmoderno y nuevas vías
de investigación.” In Καλὸς καὶ ἀγαθὸς ἀνήρ· διδασκάλου παράδειγμα. Homenaje al
Profesor Juan Antonio López Férez, ed. by Luis M. Pino Campos, and Germán Santana Henríquez, 821–827. Madrid: Ediciones Clásicas.
Uría, José M.
2013 Jack Kirby el cuarto demiurgo. Madrid: Sportula.
Valdés, Santi
1998 Los cómics gay. Barcelona: Glénat, Col. Dr. Vértigo.
Valverde García, Alejandro
2010 “Grecia antigua en el cine : Filmografía y
bibliografía.” Philologica Urcitana 3, 129–146.
Vargas Llosa, Mario
2012 La civilización del espectáculo. Madrid: Alfaguara.
Vaudrin, Marie-Claude
2004 La musique techno ou le retour de Dionysos. Je rave, tu
raves, nous rêvons. Paris: L’Harmattan.
Vernant, Jean-Pierre P.
1982 Myth and society in ancient Greece. London: Methuen.
Villalba Álvarez, Joaquín
2008 “La presencia de Afrodita y Cupido en la música
rock.” Tejuelo 2: 78–88.
de Vries, Jan
1963 Heroic Songs and Heroic Legend. London: Oxford University Press.
Wallach, Jeremy, Harris M. Berger, and Paul D. Greene
(eds) 2011 Metal Rules the Globe: Heavy Metal Music around the World. Durham: Duke University Press.
Walser, Robert
1993 Running with the Devil. Power, Gender, and Madness in Heavy Metal Music. Middletown: Wesleyan University Press.
Watson, Julia
2008 “Autographic Disclosures and Genealogies of Desire in Alison
Bechdel’s Fun Home.” In Biography vol. 31, chap. 1: 27–58.
Weinstein, Deena
2001 Heavy Metal. The Music and its Culture. Revised Edition. Cambridge, MA: Da Capo Press.
Winkler, Martin M.
2005a “Gladiator and the Colosseum: Ambiguities of
Spectacle.” In Gladiator. Film and History, ed. by Martin M. Winkler, 87–110. Malden: Blackwell Publishing.
2005b “Neo-Mythologism. Apollo and the Muses on the
Screen.” IJCT 11: 383–423.
2007 Troy: from Homer's Iliad to Hollywood Epic. Malden, Ma.: Blackwell Publishing.
2009 Cinema and Classical Texts. Apollo’s New Light. Cambridge: Cambridge University Press.
Wood, Christopher
2012 “Reception and the Classics.” In Reception and the Classics. An Interdisciplinary Approach to the
Classical Tradition, ed. by William Brockliss, Pramit Chaudhuri, Ayelet Haimson Lushkov, and Katherine Wasdin, 163–173. Cambridge, UK: Cambridge University Press.
Wyke, Maria
1997 Projecting the Past: Ancient Rome, Cinema and History. London: Routledge.
Zanón Fernández, Ester
2013 “El mito como temática superventas en el cómic de
finales del siglo XX: El extraño caso de Neil Gaiman y su The
Sandman.” In Mito e interdisciplinariedad. Los mitos antiguos,
medievales y modernos en la literatura y las artes contemporáneas, ed. by José M. Losada Goya, and Antonella Lipscomb, 353–361. Bari: Levante Editori.
Subjects
Literature & Literary Studies
BIC Subject: DSA – Literary theory
BISAC Subject: LIT000000 – LITERARY CRITICISM / General
U.S. Library of Congress Control Number: 2019055521