References
Bar-Tal, Daniel; Ariel W. Kruglanski, and Yechiel Klar
1989 “Conflict Termination: An Epistemological Analysis of International Cases.” Political Psychology 10 (2): 233–255. DOI logoGoogle Scholar
Benito García, Iván
2013One Love… U2. Análisis de la Banda de Rock U2. Madrid: U2fanlife.Google Scholar
Bew, Paul, and Gordon Gillespie
1999Northern Ireland. A Chronology of the Troubles. 1968–1999. Dublin: Gill & MacMillan.Google Scholar
Bordowitz, Frank
(ed) 2003The U2 Reader. A Quarter Century of Commentary, Criticism, and Reviews. Milwaukee: Hal Leonard Corporation.Google Scholar
Bull, William E.
1960Time, Tense and the Verb: A Study in Theoretical and Applied Linguistics, with Particular Attention to Spanish. Berkeley: University of California Press.Google Scholar
Cap, Piotr
2010 “Proximizing Objects, Proximizing Values. Towards an Axiological Contribution to the Discourse of Legitimisation.” In Perspectives in Politics and Discourse, ed. by Urszula Okulska, and Piotr Cap, 119–142. Amsterdam: John Benjamins. DOI logoGoogle Scholar
Chilton, Paul
2004Analysing Political Discourse. Theory and Practice. London: Routledge. DOI logoGoogle Scholar
2005 “Vectors, Viewpoint and Viewpoint Shift. Toward a Discourse Space Theory.” Annual Review of Cognitive Linguistics 31: 78–116. DOI logoGoogle Scholar
CNN
. “September 11, 2001: Background and timeline of the attacks,” CNN News, September 8 2016[URL]
Eyerman, Ron, and Andrew Jamison
1998Music and Social Movements. Mobilizing Traditions in the Twentieth Century. Cambridge: Cambridge University Press. DOI logoGoogle Scholar
Filardo-Llamas, Laura
2015 “Re-contextualizing Political Discourse: An Analysis of Shifting Spaces in Songs Used as a Political Tool.” Critical Discourse Studies 12 (3): 279–296. DOI logoGoogle Scholar
Gavins, Joanna
2007Text World Theory. An Introduction. Edinburgh: Edinburgh University Press. DOI logoGoogle Scholar
Halliday, M. A. K.
2004An Introduction to Functional Grammar. Revised by Christian M.I.M. Matthiessen. London: Edward Arnold. 3rd ed.Google Scholar
Hart, Christopher
2014Discourse, Grammar and Ideology. Functional and Cognitive Perspectives. London: Bloomsbury.Google Scholar
Hennessey, Thomas
1997A History of Northern Ireland. 1920–1996. Dublin: Gill & Macmillan. DOI logoGoogle Scholar
Jobling, John
2014U2. The Definitive Biography. New York: St. Martin’s Press.Google Scholar
Jones, Rodney H.
2010Creativity and discourse, World Englishes 29 (4): 467–480. DOI logoGoogle Scholar
Kootnikoff, David
2010U2. A Musical Biography. Santa Barbara: ABC-CLIO, LLC.Google Scholar
Lakoff, George, and Mark Johnson
1980Metaphors We Live by. Chicago: University of Chicago Press.Google Scholar
Langacker, Ronald
1991Concept, Image, and Symbol. The Cognitive Basis of Grammar. Berlin and New York: Mouton de Gruyter.Google Scholar
2008Cognitive Grammar: A Basic Introduction. Oxford: Oxford University Press. DOI logoGoogle Scholar
Lugea, Jane
2016World Building in Spanish and English Spoken Narratives. London: Bloomsbury.Google Scholar
Machin, David
2010Analysing Popular Music: Image, Sound and Text. London: Sage. DOI logoGoogle Scholar
Machin, David, and Andrea Mayr
2012How to Do Critical Discourse Analysis. A Multimodal Introduction. London: Sage.Google Scholar
Marvilli, Joe
2009 “Rock History 101: U2’s “Sunday Bloody Sunday”,” Consequence of Sound, November 7 2009 [URL]
McKittrick, David, and David McVea
2001Making Sense of the Troubles. London: Penguin.Google Scholar
Melnick, Jeffrey
20099/11 Culture. America under Construction. Chichester: Wiley-Blackwell.Google Scholar
Neufeld, Timothy D.
2017U2: Rock ‘n’ Roll to Change the World. Lanham: Rowman & Littlefield.Google Scholar
Peddie, Ian
(ed.) 2011Popular Music and Human Rights. Farnham and Burlington: Ashgate.Google Scholar
Pietzonka, Katrin
2008 “List of Songs about ‘The Troubles’,” CAIN. A Conflict Archive on the Internet. [URL]
Quay, Sara E., and Amy M. Damico
(eds) 2010September 11 in Popular Culture. A Guide. Santa Barbara: ABC-CLIO, LLC.Google Scholar
Shuker, Roy
1995Understanding Popular Music. London: Routledge.Google Scholar
Street, John
1986Rebel Rock. The Politics of Popular Music. Oxford: Blackwell.Google Scholar
Shepherd, John, David Horn, Dave Laing, Paul Oliver, and Peter Wicke
(eds.) 2003Continuum Encyclopedia of Popular Music of the World. Volume 11. Media, Industry and Society. London: Continuum.Google Scholar
Talmy, Leonard
2018The Targeting System of Language. Cambridge, MA: MIT. DOI logoGoogle Scholar
Trost, Theodore Louis
2015 “Transgressive Theology: The Sacred and The Profane at U2’s PopMart.” In U2 Above, Across and Beyond. Interdisciplinary Assessments, ed. by Scott Calhoun, 91–104. Lanham: Lexinton Books.Google Scholar
Vagacs, Robert
2005U2. Religious Nuts, Political Fanatics: U2 in Theological Perspective. Eugene: Wipf & Stock.Google Scholar
Van Dijk, Teun A.
1997 “What is Political Discourse Analysis?” In Political Linguistics, ed. by Jan Blommaert and Chris Bulcaen, 11–52. Amsterdam: John Benjamins.Google Scholar
2008Context. A Socio-cognitive Approach. Cambridge: Cambridge University Press. DOI logoGoogle Scholar
Van Leeuwen, Theo
2012 “The Critical Analysis of Musical Discourse.” Critical Discourse Studies 9 (4): 319–328. DOI logoGoogle Scholar
Way, Lyndon C. S., and Simon McKerrell
2017Music as Multimodal Discourse: Semiotics, Power and Protest. London: Bloomsbury.Google Scholar
Way, Lyndon C. S.
2018Popular Music and Multimodal Critical Discourse Studies: Ideology, Control and Resistance in Turkey since 2002. London: Bloomsbury. DOI logoGoogle Scholar
Werth, Paul
1999Text Worlds: Representing Conceptual Space in Discourse. New York: Longman.Google Scholar
Williams, Michael
2014 “Politics as Spectacle: U2’s 360º tour (2009–2011).” In Power, Politics and International Events: Sociocultural Analysis of Festivals and Spectacles, ed. by Udo Merkel, 174–190. London: Routledge.Google Scholar
Wodak, Ruth, and Norman Fairclough
2010 “Recontextualizing European Higher Education Policies: The Cases of Austria and Romania.” Critical Discourse Studies 7 (1): 19–40. DOI logoGoogle Scholar
Wodak, Ruth, Rudolf De Cillia, Martin Reisigl, and Karin Liebhart
1999The Discursive Construction of National Identity. Edinburgh: Edinburgh University Press.Google Scholar
Zbikowski, Lawrence M.
2002Conceptualizing Music. Cognitive Structure, Theory, and Analysis. Oxford: Oxford University Press. DOI logoGoogle Scholar
2015 “Words, Music, and Meaning,” Signata 61: 143–164. [URL]
2017Foundations of Musical Grammar. Oxford: Oxford University Press. DOI logo
Cited by

Cited by 1 other publications

Browse, Sam

This list is based on CrossRef data as of 19 april 2022. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.