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118010688 03 01 01 JB John Benjamins Publishing Company 01 JB code LAL 14 Eb 15 9789027273253 06 10.1075/lal.14 13 2012026171 DG 002 02 01 LAL 02 1569-3112 Linguistic Approaches to Literature 14 <TitleType>01</TitleType> <TitleText textformat="02">Playing by Ear and the Tip of the Tongue</TitleText> <Subtitle textformat="02">Precategorial information in poetry</Subtitle> 01 lal.14 01 https://benjamins.com 02 https://benjamins.com/catalog/lal.14 1 A01 Reuven Tsur Tsur, Reuven Reuven Tsur Tel Aviv University 01 eng 322 xi 310 LAN009000 v.2006 DC 2 24 JB Subject Scheme LIN.COGN Cognition and language 24 JB Subject Scheme LIN.PHOT Phonetics 24 JB Subject Scheme LIT.THEOR Theoretical literature & literary studies 06 01 In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial information, for which there is a growing body of empirical evidence of its psychological reality. In the Tip of the Tongue phenomenon, a great amount of diffuse precategorial information is present but fails to “grow together” into a compact word, generating a feeling of some dense, undifferentiated mass. Poetic language typically exploits such precategorial information for its effects. By way of theoretical considerations and close readings, this book explores the semantic and phonetic strategies by which a text may increase or decrease the impact of such information. It investigates the conditions that boost or inhibit overtone fusion in rhyme and alliteration. By seeking empirical evidence for the claims he makes in different fields such as music, art, literature, linguistics, experiments in the speech laboratory, the author provides ample and sound examples (ambiguity intended) in an almost conversational tone, which makes us really anticipate reading each new chapter. 04 09 01 https://benjamins.com/covers/475/lal.14.png 04 03 01 https://benjamins.com/covers/475_jpg/9789027233493.jpg 04 03 01 https://benjamins.com/covers/475_tif/9789027233493.tif 06 09 01 https://benjamins.com/covers/1200_front/lal.14.hb.png 07 09 01 https://benjamins.com/covers/125/lal.14.png 25 09 01 https://benjamins.com/covers/1200_back/lal.14.hb.png 27 09 01 https://benjamins.com/covers/3d_web/lal.14.hb.png 10 01 JB code lal.14.001pre xi xii 2 Article 1 <TitleType>01</TitleType> <TitleText textformat="02">Preface</TitleText> 10 01 JB code lal.14.01int 1 18 18 Article 2 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 1. Introduction</TitleText> 10 01 JB code lal.14.02the 19 36 18 Article 3 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 2. The poetic mode of speech perception revisited</TitleText> <Subtitle textformat="02">What our ear tells our mind</Subtitle> 10 01 JB code lal.14.03the 37 50 14 Article 4 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 3. The tot phenomenon</TitleText> <Subtitle textformat="02">A psycholinguistic model of poetry</Subtitle> 10 01 JB code lal.14.04oce 51 64 14 Article 5 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 4. &#8220;Oceanic&#8221; dedifferentiation and poetic metaphor</TitleText> 10 01 JB code lal.14.05dei 65 94 30 Article 6 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 5. Deixis and abstractions</TitleText> <Subtitle textformat="02">Adventures in space and time</Subtitle> 10 01 JB code lal.14.06thr 95 116 22 Article 7 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 6. Three case studies &#8211; Keats, Spenser, Baudelaire</TitleText> 10 01 JB code lal.14.07lin 117 130 14 Article 8 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 7. Linguistic devices and ecstatic poetry</TitleText> <Subtitle textformat="02">&#8220;The Windhover&#8221; &#8211; tongue-twisters and cognitive processes</Subtitle> 10 01 JB code lal.14.08def 131 138 8 Article 9 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 8. Defamiliarization revisited</TitleText> 10 01 JB code lal.14.09aes 139 158 20 Article 10 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 9. Aesthetic qualities as structural resemblance</TitleText> <Subtitle textformat="02">Divergence and perceptual forces in poetry</Subtitle> 10 01 JB code lal.14.10met 159 192 34 Article 11 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 10. Metaphor and figure&#8211;ground relationship</TitleText> <Subtitle textformat="02">Comparisons from poetry, music, and the visual arts</Subtitle> 10 01 JB code lal.14.11siz 193 222 30 Article 12 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 11. Size&#8211;sound symbolism revisited</TitleText> 10 01 JB code lal.14.12iss 223 240 18 Article 13 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 12. Issues in literary synaesthesia</TitleText> <Subtitle textformat="02">A brief glance</Subtitle> 10 01 JB code lal.14.13the 241 258 18 Article 14 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 13. The place of nonconceptual information in university education</TitleText> 10 01 JB code lal.14.14poi 259 292 34 Article 15 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 14. Points and counterpoints</TitleText> 10 01 JB code lal.14.15ref 293 300 8 Article 16 <TitleType>01</TitleType> <TitleText textformat="02">References</TitleText> 02 JBENJAMINS John Benjamins Publishing Company 01 John Benjamins Publishing Company Amsterdam/Philadelphia NL 04 20121107 2012 John Benjamins 02 WORLD 13 15 9789027233493 01 JB 3 John Benjamins e-Platform 03 jbe-platform.com 09 WORLD 21 01 00 105.00 EUR R 01 00 88.00 GBP Z 01 gen 00 158.00 USD S 271010687 03 01 01 JB John Benjamins Publishing Company 01 JB code LAL 14 Hb 15 9789027233493 13 2012026171 BB 01 LAL 02 1569-3112 Linguistic Approaches to Literature 14 <TitleType>01</TitleType> <TitleText textformat="02">Playing by Ear and the Tip of the Tongue</TitleText> <Subtitle textformat="02">Precategorial information in poetry</Subtitle> 01 lal.14 01 https://benjamins.com 02 https://benjamins.com/catalog/lal.14 1 A01 Reuven Tsur Tsur, Reuven Reuven Tsur Tel Aviv University 01 eng 322 xi 310 LAN009000 v.2006 DC 2 24 JB Subject Scheme LIN.COGN Cognition and language 24 JB Subject Scheme LIN.PHOT Phonetics 24 JB Subject Scheme LIT.THEOR Theoretical literature & literary studies 06 01 In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial information, for which there is a growing body of empirical evidence of its psychological reality. In the Tip of the Tongue phenomenon, a great amount of diffuse precategorial information is present but fails to “grow together” into a compact word, generating a feeling of some dense, undifferentiated mass. Poetic language typically exploits such precategorial information for its effects. By way of theoretical considerations and close readings, this book explores the semantic and phonetic strategies by which a text may increase or decrease the impact of such information. It investigates the conditions that boost or inhibit overtone fusion in rhyme and alliteration. By seeking empirical evidence for the claims he makes in different fields such as music, art, literature, linguistics, experiments in the speech laboratory, the author provides ample and sound examples (ambiguity intended) in an almost conversational tone, which makes us really anticipate reading each new chapter. 04 09 01 https://benjamins.com/covers/475/lal.14.png 04 03 01 https://benjamins.com/covers/475_jpg/9789027233493.jpg 04 03 01 https://benjamins.com/covers/475_tif/9789027233493.tif 06 09 01 https://benjamins.com/covers/1200_front/lal.14.hb.png 07 09 01 https://benjamins.com/covers/125/lal.14.png 25 09 01 https://benjamins.com/covers/1200_back/lal.14.hb.png 27 09 01 https://benjamins.com/covers/3d_web/lal.14.hb.png 10 01 JB code lal.14.001pre xi xii 2 Article 1 <TitleType>01</TitleType> <TitleText textformat="02">Preface</TitleText> 10 01 JB code lal.14.01int 1 18 18 Article 2 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 1. Introduction</TitleText> 10 01 JB code lal.14.02the 19 36 18 Article 3 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 2. The poetic mode of speech perception revisited</TitleText> <Subtitle textformat="02">What our ear tells our mind</Subtitle> 10 01 JB code lal.14.03the 37 50 14 Article 4 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 3. The tot phenomenon</TitleText> <Subtitle textformat="02">A psycholinguistic model of poetry</Subtitle> 10 01 JB code lal.14.04oce 51 64 14 Article 5 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 4. &#8220;Oceanic&#8221; dedifferentiation and poetic metaphor</TitleText> 10 01 JB code lal.14.05dei 65 94 30 Article 6 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 5. Deixis and abstractions</TitleText> <Subtitle textformat="02">Adventures in space and time</Subtitle> 10 01 JB code lal.14.06thr 95 116 22 Article 7 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 6. Three case studies &#8211; Keats, Spenser, Baudelaire</TitleText> 10 01 JB code lal.14.07lin 117 130 14 Article 8 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 7. Linguistic devices and ecstatic poetry</TitleText> <Subtitle textformat="02">&#8220;The Windhover&#8221; &#8211; tongue-twisters and cognitive processes</Subtitle> 10 01 JB code lal.14.08def 131 138 8 Article 9 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 8. Defamiliarization revisited</TitleText> 10 01 JB code lal.14.09aes 139 158 20 Article 10 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 9. Aesthetic qualities as structural resemblance</TitleText> <Subtitle textformat="02">Divergence and perceptual forces in poetry</Subtitle> 10 01 JB code lal.14.10met 159 192 34 Article 11 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 10. Metaphor and figure&#8211;ground relationship</TitleText> <Subtitle textformat="02">Comparisons from poetry, music, and the visual arts</Subtitle> 10 01 JB code lal.14.11siz 193 222 30 Article 12 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 11. Size&#8211;sound symbolism revisited</TitleText> 10 01 JB code lal.14.12iss 223 240 18 Article 13 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 12. Issues in literary synaesthesia</TitleText> <Subtitle textformat="02">A brief glance</Subtitle> 10 01 JB code lal.14.13the 241 258 18 Article 14 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 13. The place of nonconceptual information in university education</TitleText> 10 01 JB code lal.14.14poi 259 292 34 Article 15 <TitleType>01</TitleType> <TitleText textformat="02">Chapter 14. Points and counterpoints</TitleText> 10 01 JB code lal.14.15ref 293 300 8 Article 16 <TitleType>01</TitleType> <TitleText textformat="02">References</TitleText> 02 JBENJAMINS John Benjamins Publishing Company 01 John Benjamins Publishing Company Amsterdam/Philadelphia NL 04 20121107 2012 John Benjamins 02 WORLD 08 735 gr 01 JB 1 John Benjamins Publishing Company +31 20 6304747 +31 20 6739773 bookorder@benjamins.nl 01 https://benjamins.com 01 WORLD US CA MX 21 36 16 01 02 JB 1 00 105.00 EUR R 02 02 JB 1 00 111.30 EUR R 01 JB 10 bebc +44 1202 712 934 +44 1202 712 913 sales@bebc.co.uk 03 GB 21 16 02 02 JB 1 00 88.00 GBP Z 01 JB 2 John Benjamins North America +1 800 562-5666 +1 703 661-1501 benjamins@presswarehouse.com 01 https://benjamins.com 01 US CA MX 21 1 16 01 gen 02 JB 1 00 158.00 USD