Psychologism and Psychoaesthetics

A historical and critical view of their relations

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ISBN 9789027215062 | EUR 110.00 | USD 165.00
 
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ISBN 9789027280879 | EUR 110.00 | USD 165.00
 
Unlike studies which confine psychologism to the second half of the nineteenth century, and to an explicit claim of psychology as a ‘Grundwissenschaft’ during that period, this work attempts to trace psychologism's emergence in Greek antiquity, in hedonistic tendencies of the Renaissance, and in British Empiricism. Thus, psychologism figures as a generic concept, embracing a variety of both positivistic and idealistic arguments concerning the localization of normative sciences, particularly aesthetics and literary theory, in psychological space. This study also considers the implicit psychologism of even those psychoaesthetic theories which claimed to be against the exclusive status of psychology. In their actual treatment of aesthetic and literary facts, such theories inadvertently did indeed resort to psychologistic arguments. The position from which I have chosen to look at psychologistically committed aesthetics and literary theory is essentially phenomenological. The author seeks to present psychologism as a central tendency of psychoaesthetics as well as to assert critically psychologism's basic assumptions.
Publishing status: Available
Table of Contents
Acknowledgments
vii
Preface
xi
Introduction: An Attempt to Define Psychologism
1
I Psychoaesthetics: A Historical Dimension
15
II Experimental Aesthetics: A Quest for Missing Tangibility
31
III Empathy: The Epiphenomenon That Allegedly Links Subject and Object
45
IV Physiological Aesthetics: Édoné, the Key to it All
59
V Freudian Psychoaesthetics: A Quest for Psychic Quiescence
73
VI Jungian Psychoaesthetics: A Quest for Perennial Redefinition
91
VII Adlerian Psychoaesthetics: A Quest for Individual Exclusiveness
105
VIII Gestalt Aesthetics: From Genetic to Phenomenal Organizations
117
IX The Psychoaesthetics of I. A. Richards: Reconciliation of Diverse Appetencies Through the Creative Act
131
X Psychoaesthetic Miscellenia and Marginalia
149
XI Summary and Conclusion
186
Appendix: Roman Ingarden, “Psychologism and Psychology”
202
Appendix Footnotes
216
Notes
217
Bibliography
251
Name Index
275
Cited by

Cited by other publications

Fróis, João Pedro
2018.  In An Old Melody in a New Song [Theory and History in the Human and Social Sciences, ],  pp. 53 ff. Crossref logo
Nathalie, Massoulier
2014. Tremulations on the ether: The sublime and beauty in Graham Swifts humanist art. International Journal of English and Literature 5:1  pp. 34 ff. Crossref logo
Rudnick, Hans H. & Jolanta W. Wawrzycka
1990.  In Ingardeniana II,  pp. 225 ff. Crossref logo

This list is based on CrossRef data as of 06 november 2020. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.

Subjects

Philosophy

Philosophy
BIC Subject: HP – Philosophy
BISAC Subject: PHI000000 – PHILOSOPHY / General
U.S. Library of Congress Control Number:  81198308 | Marc record