243028880
03
01
01
JB code
JB
John Benjamins Publishing Company
01
JB code
MiLCC 10 Eb
15
9789027256942
06
10.1075/milcc.10
13
2022037576
00
EA
E107
10
01
JB code
MiLCC
02
2210-4836
02
10.00
01
02
Metaphor in Language, Cognition, and Communication
Metaphor in Language, Cognition, and Communication
11
01
JB code
jbe-all
01
02
Full EBA collection (ca. 4,200 titles)
11
01
JB code
jbe-eba-2023
01
02
Compact EBA Collection 2023 (ca. 700 titles, starting 2018)
11
01
JB code
jbe-2022
01
02
2022 collection (96 titles)
01
01
Motion Metaphors in Music Criticism
An empirical investigation of their conceptual motivation and their metaphoricity
Motion Metaphors in Music Criticism: An empirical investigation of their conceptual motivation and their metaphoricity
1
A01
01
JB code
151445522
Nina Julich-Warpakowski
Julich-Warpakowski, Nina
Nina
Julich-Warpakowski
University of Erfurt
07
https://benjamins.com/catalog/persons/151445522
01
eng
11
261
03
03
xiii
03
00
247
03
10
LAN009000
12
CF
24
JB code
LIN.COGN
Cognition and language
24
JB code
LIN.COGPSY
Cognitive linguistics
24
JB code
LIN.CORP
Corpus linguistics
01
06
02
00
The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study.
03
00
The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors.
Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants’ musical background: musicians perceive musical motion expressions as more literal compared to non-musicians, showing that there are individual differences in the perception of metaphoricity.
01
00
03
01
01
D503
https://benjamins.com/covers/475/milcc.10.png
01
01
D502
https://benjamins.com/covers/475_jpg/9789027212719.jpg
01
01
D504
https://benjamins.com/covers/475_tif/9789027212719.tif
01
01
D503
https://benjamins.com/covers/1200_front/milcc.10.hb.png
01
01
D503
https://benjamins.com/covers/125/milcc.10.png
02
00
03
01
01
D503
https://benjamins.com/covers/1200_back/milcc.10.hb.png
03
00
03
01
01
D503
https://benjamins.com/covers/3d_web/milcc.10.hb.png
01
01
JB code
milcc.10.ack
06
10.1075/milcc.10.ack
ix
x
2
Miscellaneous
1
01
04
Acknowledgements
Acknowledgements
01
eng
01
01
JB code
milcc.10.lot
06
10.1075/milcc.10.lot
xi
xii
2
Miscellaneous
2
01
04
List of tables
List of tables
01
eng
01
01
JB code
milcc.10.lof
06
10.1075/milcc.10.lof
xiii
xiv
2
Miscellaneous
3
01
04
List of figures
List of figures
01
eng
01
01
JB code
milcc.10.c1
06
10.1075/milcc.10.c1
1
20
20
Chapter
4
01
04
Chapter 1. Introduction
Chapter 1. Introduction
01
04
Western classical music and metaphor
Western classical music and metaphor
01
eng
01
01
JB code
milcc.10.c2
06
10.1075/milcc.10.c2
21
40
20
Chapter
5
01
04
Chapter 2. The language of music criticism
Chapter 2. The language of music criticism
01
eng
01
01
JB code
milcc.10.c3
06
10.1075/milcc.10.c3
41
88
48
Chapter
6
01
04
Chapter 3. The conceptual motivation of musical motion
Chapter 3. The conceptual motivation of musical motion
01
eng
01
01
JB code
milcc.10.c4
06
10.1075/milcc.10.c4
89
98
10
Chapter
7
01
04
Chapter 4. Metaphoricity as a gradable phenomenon
Chapter 4. Metaphoricity as a gradable phenomenon
01
eng
01
01
JB code
milcc.10.c5
06
10.1075/milcc.10.c5
99
134
36
Chapter
8
01
04
Chapter 5. Metaphors in music criticism
Chapter 5. Metaphors in music criticism
01
eng
01
01
JB code
milcc.10.c6
06
10.1075/milcc.10.c6
135
166
32
Chapter
9
01
04
Chapter 6. Key motion verbs in Western classical music criticism
Chapter 6. Key motion verbs in Western classical music criticism
01
eng
01
01
JB code
milcc.10.c7
06
10.1075/milcc.10.c7
167
204
38
Chapter
10
01
04
Chapter 7. The metaphoricity of musical motion expressions
Chapter 7. The metaphoricity of musical motion expressions
01
eng
01
01
JB code
milcc.10.c8
06
10.1075/milcc.10.c8
205
230
26
Chapter
11
01
04
Chapter 8. Final discussion and conclusions
Chapter 8. Final discussion and conclusions
01
eng
01
01
JB code
milcc.10.ref
06
10.1075/milcc.10.ref
231
244
14
Miscellaneous
12
01
04
References
References
01
eng
01
01
JB code
milcc.10.index
06
10.1075/milcc.10.index
245
247
3
Miscellaneous
13
01
04
Index
Index
01
eng
01
JB code
JBENJAMINS
John Benjamins Publishing Company
01
01
JB code
JB
John Benjamins Publishing Company
01
https://benjamins.com
02
https://benjamins.com/catalog/milcc.10
Amsterdam
NL
00
John Benjamins Publishing Company
Marketing Department / Karin Plijnaar, Pieter Lamers
onix@benjamins.nl
04
01
00
20221116
C
2022
John Benjamins
02
WORLD
13
15
9789027212719
WORLD
09
01
JB
3
John Benjamins e-Platform
03
https://jbe-platform.com
29
https://jbe-platform.com/content/books/9789027256942
21
01
00
Unqualified price
02
95.00
EUR
01
00
Unqualified price
02
80.00
GBP
GB
01
00
Unqualified price
02
143.00
USD
810028879
03
01
01
JB code
JB
John Benjamins Publishing Company
01
JB code
MiLCC 10 Hb
15
9789027212719
06
10.1075/milcc.10
13
2022037575
00
BB
08
615
gr
10
01
JB code
MiLCC
02
2210-4836
02
10.00
01
02
Metaphor in Language, Cognition, and Communication
Metaphor in Language, Cognition, and Communication
01
01
Motion Metaphors in Music Criticism
An empirical investigation of their conceptual motivation and their metaphoricity
Motion Metaphors in Music Criticism: An empirical investigation of their conceptual motivation and their metaphoricity
1
A01
01
JB code
151445522
Nina Julich-Warpakowski
Julich-Warpakowski, Nina
Nina
Julich-Warpakowski
University of Erfurt
07
https://benjamins.com/catalog/persons/151445522
01
eng
11
261
03
03
xiii
03
00
247
03
10
LAN009000
12
CF
24
JB code
LIN.COGN
Cognition and language
24
JB code
LIN.COGPSY
Cognitive linguistics
24
JB code
LIN.CORP
Corpus linguistics
01
06
02
00
The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study.
03
00
The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors.
Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants’ musical background: musicians perceive musical motion expressions as more literal compared to non-musicians, showing that there are individual differences in the perception of metaphoricity.
01
00
03
01
01
D503
https://benjamins.com/covers/475/milcc.10.png
01
01
D502
https://benjamins.com/covers/475_jpg/9789027212719.jpg
01
01
D504
https://benjamins.com/covers/475_tif/9789027212719.tif
01
01
D503
https://benjamins.com/covers/1200_front/milcc.10.hb.png
01
01
D503
https://benjamins.com/covers/125/milcc.10.png
02
00
03
01
01
D503
https://benjamins.com/covers/1200_back/milcc.10.hb.png
03
00
03
01
01
D503
https://benjamins.com/covers/3d_web/milcc.10.hb.png
01
01
JB code
milcc.10.ack
06
10.1075/milcc.10.ack
ix
x
2
Miscellaneous
1
01
04
Acknowledgements
Acknowledgements
01
eng
01
01
JB code
milcc.10.lot
06
10.1075/milcc.10.lot
xi
xii
2
Miscellaneous
2
01
04
List of tables
List of tables
01
eng
01
01
JB code
milcc.10.lof
06
10.1075/milcc.10.lof
xiii
xiv
2
Miscellaneous
3
01
04
List of figures
List of figures
01
eng
01
01
JB code
milcc.10.c1
06
10.1075/milcc.10.c1
1
20
20
Chapter
4
01
04
Chapter 1. Introduction
Chapter 1. Introduction
01
04
Western classical music and metaphor
Western classical music and metaphor
01
eng
01
01
JB code
milcc.10.c2
06
10.1075/milcc.10.c2
21
40
20
Chapter
5
01
04
Chapter 2. The language of music criticism
Chapter 2. The language of music criticism
01
eng
01
01
JB code
milcc.10.c3
06
10.1075/milcc.10.c3
41
88
48
Chapter
6
01
04
Chapter 3. The conceptual motivation of musical motion
Chapter 3. The conceptual motivation of musical motion
01
eng
01
01
JB code
milcc.10.c4
06
10.1075/milcc.10.c4
89
98
10
Chapter
7
01
04
Chapter 4. Metaphoricity as a gradable phenomenon
Chapter 4. Metaphoricity as a gradable phenomenon
01
eng
01
01
JB code
milcc.10.c5
06
10.1075/milcc.10.c5
99
134
36
Chapter
8
01
04
Chapter 5. Metaphors in music criticism
Chapter 5. Metaphors in music criticism
01
eng
01
01
JB code
milcc.10.c6
06
10.1075/milcc.10.c6
135
166
32
Chapter
9
01
04
Chapter 6. Key motion verbs in Western classical music criticism
Chapter 6. Key motion verbs in Western classical music criticism
01
eng
01
01
JB code
milcc.10.c7
06
10.1075/milcc.10.c7
167
204
38
Chapter
10
01
04
Chapter 7. The metaphoricity of musical motion expressions
Chapter 7. The metaphoricity of musical motion expressions
01
eng
01
01
JB code
milcc.10.c8
06
10.1075/milcc.10.c8
205
230
26
Chapter
11
01
04
Chapter 8. Final discussion and conclusions
Chapter 8. Final discussion and conclusions
01
eng
01
01
JB code
milcc.10.ref
06
10.1075/milcc.10.ref
231
244
14
Miscellaneous
12
01
04
References
References
01
eng
01
01
JB code
milcc.10.index
06
10.1075/milcc.10.index
245
247
3
Miscellaneous
13
01
04
Index
Index
01
eng
01
JB code
JBENJAMINS
John Benjamins Publishing Company
01
01
JB code
JB
John Benjamins Publishing Company
01
https://benjamins.com
02
https://benjamins.com/catalog/milcc.10
Amsterdam
NL
00
John Benjamins Publishing Company
Marketing Department / Karin Plijnaar, Pieter Lamers
onix@benjamins.nl
04
01
00
20221116
C
2022
John Benjamins
02
WORLD
WORLD
US CA MX
09
01
JB
1
John Benjamins Publishing Company
+31 20 6304747
+31 20 6739773
bookorder@benjamins.nl
01
https://benjamins.com
21
101
22
01
00
Unqualified price
02
JB
1
02
95.00
EUR
02
00
Unqualified price
02
80.00
01
Z
0
GBP
GB
US CA MX
01
01
JB
2
John Benjamins Publishing Company
+1 800 562-5666
+1 703 661-1501
benjamins@presswarehouse.com
01
https://benjamins.com
21
101
22
01
00
Unqualified price
02
JB
1
02
143.00
USD