243028880 03 01 01 JB code JB John Benjamins Publishing Company 01 JB code MiLCC 10 Eb 15 9789027256942 06 10.1075/milcc.10 13 2022037576 00 EA E107 10 01 JB code MiLCC 02 2210-4836 02 10.00 01 02 Metaphor in Language, Cognition, and Communication Metaphor in Language, Cognition, and Communication 11 01 JB code jbe-all 01 02 Full EBA collection (ca. 4,200 titles) 11 01 JB code jbe-eba-2023 01 02 Compact EBA Collection 2023 (ca. 700 titles, starting 2018) 11 01 JB code jbe-2022 01 02 2022 collection (96 titles) 01 01 Motion Metaphors in Music Criticism An empirical investigation of their conceptual motivation and their metaphoricity Motion Metaphors in Music Criticism: An empirical investigation of their conceptual motivation and their metaphoricity 1 A01 01 JB code 151445522 Nina Julich-Warpakowski Julich-Warpakowski, Nina Nina Julich-Warpakowski University of Erfurt 07 https://benjamins.com/catalog/persons/151445522 01 eng 11 261 03 03 xiii 03 00 247 03 10 LAN009000 12 CF 24 JB code LIN.COGN Cognition and language 24 JB code LIN.COGPSY Cognitive linguistics 24 JB code LIN.CORP Corpus linguistics 01 06 02 00 The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. 03 00 The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors.
Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants’ musical background: musicians perceive musical motion expressions as more literal compared to non-musicians, showing that there are individual differences in the perception of metaphoricity.
01 00 03 01 01 D503 https://benjamins.com/covers/475/milcc.10.png 01 01 D502 https://benjamins.com/covers/475_jpg/9789027212719.jpg 01 01 D504 https://benjamins.com/covers/475_tif/9789027212719.tif 01 01 D503 https://benjamins.com/covers/1200_front/milcc.10.hb.png 01 01 D503 https://benjamins.com/covers/125/milcc.10.png 02 00 03 01 01 D503 https://benjamins.com/covers/1200_back/milcc.10.hb.png 03 00 03 01 01 D503 https://benjamins.com/covers/3d_web/milcc.10.hb.png
01 01 JB code milcc.10.ack 06 10.1075/milcc.10.ack ix x 2 Miscellaneous 1 01 04 Acknowledgements Acknowledgements 01 eng 01 01 JB code milcc.10.lot 06 10.1075/milcc.10.lot xi xii 2 Miscellaneous 2 01 04 List of tables List of tables 01 eng 01 01 JB code milcc.10.lof 06 10.1075/milcc.10.lof xiii xiv 2 Miscellaneous 3 01 04 List of figures List of figures 01 eng 01 01 JB code milcc.10.c1 06 10.1075/milcc.10.c1 1 20 20 Chapter 4 01 04 Chapter 1. Introduction Chapter 1. Introduction 01 04 Western classical music and metaphor Western classical music and metaphor 01 eng 01 01 JB code milcc.10.c2 06 10.1075/milcc.10.c2 21 40 20 Chapter 5 01 04 Chapter 2. The language of music criticism Chapter 2. The language of music criticism 01 eng 01 01 JB code milcc.10.c3 06 10.1075/milcc.10.c3 41 88 48 Chapter 6 01 04 Chapter 3. The conceptual motivation of musical motion Chapter 3. The conceptual motivation of musical motion 01 eng 01 01 JB code milcc.10.c4 06 10.1075/milcc.10.c4 89 98 10 Chapter 7 01 04 Chapter 4. Metaphoricity as a gradable phenomenon Chapter 4. Metaphoricity as a gradable phenomenon 01 eng 01 01 JB code milcc.10.c5 06 10.1075/milcc.10.c5 99 134 36 Chapter 8 01 04 Chapter 5. Metaphors in music criticism Chapter 5. Metaphors in music criticism 01 eng 01 01 JB code milcc.10.c6 06 10.1075/milcc.10.c6 135 166 32 Chapter 9 01 04 Chapter 6. Key motion verbs in Western classical music criticism Chapter 6. Key motion verbs in Western classical music criticism 01 eng 01 01 JB code milcc.10.c7 06 10.1075/milcc.10.c7 167 204 38 Chapter 10 01 04 Chapter 7. The metaphoricity of musical motion expressions Chapter 7. The metaphoricity of musical motion expressions 01 eng 01 01 JB code milcc.10.c8 06 10.1075/milcc.10.c8 205 230 26 Chapter 11 01 04 Chapter 8. Final discussion and conclusions Chapter 8. Final discussion and conclusions 01 eng 01 01 JB code milcc.10.ref 06 10.1075/milcc.10.ref 231 244 14 Miscellaneous 12 01 04 References References 01 eng 01 01 JB code milcc.10.index 06 10.1075/milcc.10.index 245 247 3 Miscellaneous 13 01 04 Index Index 01 eng 01 JB code JBENJAMINS John Benjamins Publishing Company 01 01 JB code JB John Benjamins Publishing Company 01 https://benjamins.com 02 https://benjamins.com/catalog/milcc.10 Amsterdam NL 00 John Benjamins Publishing Company Marketing Department / Karin Plijnaar, Pieter Lamers onix@benjamins.nl 04 01 00 20221116 C 2022 John Benjamins 02 WORLD 13 15 9789027212719 WORLD 09 01 JB 3 John Benjamins e-Platform 03 https://jbe-platform.com 29 https://jbe-platform.com/content/books/9789027256942 21 01 00 Unqualified price 02 95.00 EUR 01 00 Unqualified price 02 80.00 GBP GB 01 00 Unqualified price 02 143.00 USD
810028879 03 01 01 JB code JB John Benjamins Publishing Company 01 JB code MiLCC 10 Hb 15 9789027212719 06 10.1075/milcc.10 13 2022037575 00 BB 08 615 gr 10 01 JB code MiLCC 02 2210-4836 02 10.00 01 02 Metaphor in Language, Cognition, and Communication Metaphor in Language, Cognition, and Communication 01 01 Motion Metaphors in Music Criticism An empirical investigation of their conceptual motivation and their metaphoricity Motion Metaphors in Music Criticism: An empirical investigation of their conceptual motivation and their metaphoricity 1 A01 01 JB code 151445522 Nina Julich-Warpakowski Julich-Warpakowski, Nina Nina Julich-Warpakowski University of Erfurt 07 https://benjamins.com/catalog/persons/151445522 01 eng 11 261 03 03 xiii 03 00 247 03 10 LAN009000 12 CF 24 JB code LIN.COGN Cognition and language 24 JB code LIN.COGPSY Cognitive linguistics 24 JB code LIN.CORP Corpus linguistics 01 06 02 00 The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. 03 00 The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors.
Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants’ musical background: musicians perceive musical motion expressions as more literal compared to non-musicians, showing that there are individual differences in the perception of metaphoricity.
01 00 03 01 01 D503 https://benjamins.com/covers/475/milcc.10.png 01 01 D502 https://benjamins.com/covers/475_jpg/9789027212719.jpg 01 01 D504 https://benjamins.com/covers/475_tif/9789027212719.tif 01 01 D503 https://benjamins.com/covers/1200_front/milcc.10.hb.png 01 01 D503 https://benjamins.com/covers/125/milcc.10.png 02 00 03 01 01 D503 https://benjamins.com/covers/1200_back/milcc.10.hb.png 03 00 03 01 01 D503 https://benjamins.com/covers/3d_web/milcc.10.hb.png
01 01 JB code milcc.10.ack 06 10.1075/milcc.10.ack ix x 2 Miscellaneous 1 01 04 Acknowledgements Acknowledgements 01 eng 01 01 JB code milcc.10.lot 06 10.1075/milcc.10.lot xi xii 2 Miscellaneous 2 01 04 List of tables List of tables 01 eng 01 01 JB code milcc.10.lof 06 10.1075/milcc.10.lof xiii xiv 2 Miscellaneous 3 01 04 List of figures List of figures 01 eng 01 01 JB code milcc.10.c1 06 10.1075/milcc.10.c1 1 20 20 Chapter 4 01 04 Chapter 1. Introduction Chapter 1. Introduction 01 04 Western classical music and metaphor Western classical music and metaphor 01 eng 01 01 JB code milcc.10.c2 06 10.1075/milcc.10.c2 21 40 20 Chapter 5 01 04 Chapter 2. The language of music criticism Chapter 2. The language of music criticism 01 eng 01 01 JB code milcc.10.c3 06 10.1075/milcc.10.c3 41 88 48 Chapter 6 01 04 Chapter 3. The conceptual motivation of musical motion Chapter 3. The conceptual motivation of musical motion 01 eng 01 01 JB code milcc.10.c4 06 10.1075/milcc.10.c4 89 98 10 Chapter 7 01 04 Chapter 4. Metaphoricity as a gradable phenomenon Chapter 4. Metaphoricity as a gradable phenomenon 01 eng 01 01 JB code milcc.10.c5 06 10.1075/milcc.10.c5 99 134 36 Chapter 8 01 04 Chapter 5. Metaphors in music criticism Chapter 5. Metaphors in music criticism 01 eng 01 01 JB code milcc.10.c6 06 10.1075/milcc.10.c6 135 166 32 Chapter 9 01 04 Chapter 6. Key motion verbs in Western classical music criticism Chapter 6. Key motion verbs in Western classical music criticism 01 eng 01 01 JB code milcc.10.c7 06 10.1075/milcc.10.c7 167 204 38 Chapter 10 01 04 Chapter 7. The metaphoricity of musical motion expressions Chapter 7. The metaphoricity of musical motion expressions 01 eng 01 01 JB code milcc.10.c8 06 10.1075/milcc.10.c8 205 230 26 Chapter 11 01 04 Chapter 8. Final discussion and conclusions Chapter 8. Final discussion and conclusions 01 eng 01 01 JB code milcc.10.ref 06 10.1075/milcc.10.ref 231 244 14 Miscellaneous 12 01 04 References References 01 eng 01 01 JB code milcc.10.index 06 10.1075/milcc.10.index 245 247 3 Miscellaneous 13 01 04 Index Index 01 eng 01 JB code JBENJAMINS John Benjamins Publishing Company 01 01 JB code JB John Benjamins Publishing Company 01 https://benjamins.com 02 https://benjamins.com/catalog/milcc.10 Amsterdam NL 00 John Benjamins Publishing Company Marketing Department / Karin Plijnaar, Pieter Lamers onix@benjamins.nl 04 01 00 20221116 C 2022 John Benjamins 02 WORLD WORLD US CA MX 09 01 JB 1 John Benjamins Publishing Company +31 20 6304747 +31 20 6739773 bookorder@benjamins.nl 01 https://benjamins.com 21 101 22 01 00 Unqualified price 02 JB 1 02 95.00 EUR 02 00 Unqualified price 02 80.00 01 Z 0 GBP GB US CA MX 01 01 JB 2 John Benjamins Publishing Company +1 800 562-5666 +1 703 661-1501 benjamins@presswarehouse.com 01 https://benjamins.com 21 101 22 01 00 Unqualified price 02 JB 1 02 143.00 USD