633 03 01 01 JB code JB John Benjamins Publishing Company 01 JB code PUMRL 17 Pb 15 9789027217271 06 10.1075/pumrl.17 13 85013360 00 BC 01 240 mm 02 160 mm 08 310 gr 10 01 JB code PUMRL 02 0165-8743 02 17.00 01 02 Purdue University Monographs in Romance Languages Purdue University Monographs in Romance Languages 01 01 The Pervasive Image The Role of Analogy in the Poetry of Ausias March The Pervasive Image: The Role of Analogy in the Poetry of Ausias March 1 A01 01 JB code 867 Robert Archer Archer, Robert Robert Archer 07 https://benjamins.com/catalog/persons/867 01 eng 11 232 03 03 xii 03 00 220 03 01 19 849/.912 03 1985 PC3937.M3 04 Rhetoric, Medieval. 10 LIT000000 12 DSB 24 JB code LIT.ROM Romance literature & literary studies 01 06 02 00 March's poetry provides a large and varied working context in which to approach the simile as a poetic instrument in its own right, and it is almost as much to this broad aim as to the more specific matter of the use and function of the similes and allied forms of analogy in March's work that this study is addressed. 03 00 It is tempting to speculate that had Ausiàs March (1397–1459) written in Spanish instead Catalan, or rather the Valencian form of it which was his native tongue, he would by now undoubtedly be more widely recognised as the finest lyric poet in the Iberian Peninsula before the sixteenth century, and as one of the greatest in fifteenth century Europe as a whole. This study concerns one aspect of March's poetry: his use of analogy. March's poetry provides a large and varied working context in which to approach the simile as a poetic instrument in its own right, and it is almost as much to this broad aim as to the more specific matter of the use and function of the similes and allied forms of analogy in March's work that this study is addressed. Partly with the non-specialist reader in mind—someone with an interest in simile but not necessarily a direct concern with March—the quotations in Provençal and Catalan have been translated. 01 00 03 01 01 D503 https://benjamins.com/covers/475/pumrl.17.png 01 01 D502 https://benjamins.com/covers/475_jpg/9789027217271.jpg 01 01 D504 https://benjamins.com/covers/475_tif/9789027217271.tif 01 01 D503 https://benjamins.com/covers/1200_front/pumrl.17.pb.png 01 01 D503 https://benjamins.com/covers/125/pumrl.17.png 02 00 03 01 01 D503 https://benjamins.com/covers/1200_back/pumrl.17.pb.png 03 00 03 01 01 D503 https://benjamins.com/covers/3d_web/pumrl.17.pb.png 01 JB code JBENJAMINS John Benjamins Publishing Company 01 01 JB code JB John Benjamins Publishing Company 01 https://benjamins.com 02 https://benjamins.com/catalog/pumrl.17 Amsterdam NL 00 John Benjamins Publishing Company Marketing Department / Karin Plijnaar, Pieter Lamers onix@benjamins.nl 04 01 00 19850101 C 1985 John Benjamins Publishing Company 02 WORLD WORLD US CA MX 09 01 JB 1 John Benjamins Publishing Company +31 20 6304747 +31 20 6739773 bookorder@benjamins.nl 01 https://benjamins.com 21 2 39 01 00 Unqualified price 02 JB 1 02 68.00 EUR 02 00 Unqualified price 02 57.00 01 Z 0 GBP GB US CA MX 01 01 JB 2 John Benjamins Publishing Company +1 800 562-5666 +1 703 661-1501 benjamins@presswarehouse.com 01 https://benjamins.com 21 2 39 01 00 Unqualified price 02 JB 1 02 102.00 USD 74010164 03 01 01 JB code JB John Benjamins Publishing Company 01 JB code PUMRL 17 Eb 15 9789027279521 06 10.1075/pumrl.17 00 EA E107 10 01 JB code PUMRL 02 0165-8743 02 17.00 01 02 Purdue University Monographs in Romance Languages Purdue University Monographs in Romance Languages 11 01 JB code jbe-all 01 02 Full EBA collection (ca. 4,200 titles) 11 01 JB code jbe-2015-all 01 02 Complete backlist (3,208 titles, 1967–2015) 05 02 Complete backlist (1967–2015) 11 01 JB code jbe-2015-literarystudies 01 02 Subject collection: Literary Studies (221 titles, 1971–2015) 05 02 Literary Studies (1971–2015) 11 01 JB code jbe-2015-pumrl 01 02 Purdue University Monographs in Romance Languages (vols. 1–42, 1980–1992) 05 02 PUMRL (vols. 1–42, 1980–1992) 01 01 The Pervasive Image The Role of Analogy in the Poetry of Ausias March The Pervasive Image: The Role of Analogy in the Poetry of Ausias March 1 A01 01 JB code 867 Robert Archer Archer, Robert Robert Archer 07 https://benjamins.com/catalog/persons/867 01 eng 11 232 03 03 xii 03 00 220 03 01 19 849/.912 03 1985 PC3937.M3 04 Rhetoric, Medieval. 10 LIT000000 12 DSB 24 JB code LIT.ROM Romance literature & literary studies 01 06 02 00 March's poetry provides a large and varied working context in which to approach the simile as a poetic instrument in its own right, and it is almost as much to this broad aim as to the more specific matter of the use and function of the similes and allied forms of analogy in March's work that this study is addressed. 03 00 It is tempting to speculate that had Ausiàs March (1397–1459) written in Spanish instead Catalan, or rather the Valencian form of it which was his native tongue, he would by now undoubtedly be more widely recognised as the finest lyric poet in the Iberian Peninsula before the sixteenth century, and as one of the greatest in fifteenth century Europe as a whole. This study concerns one aspect of March's poetry: his use of analogy. March's poetry provides a large and varied working context in which to approach the simile as a poetic instrument in its own right, and it is almost as much to this broad aim as to the more specific matter of the use and function of the similes and allied forms of analogy in March's work that this study is addressed. Partly with the non-specialist reader in mind—someone with an interest in simile but not necessarily a direct concern with March—the quotations in Provençal and Catalan have been translated. 01 00 03 01 01 D503 https://benjamins.com/covers/475/pumrl.17.png 01 01 D502 https://benjamins.com/covers/475_jpg/9789027217271.jpg 01 01 D504 https://benjamins.com/covers/475_tif/9789027217271.tif 01 01 D503 https://benjamins.com/covers/1200_front/pumrl.17.pb.png 01 01 D503 https://benjamins.com/covers/125/pumrl.17.png 02 00 03 01 01 D503 https://benjamins.com/covers/1200_back/pumrl.17.pb.png 03 00 03 01 01 D503 https://benjamins.com/covers/3d_web/pumrl.17.pb.png 01 JB code JBENJAMINS John Benjamins Publishing Company 01 01 JB code JB John Benjamins Publishing Company 01 https://benjamins.com 02 https://benjamins.com/catalog/pumrl.17 Amsterdam NL 00 John Benjamins Publishing Company Marketing Department / Karin Plijnaar, Pieter Lamers onix@benjamins.nl 04 01 00 19850101 C 1985 John Benjamins Publishing Company 02 WORLD 13 15 9789027217271 WORLD 09 01 JB 3 John Benjamins e-Platform 03 https://jbe-platform.com 29 https://jbe-platform.com/content/books/9789027279521 21 01 00 Unqualified price 02 68.00 EUR 01 00 Unqualified price 02 57.00 GBP GB 01 00 Unqualified price 02 102.00 USD 423012039 03 01 01 JB code JB John Benjamins Publishing Company 01 JB code PUMRL 17 GE 15 9789027279521 06 10.1075/pumrl.17 00 EA E133 10 01 JB code PUMRL 02 JB code 0165-8743 02 17.00 01 02 Purdue University Monographs in Romance Languages Purdue University Monographs in Romance Languages 01 01 The Pervasive Image The Pervasive Image 1 A01 01 JB code 867 Robert Archer Archer, Robert Robert Archer 01 eng 11 232 03 03 xii 03 00 220 03 24 JB code LIT.ROM Romance literature & literary studies 10 LIT000000 12 DSB 01 06 02 00 March's poetry provides a large and varied working context in which to approach the simile as a poetic instrument in its own right, and it is almost as much to this broad aim as to the more specific matter of the use and function of the similes and allied forms of analogy in March's work that this study is addressed. 03 00 It is tempting to speculate that had Ausiàs March (1397–1459) written in Spanish instead Catalan, or rather the Valencian form of it which was his native tongue, he would by now undoubtedly be more widely recognised as the finest lyric poet in the Iberian Peninsula before the sixteenth century, and as one of the greatest in fifteenth century Europe as a whole. This study concerns one aspect of March's poetry: his use of analogy. March's poetry provides a large and varied working context in which to approach the simile as a poetic instrument in its own right, and it is almost as much to this broad aim as to the more specific matter of the use and function of the similes and allied forms of analogy in March's work that this study is addressed. Partly with the non-specialist reader in mind—someone with an interest in simile but not necessarily a direct concern with March—the quotations in Provençal and Catalan have been translated. 01 00 03 01 01 D503 https://benjamins.com/covers/475/pumrl.17.png 01 01 D502 https://benjamins.com/covers/475_jpg/9789027217271.jpg 01 01 D504 https://benjamins.com/covers/475_tif/9789027217271.tif 01 01 D503 https://benjamins.com/covers/1200_front/pumrl.17.pb.png 01 01 D503 https://benjamins.com/covers/125/pumrl.17.png 02 00 03 01 01 D503 https://benjamins.com/covers/1200_back/pumrl.17.pb.png 03 00 03 01 01 D503 https://benjamins.com/covers/3d_web/pumrl.17.pb.png 01 JB code JBENJAMINS John Benjamins Publishing Company 01 01 JB code JB John Benjamins Publishing Company 01 https://benjamins.com Amsterdam NL 00 John Benjamins Publishing Company Marketing Department / Karin Plijnaar, Pieter Lamers onix@benjamins.nl 04 01 00 19850101 C 1985 John Benjamins Publishing Company 02 WORLD 13 15 9789027217271 WORLD 03 01 JB 17 Google 03 https://play.google.com/store/books 21 01 00 Unqualified price 00 68.00 EUR 01 00 Unqualified price 00 57.00 GBP 01 00 Unqualified price 00 102.00 USD