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La Parodia en la nueva novela hispanoamericana (1960–1985)
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In this brilliant overview of parodic praxis in the Spanish-American novel during the years 1960-1985, Elzbieta Skłodowska examines several aspects of parody: its role in the renovation of anachronistic forms of discourse (mock-epic) and the re-writing of the canon of the historical novel; its function in transgressing literary formulas (detective novel); its subversive quality in the counter-discourse of women writers; and the relation between parody, satire, irony, humor, and metafiction. This sound analysis of some twenty-five novels, carefully illustrated by works little treated in critical discourse, takes as its theoretical basis the works of the Russian Formalists and Linda Hutcheon's theory of parody.
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Purdue University Monographs in Romance Languages
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La Parodia en la nueva novela hispanoamericana (1960–1985)
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In this brilliant overview of parodic praxis in the Spanish-American novel during the years 1960-1985, Elzbieta Skłodowska examines several aspects of parody: its role in the renovation of anachronistic forms of discourse (mock-epic) and the re-writing of the canon of the historical novel; its function in transgressing literary formulas (detective novel); its subversive quality in the counter-discourse of women writers; and the relation between parody, satire, irony, humor, and metafiction. This sound analysis of some twenty-five novels, carefully illustrated by works little treated in critical discourse, takes as its theoretical basis the works of the Russian Formalists and Linda Hutcheon's theory of parody.
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Purdue University Monographs in Romance Languages
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La Parodia en la nueva novela hispanoamericana (1960–1985)
La
Parodia en la nueva novela hispanoamericana (1960–1985)
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pumrl.34
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spa
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In this brilliant overview of parodic praxis in the Spanish-American novel during the years 1960-1985, Elzbieta Skłodowska examines several aspects of parody: its role in the renovation of anachronistic forms of discourse (mock-epic) and the re-writing of the canon of the historical novel; its function in transgressing literary formulas (detective novel); its subversive quality in the counter-discourse of women writers; and the relation between parody, satire, irony, humor, and metafiction. This sound analysis of some twenty-five novels, carefully illustrated by works little treated in critical discourse, takes as its theoretical basis the works of the Russian Formalists and Linda Hutcheon's theory of parody.
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John Benjamins Publishing Company
Amsterdam/Philadelphia
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04
19910430
1991
John Benjamins
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0165-8743
Purdue University Monographs in Romance Languages
34
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La Parodia en la nueva novela hispanoamericana (1960–1985)
La
Parodia en la nueva novela hispanoamericana (1960–1985)
01
pumrl.34
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https://benjamins.com
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https://benjamins.com/catalog/pumrl.34
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Elżbieta Skłodowska
Skłodowska, Elżbieta
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spa
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220
LIT000000
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In this brilliant overview of parodic praxis in the Spanish-American novel during the years 1960-1985, Elzbieta Skłodowska examines several aspects of parody: its role in the renovation of anachronistic forms of discourse (mock-epic) and the re-writing of the canon of the historical novel; its function in transgressing literary formulas (detective novel); its subversive quality in the counter-discourse of women writers; and the relation between parody, satire, irony, humor, and metafiction. This sound analysis of some twenty-five novels, carefully illustrated by works little treated in critical discourse, takes as its theoretical basis the works of the Russian Formalists and Linda Hutcheon's theory of parody.
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John Benjamins Publishing Company
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John Benjamins Publishing Company
Amsterdam/Philadelphia
NL
04
19910430
1991
John Benjamins
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US CA MX
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240
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160
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08
570
gr
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JB
1
John Benjamins Publishing Company
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0165-8743
Purdue University Monographs in Romance Languages
34
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La Parodia en la nueva novela hispanoamericana (1960–1985)
La
Parodia en la nueva novela hispanoamericana (1960–1985)
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pumrl.34
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https://benjamins.com
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spa
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xx
220
LIT000000
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In this brilliant overview of parodic praxis in the Spanish-American novel during the years 1960-1985, Elzbieta Skłodowska examines several aspects of parody: its role in the renovation of anachronistic forms of discourse (mock-epic) and the re-writing of the canon of the historical novel; its function in transgressing literary formulas (detective novel); its subversive quality in the counter-discourse of women writers; and the relation between parody, satire, irony, humor, and metafiction. This sound analysis of some twenty-five novels, carefully illustrated by works little treated in critical discourse, takes as its theoretical basis the works of the Russian Formalists and Linda Hutcheon's theory of parody.
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JBENJAMINS
John Benjamins Publishing Company
01
John Benjamins Publishing Company
Amsterdam/Philadelphia
NL
04
19910430
1991
John Benjamins
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US CA MX
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240
mm
02
160
mm
08
570
gr
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JB
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John Benjamins North America
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