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Purdue University Monographs in Romance Languages
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Flaubert's Straight and Suspect Saints
The Unity of 'Trois contes'
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Aimee Israel-Pelletier
Israel-Pelletier, Aimee
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Israel Pelletier argues that <i>Trois contes</i> demands a different kind of reading which distinguishes it from <i>Madame Bovary</i> and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of <i>Un Coeur</i>, an assessment of <i>Saint Julien</i> as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of <i>Hérodias</i> as an autobiography of the writing process.
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John Benjamins Publishing Company
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9789027217578
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91030579
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Flaubert's Straight and Suspect Saints
The Unity of 'Trois contes'
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Aimee Israel-Pelletier
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Israel Pelletier argues that <i>Trois contes</i> demands a different kind of reading which distinguishes it from <i>Madame Bovary</i> and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of <i>Un Coeur</i>, an assessment of <i>Saint Julien</i> as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of <i>Hérodias</i> as an autobiography of the writing process.
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Flaubert's Straight and Suspect Saints
The Unity of 'Trois contes'
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pumrl.36
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https://benjamins.com
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https://benjamins.com/catalog/pumrl.36
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Israel-Pelletier
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178
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Israel Pelletier argues that <i>Trois contes</i> demands a different kind of reading which distinguishes it from <i>Madame Bovary</i> and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of <i>Un Coeur</i>, an assessment of <i>Saint Julien</i> as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of <i>Hérodias</i> as an autobiography of the writing process.
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John Benjamins Publishing Company
Amsterdam/Philadelphia
NL
04
19911130
1991
John Benjamins
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US CA MX
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245
mm
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164
mm
08
380
gr
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JB
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John Benjamins North America
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36
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Flaubert's Straight and Suspect Saints
The Unity of 'Trois contes'
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pumrl.36
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https://benjamins.com
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https://benjamins.com/catalog/pumrl.36
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Aimee Israel-Pelletier
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Israel-Pelletier
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Romance literature & literary studies
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Israel Pelletier argues that <i>Trois contes</i> demands a different kind of reading which distinguishes it from <i>Madame Bovary</i> and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of <i>Un Coeur</i>, an assessment of <i>Saint Julien</i> as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of <i>Hérodias</i> as an autobiography of the writing process.
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https://benjamins.com/covers/475/pumrl.36.png
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John Benjamins Publishing Company
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John Benjamins Publishing Company
Amsterdam/Philadelphia
NL
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19911130
1991
John Benjamins
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US CA MX
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240
mm
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160
mm
08
240
gr
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JB
1
John Benjamins Publishing Company
+31 20 6304747
+31 20 6739773
bookorder@benjamins.nl
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https://benjamins.com
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91030579
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Purdue University Monographs in Romance Languages
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Flaubert's Straight and Suspect Saints
The Unity of 'Trois contes'
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pumrl.36
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https://benjamins.com
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https://benjamins.com/catalog/pumrl.36
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xii
165
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Romance literature & literary studies
06
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Israel Pelletier argues that <i>Trois contes</i> demands a different kind of reading which distinguishes it from <i>Madame Bovary</i> and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of <i>Un Coeur</i>, an assessment of <i>Saint Julien</i> as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of <i>Hérodias</i> as an autobiography of the writing process.
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JBENJAMINS
John Benjamins Publishing Company
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John Benjamins Publishing Company
Amsterdam/Philadelphia
NL
04
19911130
1991
John Benjamins
02
US CA MX
01
240
mm
02
160
mm
08
240
gr
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JB
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John Benjamins North America
+1 800 562-5666
+1 703 661-1501
benjamins@presswarehouse.com
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https://benjamins.com
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