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Purdue University Monographs in Romance Languages
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El metateatro y la dramática de Vargas Llosa
Hacia una poética del espectador
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Oscar Rivera-Rodas
Rivera-Rodas, Oscar
Oscar
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University of Tennessee
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spa
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Rivera-Rodas proposes a new concept about what he calls the poetics of the theatrical reception. The discussion of this phenomenon, which also deals with meta theater, focuses on the dramatic work of Mario Vargas Llosa. Examination of the complex relationships of contemporary dramatic structures provides a new definition of meta theater and its effects on the public. Meta theater is shown as a semiotic result not theatrically representable, since it takes place only in the spectator's perceptible experience. Therefore, it does not exist prior to the theatrical or reading reception, nor is it present in the staging. Instead, meta theater results from interaction among reader, text, and performance.
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92033765
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0165-8743
Purdue University Monographs in Romance Languages
41
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El metateatro y la dramática de Vargas Llosa
Hacia una poética del espectador
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pumrl.41
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Oscar Rivera-Rodas
Rivera-Rodas, Oscar
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University of Tennessee
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spa
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Rivera-Rodas proposes a new concept about what he calls the poetics of the theatrical reception. The discussion of this phenomenon, which also deals with meta theater, focuses on the dramatic work of Mario Vargas Llosa. Examination of the complex relationships of contemporary dramatic structures provides a new definition of meta theater and its effects on the public. Meta theater is shown as a semiotic result not theatrically representable, since it takes place only in the spectator's perceptible experience. Therefore, it does not exist prior to the theatrical or reading reception, nor is it present in the staging. Instead, meta theater results from interaction among reader, text, and performance.
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John Benjamins Publishing Company
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92033765
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0165-8743
Purdue University Monographs in Romance Languages
41
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El metateatro y la dramática de Vargas Llosa
Hacia una poética del espectador
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pumrl.41
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https://benjamins.com
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Oscar Rivera-Rodas
Rivera-Rodas, Oscar
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University of Tennessee
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spa
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Rivera-Rodas proposes a new concept about what he calls the poetics of the theatrical reception. The discussion of this phenomenon, which also deals with meta theater, focuses on the dramatic work of Mario Vargas Llosa. Examination of the complex relationships of contemporary dramatic structures provides a new definition of meta theater and its effects on the public. Meta theater is shown as a semiotic result not theatrically representable, since it takes place only in the spectator's perceptible experience. Therefore, it does not exist prior to the theatrical or reading reception, nor is it present in the staging. Instead, meta theater results from interaction among reader, text, and performance.
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John Benjamins Publishing Company
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Amsterdam/Philadelphia
NL
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19921203
1992
John Benjamins
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US CA MX
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245
mm
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164
mm
08
430
gr
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JB
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John Benjamins North America
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benjamins@presswarehouse.com
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https://benjamins.com
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0165-8743
Purdue University Monographs in Romance Languages
41
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El metateatro y la dramática de Vargas Llosa
Hacia una poética del espectador
01
pumrl.41
01
https://benjamins.com
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https://benjamins.com/catalog/pumrl.41
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Oscar Rivera-Rodas
Rivera-Rodas, Oscar
Oscar
Rivera-Rodas
University of Tennessee
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spa
222
viii
213
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Rivera-Rodas proposes a new concept about what he calls the poetics of the theatrical reception. The discussion of this phenomenon, which also deals with meta theater, focuses on the dramatic work of Mario Vargas Llosa. Examination of the complex relationships of contemporary dramatic structures provides a new definition of meta theater and its effects on the public. Meta theater is shown as a semiotic result not theatrically representable, since it takes place only in the spectator's perceptible experience. Therefore, it does not exist prior to the theatrical or reading reception, nor is it present in the staging. Instead, meta theater results from interaction among reader, text, and performance.
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John Benjamins Publishing Company
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John Benjamins Publishing Company
Amsterdam/Philadelphia
NL
04
19921203
1992
John Benjamins
04
US CA MX
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240
mm
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160
mm
08
300
gr
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JB
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John Benjamins Publishing Company
+31 20 6304747
+31 20 6739773
bookorder@benjamins.nl
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https://benjamins.com
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JB
John Benjamins Publishing Company
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92033765
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0165-8743
Purdue University Monographs in Romance Languages
41
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El metateatro y la dramática de Vargas Llosa
Hacia una poética del espectador
01
pumrl.41
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https://benjamins.com
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Rivera-Rodas, Oscar
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University of Tennessee
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Rivera-Rodas proposes a new concept about what he calls the poetics of the theatrical reception. The discussion of this phenomenon, which also deals with meta theater, focuses on the dramatic work of Mario Vargas Llosa. Examination of the complex relationships of contemporary dramatic structures provides a new definition of meta theater and its effects on the public. Meta theater is shown as a semiotic result not theatrically representable, since it takes place only in the spectator's perceptible experience. Therefore, it does not exist prior to the theatrical or reading reception, nor is it present in the staging. Instead, meta theater results from interaction among reader, text, and performance.
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https://benjamins.com/covers/3d_web/pumrl.41.pb.png
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JBENJAMINS
John Benjamins Publishing Company
01
John Benjamins Publishing Company
Amsterdam/Philadelphia
NL
04
19921203
1992
John Benjamins
02
US CA MX
01
240
mm
02
160
mm
08
300
gr
01
JB
2
John Benjamins North America
+1 800 562-5666
+1 703 661-1501
benjamins@presswarehouse.com
01
https://benjamins.com
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US CA MX
21
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gen
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JB
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