This article propounds a revised, two-sided notion of tellability – one which encompasses both the familiar lower-bounding side of tellability as sufficient to warrant listener interest and the generally ignored upper-bounding side where tellability merges into the no longer tellable of impropriety. It demonstrates how tellers and recipients of stories orient to the upper boundary of tellability in various ways, signalling discomfort as they approach the threshold of impropriety, but also conspiring to breech and go beyond the boundary of impropriety in the pursuit of greater intimacy and entertainment. It is within the framework of the lower boundary and upper boundary of tellability that narrators are free to construct their individual identities.