Publications
Publication details [#54625]
Dynel, Marta, ed. 2011. The Pragmatics of Humour across Discourse Domains. John Benjamins. vi+382 pp.
Publication type
Book – edited volume
Publication language
English
Keywords
Annotation
This edited volume brings together a range of contributions solely on the linguistics of humour. Rather than favour one approach, this collection of articles gives a state-of-the-art picture of current directions in pragmatic humour studies. The contributors assume multifarious theoretical perspectives and discuss a wide array of issues germane to different types of humour across discourse domains. Consequently, the whole gamut of humorous forms and mechanisms are elucidated, such as surrealist irony, incongruity in register humour, mechanisms of pun formation, as well as interpersonal functions of conversational humour. In addition, the papers address diversified manifestations of humour, such as puns in Shakespeare’s plays, gendered jokes on the Internet, sexuality in anti-proverbs, Woody Allen’s prose, humour in “Friends”, and parody by Monty Python’s Flying Circus. Most importantly, the chapters offer new research findings and advocate novel theoretical conceptualisations of humorous phenomena, drawing on the wealth of existing scholarship.
Articles in this volume
Simpson, Paul. “That’s not ironic, that’s just stupid”. Towards an eclectic account of the discourse of irony. 33–50
Seewoester, Sarah. The role of syllables and morphemes as mechanisms in humorous pun formation. 71–104
Adamczyk, Magdalena. Context-sensitive aspects of Shakespeare’s use of puns in comedies. An enquiry into clowns’ and pages’ punning practices. 105–124
Venour, Chris, Chris Mellish and Graeme Ritchie. Dimensions of incongruity in register humour. 125–144
Dynel, Marta. Joker in the pack. Towards determining the status of humorous framing in conversations. 217–242
Pullin, Patricia. Humour and the integration of new staff in the workplace. An interactional study. 265–288
Ermida, Isabel. “Losers, poltroons and nudniks” in Woody Allen’s Mere Anarchy. A linguistic approach to comic failure. 335–352