Publications

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Mildorf, Jarmila. 2019. Narratives of vicarious experience in oral history interviews with craft artists. Journal of Pragmatics 152 : 103–112.
Simpson, James, Emilee Moore, Jessica Bradley and Louise Atkinson. 2018. Translanguaging space and creative activity: theorising collaborative arts-based learning. Language and Intercultural Communication 18 (1) : 54–73.
Bojovic, Brankica. 2018. Fashion language and translatology. Babel 64 (3) : 382–404.
Threadgold, Emma, Linden J. Ball, John E. Marsh and Bo T. Christensen. 2018. The effects of stimulus complexity and conceptual fluency on aesthetic judgments of abstract art: Evidence for a default–interventionist account. Metaphor and Symbol 33 (3) : 235–255.
Nicholas, Claire and Arlene Oak. 2018. Building consensus: Design media and multimodality in architecture education. Discourse & Society 29 (4) : 436–454.
Caron, James E. 2014. Patriarchy and New Comedy in Ancient Athens and Rome: Revisiting Northrop Frye's “Mythos of Spring: Comedy". Humor 27 (2) : 439–383.
Gérin, Annie. 2013. A second look at laughter: Humor in the visual arts. Humor 26 (1) : 155–176.
Preester, Helena De, ed. 2013. Moving Imagination. Explorations of gesture and inner movement. (Advances in Consciousness Research 89). John Benjamins.
Schneider, Britta. 2013. “In Salsa, it’s okay to be a woman”: Legitimating heteronormativity in a culturally ‘other’ environment. Journal of Language and Sexuality 2 (2) : 262–291.
Daemmrich, Ingrid G. 2012. The self-promoting playful pen in graphic and literary rhino-caricatures. Humor 25 (2) : 179–198.
Bondi, M. and Cecilia Lazzeretti. 2012. 'A hypnotic viewing experience'. Promotional features in the language of exhibition press announcements. Pragmatics 22 (4) : 567–589.
Juzwik, Mary M. and Denise Ives. 2010. Small stories as resources for performing teacher identity. Identity-in-interaction in an urban language arts classroom. Narrative Inquiry 20 (1) : 37–61.
Tamboukou, Maria, Lars-Christer Hydén, Matti Hyvärinen and Marja Saarenheimo, eds. 2010. Beyond Narrative Coherence. (Studies in Narrative 11). John Benjamins.
Barr, Mischa. 2009. Sex, art and sophistication: the meanings of 'Continental' cinema. Journal of Australian Studies 33 (1) : 1–18.
Lindauer, Martin S. 2009. Psyche and the Literary Muses. The contribution of literary content to scientific psychology. (Linguistic approaches to literature 7). John Benjamins.
Mottier, Valentin. 2009. “Talking about music is like dancing about architecture”: Artspeak and pop music. Language & Communication 29 (2) : 127–132.
Wang, Hung-Chun. 2009. Language and ideology: gender stereotypes of female and male artists in Taiwanese tabloids. Discourse & Society 20 (6) : 747–774.
Gillett, James. 2007. Internet Web Logs as Cultural Resistance: A Study of the SARS Arts Project. Journal of Communication Inquiry 31 (1) : 28–43.
Heath, Christian and Paul Luff. 2007. Gesture and institutional interaction: Figuring bids in auctions of fine art and antiques. Gesture 7 (2) : 215–240.
Kashapova, Dina, ed. 2006. Kunst, Diskurs und Nationalsozialismus. Semantische und pragmatische Studien. (Reihe Germanistische Linguistik 266). De Gruyter.
Chattopadhuyay, Collette. 2005. Xu Bing: calligraphy, language and interpretation. English Today 21 (1) : 5–10.
Bailey, Chelsea and Dipti Desai. 2005. Visual Art and Education: Engaged Visions of History and Community. Multicultural Perspectives 7 (1) : 39–43.
Rouillard, Rémy. 2005. Between East and West is North: The Loyalties and Allegiances of Russian Authors and Painters Living in EU Estonia. Journal of Multilingual and Multicultural Development 26 (5) : 391–408.
Globus, Gordon G. and Karl H. Pribram. 2004. Brain and Being: At the boundary between science, philosophy, language and arts. John Benjamins.
Harvey, Stella. 2004. Who's afraid of Serotaspeak? Language & Communication 24 (3) : 241–268.