Publications

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Jenssen, Anders Todal and Toril Aalberg. 2019. Why perceived political bias on TV does not inevitably lead to a polarized audience. The case of NRK and TV2 in Norway. Communications 44 (4) : 382–406.
Desilla, Louisa. 2019. Happily lost in translation: Misunderstandings in film dialogue. Multilingua 38 (5) : 601–618.
Sacco, Vittoria and Valérie Gorin. 2017. Mediatized Conflict and Visual News Framing. How Swiss Audiences React to News Images from the Syrian War. Middle East Journal of Culture and Communication 10 (2,3) : 204–233.
Thomas, Ryan J. and Mary Grace Antony. 2017. “Stop sending your kids across our border:” Discursively constructing the unaccompanied youth migrant. Journal of International and Intercultural Communication 10 (1) : 4–24.
Leppänen, Sirpa and Elina Westinen. 2017. Migrant rap in the periphery. Performing politics of belonging. AILA Review 30 : 1–26.
Ávila-Cabrera, José Javier. 2016. The subtitling of offensive and taboo language into Spanish of Inglourious Basterds. A case study. Babel 62 (2) : 211–232.
Weaver, Simon and Lindsey Bradley. 2016. “I haven’t heard anything about religion whatsoever”: Audience perceptions of anti-Muslim racism in Sacha Baron Cohen’s The Dictator. Humor (2) : 279–300.
Jacobsen, Ronald R. 2016. Reformulating the question in US Presidential debates. A device for adjusting the question and the subsequent answer to one's audience. Pragmatics and Society 7 (3) : 391–412.
Mushin, Ilana. 2016. Linguistic cues for recipient design in an Indigenous Australian conversational narrative. Narrative Inquiry 26 (2) : 217–256.
Lahikainen, Amanda. 2015. “Some Species of Contrasts”: British Graphic Satire, the French Revolution, and the Humor of Horror. Humor 28 (1) : 93–117.
Miskinis, Karolis and Peter Bull. 2015. Whipping It Up! An Analysis of Audience Responses to Political Rhetoric in Speeches From the 2012 American Presidential Elections. Journal of Language and Social Psychology 34 (5).
Schwind, Kai Hanno. 2015. Like Watching a Motorway Crash: Exploring the Embarrassment Humor of The Office. Humor 28 (1) : 49–70.
Simons, Nele. 2015. TV drama as a social experience: An empirical investigation of the social dimensions of watching TV drama in the age of non-linear television. Communications 40 (2).
Clark, Lynn and Kevin Watson. 2015. Exploring listeners’ real-time reactions to regional accents. Language Awareness 24 (1) : 38–59.
Poole, Elizabeth. 2014. ‘Muslim Media’ and the Politics of Representation. Media and Cultural Responses to Diversity Issues in Britain. Middle East Journal of Culture and Communication 7 (1) : 101–118.
Shiau, Hong-Chi. 2014. The use of celebrity scandals and sensational news for identity negotiations: analyzing gossip among the queers within Taiwanese families. Chinese Journal of Communication 7 (2) : 230–250.
Zaid, Bouziane. 2014. Audience Reception Analysis of Moroccan Public Service Broadcasting. Middle East Journal of Culture and Communication 7 (3) : 284–309.
Tsakona, Villy. 2013. Okras and the metapragmatic stereotypes of humour. Towards an expansion of the GTVH. In Dynel, Marta, ed. Developments in Linguistic Humour Theory. (Topics in Humor Research 1). John Benjamins. pp. 25–48.
Baldauf-Quilliatre, Heike. 2012. The construction of audience community via answering machine. The case of the French radio broadcast Là-bas, si j’y suis. In Gerhardt, Cornelia and Ruth Ayaß, eds. The Appropriation of Media in Everyday Life. (Pragmatics & Beyond New Series 224). John Benjamins. pp. 131–160.
Bednarek, Monika A. 2012. Constructing ‘nerdiness’: Characterisation in The Big Bang Theory. Multilingua 31 (2) : 199–229.
Bleichenbacher, Lukas. 2012. Linguicism in Hollywood movies? Representations of, and audience reactions to multilingualism in mainstream movie dialogues. Multilingua 31 (2) : 155–176.
Campaiola-Veen, Jill. 2012. From Affective to Aesthetic Economics: Globalization and the Commodification of Difference on French Idol. Journal of International and Intercultural Communication 5 (2) : 89–105.
Dynel, Marta. 2012. Setting our House in order: The workings of impoliteness in multi-party film discourse. Journal of Politeness Research 8 (2) : 161–194.
Guo, Zhenzhi and Xiaoling Zhang. 2012. Hegemony and counter-hegemony: the politics of dialects in TV programs in China. Chinese Journal of Communication 5 (3) : 300–315.
Lwin, Soe Marlar. 2012. Whose stuff is it?: A museum storyteller’s strategies to engage her audience. Narrative Inquiry 22 (2) : 226–246.