Publications
Mangialardi, Nicholas. 2019. Deciphering Egyptian Rap Ciphers. Middle East Journal of Culture and Communication 12 (1) : 68–87.
Werner, Valentin. 2019. Assessing hip-hop discourse: Linguistic realness and styling. Text & Talk 69 (5) : 671–698.
Cru, Josep. 2018. Micro-level language planning and YouTube comments: destigmatising indigenous languages through rap music. Current Issues in Language Planning 19 (4) : 434–452.
Drummond, Rob. 2018. Maybe it's a grime [t]ing: th-stopping among urban British youth. Language in Society 47 (2) : 171–196.
Cru, Josep. 2017. Bilingual rapping in Yucatán, Mexico: strategic choices for Maya language legitimation and revitalisation. International Journal of Bilingual Education and Bilingualism 20 (5) : 481–496.
Malai Madsen, Lian and Andreas Stæhr. 2017. ‘Ghetto language’ in Danish mainstream rap. Language & Communication 52 : 60–73.
Westinen, Elina. 2017. Rapping the ‘Better folk’: Ideological and scalar negotiations of past and present. Language & Communication 52 : 74–87.
Barrett, Rusty. 2016. Mayan language revitalization, hip hop, and ethnic identity in Guatemala. Language & Communication 47 : 144–153.
Nortier, Jacomine M. 2016. Characterizing Urban Youth Speech Styles in Utrecht and on the Internet. Journal of language contact 9 (1) : 163–185.
Ovshieva, Ilyana. 2013. Stomping for Tunisia: Liberation, Identity and Dignity in Tunisian Rap Music. Middle East Journal of Culture and Communication 6 (1) : 36–54.
Lazar, Michelle M. 2012. Performing the ‘lifeworld’ in public education campaigns. Media interdiscursivity and social governance. In Hiramoto, Mie, ed. Media Intertextualities. (Benjamins Current Topics 37). John Benjamins. pp. 107–132.
Roth-Gordon, Jennifer. 2012. Linguistic techniques of the self: The intertextual language of racial empowerment in politically conscious Brazilian hip hop. Language & Communication 32 (1) : 36–47.
Mason Carris, Lauren, H. Samy Alim and Jooyoung Lee. 2011. Moving the crowd, ‘crowding’ the emcee: The coproduction and contestation of black normativity in freestyle rap battles. Discourse & Society 22 (4) : 422–439.
Moriarty, Mairead. 2011. Minority languages and performative genres: the case of Irish language stand-up comedy. Journal of Multilingual and Multicultural Development 32 (6) : 547–559.
Pietikäinen, Sari and Mairead Moriarty. 2011. Micro-level language-planning and grass-root initiatives: a case study of Irish language comedy and Inari Sámi rap. Current Issues in Language Planning 12 (3) : 363–379.
Daly Thompson, Katrina. 2010. “I am Maasai”: Interpreting ethnic parody in Bongo Flava. Language in Society 39 (4) : 493–520.
Lazar, Michelle M. 2010. Performing the ‘lifeworld’ in public education campaigns. Media interdiscursivity and social governance. Pragmatics and Society 1 (2) : 284–310.