This translator/director discusses the difficulties of drama translation from Polish into English, taking as an example her translation of Edward Redlinski's Greenpoint Miracle. The essay focuses on realia and cultural context; describes possible strategies for dealing with such problems and analyzes the strategy finally adopted. She also introduces a notion of concepts and argues whether these are what make Polish drama untranslatable. In a final instance, she considers a specific problem encountered while translating Greenpoint Miracle: the problem of dialect. She presents her attempts to preserve it in production, so avoiding cultural relocation, and demonstrates to what extent they were successful.