In this chapter, the author articulates some ideas from Performance Studies, Deaf Studies and Disability Studies, in the hope of making them move towards the field(s) of Translation and Adaptation Studies. These ideas have emerged as a by-product of the work de Senna has been doing in a piece called New Gold, by SignDance Collective International, in which he performs, but also acts as dramaturg. That simultaneity of expressing and formulating contained in the definition of ‘articulation’ is an important element of his dual role, but also of the work itself.