In the most general, everyday understanding of the term, a style is a way of doing something. The blues is a particular style of music and so is jazz; surrealism is a style of painting and the same goes for pointillism. Cross-country skiers tend to stride forward in classic style or move at greater speed in what is known as skate style. When the term style is used in this manner – as a noun referring to a conventionalized way of doing something – we are likely to think of styles as relatively fixed entities, even though the categories in question are likely to be approximative generalizations: people might reasonably argue that the blues takes different forms in different contexts, and so on. However, a more important theoretical point is that, since styles always have to be ‘brought off’ in order to materialize, the notion of style inevitably also involves a more dynamic aspect, an aspect of doing. Style is not only a noun but also a verb, and any attempt at theorizing style will have to take this duality into consideration – ‘style’ as cultural form in relation to ‘styling’ as cultural practice.
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