Gestural style of the interpreter impacts performance appraisal in public service settings

Monika Chwalczuk,13 Sofía García-Beyaert12 and Robert Balas3
1University of East Anglia | 2Universitat Autònoma de Barcelona | 3Polish Academy of Sciences

Public service interpreting can involve high-stakes situations in which multimodal information is key. Interpreters often mimic speakers’ gestures, which is paradoxically associated both with lack of professionalism and with fostering social harmony. This study investigates whether an interpreter’s gestural style affects users’ perceptions of professionalism, trustworthiness, and skill. Fifty-seven experiment participants watched two twelve-minute videos of a simulated English–Turkish parent–teacher conference. In one video, the interpreter used extensive gestures; in the other, she kept her hands still. The raters responded to a twelve-item questionnaire on professionalism, trustworthiness, fluency, experience, and likability. Statistical inference reveals that interpreters who used spontaneous gestures and gesturally aligned with speakers received significantly more positive ratings. These results suggest that visual input, such as an interpreter’s gestural style, plays a crucial role in third-party experiences of interpreter performance.

Publication history
Table of contents

1.Introduction

In contemporary approaches to interpreter-mediated communication, across modalities and settings, the relevance of embodied semiotic resources, such as eye gaze, facial expressions, and manual gestures is acknowledged as part of the interactional dynamics between interpreters and recipients of interpreting services. The study of visuospatial cues in interpreter-mediated exolingual interactions is gaining increasing attention (Davitti 2018Davitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google ScholarDavitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google Scholar). Multimodal corpora show gesture production as a crucial element in the set of semiotic resources used in dialogue interpreting (Vranjes and Brône 2021Vranjes, Jelena, and Geert Brône 2021 “Interpreters as Laminated Speakers: Gaze and Gesture as Interpersonal Deixis in Consecutive Dialogue Interpreting.” Journal of Pragmatics 181: 83–99. Google Scholar logo with link to Google ScholarVranjes, Jelena, and Geert Brône 2021 “Interpreters as Laminated Speakers: Gaze and Gesture as Interpersonal Deixis in Consecutive Dialogue Interpreting.” Journal of Pragmatics 181: 83–99. Google Scholar logo with link to Google Scholar). Audiovisual data also reveal a vast idiosyncratic variability in interpreters’ gestural styles (Chwalczuk 2021Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.). Yet, the way the gestural style of the interpreter impacts how their performance is perceived and received has not been subject to systematic analysis. The goal of this article is to investigate the extent to which the presence (or lack) of hand gestures produced by interpreters influences the appraisal of their performance in dialogue interpreting.

The article opens with an overview of studies addressing embodied semiotic resources in interpreter-mediated interactions. We then focus on the observable behavior of interpreters, and specifically, on co-speech gestures performed by the interpreter in public service settings. This is followed by the description of our experimental design, including participants’ profiles, audiovisual stimuli preparation, questionnaires, and metrics. Finally, we present our findings derived from statistical analysis and interpret them through the lens of psycholinguistics and sociolinguistics.

2.Interpreted communication viewed through a multimodal lens

2.1The multimodal turn in Interpreting Studies

Spoken interactions involve a mixture of verbal and visuospatial resources (Enfield 2005Enfield, N. J. 2005 “The Body as a Cognitive Artifact in Kinship Representations.” Current Anthropology 46 (1): 51–81. Google Scholar logo with link to Google ScholarEnfield, N. J. 2005 “The Body as a Cognitive Artifact in Kinship Representations.” Current Anthropology 46 (1): 51–81. Google Scholar logo with link to Google Scholar; Müller et al. 2013Müller, Cornelia, Alan Cienki, Ellen Fricke, Silva Ladewig, David McNeill, and Sedinha Tessendorf eds. 2013 Body — Language — Communication: An International Handbook on Multimodality in Human Interaction. Berlin: De Gruyter.Google Scholar logo with link to Google ScholarMüller, Cornelia, Alan Cienki, Ellen Fricke, Silva Ladewig, David McNeill, and Sedinha Tessendorf eds. 2013 Body — Language — Communication: An International Handbook on Multimodality in Human Interaction. Berlin: De Gruyter.Google Scholar logo with link to Google Scholar; Davitti 2018Davitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google ScholarDavitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google Scholar; Vranjes and Brône 2021Vranjes, Jelena, and Geert Brône 2021 “Interpreters as Laminated Speakers: Gaze and Gesture as Interpersonal Deixis in Consecutive Dialogue Interpreting.” Journal of Pragmatics 181: 83–99. Google Scholar logo with link to Google ScholarVranjes, Jelena, and Geert Brône 2021 “Interpreters as Laminated Speakers: Gaze and Gesture as Interpersonal Deixis in Consecutive Dialogue Interpreting.” Journal of Pragmatics 181: 83–99. Google Scholar logo with link to Google Scholar; Cavents, De Wilde, and Vranjes 2025Cavents, Dries, July de Wilde, and Jelena Vranjes 2025 “Towards a Multimodal Approach for Analysing Interpreter’s Management of Rapport Challenge in Onsite and Video Remote Interpreting.” Journal of Pragmatics 235: 220–237. Google Scholar logo with link to Google ScholarCavents, Dries, July de Wilde, and Jelena Vranjes 2025 “Towards a Multimodal Approach for Analysing Interpreter’s Management of Rapport Challenge in Onsite and Video Remote Interpreting.” Journal of Pragmatics 235: 220–237. Google Scholar logo with link to Google Scholar). A multimodal perspective frames embodied cues such as gaze, facial expressions, gestures, body postures, and movements as integrated in the same system as speech (McNeill 1992McNeill, David 1992 Hand and Mind: What Gestures Reveal about Thought. Chicago: University of Chicago Press.Google Scholar logo with link to Google ScholarMcNeill, David 1992 Hand and Mind: What Gestures Reveal about Thought. Chicago: University of Chicago Press.Google Scholar logo with link to Google Scholar; Kendon 2004Kendon, Adam 2004 Gesture: Visible Action as Utterance. Cambridge: Cambridge University Press. Google Scholar logo with link to Google ScholarKendon, Adam 2004 Gesture: Visible Action as Utterance. Cambridge: Cambridge University Press. Google Scholar logo with link to Google Scholar; Mondada 2016Mondada, Lorenza 2016 “Challenges of Multimodality: Language and the Body in Social Interaction.” Journal of Sociolinguistics 20 (3): 336–366. Google Scholar logo with link to Google ScholarMondada, Lorenza 2016 “Challenges of Multimodality: Language and the Body in Social Interaction.” Journal of Sociolinguistics 20 (3): 336–366. Google Scholar logo with link to Google Scholar). In monolingual communication, these natural resources exploiting different communication channels are deployed simultaneously and can be instantly decoded. However, exolingual interactions among speakers without a shared language offer extra layers of complexity. In face-to-face dialogue interpreting (DI), all participants can access visual cues in real-time; but the inherent lag in the consecutive interpreting mode, defaulted to in DI, means users have to wait for the interpreter to make the source message accessible in their language. This delay often causes impatience; hence users tend to focus on visual cues from speakers and interpreters, trying to infer the source message’s meaning before the translation is delivered (Pasquandrea 2012 2012 “Co-Constructing Dyadic Sequences in Healthcare Interpreting: A Multimodal Account.” New Voices in Translation Studies 8 (1): 132–157.Google Scholar logo with link to Google Scholar 2012 “Co-Constructing Dyadic Sequences in Healthcare Interpreting: A Multimodal Account.” New Voices in Translation Studies 8 (1): 132–157.Google Scholar logo with link to Google Scholar; Gerwing and Li 2019Gerwing, Jennifer, and Shuangyu Li 2019 “Body-Oriented Gestures as a Practitioner’s Window into Interpreted Communication.” Social Science & Medicine 233: 171–180. Google Scholar logo with link to Google ScholarGerwing, Jennifer, and Shuangyu Li 2019 “Body-Oriented Gestures as a Practitioner’s Window into Interpreted Communication.” Social Science & Medicine 233: 171–180. Google Scholar logo with link to Google Scholar). This desynchronized access to verbal and visual cues makes interpreting particularly interesting for multimodal analyses.

Growing access to video recordings showcasing interpreter-mediated interactions has spurred micro-analyses and corpus-based research, initiating a multimodal turn in studies of DI (Davitti and Pasquandrea 2017Davitti, Elena, and Sergio Pasquandrea 2017 “Embodied Participation: What Multimodal Analysis Can Tell Us about Interpreter-Mediated Encounters in Pedagogical Settings.” Journal of Pragmatics 107: 105–128. Google Scholar logo with link to Google ScholarDavitti, Elena, and Sergio Pasquandrea 2017 “Embodied Participation: What Multimodal Analysis Can Tell Us about Interpreter-Mediated Encounters in Pedagogical Settings.” Journal of Pragmatics 107: 105–128. Google Scholar logo with link to Google Scholar; Davitti 2018Davitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google ScholarDavitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google Scholar; Vranjes and Bot 2021Vranjes, Jelena, and Hanneke Bot 2021 “Optimizing Turn-Taking in Interpreter-Mediated Therapy: On the Importance of the Interpreter’s Speaking Space.” The International Journal of Translation and Interpreting Research 13 (1): 101–117. Google Scholar logo with link to Google ScholarVranjes, Jelena, and Hanneke Bot 2021 “Optimizing Turn-Taking in Interpreter-Mediated Therapy: On the Importance of the Interpreter’s Speaking Space.” The International Journal of Translation and Interpreting Research 13 (1): 101–117. Google Scholar logo with link to Google Scholar). Davitti (2018Davitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google ScholarDavitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google Scholar, 12) argues that “understanding the complexity of DI requires careful investigation of the interplay between multiple interactional resources, i.e., verbal in conjunction with visual, aural, embodied and spatial meaning-making resources.” Research in this vein has examined the interplay of multimodal resources at different scope levels: from (1) the ecology of working with the physical environment in interpreter-mediated sessions, to (2) investigating interactional dynamics with a primary focus on bodily resources, and (3) concentrating on a specific embodied communication tool, such as the interpreter’s hand gestures.

The most comprehensive approaches aim at including all visuospatial cues recruited in multiparty communication (1), covering participant sitting arrangements, proxemics, and artifact use, in addition to all the ‘natural media’ (Gibbon 2005Gibbon, Dafydd 2005 “Spoken Language Lexicography: An Integrative Framework.” Forum Translationswissenschaft 5: 247–289.Google Scholar logo with link to Google ScholarGibbon, Dafydd 2005 “Spoken Language Lexicography: An Integrative Framework.” Forum Translationswissenschaft 5: 247–289.Google Scholar logo with link to Google Scholar) offered by a human body. In Interpreting Studies, early multimodal analysis of conference interpreting communicative events was carried out by Poyatos (1997)Poyatos, Fernando 1997 “The Reality of Multichannel Verbal-Nonverbal Communication in Simultaneous and Consecutive Interpretation.” In Nonverbal Communication and Translation: New Perspectives and Challenges in Literature, Interpretation and the Media, edited by Fernando Poyatos, 249–282. Amsterdam: John Benjamins. Google Scholar logo with link to Google ScholarPoyatos, Fernando 1997 “The Reality of Multichannel Verbal-Nonverbal Communication in Simultaneous and Consecutive Interpretation.” In Nonverbal Communication and Translation: New Perspectives and Challenges in Literature, Interpretation and the Media, edited by Fernando Poyatos, 249–282. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar who sought to reference and categorize all ‘nonverbal’ elements which had previously been marginalized in (interpreted) discourse analysis. Authors such as Roy (2000)Roy, Cynthia B. 2000 Interpreting as a Discourse Process. New York: Oxford University Press.Google Scholar logo with link to Google ScholarRoy, Cynthia B. 2000 Interpreting as a Discourse Process. New York: Oxford University Press.Google Scholar logo with link to Google Scholar and Wadensjö (1998Wadensjö, Cecilia 1998 Interpreting as Interaction. London: Routledge.Google Scholar logo with link to Google ScholarWadensjö, Cecilia 1998 Interpreting as Interaction. London: Routledge.Google Scholar logo with link to Google Scholar, 2001 2001 “Interpreting in Crisis: The Interpreter’s Position in Therapeutic Encounters.” In Triadic Exchanges: Studies in Dialogue Interpreting, edited by Ian Mason, 71–85. Manchester: St Jerome.Google Scholar logo with link to Google Scholar 2001 “Interpreting in Crisis: The Interpreter’s Position in Therapeutic Encounters.” In Triadic Exchanges: Studies in Dialogue Interpreting, edited by Ian Mason, 71–85. Manchester: St Jerome.Google Scholar logo with link to Google Scholar, 2004 2004 “Dialogue Interpreting: A Monologising Practice in a Dialogically Organised World.” Target 16 (1): 105–124. Google Scholar logo with link to Google Scholar 2004 “Dialogue Interpreting: A Monologising Practice in a Dialogically Organised World.” Target 16 (1): 105–124. Google Scholar logo with link to Google Scholar) brought scholarly attention to dialogue interpreting through encompassing micro-analytical studies in which they investigated interpreters’ behavior as an integral part of the ongoing interaction. By adopting this angle, they also paved the way for a heightened interest in a multimodal approach to the study of interpreter-mediated events.

Multimodal approaches to DI span various settings, including medical, legal, police, courtroom, pedagogical, and administrative interactions (for a review see Davitti 2018Davitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google ScholarDavitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google Scholar). A few examples include Davitti and Pasquandrea (2017)Davitti, Elena, and Sergio Pasquandrea 2017 “Embodied Participation: What Multimodal Analysis Can Tell Us about Interpreter-Mediated Encounters in Pedagogical Settings.” Journal of Pragmatics 107: 105–128. Google Scholar logo with link to Google ScholarDavitti, Elena, and Sergio Pasquandrea 2017 “Embodied Participation: What Multimodal Analysis Can Tell Us about Interpreter-Mediated Encounters in Pedagogical Settings.” Journal of Pragmatics 107: 105–128. Google Scholar logo with link to Google Scholar, who analyze artifact manipulation in onsite parent–teacher meetings; Klammer and Pöchhacker (2021)Klammer, Martina, and Franz Pöchhacker 2021 “Video Remote Interpreting in Clinical Communication: A Multimodal Analysis.” Patient Education and Counseling 104 (12): 2867–2876. Google Scholar logo with link to Google ScholarKlammer, Martina, and Franz Pöchhacker 2021 “Video Remote Interpreting in Clinical Communication: A Multimodal Analysis.” Patient Education and Counseling 104 (12): 2867–2876. Google Scholar logo with link to Google Scholar, who examine how spatial arrangements and visual access to embodied resources are impacted by technical constraints in video remote interpreting (VRI) during medical consultations; and Licoppe (2023)Licoppe, Christian 2023 “Consecutive Interpreting and Embodied Sequences: Showing Evidence at a Distance in a Video-Mediated Courtroom Setting.” In Interactional Dynamics in Remote Interpreting, edited by Esther de Boe, Jelena Vranjes, and Heidi Salaets, 135–154. New York: Routledge. Google Scholar logo with link to Google ScholarLicoppe, Christian 2023 “Consecutive Interpreting and Embodied Sequences: Showing Evidence at a Distance in a Video-Mediated Courtroom Setting.” In Interactional Dynamics in Remote Interpreting, edited by Esther de Boe, Jelena Vranjes, and Heidi Salaets, 135–154. New York: Routledge. Google Scholar logo with link to Google Scholar, who discusses the multimodal dimension of using video link to present documents in multilingual courtroom hearings.

In studies of embodied resources in interpreter-mediated communication (2), eye gaze (for reviews see Vranjes et al. 2018Vranjes, Jelena, Hanneke Bot, Kurt Feyaerts, and Geert Brône 2018 “Displaying Recipiency in an Interpreter-Mediated Dialogue.” In Eye-Tracking in Interaction: Studies on the Role of Eye Gaze in Dialogue, edited by Geert Brône and Bert Oben, 303–324. Amsterdam: John Benjamins. Google Scholar logo with link to Google ScholarVranjes, Jelena, Hanneke Bot, Kurt Feyaerts, and Geert Brône 2018 “Displaying Recipiency in an Interpreter-Mediated Dialogue.” In Eye-Tracking in Interaction: Studies on the Role of Eye Gaze in Dialogue, edited by Geert Brône and Bert Oben, 303–324. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar; De Boe, Vranjes, and Salaets 2023De Boe, Esther, Jelena Vranjes, and Heidi Salaets eds. 2023 Interactional Dynamics in Remote Interpreting. New York: Routledge. Google Scholar logo with link to Google ScholarDe Boe, Esther, Jelena Vranjes, and Heidi Salaets eds. 2023 Interactional Dynamics in Remote Interpreting. New York: Routledge. Google Scholar logo with link to Google Scholar), head nods, and hand gestures are the most discussed elements. In onsite interactions, gaze patterns are investigated as a means for turn-taking management (Bot 2005Bot, Hanneke 2005 Dialogue Interpreting in Mental Health. Amsterdam: Rodopi. Google Scholar logo with link to Google ScholarBot, Hanneke 2005 Dialogue Interpreting in Mental Health. Amsterdam: Rodopi. Google Scholar logo with link to Google Scholar; Mason 2012Mason, Ian 2012 “Gaze, Positioning and Identity in Interpreter-Mediated Dialogues.” In Coordinating Participation in Dialogue Interpreting, edited by Claudio Baraldi and Laura Gavioli, 177–200. Amsterdam: John Benjamins. Google Scholar logo with link to Google ScholarMason, Ian 2012 “Gaze, Positioning and Identity in Interpreter-Mediated Dialogues.” In Coordinating Participation in Dialogue Interpreting, edited by Claudio Baraldi and Laura Gavioli, 177–200. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar; Pasquandrea 2012 2012 “Co-Constructing Dyadic Sequences in Healthcare Interpreting: A Multimodal Account.” New Voices in Translation Studies 8 (1): 132–157.Google Scholar logo with link to Google Scholar 2012 “Co-Constructing Dyadic Sequences in Healthcare Interpreting: A Multimodal Account.” New Voices in Translation Studies 8 (1): 132–157.Google Scholar logo with link to Google Scholar; Vranjes et al. 2018Vranjes, Jelena, Hanneke Bot, Kurt Feyaerts, and Geert Brône 2018 “Displaying Recipiency in an Interpreter-Mediated Dialogue.” In Eye-Tracking in Interaction: Studies on the Role of Eye Gaze in Dialogue, edited by Geert Brône and Bert Oben, 303–324. Amsterdam: John Benjamins. Google Scholar logo with link to Google ScholarVranjes, Jelena, Hanneke Bot, Kurt Feyaerts, and Geert Brône 2018 “Displaying Recipiency in an Interpreter-Mediated Dialogue.” In Eye-Tracking in Interaction: Studies on the Role of Eye Gaze in Dialogue, edited by Geert Brône and Bert Oben, 303–324. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar; Vranjes, Brône, and Feyaerts 2018Vranjes, Jelena, Geert Brône, and Kurt Feyaerts 2018 “On the Role of Gaze in the Organization of Turn-Taking and Sequence Organization in Interpreter-Mediated Dialogue.” Language and Dialogue 8 (3): 439–467. Google Scholar logo with link to Google ScholarVranjes, Jelena, Geert Brône, and Kurt Feyaerts 2018 “On the Role of Gaze in the Organization of Turn-Taking and Sequence Organization in Interpreter-Mediated Dialogue.” Language and Dialogue 8 (3): 439–467. Google Scholar logo with link to Google Scholar; Vranjes and Bot 2021Vranjes, Jelena, and Hanneke Bot 2021 “Optimizing Turn-Taking in Interpreter-Mediated Therapy: On the Importance of the Interpreter’s Speaking Space.” The International Journal of Translation and Interpreting Research 13 (1): 101–117. Google Scholar logo with link to Google ScholarVranjes, Jelena, and Hanneke Bot 2021 “Optimizing Turn-Taking in Interpreter-Mediated Therapy: On the Importance of the Interpreter’s Speaking Space.” The International Journal of Translation and Interpreting Research 13 (1): 101–117. Google Scholar logo with link to Google Scholar), but also for coordinating multiple actions in medical consultations (Pasquandrea 2011Pasquandrea, Sergio 2011 “Managing Multiple Actions through Multimodality: Doctors’ Involvement in Interpreter-Mediated Interactions.” Language in Society 40 (4): 455–481. Google Scholar logo with link to Google ScholarPasquandrea, Sergio 2011 “Managing Multiple Actions through Multimodality: Doctors’ Involvement in Interpreter-Mediated Interactions.” Language in Society 40 (4): 455–481. Google Scholar logo with link to Google Scholar) and fostering more inclusive, patient-centered communication (Krystallidou 2014Krystallidou, Demi 2014 “Gaze and Body Orientation as an Apparatus for Patient Inclusion into/Exclusion from a Patient-Centred Framework of Communication.” The Interpreter and Translator Trainer 8 (3): 399–417. Google Scholar logo with link to Google ScholarKrystallidou, Demi 2014 “Gaze and Body Orientation as an Apparatus for Patient Inclusion into/Exclusion from a Patient-Centred Framework of Communication.” The Interpreter and Translator Trainer 8 (3): 399–417. Google Scholar logo with link to Google Scholar). Head nods are reportedly used as a backchannelling tool in doctor–patient interactions (Englund Dimitrova 1997Englund Dimitrova, Birgitta 1997 “Degree of Interpreter Responsibilty in the Interaction Process in Community Interpreting.” In The Critical Link: Interpreters in the Community, edited by Silvana E. Carr, Roda P. Roberts, Aideen Dufour, and Dini Steyn, 147–164. Amsterdam: John Benjamins. Google Scholar logo with link to Google ScholarEnglund Dimitrova, Birgitta 1997 “Degree of Interpreter Responsibilty in the Interaction Process in Community Interpreting.” In The Critical Link: Interpreters in the Community, edited by Silvana E. Carr, Roda P. Roberts, Aideen Dufour, and Dini Steyn, 147–164. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar) and as affiliation tokens in therapeutic talk (Vranjes et al. 2019 2019 “Affiliation in Interpreter-Mediated Therapeutic Talk.” Interpreting 21 (2): 220–244. Google Scholar logo with link to Google Scholar 2019 “Affiliation in Interpreter-Mediated Therapeutic Talk.” Interpreting 21 (2): 220–244. Google Scholar logo with link to Google Scholar). Among gestures, deictic ones have received the most attention, as tools for directing attention to common referents in parent–teacher encounters (Davitti and Pasquandrea 2017Davitti, Elena, and Sergio Pasquandrea 2017 “Embodied Participation: What Multimodal Analysis Can Tell Us about Interpreter-Mediated Encounters in Pedagogical Settings.” Journal of Pragmatics 107: 105–128. Google Scholar logo with link to Google ScholarDavitti, Elena, and Sergio Pasquandrea 2017 “Embodied Participation: What Multimodal Analysis Can Tell Us about Interpreter-Mediated Encounters in Pedagogical Settings.” Journal of Pragmatics 107: 105–128. Google Scholar logo with link to Google Scholar), and for their role in multimodal stance-taking in student counseling (Vranjes and Brône 2021Vranjes, Jelena, and Geert Brône 2021 “Interpreters as Laminated Speakers: Gaze and Gesture as Interpersonal Deixis in Consecutive Dialogue Interpreting.” Journal of Pragmatics 181: 83–99. Google Scholar logo with link to Google ScholarVranjes, Jelena, and Geert Brône 2021 “Interpreters as Laminated Speakers: Gaze and Gesture as Interpersonal Deixis in Consecutive Dialogue Interpreting.” Journal of Pragmatics 181: 83–99. Google Scholar logo with link to Google Scholar).

Micro-analytical approaches embracing multimodal frameworks are also gaining ground in video remote interpreting (De Boe, Vranjes, and Salaets 2023De Boe, Esther, Jelena Vranjes, and Heidi Salaets eds. 2023 Interactional Dynamics in Remote Interpreting. New York: Routledge. Google Scholar logo with link to Google ScholarDe Boe, Esther, Jelena Vranjes, and Heidi Salaets eds. 2023 Interactional Dynamics in Remote Interpreting. New York: Routledge. Google Scholar logo with link to Google Scholar), with a focus on signaling turn-taking with gaze (Vranjes 2023Vranjes, Jelena 2023 “Where to Look? On the Role of Gaze in Regulating Turn-Taking in Video Remote Interpreting.” In Interactional Dynamics in Remote Interpreting, edited by Esther de Boe, Jelena Vranjes, and Heidi Salaets, 113–134. New York: Routledge. Google Scholar logo with link to Google ScholarVranjes, Jelena 2023 “Where to Look? On the Role of Gaze in Regulating Turn-Taking in Video Remote Interpreting.” In Interactional Dynamics in Remote Interpreting, edited by Esther de Boe, Jelena Vranjes, and Heidi Salaets, 113–134. New York: Routledge. Google Scholar logo with link to Google Scholar), achieving common ground (De Boe 2023De Boe, Esther 2023 “Synchronization of Interaction in Healthcare Interpreting by Video Link and Telephone.” In Interactional Dynamics in Remote Interpreting, edited by Esther de Boe, Jelena Vranjes, and Heidi Salaets, 22–41. New York: Routledge. Google Scholar logo with link to Google ScholarDe Boe, Esther 2023 “Synchronization of Interaction in Healthcare Interpreting by Video Link and Telephone.” In Interactional Dynamics in Remote Interpreting, edited by Esther de Boe, Jelena Vranjes, and Heidi Salaets, 22–41. New York: Routledge. Google Scholar logo with link to Google Scholar) and using bodily semantic resources in face-work (Cavents and De Wilde 2023Cavents, Dries, and July de Wilde 2023 “Face-Work in Video Remote Interpreting: A Multimodal Micro-Analysis.” In Interactional Dynamics in Remote Interpreting, edited by Esther de Boe, Jelena Vranjes, and Heidi Salaets, 155–175. New York: Routledge. Google Scholar logo with link to Google ScholarCavents, Dries, and July de Wilde 2023 “Face-Work in Video Remote Interpreting: A Multimodal Micro-Analysis.” In Interactional Dynamics in Remote Interpreting, edited by Esther de Boe, Jelena Vranjes, and Heidi Salaets, 155–175. New York: Routledge. Google Scholar logo with link to Google Scholar).

2.2The gestural style of the interpreter

Selecting the gestural production of the interpreter as a focal point of the multi­modal analysis (3) is tantamount to examining the interpreter’s gestural style (Iriskhanova and Cienki 2018Iriskhanova, Olga K., and Alan Cienki 2018 “The Semiotics of Gestures in Cognitive Linguistics: Contributions and Challenges.” Voprosy Kognitivnoy Lingvistiki [Issues of cognitive linguistics] 4: 25–36. Google Scholar logo with link to Google ScholarIriskhanova, Olga K., and Alan Cienki 2018 “The Semiotics of Gestures in Cognitive Linguistics: Contributions and Challenges.” Voprosy Kognitivnoy Lingvistiki [Issues of cognitive linguistics] 4: 25–36. Google Scholar logo with link to Google Scholar; Zagar Galvão 2020 2020 “Gesture Functions and Gestural Style in Simultaneous Interpreting.” In Linking up with Video: Perspectives on Interpreting Practice and Research, edited by Heidi Salaets and Geert Brône, 151–179. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar 2020 “Gesture Functions and Gestural Style in Simultaneous Interpreting.” In Linking up with Video: Perspectives on Interpreting Practice and Research, edited by Heidi Salaets and Geert Brône, 151–179. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar; Iriskhanova et al. 2023Iriskhanova, Olga K., Alan Cienki, Maria V. Tomskaya, and Alina I. Nikolayeva 2023 “Silent, but Salient: Gestures in Simultaneous Interpreting, Research Result.” Theoretical and Applied Linguistics 9 (1): 99–114.Google Scholar logo with link to Google ScholarIriskhanova, Olga K., Alan Cienki, Maria V. Tomskaya, and Alina I. Nikolayeva 2023 “Silent, but Salient: Gestures in Simultaneous Interpreting, Research Result.” Theoretical and Applied Linguistics 9 (1): 99–114.Google Scholar logo with link to Google Scholar). The term refers to recurrent gesture use patterns by a particular interpreter, including: (a) the frequency of produced gestures, calculated as a proportion of gestures to word count or gestures to speech length, and (b) the frequency distribution of gesture types based on function. The percentage of gestures belonging to a particular type compared to the total gesture production by a particular speaker is also described as a gestural profile (Chwalczuk 2021Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité., 2025 2025 “Interpreters’ Gestural Profiles across Settings: A Corpus-based Analysis of Healthcare, Educational and Police Interactions.” Parallèles 37 (1): 105–123.Google Scholar logo with link to Google Scholar 2025 “Interpreters’ Gestural Profiles across Settings: A Corpus-based Analysis of Healthcare, Educational and Police Interactions.” Parallèles 37 (1): 105–123.Google Scholar logo with link to Google Scholar). A more fine-grained analysis of the interpreter’s gestural style may also incorporate each gesture phrase’s size (spatial duration) and time (temporal duration), composing a gesturelect (Iriskhanova and Cienki 2023).

Research applying multimodal analysis highlights a significant idiosyncratic variability in how frequently interpreters gesture during their performance; nevertheless, certain recurrent patterns emerge. Regarding quantity, a corpus-based study by Chwalczuk (2021)Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité. suggests that interpreters gesture more in naturalistic public service interactions in comparison to simulated ones, while an experimental study by Martín de León and Zagar Galvão (2025)Martín de León, Celia, and Elena Zagar Galvão 2025 “Making Gestures inside and outside the Booth: A Comparative Study.” Parallèles 37 (1): 8–28.Google Scholar logo with link to Google ScholarMartín de León, Celia, and Elena Zagar Galvão 2025 “Making Gestures inside and outside the Booth: A Comparative Study.” Parallèles 37 (1): 8–28.Google Scholar logo with link to Google Scholar indicates that professional interpreters show higher gestural rates during simultaneous interpreting than in spontaneous speech. Moreover, experimental research with simultaneous interpreters shows that their gestural production increases under high cognitive load (Cienki and Iriskhanova 2020Cienki, Alan, and Olga K. Iriskhanova 2020 “Patterns of Multimodal Behavior under Cognitive Load: An Analysis of Simultaneous Interpretation from L2 to L1.” Voprosy Kognitivnoy Lingvistiki [Questions from cognitive linguistics] 1: 5–11. Google Scholar logo with link to Google ScholarCienki, Alan, and Olga K. Iriskhanova 2020 “Patterns of Multimodal Behavior under Cognitive Load: An Analysis of Simultaneous Interpretation from L2 to L1.” Voprosy Kognitivnoy Lingvistiki [Questions from cognitive linguistics] 1: 5–11. Google Scholar logo with link to Google Scholar) and correlates with instances of speech disfluency. These findings lead to an assumption that beginner interpreters should exhibit more frequent and prominent gesture production than interpreters with several years of professional experience.

Following analytical frameworks established in Gesture Studies (McNeill 1992McNeill, David 1992 Hand and Mind: What Gestures Reveal about Thought. Chicago: University of Chicago Press.Google Scholar logo with link to Google ScholarMcNeill, David 1992 Hand and Mind: What Gestures Reveal about Thought. Chicago: University of Chicago Press.Google Scholar logo with link to Google Scholar; Kendon 2004Kendon, Adam 2004 Gesture: Visible Action as Utterance. Cambridge: Cambridge University Press. Google Scholar logo with link to Google ScholarKendon, Adam 2004 Gesture: Visible Action as Utterance. Cambridge: Cambridge University Press. Google Scholar logo with link to Google Scholar) hand movements are divided into two categories. Co-speech gestures accompany utterance production and present both semantic and pragmatic relations with the speech content (Martín de León and Zagar Galvão 2025Martín de León, Celia, and Elena Zagar Galvão 2025 “Making Gestures inside and outside the Booth: A Comparative Study.” Parallèles 37 (1): 8–28.Google Scholar logo with link to Google ScholarMartín de León, Celia, and Elena Zagar Galvão 2025 “Making Gestures inside and outside the Booth: A Comparative Study.” Parallèles 37 (1): 8–28.Google Scholar logo with link to Google Scholar). Adapters consist of self-touching movements, such as scratching oneself or rubbing one’s fingers (Cienki 2025 2025 “Functions of Gestures during Disfluent and Fluent Speech in Simultaneous Interpreting.” Parallèles 37 (1): 29–42.Google Scholar logo with link to Google Scholar 2025 “Functions of Gestures during Disfluent and Fluent Speech in Simultaneous Interpreting.” Parallèles 37 (1): 29–42.Google Scholar logo with link to Google Scholar), or actions such as playing with an object or adjusting one’s jewelry, produced to decrease stress. In DI, co-speech gestures are analyzed from the perspective of the interactional dynamics in the mediated exchange, where they have been documented as helping to monitor the interpreted interaction (Pasquandrea 2012 2012 “Co-Constructing Dyadic Sequences in Healthcare Interpreting: A Multimodal Account.” New Voices in Translation Studies 8 (1): 132–157.Google Scholar logo with link to Google Scholar 2012 “Co-Constructing Dyadic Sequences in Healthcare Interpreting: A Multimodal Account.” New Voices in Translation Studies 8 (1): 132–157.Google Scholar logo with link to Google Scholar; Gerwing and Li 2019Gerwing, Jennifer, and Shuangyu Li 2019 “Body-Oriented Gestures as a Practitioner’s Window into Interpreted Communication.” Social Science & Medicine 233: 171–180. Google Scholar logo with link to Google ScholarGerwing, Jennifer, and Shuangyu Li 2019 “Body-Oriented Gestures as a Practitioner’s Window into Interpreted Communication.” Social Science & Medicine 233: 171–180. Google Scholar logo with link to Google Scholar), establish conceptual grounding (Davitti and Pasquandrea 2017Davitti, Elena, and Sergio Pasquandrea 2017 “Embodied Participation: What Multimodal Analysis Can Tell Us about Interpreter-Mediated Encounters in Pedagogical Settings.” Journal of Pragmatics 107: 105–128. Google Scholar logo with link to Google ScholarDavitti, Elena, and Sergio Pasquandrea 2017 “Embodied Participation: What Multimodal Analysis Can Tell Us about Interpreter-Mediated Encounters in Pedagogical Settings.” Journal of Pragmatics 107: 105–128. Google Scholar logo with link to Google Scholar), and encourage participatory meaning-making processes (Chwalczuk 2022 2022 “Construction of Shared Semantic Spaces through Gestures in Interpreter-Mediated Psychotherapy Sessions.” International Visual Culture Review 9 (2): 207–221. Google Scholar logo with link to Google Scholar 2022 “Construction of Shared Semantic Spaces through Gestures in Interpreter-Mediated Psychotherapy Sessions.” International Visual Culture Review 9 (2): 207–221. Google Scholar logo with link to Google Scholar). Studies focusing on the use of adapters demonstrate that, since novice interpreters experience extremely high cognitive load, especially working in simultaneous mode (Cienki and Iriskhanova 2020Cienki, Alan, and Olga K. Iriskhanova 2020 “Patterns of Multimodal Behavior under Cognitive Load: An Analysis of Simultaneous Interpretation from L2 to L1.” Voprosy Kognitivnoy Lingvistiki [Questions from cognitive linguistics] 1: 5–11. Google Scholar logo with link to Google ScholarCienki, Alan, and Olga K. Iriskhanova 2020 “Patterns of Multimodal Behavior under Cognitive Load: An Analysis of Simultaneous Interpretation from L2 to L1.” Voprosy Kognitivnoy Lingvistiki [Questions from cognitive linguistics] 1: 5–11. Google Scholar logo with link to Google Scholar), the urge to cope with this pressure might lead to an increased use of adapters, such as nervous fiddling with a pen or adjusting one’s hair. These findings lead to an overarching observation: while co-speech gestures are predominantly highlighted as embodied tools of fostering information-transfer in interpreter-mediated interactions, adapters are portrayed mainly as a means of regulating bodily tension appearing as a symptom of stress.

Zooming in on the use of co-speech gestures alone, early corpus studies highlight above all their usefulness in supporting turn-taking management (Davitti and Pasquandrea 2017Davitti, Elena, and Sergio Pasquandrea 2017 “Embodied Participation: What Multimodal Analysis Can Tell Us about Interpreter-Mediated Encounters in Pedagogical Settings.” Journal of Pragmatics 107: 105–128. Google Scholar logo with link to Google ScholarDavitti, Elena, and Sergio Pasquandrea 2017 “Embodied Participation: What Multimodal Analysis Can Tell Us about Interpreter-Mediated Encounters in Pedagogical Settings.” Journal of Pragmatics 107: 105–128. Google Scholar logo with link to Google Scholar; Licoppe and Veyrier 2020Licoppe, Christian, and Clair-Antoine Veyrier 2020 “The Interpreter as a Sequential Coordinator in Courtroom Interaction ‘Chunking’ and the Management of Turn Shifts in Extended Answers in Consecutively Interpreted Asylum Hearings with Remote Participants.” Interpreting 22 (1): 56–86. Google Scholar logo with link to Google ScholarLicoppe, Christian, and Clair-Antoine Veyrier 2020 “The Interpreter as a Sequential Coordinator in Courtroom Interaction ‘Chunking’ and the Management of Turn Shifts in Extended Answers in Consecutively Interpreted Asylum Hearings with Remote Participants.” Interpreting 22 (1): 56–86. Google Scholar logo with link to Google Scholar). Nevertheless, the investigation of a full panel of functions supported by co-speech gestures (Chwalczuk 2021Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité., 2025 2025 “Interpreters’ Gestural Profiles across Settings: A Corpus-based Analysis of Healthcare, Educational and Police Interactions.” Parallèles 37 (1): 105–123.Google Scholar logo with link to Google Scholar 2025 “Interpreters’ Gestural Profiles across Settings: A Corpus-based Analysis of Healthcare, Educational and Police Interactions.” Parallèles 37 (1): 105–123.Google Scholar logo with link to Google Scholar) indicates that such interactive gestures account for only 14% of interpreters’ gestural production, as observed in medical, police, and education settings. Frequency analyses reveal the predominant use of pragmatic gestures, exhibited both by simultaneous (Iriskhanova and Cienki 2023) and dialogue interpreters (Chwalczuk 2021Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.). These studies suggest not only that co-speech gestures are a semantic resource routinely used both in unidirectional and bidirectional interpreting, but also that they have a potential to ease the cognitive effort inherent in the extreme language processing task of interpreting.

The output of interpreting is not a product of spontaneous speech but an attempt to use the information units delivered by the original speaker and re-package them in the target language. Thus, it combines the challenges of spontaneous speech production with the effort of recreating meaning from memory. As a result, the interpreter’s gestural style is always analyzed in conjunction with the original multimodal message delivered by the speaker. A comparison of the source and target discourse in interpreting brings to light similarities in gesture production. They reflect a phenomenon first described in spontaneous, same-language interactions, known as gestural alignment (see Oben and Brône 2016Oben, Bert, and Geert Brône 2016 “Explaining Interactive Alignment: A Multimodal and Multifactorial Account.” Journal of Pragmatics 104: 32–51. Google Scholar logo with link to Google ScholarOben, Bert, and Geert Brône 2016 “Explaining Interactive Alignment: A Multimodal and Multifactorial Account.” Journal of Pragmatics 104: 32–51. Google Scholar logo with link to Google Scholar, 32 for a review of the terminology) also referred to as gestural mimicry (Kimbara 2006Kimbara, Irene 2006 “On Gestural Mimicry.” Gesture 6 (1): 39–61. Google Scholar logo with link to Google ScholarKimbara, Irene 2006 “On Gestural Mimicry.” Gesture 6 (1): 39–61. Google Scholar logo with link to Google Scholar, 41) where “the form–meaning relationship of a given speaker’s gesture appears to influence how the interlocutor’s gesture is formed when the interlocutor refers to the same topic in subsequent discourse.” In the interpreting context, it describes the fact that interpreters tend to reproduce speakers’ salient gestures in their renditions, as if they were mirroring selected hand movements present in the original speech. This multimodal pattern has been documented in dialogic settings (Gerwing and Li 2019Gerwing, Jennifer, and Shuangyu Li 2019 “Body-Oriented Gestures as a Practitioner’s Window into Interpreted Communication.” Social Science & Medicine 233: 171–180. Google Scholar logo with link to Google ScholarGerwing, Jennifer, and Shuangyu Li 2019 “Body-Oriented Gestures as a Practitioner’s Window into Interpreted Communication.” Social Science & Medicine 233: 171–180. Google Scholar logo with link to Google Scholar; Chwalczuk 2021Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.) and booth interpreting, where the target users are not present (Zagar Galvão 2020 2020 “Gesture Functions and Gestural Style in Simultaneous Interpreting.” In Linking up with Video: Perspectives on Interpreting Practice and Research, edited by Heidi Salaets and Geert Brône, 151–179. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar 2020 “Gesture Functions and Gestural Style in Simultaneous Interpreting.” In Linking up with Video: Perspectives on Interpreting Practice and Research, edited by Heidi Salaets and Geert Brône, 151–179. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar; Leonteva, Cienki, and Agafonova 2023Leonteva, Anna V., Alan Cienki, and Olga V. Agafonova 2023 “Metaphoric Gestures in Simultaneous Interpreting.” Russian Journal of Linguistics 27 (4): 820–842. Google Scholar logo with link to Google ScholarLeonteva, Anna V., Alan Cienki, and Olga V. Agafonova 2023 “Metaphoric Gestures in Simultaneous Interpreting.” Russian Journal of Linguistics 27 (4): 820–842. Google Scholar logo with link to Google Scholar).

Existing studies indicate that interpreters’ gesture production is not purely idiosyncratic but shows stable trends in all examined samples of interpreters. Nevertheless, no studies so far have measured how these gestural patterns influence the way interpreters are perceived by users. If gesture production increases when dealing with cognitive overload (Cienki and Iriskhanova 2020Cienki, Alan, and Olga K. Iriskhanova 2020 “Patterns of Multimodal Behavior under Cognitive Load: An Analysis of Simultaneous Interpretation from L2 to L1.” Voprosy Kognitivnoy Lingvistiki [Questions from cognitive linguistics] 1: 5–11. Google Scholar logo with link to Google ScholarCienki, Alan, and Olga K. Iriskhanova 2020 “Patterns of Multimodal Behavior under Cognitive Load: An Analysis of Simultaneous Interpretation from L2 to L1.” Voprosy Kognitivnoy Lingvistiki [Questions from cognitive linguistics] 1: 5–11. Google Scholar logo with link to Google Scholar), are interpreters who use vivid gesticulation perceived as struggling with rendering the text in the target language? Are highly expressive interpreters who constantly move their hands regarded as less proficient in their craft than those who limit their gestures to the minimum? Is interpreters’ frequent gesture production a distractor or a successful communication strategy in the eyes of the users? These underlying questions will be examined in the context of interpreting performance appraisal.

2.3Appraisal vs quality of interpreting performances

The issue of interpreting quality has been at the heart of numerous scientific publications (Kalina 2005Kalina, Sylvia 2005 “Quality Assurance for Interpreting Processes.” Meta 50 (2): 768–784. Google Scholar logo with link to Google ScholarKalina, Sylvia 2005 “Quality Assurance for Interpreting Processes.” Meta 50 (2): 768–784. Google Scholar logo with link to Google Scholar; García Becerra, Pradas Macías, and Barranco-Droege 2013García Becerra, Olalla, E. Macarena Pradas Macías, and Rafael Barranco-Droege eds. 2013 Quality in Interpreting: Widening the Scope. Volume 1. Granada: Editorial Comares.Google Scholar logo with link to Google ScholarGarcía Becerra, Olalla, E. Macarena Pradas Macías, and Rafael Barranco-Droege eds. 2013 Quality in Interpreting: Widening the Scope. Volume 1. Granada: Editorial Comares.Google Scholar logo with link to Google Scholar). The common essential finding of such studies is that the key parameters driving the quality assessment of the interpreting output differ depending on the population performing the evaluation (e.g., teachers, fellow interpreters, end-users) (Pöchhacker 2001Pöchhacker, Franz 2001 “Quality Assessment in Conference and Community Interpreting.” Meta 46 (2): 410–425. Google Scholar logo with link to Google ScholarPöchhacker, Franz 2001 “Quality Assessment in Conference and Community Interpreting.” Meta 46 (2): 410–425. Google Scholar logo with link to Google Scholar). Moreover, the same subjects who declare that a particular feature of interpreting (i.e., intonation) is irrelevant blindly assess quality differently when this feature is present as the dependent variable (Collados Aís 2007). Wadensjö (1998)Wadensjö, Cecilia 1998 Interpreting as Interaction. London: Routledge.Google Scholar logo with link to Google ScholarWadensjö, Cecilia 1998 Interpreting as Interaction. London: Routledge.Google Scholar logo with link to Google Scholar, cited in Pöchhacker (2001)Pöchhacker, Franz 2001 “Quality Assessment in Conference and Community Interpreting.” Meta 46 (2): 410–425. Google Scholar logo with link to Google ScholarPöchhacker, Franz 2001 “Quality Assessment in Conference and Community Interpreting.” Meta 46 (2): 410–425. Google Scholar logo with link to Google Scholar summarizes this as follows:

In practice, there are no absolute and unambiguous criteria for defining a mode of interpreting which would be ‘good’ across the board. Different activity-types with different goal structures, as well as the different concerns, needs, desires, and commitments of primary parties imply various demands on the interpreters.(Wadensjö 1998Wadensjö, Cecilia 1998 Interpreting as Interaction. London: Routledge.Google Scholar logo with link to Google ScholarWadensjö, Cecilia 1998 Interpreting as Interaction. London: Routledge.Google Scholar logo with link to Google Scholar, 287)

The term ‘quality’ suggests an objective evaluation of how good or bad the analyzed product is. However, some populations do not have the means to objectively evaluate the interpreting outcome, as this requires full proficiency in both languages. From this perspective, the end-users of interpreting services are not in a position to assess interpreting quality as they can only base their judgment on the output, ignoring what the verbal layer of the input actually means (Gerwing and Li 2019Gerwing, Jennifer, and Shuangyu Li 2019 “Body-Oriented Gestures as a Practitioner’s Window into Interpreted Communication.” Social Science & Medicine 233: 171–180. Google Scholar logo with link to Google ScholarGerwing, Jennifer, and Shuangyu Li 2019 “Body-Oriented Gestures as a Practitioner’s Window into Interpreted Communication.” Social Science & Medicine 233: 171–180. Google Scholar logo with link to Google Scholar). Nevertheless, users’ minimal knowledge of what exactly is being said in the source language does not stop them from formulating opinions on the quality of the interpreting service. Since such views cannot be fully informed (due to a lack of understanding of the input) and thus are bound to be subjective and biased, we opt for using the term ‘appraisal’ instead of ‘quality’, focusing on the action of formulating judgment. Using the term ‘appraisal’ acknowledges these subjective dimensions and emphasizes that individual perceptions and situational contexts influence assessments of interpreting services.

3.Research questions

Despite the substantial body of research that has analyzed interpreting as a multi­modal communicational phenomenon (see Section 2.1 and 2.2) and sought to determine the parameters that should be taken into consideration when evaluating its quality (see Section 2.3), no studies have focused on the impact of gestural behavior by interpreters on the way the service recipients perceive their performance.

The goal of this article is to study such impact, and the following questions will guide the discussion: Do users perceive interpreters differently when they do or do not incorporate gestures into their renditions? Are interpreters who limit their gesture production perceived as more skilled and professional than their highly expressive peers? Are interpreters who exhibit vivid gesticulation and/or gesturally align with the speakers perceived as less professional?

4.Materials and methods

We exposed fifty-seven interpreting students11.Students were chosen as target group since they combine basic knowledge of the profession with an understanding of the challenges of the interpreting task, while at the same time being forced to observe and rate interactions from the point of view of a user proficient in only one of the working languages. from different cultural backgrounds to interpreted interactions — stimuli videos — in which the interpreter exhibits two different gestural styles. Participants were then asked to respond to questionnaires, which included, among other questions, prompts to appraise the interpreter’s performance. Statistical inference based on t-tests comparing mean results for each condition was used to determine the differences between the way the two gestural styles impact performance perception.

4.1Stimuli preparation

The experimental design relies on the recording of a mock parent–teacher meeting where the gestural production of the interpreter is manipulated. Two different approaches to the same communicative situation mediated by an interpreter were shown to participants: one in which the interpreter’s gestural production is spontaneous and non-restricted, and contains elements of gestural alignment with the speaker; and another one in which the interpreter has been instructed to keep her hands folded on the table, with the goal of deliberately limiting gesture production. No other restrictions regarding facial expressions, head movements, or posture shift were introduced. The interpreter took no notes. The next two sections explain the approach taken to design the script and to record and edit the videos.

4.1.1Script design

Drawing from the methodologies used in the IMPLI project22.ImPLI (Improving Police and Legal Interpreting) was a research project funded by the Directorate-General for Justice of the European Commission and conducted in 2011–2012 by a consortium of European universities, namely the University of Bologna (Italy), Charles University (Czech Republic), Fachhochschule Köln (Gemany), Heriot-Watt University (Scotland), KU Leuven (Belgium), and ISIT Paris (France). See https://​site​.unibo​.it​/interpretazione​-giuridica​-impli​/en. and Situated Dialogues,33.Situated Dialogues is a collection of forty-three audio-recorded bilingual dialogues developed by Grupo Miras from Universitat Autònoma de Barcelona recreating real-life interactions in various public service settings. The materials stemming from the project are used for classroom practice of dialogue interpreting. See https://​webs​.uab​.cat​/sd/. we started by researching the content of authentic public service interactions and consulting realistic monolingual situations illustrated in open-access videos available online, as well as audio(visual) materials specifically produced for the purpose of training interpreters.

We chose to simulate a parent–teacher meeting in a UK primary school where the father of a seven-year-old Turkish-born student discusses the boy’s progress with a teacher. We aimed for a language combination for which all participants fully comprehended one of the two languages (English, with a C1 proficiency) but the other not at all (Turkish, which is not taught in the interpreting programs our participants were in).

In the English–Turkish language combination, participants could only access the verbal layer of half of the interaction, namely the speech turns in English. For the other half (utterances in Turkish) vocal and nonverbal cues were the only source of inference, including both gestures by the Turkish speaker and by the interpreter. This set-up reproduced the experience of a real user of interpreting services, facing desynchronized access to meaning in two languages.

We opted for a within-subjects design, anticipating difficulty in recruiting participants. Each participant had to fill in the questionnaire twice, once after each condition. Gestures by the interpreter were the independent variable in this study, differentiating the recordings. Each participant watched (a) a video where the Turkish–English interpreter is highly expressive and gestures abundantly throughout the assignment and (b) a video where the interpreter keeps their gesture production to a minimum. Content-wise, each of the videos showed two contextually related yet independent segments of the same interaction. It was thus plot-wise possible to play them in any order.

Playing the two segments in alternating order to different participants allowed us to control for different potential confounding variables. After seeing the first video, the second could potentially systematically seem better (or worse) for the mere reason it came second. Given that all participants saw the two videos in counterbalanced order, such potential bias was controlled for by experiment design. We also tried to avoid skewing the results due to fatigue. Each of the two parts of the script had an almost equal length (Part 1: 970 words, Part 2: 950 words), amounting to thirty speech turns; that is, around six minutes of source speech and respectively 12:15 and 12:40 of duration with recorded interpreting. Playing videos of equal length in counterbalanced order helped avoid the potential interference of participants’ fatigue, which could provoke lower evaluation scores of the second video (Corriero 2017Corriero, Elena F. 2017 “Counterbalancing.” In The SAGE Encyclopedia of Communication Research Methods, edited by Mike Allen, 278–281. Thousand Oaks, CA: SAGE.Google Scholar logo with link to Google ScholarCorriero, Elena F. 2017 “Counterbalancing.” In The SAGE Encyclopedia of Communication Research Methods, edited by Mike Allen, 278–281. Thousand Oaks, CA: SAGE.Google Scholar logo with link to Google Scholar). We also designed the dialogues with a deliberate fixed number of elements challenging processing, such as specialized terms, proper nouns, numbers, or enumerations. This design helped minimize the risk that one of the segments might systematically receive higher scores for the interpreter’s performance because the interpreter seems to deal with a more challenging text.

The script design also controlled for gesture production of the interactants. We instructed the speakers to perform some salient gestures in the original utterances by including prompts in the script, which provided a baseline for the speakers’ gesture production. The baseline foresaw an equal number of scripted gestures per category (e.g., iconic, deictic, and pragmatic gestures) in each sequence. In one of the videos, the interpreter incorporated hand gestures in the target renditions that were similar to those of the original speaker, thus performing gestural alignment. The script resulting from these design strategies was originally written in English. Subsequently, the utterances of the father character were machine-translated using DeepL and manually post-edited by a professional translator, a native speaker of Turkish.

4.1.2Video recording and editing

Three actors, who were compensated for their time and signed informed consent forms, were recruited to perform for the stimuli videos: the father, a Turkish native speaker; the teacher, a British-English speaker with near-native proficiency; and the interpreter, a professional English–Turkish interpreter, a native speaker of Turkish. The interpreter (female) had experience in theatre, contemporary dance, and public speaking training, thus ensuring skillful representations for the ‘Gesture’ and ‘No-gesture’ conditions.

Speakers were advised to convey each utterance’s meaning, with all the key information, as naturally as possible, aiming for quasi-spontaneous discussion based on a pre-designed script (see the Appendix). They were instructed to keep the vocal delivery parameters (e.g., their accent, speech pace, and volume) at the same level throughout the recordings. Each scripted gesture was explained to the speakers who were to incorporate them into their performance as naturally as possible. Spontaneous gestural production was also encouraged. As for other visual cues, speakers were advised to maintain spontaneous facial expressions, head movements, and gaze shifts44.Gaze shifts and head movements are the embodied resources most frequently used by interpreters to regulate turn taking (Davitti 2018Davitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google ScholarDavitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google Scholar, 23). Thus, we ensured that they were unrestricted in the interpreter’s renditions in both videos. throughout the two videos (Gesture and No-gesture conditions). Both videos presented identical frames and setups, with the same actors wearing neutral clothing. All three parties were seated at a table and were visible within one frame, as seen in the still frames in Figure 1.

Figure 1.Experiment stimuli (top: Gesture condition, bottom: No-gesture condition)
Figure 1.

The raw material obtained during the recording session was subsequently segmented into different question-interpreting-answer-interpreting sequences. Selected sequences were then compiled in Movavi (2023)Movavi. Movavi Video Editor 2023. Version 23.4.1 2023 Computer software. https://​www​.movavi​.com/Movavi. Movavi Video Editor 2023. Version 23.4.1 2023 Computer software. https://​www​.movavi​.com/ into two continuous videos, of twelve minutes each.

4.2Questionnaire and metrics

After watching each of the videos, experiment participants answered identical twelve-item closed-ended questionnaires through which they evaluated the performance of the Turkish–English interpreter. The set of questions covered parameters typically included in interpreting quality assessment, but there was no direct inquiry regarding gestures. The questionnaire was broken down into four domains, each counting three items (see Table 1). It covered: (1) (perceived) level of professionalism, (2) (perceived) completeness and accuracy, (3) delivery, and (4) social features (such as liking and endorsement of the interpreter based on their performance).

Table 1.Questionnaire: Evaluation of the interpreter’s performance
Domain Item Question
Professionalism Q1 The interpreter was fully professional.
Q2 The interpreter presented good mediation skills.
Q3 The interpreter was trustworthy and reliable.
Completeness and language Q4 The renditions of what the speakers were saying were complete.
Q5 The interpreter’s renditions were accurate. The interpreter did not omit, add, or distort any information in comparison with the source speech.
Q6 The interpreter used appropriate language registers and mastered terminology.
Delivery Q7 The interpreter spoke with confidence.
Q8 The interpreter’s renditions were fluent and delivered at a natural pace.
Q9 The interpreter’s renditions were easy to follow.
Liking and endorsement Q10 Based on this performance, the interpreter seems like a nice colleague.
Q11 Based on this performance, I would definitely hire this interpreter to work for me.
Q12 Based on this performance, I would recommend this interpreter to a friend.

Note. Each question was evaluated on a seven-point Likert-like scale, where each statement could be given one of the answers ranging from 1 = strongly disagree to 7 = strongly agree.

Some items included in the questionnaire (i.e., accuracy, completeness, and terminology) could not, in actuality, be assessed by participants due to their lack of proficiency in Turkish. Yet, they were intentionally included in the questionnaire to help assess the influence of gestural style by the interpreter on the perception of such parameters.

4.3Experimental protocols

Participants (N = 57; female = 44; male = 13; mean age = 24; SD = 2.9) were MA students of interpreting programs, which had provided them with some criteria on what to look for in an interpreter, even thought they could only understand one of the languages of the interaction. They attended programs at the three different universities that collaborated on this study: (1) the Institute of Applied Linguistics, University of Warsaw, Poland; (2) the Department of Intercultural Studies and Applied Languages, Université Paris Cité, France; and (3) the Department of Translation and Interpreting, Universitat Autònoma de Barcelona, Spain. Participation in the study was voluntary. Informed consent was obtained from all the participants and their data were anonymized.

The task, at each institution, was part of a more extensive experimental protocol implemented in the CoGCIn Project.55.The CoGCIn Project (Cognitive Processes behind the Use of Gestures in Consecutive Dialogue Interpreting) was implemented at the Institute of Psychology, Polish Academy of Sciences, thanks to a Marie-Curie Fellowship for Research and Innovation awarded to the first author. See https://​gestureinterpreting​.com/. Participants were invited to the lab individually. The experiment materials were presented in PsychoPy (Peirce et al. 2019Peirce, Jonathan, Jeremy R. Gray, Sol Simpson, Michael MacAskill, Richard Höchenberger, Hiroyuki Sogo, Erik Kastman, and Jonas Kristoffer Lindeløv 2019 “PsychoPy2: Experiments in Behavior Made Easy.” Behavior Research Methods 51 (1): 195–203. Google Scholar logo with link to Google ScholarPeirce, Jonathan, Jeremy R. Gray, Sol Simpson, Michael MacAskill, Richard Höchenberger, Hiroyuki Sogo, Erik Kastman, and Jonas Kristoffer Lindeløv 2019 “PsychoPy2: Experiments in Behavior Made Easy.” Behavior Research Methods 51 (1): 195–203. Google Scholar logo with link to Google Scholar), which allowed for the display of the videos and recording of the questionnaire responses within the same software. The procedure took place in the steps illustrated in Figure 2:

  1. Completing a socio-demographical questionnaire on language skill, interpreting education and experience, level of studies, etc. (shared by all).

  2. Viewing Video 1, split into Gesture condition (for participants allocated odd participant numbers) and No-gesture condition (for participants allocated even participant numbers).

  3. Completing the interpreter appraisal questionnaire (shared by all).

  4. Viewing Video 2, split into No-gesture condition (for participants allocated odd participant numbers) and Gesture condition (for participants allocated even participant numbers).

  5. Completing the interpreter appraisal questionnaire (shared by all).

  6. A debriefing session (5–10 minutes) with the participant regarding the rationale behind their video evaluation. The sessions were filmed or recorded in the form of lab notes. The lab notes were mainly used to record comments about participants’ behaviors and/or any events that might have been relevant to further data analyses (e.g., if the participant watched the recordings carefully and in full).

Figure 2.Experimental protocol
Figure 2.

5.Statistical analysis of questionnaire responses

5.1Data pre-processing

The pool of recruited participants counted thirteen students in the Barcelona cohort, ten in Paris, and thirty-four in Warsaw. Two of the Parisian participants had to be excluded due to incomplete datasets, as they had to leave before the end of the experiment. The Warsaw cohort counted four participants in the pilot study and thirty in the main study. Of the Warsaw cohort, two out of four pilot study participants were excluded from the data set due to the software malfunctioning. Two of the thirty main study participants of the same cohort were removed from the data set as well. One did not meet the language requirement (recorded B1 proficiency in Turkish). The other presented outlier characteristics, showing abnormally high variance (SD = 1.370 in Gesture and SD = 1.168 in No-gesture conditions) that significantly deviated from the variance of the other participants (SD = 0.642 in Gesture and SD = 0.793 in No-gesture conditions).

As a result, the dataset used for statistical analyses encompasses a sample of fifty-one participants: thirteen from Barcelona, eight from Paris, and thirty from Warsaw.

5.2Descriptive statistics

The descriptive statistics of the scores obtained for the three cohorts are presented in Table 2. We observe that, for all three cohorts, the mean value of scores attributed to the Turkish–English interpreter who used vivid gesticulation is higher than the mean for the performance where the interpreter kept their hands folded on the table (mean Gesture: Barcelona = 6.333, Paris = 6.344, Warsaw = 6.100; mean No-gesture: Barcelona = 5.795, Paris = 5.563, Warsaw = 5.864). A closer look at Table 2 offers further insight: not only is the overall score for the non-gesturing interpreter lower, the results for this condition also present more variability from one participant to the other (respectively SD Gesture: Barcelona = 0.638, Paris = 0.608, Warsaw = 0.655; SD No-gesture: Barcelona = 0.860, Paris = 0.631, Warsaw = 0.814). Indeed, the No-gesture condition is characterized by a larger standard deviation across participants in every cohort. In other words, there is more consensus about and more satisfaction with the performance of the style of interpretation involving more gestures than that involving fewer.

Table 2.Mean scores for Barcelona, Paris, and Warsaw cohorts
Mean Gesture Mean No-gesture
Barcelona Paris Warsaw Barcelona Paris Warsaw
Valid 13 8 30 13 8 30
Missing  0 0  0  0 0  0
Median     6.500     6.542     6.292     6.000     5.417     6.000
Mean     6.333     6.344     6.100     5.795     5.563     5.864
Std. Deviation     0.638     0.608     0.655     0.860     0.631     0.814
Minimum     4.917     5.083     4.833     4.417     4.917     3.833
Maximum     7.000     7.000     7.000     6.917     6.583     7.000

Although these first conclusions are interesting, especially since they show the same trends for each cohort, we cannot ignore the sample character of these data: different samples yield different means and variances. To be able to extrapolate scientifically sound conclusions from our results, arithmetical comparisons of descriptive statistics are only the first step, and statistical inference is in order. For statistical inference, the data set per cohort is too small, as the Barcelona and Paris cohorts present insufficient sample sizes. However, given that the same trends are observed in all three cohorts, we are able to pool the data of all three cohorts together and into a single sample, with a size appropriate for inferential analysis. Further statistical tests are therefore run based on a total sample of fifty-one participants including all three cohorts. Summary descriptive statistics for this sample are shown in Table 3.

Table 3.Descriptive statistics for the joint sample of fifty-one participants
N Mean SD SE Coefficient of variation
Gesture 51 6.198 0.642 0.090 0.104
No-gesture 51 5.799 0.793 0.111 0.137

For the Gesture condition, the mean score is 6.198 (SD = .642), whereas for the No-gesture condition the mean score is 5.799 (SD = .793). Overall, then, the Gesture condition yields a higher mean score with less variability compared to the No-gesture condition. This is graphically illustrated in Figure 3. The scatter plot on the left and the box plot on the right use the same color code: the green data points refer to the scores of the Gesture condition whereas the red ones refer to the No-gesture condition. The scatter plot on the left helps to visualize the ratings provided by each of the participants. The box plot on the right shows the general trend. The relative position of the boxes visually reflects that the overall performance appraisal of the Gesture condition is higher than for the No-gesture condition. In these box plots, the horizontal line crossing the boxes indicates the median value, while the height of the boxes indicates where the 25% of scores below the median and the 25% above the median are.

Figure 3.Mean ratings of interpreting performance under Gesture and No-gesture conditions: Aggregated data from fifty-one participants
Figure 3.

5.3Statistical analysis

The Shapiro-Wilk test indicated no significant departure from normality in the data (W = 0.984, p = .709); therefore, a parametric paired samples t-test was used to test whether the difference between the mean scores in the Gesture and No-gesture conditions is statistically significant.

The results confirm that the difference between ratings provided in the Gesture (mean = 6.198, SD = .642) and No-gesture (mean = 5.799, SD = .793) conditions is highly statistically significant (t(50) = 2.951, p = .002, Cohen’s d = .413). This confirms the validity of the observation that the interpreter who uses vivid gesticulation and gesturally aligns with speakers is perceived as a better professional than their counterpart exhibiting scarce gesture production. Cohen’s d is a measure used in statistics to quantify the intensity of the difference between two compared groups, known as the size effect, used to indicate the magnitude of an examined phenomenon. According to the conventional criteria for interpreting Cohen’s d values, 0.2 is considered to reflect a small impact, 0.5 a medium impact, and 0.8 a large impact. Thus, the Cohen’s d value of 0.413 in our study indicates a small to medium impact of vivid gesticulation on evaluating the performance of the interpreter.

6.Discussion

Through deliberately designed experimental testing, we were able to establish that a gesturing interpreter is distinctly more positively appraised than the same interpreter showing limited use of embodied resources, and no gestures, specifically. In this section, we discuss some of the potential implications of the relevance of gesturing, in particular, in public service exchanges (Section 6.1). We also consider the impact of gestures in social interactions more generally and reflect on the practice of interpreting within the broader scope of the psychological mechanisms that underlie human communication (Section 6.2).

6.1Bias towards/against gestures in interpreting

As described in Section 2, the role of gestures by the interpreter in mediated interactions in public service and community settings has traditionally been studied with a focus on how they either support or interfere with the flow of communication. Krystallidou (2017) 2017 “Non-Verbals in Dialogue Interpreter Education: Improving Student Interpreters’ Visual Literacy and Raising Awareness of Its Impact on Interpreting Performance.” In Teaching Dialogue Interpreting: Research-Based Proposals for Higher Education, edited by Letizia Cirillo and Natacha Niemants, 259–273. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar 2017 “Non-Verbals in Dialogue Interpreter Education: Improving Student Interpreters’ Visual Literacy and Raising Awareness of Its Impact on Interpreting Performance.” In Teaching Dialogue Interpreting: Research-Based Proposals for Higher Education, edited by Letizia Cirillo and Natacha Niemants, 259–273. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar is a rare exception among pedagogically oriented studies in calling for the importance of including ‘visual literacy’ as part of dialogue interpreting training. Her proposal extends the focus beyond the impact of the interpreter’s presence on the communicative situation to the “ability [of interpreting students] to construct meaning in a more comprehensive way by relying on participant’s verbal as well as non-verbal clues” (272).

Beyond the interactional dimension or the multimodal meaning-making by the interpreter as a receiver, gestures in interpreting have typically been viewed in a negative light. When it comes to considering the interpreter as a producer of multimodal messages herself/himself, guidelines for interpreter training so far do not generally, and certainly not explicitly, align with an understanding of interpreters’ gesturing as supportive of positive communicative outcomes. To the contrary: interpreting trainees (in conference interpreting especially) and supervised professional interpreters are often advised that gestures act as distractors, creating unnecessary noise that saturates the visual channel (Zagar Galvão 2013Zagar Galvão, Elena 2013 “Hand Gestures and Speech Production in the Booth: Do Simultaneous Interpreters Imitate the Speaker?” In Estudos de Linguística II, edited by Conceição Carapinha and Isabel A. Santos, 109–125. Coimbra: Imprensa da Universidade de Coimbra.Google Scholar logo with link to Google ScholarZagar Galvão, Elena 2013 “Hand Gestures and Speech Production in the Booth: Do Simultaneous Interpreters Imitate the Speaker?” In Estudos de Linguística II, edited by Conceição Carapinha and Isabel A. Santos, 109–125. Coimbra: Imprensa da Universidade de Coimbra.Google Scholar logo with link to Google Scholar; Cienki 2024Cienki, Alan 2024 “Variable Embodiment of Stance-Taking and Footing in Simultaneous Interpreting.” Frontiers in Psychology 15: 1429232. Google Scholar logo with link to Google ScholarCienki, Alan 2024 “Variable Embodiment of Stance-Taking and Footing in Simultaneous Interpreting.” Frontiers in Psychology 15: 1429232. Google Scholar logo with link to Google Scholar). As vivid hand movements may attract visual attention to the interpreter instead of promoting a focus on the speaker, novices are instructed to keep their gesture production limited. Another argument, stemming from a study of dialogue interpreting in healthcare settings, is that gesturing interpreters might be performing multimodal stance-taking, using ‘nonverbal’ cues to convey their own opinions about the speaker’s utterances (Vranjes and Brône 2021Vranjes, Jelena, and Geert Brône 2021 “Interpreters as Laminated Speakers: Gaze and Gesture as Interpersonal Deixis in Consecutive Dialogue Interpreting.” Journal of Pragmatics 181: 83–99. Google Scholar logo with link to Google ScholarVranjes, Jelena, and Geert Brône 2021 “Interpreters as Laminated Speakers: Gaze and Gesture as Interpersonal Deixis in Consecutive Dialogue Interpreting.” Journal of Pragmatics 181: 83–99. Google Scholar logo with link to Google Scholar). From this perspective, such ‘visual comments’ might be seen as a threat to the impartial position of the interpreter, thus potentially compromising professional standards. Certain civil servants who work with interpreters voice such concerns when they request ‘please translate exactly what I am saying’ (Chwalczuk 2021Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.Chwalczuk, Monika 2021 Co-Speech Gestures in Public Service Interpreting: Contextual Analysis of Multimodal Corpora. PhD thesis. Université Paris Cité.).

These stances seem to be rooted in a limiting, yet default, understanding of the interpreting process: one that overemphasizes the vocal and oral dimensions of the communicative process. This view has been contested since the 1990s by the emphasis on embodiment as part of the interactional turn in Interpreting Studies, as discussed in Section 2. Beyond the role of body language as crucial for interactional management, it is surprising that the multimodal transfer of meaning across languages has not received more attention. Our findings reinforce the idea that cross-linguistic meaning transfer ought not to be considered at the level of words only (Seleskovitch and Lederer 2014Seleskovitch, Danica, and Marianne Lederer 2014 Interpréter Pour Traduire [Interpreting for translating]. Paris: Les Belles Lettres.Google Scholar logo with link to Google ScholarSeleskovitch, Danica, and Marianne Lederer 2014 Interpréter Pour Traduire [Interpreting for translating]. Paris: Les Belles Lettres.Google Scholar logo with link to Google Scholar). Since speech itself is a multimodal phenomenon (Mondada 2016Mondada, Lorenza 2016 “Challenges of Multimodality: Language and the Body in Social Interaction.” Journal of Sociolinguistics 20 (3): 336–366. Google Scholar logo with link to Google ScholarMondada, Lorenza 2016 “Challenges of Multimodality: Language and the Body in Social Interaction.” Journal of Sociolinguistics 20 (3): 336–366. Google Scholar logo with link to Google Scholar), the aspiration for complete and accurate message transferal should not disregard the role of visual cues in the meaning-making process (Krystallidou 2017 2017 “Non-Verbals in Dialogue Interpreter Education: Improving Student Interpreters’ Visual Literacy and Raising Awareness of Its Impact on Interpreting Performance.” In Teaching Dialogue Interpreting: Research-Based Proposals for Higher Education, edited by Letizia Cirillo and Natacha Niemants, 259–273. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar 2017 “Non-Verbals in Dialogue Interpreter Education: Improving Student Interpreters’ Visual Literacy and Raising Awareness of Its Impact on Interpreting Performance.” In Teaching Dialogue Interpreting: Research-Based Proposals for Higher Education, edited by Letizia Cirillo and Natacha Niemants, 259–273. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar).

Another plausible source of apprehension towards gesture production, especially for interpreting students and early-career interpreters, might be rooted in lecturers’ potential conflation of co-speech gestures (which carry meaning) with adapters (which help to ease stress-induced tension in the body without bearing communicative value) (Ekman and Friesen 1969Ekman, Paul, and Wallace V. Friesen 1969 “The Repertoire of Nonverbal Behavior: Categories, Origins, Usage, and Coding.” Semiotica 1 (1): 49–98. Google Scholar logo with link to Google ScholarEkman, Paul, and Wallace V. Friesen 1969 “The Repertoire of Nonverbal Behavior: Categories, Origins, Usage, and Coding.” Semiotica 1 (1): 49–98. Google Scholar logo with link to Google Scholar). Given the findings of this study, we suggest that the conceptual difference between these two types of hand movement ought to be addressed in interpreter training as part of building awareness of interpreters’ gestural patterns. While co-speech gestures can support message transfer both for the interpreter and the end receiver, an abundance of adapters may interfere with clear communication while using interpretation services.

Inadvertently placing all gestures under the same conceptual category of unhelpful ‘noise’ during interpreted encounters appears to be a default approach. While understandable, this study demonstrates why it should be challenged in interpreting research and training. Such an approach may lead to reducing all comments on ‘nonverbal’ behavior to the oversimplified recommendation to refrain from gesturing altogether. This may in turn lead to a bias against all gesture production in interpreters’ renditions, based on the assumption that vivid gesticulation during interpreting is symptomatic of poor professionalism and proficiency. An example of such bias was shared during the third CITEI (Congreso Internacional de Traducción e Interpretación) conference held in Lima in May 2024, in personal exchanges between the authors and quality assurance professionals of interpreting services. In their positions held in remote interpreting companies supporting healthcare communication in the United States, these quality assurance professionals were required to fill out grading charts to report on interpreters’ compliance with company guidelines. One of the chart’s fields is designed to report whether the hands of the interpreter are visible (negative mark) or not (positive mark). This policy reflects a generalized bias against gestures in interpreting practice.

Given the positive effect of gesture production on the overall performance appraisal of the interpreter in our study, there are two identified avenues for further consideration that we deem essential if we are to progressively counter the bias against gesture production in interpreting. If gesture production by the interpreter has a positive impact on appraisal, the question shifts from ‘should the interpreter gesture?’ towards ‘how should the interpreter gesture?’. And, if gestures are to be incorporated, guilt-free, as a sign of professionalism, what are the best mechanisms to promote interpreter reflexivity around the use of gestures?

The latter is critical, since, as will be discussed in Section 6.2, gesturing is in and of itself a trust generator. Understanding how to use this tool is essential when considering the role the interpreter ought to play in the communicative situation. This is discussed further in Section 6.3, on limitations and future research, after we consider the social correlates of gestural mimicry.

6.2Social correlates of gestural mimicry

A gesturally active interpreter might not be the archetype that comes to mind when imagining the professional role, yet it aligns with the wider spectrum of sociological and psychological research on gestural production. In interpreter-mediated interactions, gestures become points of reference bridging the source and the target speech, thus helping to follow the flow of conversation in exolingual encounters (Pasquandrea 2012 2012 “Co-Constructing Dyadic Sequences in Healthcare Interpreting: A Multimodal Account.” New Voices in Translation Studies 8 (1): 132–157.Google Scholar logo with link to Google Scholar 2012 “Co-Constructing Dyadic Sequences in Healthcare Interpreting: A Multimodal Account.” New Voices in Translation Studies 8 (1): 132–157.Google Scholar logo with link to Google Scholar; Gerwing and Li 2019Gerwing, Jennifer, and Shuangyu Li 2019 “Body-Oriented Gestures as a Practitioner’s Window into Interpreted Communication.” Social Science & Medicine 233: 171–180. Google Scholar logo with link to Google ScholarGerwing, Jennifer, and Shuangyu Li 2019 “Body-Oriented Gestures as a Practitioner’s Window into Interpreted Communication.” Social Science & Medicine 233: 171–180. Google Scholar logo with link to Google Scholar). That is why gestural mimicry plays an important part in building harmonious interactional dynamics in discordant language communication.

Mimicry, the unconscious imitation of behaviors, serves as a fundamental aspect of human social interactions, contributing significantly to the establishment and maintenance of social relationships (Muniak and Kulesza 2024Muniak, Paweł, and Wojciech Kulesza 2024 “The Impact of Mimicry Behavior on Guilt.” Social Psychological Bulletin 19: e12697. Google Scholar logo with link to Google ScholarMuniak, Paweł, and Wojciech Kulesza 2024 “The Impact of Mimicry Behavior on Guilt.” Social Psychological Bulletin 19: e12697. Google Scholar logo with link to Google Scholar). This phenomenon is not limited to conscious awareness but rather operates as a subtle yet powerful force in shaping social dynamics (McIntosh et al. 2006McIntosh, Daniel N., Aimee Reichmann-Decker, Piotr Winkielman, and Julia L. Wilbarger 2006 “When the Social Mirror Breaks: Deficits in Automatic, but Not Voluntary, Mimicry of Emotional Facial Expressions in Autism.” Developmental Science 9 (3): 295–302. Google Scholar logo with link to Google ScholarMcIntosh, Daniel N., Aimee Reichmann-Decker, Piotr Winkielman, and Julia L. Wilbarger 2006 “When the Social Mirror Breaks: Deficits in Automatic, but Not Voluntary, Mimicry of Emotional Facial Expressions in Autism.” Developmental Science 9 (3): 295–302. Google Scholar logo with link to Google Scholar). Research indicates that mimicry plays a crucial role in fostering empathy, understanding, and rapport between individuals (Kimbara 2006Kimbara, Irene 2006 “On Gestural Mimicry.” Gesture 6 (1): 39–61. Google Scholar logo with link to Google ScholarKimbara, Irene 2006 “On Gestural Mimicry.” Gesture 6 (1): 39–61. Google Scholar logo with link to Google Scholar; Van Swol and Drury‐Grogan 2017Van Swol, Lyn M., and Meghann L. Drury-Grogan 2017 “The Effects of Shared Opinions on Nonverbal Mimicry.” SAGE Open 7 (2): 215824401770724. Google Scholar logo with link to Google ScholarVan Swol, Lyn M., and Meghann L. Drury-Grogan 2017 “The Effects of Shared Opinions on Nonverbal Mimicry.” SAGE Open 7 (2): 215824401770724. Google Scholar logo with link to Google Scholar). By mimicking others, individuals can enhance their social bonds, increase liking, and promote prosocial behavior (Van Swol and Drury‐Grogan 2017Van Swol, Lyn M., and Meghann L. Drury-Grogan 2017 “The Effects of Shared Opinions on Nonverbal Mimicry.” SAGE Open 7 (2): 215824401770724. Google Scholar logo with link to Google ScholarVan Swol, Lyn M., and Meghann L. Drury-Grogan 2017 “The Effects of Shared Opinions on Nonverbal Mimicry.” SAGE Open 7 (2): 215824401770724. Google Scholar logo with link to Google Scholar). Mimicry is not only about imitation but also about creating a sense of togetherness and shared understanding, leading to positive social outcomes (Chartrand and Baaren 2009Chartrand, Tanya L., and Rick van Baaren 2009 “Chapter 5. Human Mimicry.” In Advances in Experimental Social Psychology 41: 219–274. Google Scholar logo with link to Google ScholarChartrand, Tanya L., and Rick van Baaren 2009 “Chapter 5. Human Mimicry.” In Advances in Experimental Social Psychology 41: 219–274. Google Scholar logo with link to Google Scholar).

Psychological research has focused mainly on facial mimicry, which plays a crucial role in emotion recognition and social bonding (De Stefani et al. 2019De Stefani, Elisa, Ylenia Nicolini, Mauro Belluardo, and Pier Francesco Ferrari 2019 “Congenital Facial Palsy and Emotion Processing: The Case of Moebius Syndrome.” Genes, Brain and Behavior 18 (1): e12548. Google Scholar logo with link to Google ScholarDe Stefani, Elisa, Ylenia Nicolini, Mauro Belluardo, and Pier Francesco Ferrari 2019 “Congenital Facial Palsy and Emotion Processing: The Case of Moebius Syndrome.” Genes, Brain and Behavior 18 (1): e12548. Google Scholar logo with link to Google Scholar). It enables individuals to convey and interpret emotions effectively, even in the absence of verbal communication (ibid.). By mimicking facial expressions, individuals can enhance emotional reciprocity, empathic understanding, and social bonding (Ardizzi et al. 2014Ardizzi, Martina, Mariateresa Sestito, Francesca Martini, Maria Alessandra Umiltà, Roberto Ravera, and Vittorio Gallese 2014 “When Age Matters: Differences in Facial Mimicry and Autonomic Responses to Peers’ Emotions in Teenagers and Adults.” PLoS ONE 9 (10): e110763. Google Scholar logo with link to Google ScholarArdizzi, Martina, Mariateresa Sestito, Francesca Martini, Maria Alessandra Umiltà, Roberto Ravera, and Vittorio Gallese 2014 “When Age Matters: Differences in Facial Mimicry and Autonomic Responses to Peers’ Emotions in Teenagers and Adults.” PLoS ONE 9 (10): e110763. Google Scholar logo with link to Google Scholar). Mimicry is deeply intertwined with processes such as joint attention and spontaneous facial mimicry, which are essential for empathic abilities and social interactions (Neufeld et al., 2016Neufeld, Janina, Christina Ioannou, Sebastian Korb, Leonhard Schilbach, and Bhismadev Chakrabarti 2016 “Spontaneous Facial Mimicry Is Modulated by Joint Attention and Autistic Traits.” Autism Research 9 (7): 781–789. Google Scholar logo with link to Google ScholarNeufeld, Janina, Christina Ioannou, Sebastian Korb, Leonhard Schilbach, and Bhismadev Chakrabarti 2016 “Spontaneous Facial Mimicry Is Modulated by Joint Attention and Autistic Traits.” Autism Research 9 (7): 781–789. Google Scholar logo with link to Google Scholar). Behavioral mimicry, such as copying postures and mannerisms, communicates liking and affiliation during adult interactions (Van Schaik and Hunnius 2018Van Schaik, Johanna E., and Sabine Hunnius 2018 “Modulating Mimicry: Exploring the Roles of Inhibitory Control and Social Understanding in 5-Year-Olds’ Behavioral Mimicry.” PLOS ONE 13 (3): e0194102. Google Scholar logo with link to Google ScholarVan Schaik, Johanna E., and Sabine Hunnius 2018 “Modulating Mimicry: Exploring the Roles of Inhibitory Control and Social Understanding in 5-Year-Olds’ Behavioral Mimicry.” PLOS ONE 13 (3): e0194102. Google Scholar logo with link to Google Scholar).

Speech delivered with gesture offers the advantage of dual coding (Paivio 2013Paivio, Allan 2013 Imagery and Verbal Processes. New York: Psychology Press. Google Scholar logo with link to Google ScholarPaivio, Allan 2013 Imagery and Verbal Processes. New York: Psychology Press. Google Scholar logo with link to Google Scholar); in other words, representing the same semantic elements in visual and vocal modalities. This feature of multimodal utterances is linked to an increased processing fluency (Alter and Oppenheimer 2009Alter, Adam L., and Daniel M. Oppenheimer 2009 “Uniting the Tribes of Fluency to Form a Metacognitive Nation.” Personality and Social Psychology Review 13 (3): 219–235. Google Scholar logo with link to Google ScholarAlter, Adam L., and Daniel M. Oppenheimer 2009 “Uniting the Tribes of Fluency to Form a Metacognitive Nation.” Personality and Social Psychology Review 13 (3): 219–235. Google Scholar logo with link to Google Scholar). This, in turn, is linked to a cognitive bias in which our opinions are influenced by how easily we process a certain piece of information. The human brain favors simplicity, and hence it generates more positive emotions and liking towards stimuli that are easy to understand and manipulate mentally (Forster, Leder, and Ansorge 2013Forster, Michael, Helmut Leder, and Ulrich Ansorge 2013 “It Felt Fluent, and I Liked It: Subjective Feeling of Fluency Rather than Objective Fluency Determines Liking.” Emotion 13 (2): 280–289. Google Scholar logo with link to Google ScholarForster, Michael, Helmut Leder, and Ulrich Ansorge 2013 “It Felt Fluent, and I Liked It: Subjective Feeling of Fluency Rather than Objective Fluency Determines Liking.” Emotion 13 (2): 280–289. Google Scholar logo with link to Google Scholar). Easy-to-process information is also perceived as more believable, which could explain why the vividly gesturing interpreter in our stimuli set received higher scores for trustworthiness and reliability.

Zooming in on particular gestural types, iconic gestures, reflecting formal features of the referents, are also reported to influence impression formation in the eyes of the audience. An experimental study on gestures in advertising showed that the speaker accompanying product presentation with iconic gestures was evaluated as more competent and convincing than the one who did not move their hands (Kita et al. forthcomingKita, Sotaro, Jacob Barker, and Jiahao Yang Forthcoming. “Gestures in Advertisement: Self-Oriented Study.”Kita, Sotaro, Jacob Barker, and Jiahao Yang Forthcoming. “Gestures in Advertisement: Self-Oriented Study.”). As scripted iconic gestures were part of the role-play scenario in our study, their presence could affect the raters in a similar way, prompting them to evaluate the gesturing interpreter as more confident and professional.

6.3Limitations and future directions

By design, the appraisers in this study had no access to the full message of the original Turkish utterances. For that reason, the appraisal of the interpreter’s performance is blind to the central aspect of accuracy, as well as to other aspects of the interpreter role such as the variety of protocols that are designed to support the communicative autonomy of the parties (García-Beyaert 2021García-Beyaert, Sofia 2021 “Framing the Societal Value of Community Interpreting.” QScience Connect 3: art. 6. Google Scholar logo with link to Google ScholarGarcía-Beyaert, Sofia 2021 “Framing the Societal Value of Community Interpreting.” QScience Connect 3: art. 6. Google Scholar logo with link to Google Scholar). If, in the presence of gestures that may (or may not) depart completely from accurate renditions, the positive appraisal can potentially be attributed to aspects such as trust, simplicity, and processing fluency, as discussed in Section 6.2, then the question that begs asking is how all these aspects interrelate with the mandate of the interpreter. Having established that gestures have a positive impact on appraisal for the samples studied, an important next step is to granularly examine what impact interpreter gestures have on the actual communicative autonomy of the parties, if the goal is to be true to the unique societal contribution of interpreters (see García-Beyaert 2021García-Beyaert, Sofia 2021 “Framing the Societal Value of Community Interpreting.” QScience Connect 3: art. 6. Google Scholar logo with link to Google ScholarGarcía-Beyaert, Sofia 2021 “Framing the Societal Value of Community Interpreting.” QScience Connect 3: art. 6. Google Scholar logo with link to Google Scholar) in public service and community settings.

Relatedly, the findings of this study are based on the perspective of a third-party observer of the interpreted interaction. Even though the participants presented the same lack of language proficiency as an end user presumably would, the fact that they were not the actual addressees of the interpreted speech is a limitation. Their ratings do not necessarily reflect the perspective of a real user who would be in fact engaged in the mediated interaction.

Additionally, the study was conducted on a sample of interpreting trainees, with a specific set of language pairs, and a given degree of interpreting training. The specific profile of the raters usually has a significant impact on the outcome of the evaluation (e.g., clients vs fellow interpreters vs researchers) (Pöchhacker 2001Pöchhacker, Franz 2001 “Quality Assessment in Conference and Community Interpreting.” Meta 46 (2): 410–425. Google Scholar logo with link to Google ScholarPöchhacker, Franz 2001 “Quality Assessment in Conference and Community Interpreting.” Meta 46 (2): 410–425. Google Scholar logo with link to Google Scholar), and thus future studies should be conducted to confirm that other populations perceive the interpreter’s vivid gesticulation in the same way. Such explorations could also focus on disentangling the potential effects of different gestural styles on ratings of specific dimensions of interpreter appraisal, such as professionalism, completeness, language quality, likability, endorsement, and delivery, using larger datasets.

7.Conclusions

This article presented the first experimental study investigating how third-party observers evaluate interpreting performance based on gestural style variation by the interpreter. The results demonstrate more positive scores for the interpreter who used vivid gesticulation and who aligned gesturally with the speakers, as compared to a non-expressive interpreter who limited her gesture production by keeping her hands on the table. One interpretation of these findings is that gestural production and mimicry make the interpreter’s renditions easier to follow by granting visual points of reference which help to bridge source and target language utterances. Additionally, greater ease in monitoring the interpreter’s performance by overseeing spatio-visual cues fosters trust-building and might explain the higher scores for reliability and liking.

Supported by earlier studies that showcase multiple functions of visual semantic resources in interpreter-mediated interactions, our account suggests not only that gestures are essential to communication and should not be relegated or avoided in interpreted speech, but also that their presence leads to increased user satisfaction. These findings, however, need to be approached with caution. Gestures perform a range of functions, from supporting the spoken message (co-speech gestures) to self-regulating bodily tension in stressful situations (adapters). Hence, it is crucial to differentiate between these gesture categories while addressing the use of visual semiotic resources in interpreting pedagogy.

For now, and as a result of the research presented here, we suggest the following approaches to gestures in interpreting. First, given the unconscious and supporting nature co-speech gesture production and gestural mimicry exhibit in dialogue interpreting, allowing them to run their natural course in interpreting, as opposed to artificially trying to prevent them from occurring seems advisable. Second, bearing in mind the impact of gestures on the way messages are received, a conscious and reflexive approach to gestural production by the interpreter is in order, encompassed within all other dimensions of speech production and situational management.

Further research is needed to be able to optimize these findings for the specific purpose of interpreter training, for instance. Future studies might aim at proposing nuanced yet easily applicable guidelines on how to build awareness of the multiple layers of gestural production and their impact on self and others during dialogue interpreting assignments in public service settings.

Funding

This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie Grant Agreement no. 847639. The CoGCIn Project (Cognitive Processes behind the Use of Gestures in Consecutive Dialogue Interpreting) was conducted by Dr. Monika Chwalczuk as the Principal Investigator and carried out at the Institute of Psychology, Polish Academy of Sciences.

This article was made Open Access under a CC BY 4.0 license through payment of an APC by or on behalf of the authors.

Acknowledgements

We would like to thank the international collaborators who facilitated the recruitment of study participants at their respective institutions: Prof. Małgorzata Tryuk from the Institute of Applied Linguistics, University of Warsaw, Poland; Prof. Jean Michel Benayoun from the Department of Intercultural Studies and Applied Languages, Université Paris Cité, France; and Prof. Marta Arumí Ribas from the Department of Translation and Interpreting, Universitat Autònoma de Barcelona, Spain, who enabled academic cooperation with the MIRAS research group, leading to the joint inter-institutional authorship of this article. Warm thanks are also extended to all the students who dedicated their time to participate in the study. We also express our gratitude to the anonymous reviewers and the editorial team, whose comments contributed to the improvement of the manuscript.

Notes

1.Students were chosen as target group since they combine basic knowledge of the profession with an understanding of the challenges of the interpreting task, while at the same time being forced to observe and rate interactions from the point of view of a user proficient in only one of the working languages.
2.ImPLI (Improving Police and Legal Interpreting) was a research project funded by the Directorate-General for Justice of the European Commission and conducted in 2011–2012 by a consortium of European universities, namely the University of Bologna (Italy), Charles University (Czech Republic), Fachhochschule Köln (Gemany), Heriot-Watt University (Scotland), KU Leuven (Belgium), and ISIT Paris (France). See https://​site​.unibo​.it​/interpretazione​-giuridica​-impli​/en.
3.Situated Dialogues is a collection of forty-three audio-recorded bilingual dialogues developed by Grupo Miras from Universitat Autònoma de Barcelona recreating real-life interactions in various public service settings. The materials stemming from the project are used for classroom practice of dialogue interpreting. See https://​webs​.uab​.cat​/sd/.
4.Gaze shifts and head movements are the embodied resources most frequently used by interpreters to regulate turn taking (Davitti 2018Davitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google ScholarDavitti, Elena 2018 “Methodological Explorations of Interpreter-Mediated Interaction: Novel Insights from Multimodal Analysis.” Qualitative Research 19 (1): 7–29. Google Scholar logo with link to Google Scholar, 23). Thus, we ensured that they were unrestricted in the interpreter’s renditions in both videos.
5.The CoGCIn Project (Cognitive Processes behind the Use of Gestures in Consecutive Dialogue Interpreting) was implemented at the Institute of Psychology, Polish Academy of Sciences, thanks to a Marie-Curie Fellowship for Research and Innovation awarded to the first author. See https://​gestureinterpreting​.com/.

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Appendix.Dialogue design and script

Theme: Parent-teacher conference, school

Language pair: English–Turkish

Interpreter present in the videos

Roles

  • Turkish speaker: Mr. Öztürk

  • English speaker: Mrs. Brown

  • Turkish–English interpreter (female)

Context

Mr. Öztürk attends a parent–teacher conference at his son Kerem’s primary school in the UK.

Dialogue script design
Part 1 Part 2
Communicative objectives Talking about the child’s school performance and wellbeing Discussing marks and how homework is approached Discussing class participation mark and interaction with the social environment
Exchanging numerical information Description of the Math Kangaroo Competition (number of questions, age of participants) Dates, time and price of the football club practice
Description of visual content (space, object)

The book cover

The location of the library

The interface of the website

The fancy-dress party outfit

Elements that increase the difficulty of the interpreting task (number per part; only new occurrences of information units counted Proper nouns and names (PPN) 5  5
Numbers (prices, dates, times) (NB) 9 10
Enumeration (ENU) 1  1
Baseline gesture production in speakers (number of gestures of a specific type / category) Pragmatic 5  5
Deictic 4  4
Iconic 9 10
Finger count 1  1
Nodding 3  3

The following script served as the basis for the video stimuli used in the study. The two parts are of nearly identical length and can be presented in either order (Part 1 followed by Part 2, or vice versa). In the experiment, Part 1 was recorded under the Gesture condition and Part 2 under the No-gesture condition; however, the order in which the videos were presented to participants was counterbalanced. Each part contains alternating speech turns in English and Turkish. The Turkish speech turns were created on the basis of the English draft text; therefore, for greater transparency, both language versions are provided. Scripted elements designed to increase the difficulty of the interpreting task, such as proper nouns, numbers, and enumerations, are included in the text and highlighted using the abbreviations provided in the table above. The hand gestures that the actors were instructed to incorporate into their performance are also marked in the script and listed in the same table.

Part 1: Parent-teacher conference

Turn Language Script
1 ENG Good afternoon, sir. You must be Mr. Öztürk [PPN1], Kerem’s [PPN2] dad, right?
2 TURK

Yes, that’s right. Good afternoon Mrs. Brown [PPN3] , nice to meet you.

Evet, doğrudur. İyi günler Brown Hanım, tanıştığımıza memnun oldum .

3 ENG

Thank you for coming in today.

This meeting will give us a chance to discuss Kerem’s performance at school since the beginning of the year.

4 TURK

OK. I hope he has been doing well?

Elbette. Umarım her şey yolundadır?

5 ENG The overall observation of the teachers is that his marks have been improving throughout the term. I believe Kerem was struggling a bit to settle down at the beginning. I understand [PRAGMATIC, OPEN PALM DOWN] it must have been hard to find himself in a new country, new environment, among new people…. [ENU1] [FINGER COUNT]
6 TURK

Yes. There has been a lot of changes in our life lately. But Kerem is a brave kid.

Evet. Son zamanlarda hayatımızda çok fazla değişiklik oldu. Ama Kerem cesur bir çocuk .

7 ENG

He most certainly is.

Alright, let’s start with his marks in maths and science. I’d say Kerem is particularly good at maths. He’s actually top of his class. I’m sure you know he scored an A on the last test.

8 TURK

That’s great news! Yes, he told me had got an A last week. He was very proud of himself. He has always had a knack for numbers. He usually deals with his maths homework very fast and he doesn’t require my help at all.

Bu harika bir haber! Evet, geçen hafta A aldığını söyledi. Kendisiyle çok gurur duyuyordu. Sayılar konusunda her zaman yetenekli olmuştur. Matematik ödevlerini genellikle çok hızlı hallediyor ve benim yardımıma hiç ihtiyaç duymuyor .

9 ENG

Yes, he also solves maths problems in class very quickly and usually gets all the right answers too.

Actually, there’s a maths competition that will be organised at school in January. 15th of January [NB1] I think. It’s called Maths Kangaroo [PPN4]. I was thinking that maybe Kerem would like to take part in it? [PRAGMATIC, OPEN PALM UP, ONE HAND]

10 TURK

A maths competition? [HEAD SHAKE] Isn’t it a bit early for this? He’s only 7 [NB2].

Matematik yarışması mı? [HEAD SHAKE] Bunun için biraz erken değil mi? Sadece 7 yaşında .

11 ENG

Oh don’t worry, [PRAGMATIC, DISMISSAL] there are different sets of questions depending on the child’s level.

There’s a shorter test, 24 [NB3] questions, for children in grades 1–4 [NB4] , and a longer one, 30 [NB5] questions for children in grades 5 [NB6] and up. [ICONIC, ICONIC, ICONIC]

I believe it could be fun for him. The enrolment is free. You would just have to fill in a form that we will send by email at the beginning of December [NB7].

12 TURK

Alright I’ll talk to my wife and we’ll think about it. We’ll see if Kerem is up to it.

Tamam, eşimle konuşup bunu düşüneceğiz. Kerem’in buna hazır olup olmadığını göreceğiz .

13 ENG Of course. I just thought it would be empowering for him to see how well he is doing in some subjects.
14 TURK

In some subjects? So, it is not the case in others?

Bazı derslerde mi? Peki, diğerlerinde durum böyle değil mi?

15 ENG Well, here’s the thing. Even though Kerem’s results in scientific subjects are more than satisfying, I am a bit concerned about his reading. I believe he might need some extra practice. [NODDING]
16 TURK

I see. [NODDING] But aren’t children supposed to practise reading in class though? My wife and I aren’t English native speakers, you know. We’re afraid that if we practice reading in English with him, it will do more harm than good. Besides, he never has any reading homework. So how is he supposed to know what to practice?

Anlıyorum. [NODDING] Ama çocukların okuma alıştırmasını sınıfta yapmaları gerekmiyor mu? Eşim ve benim ana dilimiz İngilizce değil, biliyorsunuz. Eğer beraber İngilizce okuma pratiği yaparsak, bunun yarardan çok zarar getireceğinden korkuyoruz. Ayrıca, hiç okuma ödevi almıyor. O zaman ne çalışacağını nasıl bilecek?

17 ENG Oh but children do have reading assignments. There’s a new story every week. I believe Kerem might have been skipping these on purpose [PRAGMATIC, DISMISAL], since it’s not his strong suit and he doesn’t find it enjoyable. I’d recommend that you try to read with him every evening, even if it’s only for 10–15 [NB8] minutes.
18 TURK

Can’t he just watch a cartoon in English instead? That way he hears the native pronunciation. [ICONIC]

Onun yerine İngilizce bir çizgi film izleyemez mi? Böylece yerel ? telaffuzu duymuş olur. [ICONIC]

19 ENG Watching cartoons in English is good practice too, but it won’t replace reading. It’s important that he reads aloud as often as possible. Besides, that will help to improve his spelling too. Yes, spelling has definitely been a struggle so far.
20 ENG You see, in a couple of weeks we will begin weekly spellings [ICONIC] and I’m afraid Kerem will find that very difficult if he doesn’t start to put in some extra work at home. [DEICTIC]
21 TURK

Alright, but how exactly can I help with this at home? Should I ask him to write down some words or … ? [PRAGMATIC, OPEN PALM UP, BOTH HANDS]

Peki, fakat evde bu konuda tam olarak nasıl yardımcı olabilirim? Ondan bazı kelimeleri yazmasını mı istemeliyim yoksa ... ? [PRAGMATIC, OPEN PALM UP, BOTH HANDS]

22 ENG Actually, I wanted to suggest some resources you could use at home. There’s a book from the Oxford [PPN5] series that could help both with reading and spelling practice. It’s called “the Lifeguard Dog”. There are very short chapters, your son could read aloud in front of you and at the end of every chapter there are spelling exercises that parents can do at home with their kids.
23 TURK

“The Lifeguard Dog,” ok if you say this can help. What does the cover look like?

“Lifeguard Dog,” tamam siz yardımcı olur diyorsanız... Kapağı nasıl?

24 ENG The title is written in green on the top [ICONIC] and below it there’s an illustration of a dog in a lifejacket [ICONIC], running through some waves [ICONIC].
25 TURK

Ok, a dog in a… in a lifejacket. [ICONIC] I’ll try to remember. Do you think I will find it in the library next to the school? There’s one on the right, next to the bus stop? [DEICTIC, DEICIC]

Tamam, can yeleği giymiş bir köpek. [ICONIC] Hatırlamaya çalışacağım. Sizce okulun yanındaki kütüphanede bulabilir miyim? Sağda bir tane var, otobüs durağının yanında? [DEICTIC, DEICIC]

26 ENG On the right, next to… [DEICTIC] oh yes, yes. I think they’ll have it. It shouldn’t be more than 5 [NB9] pounds.
27 TURK

Oh, alright then. [NODDING] I’ll go and check if they have it right after the meeting.

Tamam o zaman. [NODDING] Toplantıdan hemen sonra gidip bakacağım ellerinde var mı .

28 ENG Perfect. I’m sure this will help. Well, our time is coming to an end. Do you have any other questions at this point?
29 TURK

No, no, thank you Mrs. Brown.

Hayır, hayır, ben teşekkür ederim Brown Hanım .

30 ENG Well, in that case that will be it for today. Thank you and have a nice evening.

Part 2: Parent–teacher conference

Turn Language Script
30 ENG Hello Mr. Öztürk [PPN1]. I’m glad you made it today.
31 TURK

Of course. Good afternoon, ma’am.

Tabii ki. İyi günler hanımefendi .

32 ENG We’re here to talk about Kerem [PPN2] and how he’s doing at school. First of all, did you receive the report card with his marks and the teacher’s comments? [DEICTIC, ICONIC] Is there anything you would like to ask about?
33 TURK

Yes, I got the report. And actually, there is one thing I would like to ask about. Why is his mark for class participation so low? [PRAGMATIC, OPEN PAL UP, ONE HAND]

Evet, raporu aldım. Ve aslında sormak istediğim bir şey var. Derse katılım notu neden bu kadar düşük? [PRAGMATIC, OPEN PAL UP, ONE HAND]

34 ENG Oh, I’m glad you’re asking. I wanted to bring it up with you. Kerem is very shy in class. He listens well but he never takes any initiative to answer the questions or participate in the debates, he never asks about anything… [ENU1] [FINGER COUNT] We barely notice he’s there.
35 TURK

He doesn’t ask any questions? [HEAD SHAKE] But that’s good, isn’t it? Maybe he just understands everything and he doesn’t want to bother the teacher.

Hiç soru sormuyor mu? [HEAD SHAKE] Ama bu iyi bir şey, değil mi? Belki de her şeyi anlıyor ve öğretmeni rahatsız etmek istemiyor .

36 ENG That’s not really how it works. Nowadays, we reward students who are active in class. Who show that they follow what the teacher’s saying. Doing one’s homework is not enough. Children are expected to participate [ICONIC, BOTH HANDS] in discussions as well. To share their ideas, you know?
37 TURK

I don’t get it. Maybe he’s shy. But he always works at his homework very hard. Sometimes it takes several hours to deal with all of it. All the texts in English, so many new things… [PRAGMATIC, OPEN PALM UP, CIRCULAR]

Anlamıyorum. Belki utangaçtır. Ama ödevlerine her zaman çok sıkı çalışır. Bazen hepsiyle uğraşmak birkaç saatini alıyor. Bütün metinler İngilizce, bir sürü yeni şey... [PRAGMATIC, OPEN PALM UP, CIRCULAR]

38 ENG I understand. [PRAGMATIC, OPEN PALM DOWN] Indeed, we have noticed that Kerem takes his homework very seriously. He always hands in his assignments on time. That’s great. But school is not only about homework. It’s also a social environment where kids are supposed to interact with one another, to learn to work together.
39 ENG You see, I am a bit concerned about the social aspect of Kerem’s school experience. He doesn’t talk much to other kids. He doesn’t seem to have made any friends so far. Does he play with other children his age outside the school?
40 TURK

Well, in September [NB1] when we moved in, we would take him to the park and the local playground every weekend. He played with other kids there. He seemed to be doing just fine. But now my wife… [ICONIC, ROUND BELLY] We’re having another baby and she hasn’t been feeling well so we couldn’t go out as much as before.

Eylül ayında taşındığımızda, her hafta sonu onu parka ve yakınımızdaki oyun parkına götürüyorduk. Orada diğer çocuklarla oynardı. Gayet iyi görünüyordu. Ama şimdi eşim... [ICONIC] Bir bebeğimiz daha olacak ve eşim kendisini iyi hissetmiyor, bu yüzden eskisi kadar dışarı çıkamıyoruz .

41 ENG I see. That’s totally understandable. But it’s also very important that Kerem interacts more with other children. Otherwise, it will only get harder at school. For now, he usually sits at the back of the class, by the window, all by himself. [DEICTIC, DEICTIC, ICONIC] It’s not encouraging for a boy his age to go to school when there are no friends he’s eager to meet every day.
42 TURK

OK. I’ll talk to him.

TAMAM. Ben onunla konuşurum .

43 ENG Right. I think there is something that could help though. [PRAGMATIC, OPEN PALM DOWN, ONE HAND] I have spoken to Kerem’s PE teacher. Mr Mitchell [PPN3] tells me your son is very good at football. He seems to be a completely different kid in PE classes. Outgoing, energetic, confident. [ICONIC, ICONIC]
44 ENG That’s why I was thinking… There is a football club at school, they meet every Thursday [NB2] afternoon, from 3:00–5:00 pm [NB3]. It’s only 20 [NB4] pounds a month. Mr Mitchell is the coach there and apparently kids adore him. There are lots boys from Kerem’s class who come to practice.
45 TURK

A football club… [NODDING] Why not. [PRAGMATIC, OPEN PALM UP, BOTH HANDS] That sounds like a good idea. He could use some extra time with other boys his age. How can I enrol him?

Bir futbol kulübü... [NODDING] Neden olmasın. [PRAGMATIC, OPEN PALM UP, BOTH HANDS] İyi bir fikre benziyor. Kendi yaşındaki diğer çocuklarla biraz daha fazla zaman geçirebilir. Onu nasıl kaydettirebilirim?

46 ENG There’s a form to fill in on the school’s website. You open the menu on the left, you scroll down to the bottom of it and you click on the tab “extracurricular activities”. [DEICTIC, ICONIC, ICONIC] There you’ll see “Stratford Football Club” [PPN4].
47 TURK

On the bottom of the menu. Alright, I’ll check it at home. How much was it? Can you please remind me?

Menünün en altında. Tamam, evde kontrol ederim. Ne kadardı? Lütfen bana hatırlatır mısın?

48 ENG Yes. It used to be 20 [NB5] pounds per month. Perhaps the prices have gone up a bit. You’d have to check. But it shouldn’t be more than 20–25 [NB6] pounds.
49 TURK

[NODDING] And the time...?

[NODDING] Peki ya zamanlaması...?

50 ENG Thursdays, from 3:00 to 5:00 [NB7] pm. Does it work for you?
51 TURK

OK. That seems to be just fine. I could pick him up on my way from the office.

TAMAM. Oldukça iyi görünüyor. Ofisten gelirken onu alabilirim.

52 ENG Great. Then it’s all set. Now, do you have any other questions?
53 TURK

Yes. Kerem said something about a Halloween party at school next Friday [NB8]. Apparently, they are supposed to be dressed up [ICONIC]? Is that right?

Evet. Kerem önümüzdeki Cuma günü okulda bir Cadılar Bayramı partisinden bahsetti. Görünüşe göre, giyinip kuşanmaları gerekiyormuş? [ICONIC] Bu doğru mu?

54 ENG Yes. We organise such a party every year. Kids have regular classes until 12:00 [NB9] and then they have some fun activities, games… It goes on until 2:00 pm [NB10].
55 TURK

2:00 p.m., OK. But they do have normal lessons until noon. Should he wear his uniform in the morning? And then change at school… or wear his costume all day long?

14:00, tamam. Ama öğlene kadar normal dersleri var. Sabah üniformasını giymeli mi? Sonra okulda mı değiştirmeli... yoksa bütün gün kostümünü mü giymeli?

56 ENG Oh, normally kids already come dressed up in the morning. [ICONIC, NODDING]
57 TURK

Ok then. I guess I will have to go and get him this Spiderman [PPN5] costume after all.

Thank you for the talk.

Tamam o zaman. Sanırım gidip ona bu Örümcek Adam kostümünü almam gerekecek. Konuşma için teşekkürler .

58 ENG You’re welcome. Don’t hesitate to reach out to me if you have any questions or concerns. My email address is on the school’s website.
59 TURK

Perfect. Thank you.

Mükemmel. Teşekkür ederim .

Address for correspondence

Monika Chwalczuk

School of Media, Language and Communication Studies

University of East Anglia

Norwich Research Park

NR47TJ NORWICH

United Kingdom

[email protected]

Co-author information

Sofía García-Beyaert
Universitat Autònoma de Barcelona
[email protected]
Robert Balas
Institute of Psychology, Polish Academy of Sciences
[email protected]
 
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