Anxieties of influence: The voice of the first translator in retranslation

Kaisa Koskinen and Outi Paloposki

Abstract

A defining feature of retranslation is that a previous translation exists, and this earlier text has a first translator. In this article we argue that the figure of the first translator exerts an influence in the retranslation process, and all retranslators are forced to develop a stance towards the predecessor. Taking Harold Bloom’s notion of anxiety of influence in poetry as a starting point, we look at two cases of retranslation that share the same famous first translator, Pentti Saarikoski, analysing how and where the voice of this first translation can be heard in the retranslations. According to Bloom’s taxonomy, there are six modes available to poets. Applying the same taxonomy to our two retranslators, we find that they have resorted to different modes. What remains constant is that the figure of the first translator is an unavoidable function of the retranslation process and needs to be taken into account both by the retranslator and by researchers studying retranslations.

Keywords:
Table of contents

Definitions of retranslation are often based on the idea that we are talking about two (or more) independent texts, only related to each other via the source text. However, a close reading of individual examples of first and subsequent translations soon reveals that there are often subtle links between them. If one wants to use translations as windows to their particular time or context, or if one wants to study the individual styles of translators, other kinds of data may be more reliable. Some retranslations are indeed passive: they are produced without any direct [ p. 26 ]contact with or even knowledge of an existing earlier translation (Pym 1998, 82), but it is safer to assume that unless proven otherwise, retranslations are always in one way or another a response to an earlier one, that there is a dependency relation between them (Frank 1989, Paloposki and Koskinen 2010).

Full-text access is restricted to subscribers. Log in to obtain additional credentials. For subscription information see Subscription & Price. Direct PDF access to this article can be purchased through our e-platform.

References

Primary sources

Heikura, Pasi
ed. 2007 “Aristoteleen kantapää.” [Aristotle’s heel.] Radio interview with Leevi Lehto. Rebroadcast on YLE Radio 1 18 January 2012.Google Scholar
Joyce, James
1964Odysseus. Translated by Pentti Saarikoski. Helsinki: Tammi.Google Scholar
2012Ulysses. Translated by Leevi Lehto. Helsinki: Gaudeamus.Google Scholar
Kokko, Karri
2012 “Yhteisyritys. Ulysses on monen tajunnan summa ja luomus.” [Joint effort. Ulysses is the sum and creation of many minds.] Parnasso 3: 30–34.Google Scholar
Lehto, Leevi
2012 “Suomentajan sana.” [Translator’s word.]. In Joyce 2012, 1–12.
Petäjä, Jukka
2004 “Holden Caulfieldin toinen tuleminen.” [The second coming of Holden Caulfield.] Book review, Helsingin Sanomat 11 August 2004.
Puttonen, Seppo
2012 “Kirjakerho.” [Book club. Radio interview with Leevi Lehto and Hilkka Pekkanen, PhD.] YLE Radio 1 2 July 2012.Google Scholar
Saarikoski, Pentti
1960 “Suomen kieli ja kirjallisuus I.” [Finnish language and literature.] Parnasso 10 (5): 225–226.Google Scholar
Salinger, J.D
1961Sieppari ruispellossa. Orig. Catcher in the Rye. Translated by Pentti Saarikoski. Helsinki: Tammi.Google Scholar
2004Sieppari ruispellossa. Translated by Arto Schroderus. Helsinki: Tammi.Google Scholar
[ p. 38 ]
Schroderus, Arto
2005 “Toisen jäljessä – merkintöjä suomentamisesta.” [In another’s footsteps – notes on translating.] In Suom.huom. Kirjoituksia kääntämisestä [Translator’s note. Writings about translating], ed. by Kristiina Rikman, 83–96. Helsinki: WSOY.Google Scholar

Other references

Bloom, Harold
(1973) 1997The Anxiety of Influence. A Theory of Poetry. Oxford: Oxford University Press.Google Scholar
Costello, Donald P
(1959) 2000 “Language in Catcher in the Rye .” In J. D. Salinger’s The Catcher in the Rye. Modern Critical Interpretations, ed. by Harold Bloom, 11–20. New York: Chelsea House.Google Scholar
Frank, Armin Paul
1989 “Einleitung: Methodische Hinweise.” In Die literarische Übersetzung. Der lange Schatten kurzer Geschichten. Amerikanische Kurzprosa in deutschen Übersetzungen, ed. by Armin Paul Frank, 195–199. Berlin: Erich Schmidt Verlag.Google Scholar
Greimas, A.-J
1983Structural Semantics: An Attempt at a Method. Translated by Daniele McDowell. Lincoln: University of Nebraska Press.Google Scholar
Hermans, Theo
1996 “The Translator’s Voice in Translated Narrative.” Target 8 (1): 23–48. DOI logoGoogle Scholar
Koskinen, Kaisa
2007a “Pentti Saarikoski.” In Suomennoskirjallisuuden historia II [History of translation into Finnish II], ed. by H.K. Riikonen, Urpo Kovala, Pekka Kujamäki, and Outi Paloposki, 503–506. Helsinki: SKS.Google Scholar
2007b “James Joycen Odysseus suomeksi.” [James Joyce’s Ulysses in Finnish] In Suomennoskirjallisuuden historia I [History of translation into Finnish I], ed. by H.K. Riikonen, Urpo Kovala, Pekka Kujamäki, and Outi Paloposki, 461–463. Helsinki: SKS.Google Scholar
Koskinen, Kaisa, and Outi Paloposki
2003 “Retranslations in the Age of Digital Reproduction.” Cadernos 2003 (1): 19–38.Google Scholar
2010 “Retranslation.” In Handbook of Translation Studies, vol. 1., ed. by Yves Gambier, and Luc van Doorslaer, 294–298. Amsterdam: John Benjamins. DOI logoGoogle Scholar
Paloposki, Outi
2010 “The Translator’s Footprints.” In Translators’ Agency. Tampere Studies in Language, Translation and Culture. Series B4, ed. by Tuija Kinnunen, and Kaisa Koskinen, 86–107. Tampere: Tampere University Press.Google Scholar
Paloposki, Outi, and Kaisa Koskinen
2004 “Thousand and One Translations. Retranslation Revisited.” In Claims, Changes and Challenges, ed. by Gyde Hansen, Kirsten Malmkjaer, and Daniel Gile, 27–38. Amsterdam: John Benjamins. DOI logoGoogle Scholar
2010 “Reprocessing Texts. The Fine Line between Retranslating and Revising.” Across Languages and Cultures 11 (1): 29–49. DOI logoGoogle Scholar
Pokorn, Nike K
2012Post-Socialist Translation Practices: Ideological Struggle in Children’s Literature. Amsterdam: John Benjamins. DOI logoGoogle Scholar
Popovič, Anton
1976Dictionary for the Analysis of Literary Translation. Edmonton: University of Alberta.Google Scholar
Pulkkinen, J.P
2007 “Keltainen kirjasto.” [The Yellow Library.] In Suomennoskirjallisuuden historia I [History of translation into Finnish I], ed. by H.K. Riikonen, Urpo Kovala, Pekka Kujamäki, and Outi Paloposki, 314–317. Helsinki: SKS.Google Scholar
Pym, Anthony
1998Method in Translation History. Manchester: St. Jerome.Google Scholar
[ p. 39 ]
Robinson, Douglas
1987 “Koskenko yli saareen? Pentti Saarikoski käännösteoreetikkona.” [Over the rapids, to the island? Pentti Saarikoski as translator theoretician.] In Kääntäjät kulttuurivaikuttajina: kääntäjäseminaari Jyväskylässä 3.-5.7.1986 [Translators as cultural agents: seminar on translation in Jyväskylä], ed. by Arja Ollikainen, and Martti Pulakka, 143–165. Jyväskylä: Jyväskylän yliopiston kirjallisuuden laitos.Google Scholar
Simmons, John S
2010 “Holden Caulfield – Alive and Well.” The ALAN Review, Winter 2010: 25–30.Google Scholar
Tarkka, Pekka
1996Pentti Saarikoski. Vuodet [Years] 1937–1963. Helsinki: Otava.Google Scholar
2003Pentti Saarikoski. Vuodet 1964–1983. Helsinki: Otava.Google Scholar
Tiittula, Liisa, and Pirkko Nuolijärvi
2007 “Puhuttu kieli kaunokirjallisuuden suomennoksissa.” [Spoken language in Finnish literary translations.] In Suomennoskirjallisuuden historia II [History of translation into Finnish I], ed. by H.K. Riikonen, Urpo Kovala, Pekka Kujamäki, and Outi Paloposki, 387–400. Helsinki: SKS.Google Scholar
Yardley, Jonathan
2004 “J. D. Salinger’s Holden Caulfield, Aging Gracelessly.” Washington Post 19.102004, C01.Google Scholar