Names and Their Substitutes: Onomastic Observations on Astérix and Its Translations

Sheila Embleton
Abstract

The Astérix comic-book series, originally in French, is well-known and widely translated. Each book relates an adventurous episode in which the principal character is Astérix, a small, witty warrior from a fictional Gaulish village, the only village to have successfully resisted the Roman occupation. The series relies on many humorous techniques, but word-play and puns form an integral part. Much humour derives from the names used, combining various comic effects, particularly puns and double entendres. Thus the translator faces not only the usual problems in translating literary names, but also the problem of retaining these comic effects. This paper examines these problems and their solutions, based on a complete collection of name data from all 30 books in 4 languages (French original; English, German, Finnish translations), with numerous references to translations into other languages.

Table of contents

The Astérix comic-book series, originally with text by René Goscinny and drawings by Albert Uderzo, but continuing after Goscinny's death in November 1977 with both text and drawings by Uderzo, is well-known and widely translated. Astérix began in strip form in the weekly Pilote in 1959. In its success internationally, it is roughly parallel to another series originally in French, the Tintin series drawn and written by Belgian artist Georges Rémi (†1983), better known by his pseudonym Hergé (« his initials G. R., in reverse order). The Tintin series first began appearing in 1929; its 23 books have been translated into 34 languages. The Astérix books are originally in French, but translations of some or all of the roughly 30 volumes in the series exist in 31 languages, as of 1989: English, German, Dutch, Flemish, Frisian, Swedish, Norwegian, Danish, Icelandic, Luxemburg German, Spanish, Italian, Portuguese, Catalan, Galician, Modern Greek, Welsh, Breton, Serbo-Croatian, Hindi, Finnish, Hungarian, Basque, Hebrew, Arabic, Turkish, Indonesian, Japanese, Chinese, and even Latin and Esperanto. All books in the series relate, in exactly 44 pages, an adventurous episode, in which the principal character is Astérix, a small and witty Gaulish warrior, from a fictional Gaulish village on the north coast of Armorica (Modern Brittany), the only village to have successfully resisted the Roman occupation of Gaul.

Full-text access is restricted to subscribers. Log in to obtain additional credentials. For subscription information see Subscription & Price. Direct PDF access to this article can be purchased through our e-platform.

[ p. 206 ]References

Anttila, Raimo
1975 “Finnish Affective Vocabulary: An(other) Invitation”. Ural-Altaische Jahrbücher 47. 10–19.Google Scholar
1989 “Sananmuunnoksista ja spoonerismeista: ’Pietari Suuri hattunsa polki’”. Virittäjä 1989/3 370–379.Google Scholar
Gläser, Rosemarie
1976 “Zur Übersetzbarkeit von Eigennamen”. Linguistische Arbeitsberichte (Leipzig) 13. 12–25.Google Scholar
Grassegger, Hans
1985Sprachspiel und Übersetzung: Eine Studie anhand der Comic-Serie Asterix. Tübingen: Stauffenburg.Google Scholar
Hartmann, Regina
1982 “Betrachtungen zur arabischen Version von Asterix. Ein Übersetzungsvergleich”. Linguistische Berichte 81. 1–31.Google Scholar
Hermans, Theo
1988 “On Translating Proper Names, with reference to De Witte and Max Havelaar ”. Michael Wintle and Paul Vincent, eds. Modern Dutch Studies: Essays in Honour of Peter King. London and Atlantic Highlands, NJ: Athlone 1988 11–24.Google Scholar
Jackson, Margret
1990 “When is a Text Comic? Astérix chez les Belges and its German Translation”. Information Communication 11. 55–70.Google Scholar
Keenan, Edward L.
1978 “Some Logical Problems in Translation”. Franz Guenthner and M. Guenthner-Reutter, eds. Meaning and Translation: Philosophical and Linguistic Approaches. London: Duckworth 1978 157–189.Google Scholar
Kiviniemi, Eero
1982Rakkaan lapsen monet nimet: suomalaisten etunimet ja nimenvalinta. Espoo: Weilin & Göös.Google Scholar
Nye, Russell B.
1982 “Asterix Revisited”. The Comics Journal 72. 59–65.Google Scholar
Rothe, Wolfgang
1974 “Astérix und das Spiel mit der Sprache”. Die Neueren Sprachen 73. 241–261.Google Scholar
Spillner, Bernd
1980 “Semiotische Aspekte der Übersetzung von Comics-Texten”. Wolfram Wilss, ed. Semiotik und Übersetzen. Tübingen: Gunter Narr 1980 73–85.Google Scholar
Stoll, A.
1977Asterix, das Trivialepos Frankreichs: Die Bild- und Sprachartistik eines Bestseller-Comics. Köln. [1978. Astérix: L’épopée burlesque de la France. Brussels: Éditions Complexe.]Google Scholar
Toury, Gideon
1985 “What is it that Renders a Spoonerism [Un]translatable?Anne-Marie Laurian, éd. Humeur et traduction / Humo(u)r and Translation. Contrastes. Actes du Colloque International 13–14 Déc 1985 Paris: Centre de Recherche en Linguistique Contrastive 1985 211–223.Google Scholar