Article published In: Heritage Language, Racialization, and (Post)colonialism, Part I
Edited by Jennifer B. Delfino, Sonia Das and Chantal Tetreault
[Language, Culture and Society 8:1] 2026
► pp. 108–135
Kichwa joke-telling in global tourism
Moral and neuro-cultural lessons on “heritage tongues”
Published online: 18 August 2026
https://doi.org/10.1075/lcs.25057.pat
https://doi.org/10.1075/lcs.25057.pat
Abstract
This study examines how Otavalan Kichwa vendors, cultural experts, and migrants deploy joking as a multisensory
form of intimacy that reshapes cross‑cultural learning of “heritage” within global tourism economies. Jokes, I argue, can be used
instructionally and tactically because of their sensory dimensions: in real time, they mobilize sound, motion, touch, color, and
emotion to produce moral‑economic (Antrosio, J., & Colloredo-Mansfeld, R. (2015). Fast,
easy, and in cash. University of Chicago Press. ),
“feelingful,” and “intimate” ( (2015). Intimate
grammars: An ethnography of Navajo poetry. University of Arizona Press.) labor. Drawing on seventeen months of cumulative fieldwork, I analyze three jokes performed across
everyday exchanges in Otavalo, semi‑private tourism encounters, and public enactments of Indigeneity abroad. Treating these jokes
as discourse (Sherzer, J. (1987). Discourse-centered
approach to language and culture. American
Anthropologist, 89(2), 295–309. ; Urban, G. (1991). A
discourse-centered approach to culture. University of Texas Press.; Hill, J. H. (2008). The
everyday language of white racism. Wiley-Blackwell. ) and as tactical speech play ( 2002. Speech
play and verbal art. University of Texas Press. ; Bauman, R. (1981). “‘Any
man who keeps more’n one hound’ ‘ll lie to you’: Dog trading and storytelling at Canton,
Texas.” In R. Bauman & R. D. Abrahams (Eds.), And
other neighborly
names (pp. 79–104). University of Texas Press. ; Bunten, A. C. (2010). Indigenous
tourism: The paradox of gaze and resistance. La ricerca
folklorica, 51–59., (2015). So,
how long have you been Native?: Life as an Alaska Native tour guide. University of Nebraska Press.), I integrate linguistic, cultural, auto‑ethnographic, and neuro‑somatic approaches — including
theories of synesthesia, phantom pain, and mirror‑box regeneration (Ramachandran, V. S. (1998). Phantoms
in the brain: Probing the mysteries of the human mind (S. Blakeslee, With). William Morrow.). Ultimately, Kichwa joking reveals “heritage” as socially embodied, perceptually illusive, and politically
generative.
Keywords: Otavalo, Kichwa, tourism, speech play, synesthesia
Article outline
- 1.1Introduction
- 1.2Theoretical framework and research methods
- 2.1Being “Comedido” in the heritage marketplace
- 3.1Anti-purist jokes and Runashimi heritage tourism
- 3.2Joke 2: Yachak or Brujo?
- 4.1Phantom limbs and the “Kinguy” heritage register
- 5.1Ethnic disguising and “American Indians in Moscow”
- 6.Conclusion: Laughter, heritage tongues, and tactical hemispheric indigeneity
- Contributor’s note and acknowledgments
- Note
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