Table of contents
1. Towards a neo-Aristotelian theory of continua: Elements of an empirical geometry
2. The edges of images: Considerations on continuity in representation
4. Visual forms in space–time
5. Tactile object perception and the perceptual stream
6. Continuum of haptic space
7. Touch and the observer’s vantage point
8. ‘Berkeley’s touch’: Is only one sensory modality the basis of the perception of reality?
9. Breaking of continuity in the auditory field
10. The limits of continuity: Discreteness in cognitive semantics
11. The iconic mapping of space and time in signed languages
Name index
Subject index
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