Table of contents
Moving imagination: Headlines and themes
The moving body: Gestural recreation of the world in drama
Movement, gesture, and meaning: A sensorimotor model for audience engagement with dance
Achieved spontaneity and spectator’s performative experience – The motor dimension of the actor-spectator relationship
The digital body in contemporary American cinema
Embodiment: Technologies and musics
Is gesture knowledge? A philosophical approach to the epistemology of musical gestures
Sound in film as an inner movement: Towards embodied listening strategies
Body English: Kinaesthetic empathy, dance and the art of Len Lye
The somatic in kinetic sculpture: From Len Lye to an introverted kinetic sculpture (via Donna Haraway’s cyborg)
Edgar Degas: Modelling movement. Being in the body
Time lines: The temporal dimension of marking
Styles of observation and embodiment: Using drawing to understand Robert Morris’ Untitled 3 L-Beams (1965)
Cy Twombly: Gesture, space, and writing
Pre-motor and motor activities in early medieval handwriting
The neurophenomenology of gesture in the art of Henri Michaux
Moving without moving: A first-person experiential phenomenological approach
The “I cannot, but it can” of aesthetic perception
Name index
Subject index
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