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Part of
Storytelling in the Digital World
Edited by Anna De Fina and Sabina M. Perrino
[Benjamins Current Topics 104] 2019
► pp. 129–131

Index

A

  • Affordance 2–6, 9–11, 29, 31, 50–51, 69, 105–110, 112–113, 115–118, 120–122, 125–126
  • Algorithms 105–106, 108–110, 112, 117
  • Amazon 3, 9–26
  • Animator 36, 43
  • Anonymity 2, 4, 6, 10, 21, 63
  • Audience 5–8, 12, 18, 27, 31–34, 36, 39–41, 43–45, 48–51, 53, 69, 75, 101, 105, 107, 112–113, 115, 119–121, 123–125
    • engagement 6, 112, 123–124
  • Author 2–6, 9, 11–13, 15–24, 28–32, 36–49, 101
  • Authorial roles 31, 43

B

  • Back-story 118–119
  • Blommaert, Jan 4–5, 7, 14–15, 25, 55–56, 71, 74
  • Break-up 48, 51
  • Breaking news 7, 107–108, 114–115, 126

C

  • Calibration 84, 102
  • Chronotope 76, 103
  • Circulation 28, 30, 55–56, 110, 120, 126
  • Co-narrators 5, 105, 107, 118
  • Co-presence 38, 79, 113
  • Co-teller 36–37, 44–45, 49
  • Collective experience 80, 91
  • Collective identities 8, 26, 87, 103
  • Comments 14, 20, 28, 32, 34, 41, 45–49, 53, 56–57, 60–65, 68, 71–72, 77, 88, 91, 94, 110–111, 113–116, 126–127
  • Conarrations79
  • Consumer 3, 14, 20, 22, 25–26
  • Context 1–2, 6–8, 10–12, 15, 24, 29–33, 36, 38, 44, 49, 51–52, 56–58, 66–67, 69, 74–76, 81–82, 84–85, 89, 99–103, 105–107, 109–110, 121–122, 124, 126–127
  • Contextualization38
  • Corpus 12–13, 25, 60, 88, 94, 115–116
  • Credibility 4, 12, 17, 24–25, 28, 41, 46–49, 56
  • Critique 11–12, 15
  • Culture of participation 27, 29
  • Customer 16, 19, 22, 25

D

  • Danet, Brenda 10–11
  • De Fina, Anna 1–5, 7–8, 11, 26–29, 46, 49, 56–57, 72, 75–76, 81–83, 88, 99, 102–103, 110
  • Deictic pronouns 5, 67
  • Deictically-based narrative strategies79
  • Deictics 4, 66, 68, 71, 79, 84, 103
  • Denotational text56
  • Diaspora 5, 79–81, 84, 86–87, 89, 98–100, 102
  • Diasporic nationalism 80–84
  • Digital 1–7, 9–10, 13, 20, 24–27, 29–33, 39, 49–50, 53–58, 60, 62–63, 65, 70–72, 75, 86–87, 101–102, 110, 125–126
    • narrative62
  • Discourse Features 12, 24
  • Discursive practices 3–5, 70

E

  • Entextualization 6, 8, 28, 31, 38, 51, 102
  • Environments 2–3, 6, 10, 29–30, 44, 57, 105, 109, 117, 123
  • Ethnonationalism 4, 71
  • Europe 4, 58–59, 66, 68, 70, 72, 74, 87, 98
  • Evaluation 17–18, 23–24, 38–39, 41, 74, 113, 115, 123
  • Exaggeration 3, 12, 18, 22–23
  • Exclusionary intimacies 4, 8, 54, 71

F

  • Facebook 2, 4–5, 8, 14, 20, 25, 29, 33–35, 42, 44–48, 52, 55, 75, 79–84, 86–89, 91, 94, 98–99, 105, 107–113, 115–117, 119–123, 125–127
    • diasporic group 80, 86
    • posts 29, 81, 84, 98, 117
    • statuses 5, 105, 107, 111–112, 120–121
  • Fictional 3, 9–11, 13, 16, 18, 20–21, 24
  • First-person plural 83–85, 89, 91, 96
  • Footing 4, 51, 55, 57, 71, 74, 76, 100–101, 103
  • Framework 28, 35, 54, 63–64, 91, 126

G

  • Gender 22–24, 26, 64
  • Georgakopoulou, Alexandra 1–3, 5–9, 22, 25–26, 28–29, 31, 38, 50–51, 56, 74–75, 105–112, 118–120, 126
  • Goffman, Irving 4, 29, 31–32, 36, 43–44, 55, 57, 71, 74, 83, 99, 101

H

  • Habitual present tense80
  • Hegemonic ideologies 4, 54, 71
  • Heritage tourism 79, 100
  • Historical present 83, 89, 103
  • Humor 3,7, 9, 10–14, 16–17, 19–20, 22–25, 55, 57, 73
  • Hutzler 13–14
  • Hymes, Dell30
  • Hyperbole 13, 16, 18, 22–23

I

  • Identity 1, 3–13, 15–22, 24–26, 31, 38, 50, 52, 54, 56, 59, 71, 73–74, 76–77, 81, 83–85, 87–88, 91, 100–103, 110, 119, 123, 125–127
  • Ideology of return82
  • Iedema, Rick 29, 31, 38
  • Imagined 8–10, 16, 23, 31–32, 44–45, 51, 69, 75, 79, 82, 85–86, 99–101
    • community 69, 79, 85
  • Indexicality83
  • Instagram Stories 112, 122
  • Interactional text56
  • Intertextuality 8, 26, 50
  • Italy 4, 8, 53–54, 58–62, 64–74, 76

J

  • Jaffe, Alexandra 55, 57–58, 112

K

  • Knowing participation 105, 119, 125
  • Kyenge, Cécile 53–54, 60–71

L

  • Labov, William 1, 11, 13, 18, 80, 82
  • Labovian model83
  • Language ideology 8, 99
  • Lega Nord 53, 58–60
  • Legitimate 11–12, 16–20, 23–24, 49
  • Bona Fide Reviews 14, 17, 19, 24
  • Location 107, 109, 116
  • Luso-descendants 79, 98

M

  • Media 2–10, 12, 17, 20, 25–36, 38–41, 43–46, 49–52, 54–55, 73–75, 83, 86–87, 100–103, 105–112, 117, 120–121, 123–127
  • Metanarrative 15–16
  • Migration 4, 7, 53, 55–56, 58, 63, 73–74, 77, 87, 100, 102–103, 111

N

  • Narrated event 84, 89
  • Narrative 1–2, 4–11, 13, 15–16, 18, 21, 23–31, 33–34, 38–40, 42–44, 48–53, 62, 72, 74–77, 79–87, 94, 98–103, 105, 107–108, 112–121, 124, 126–127
    • as-social-practices 79, 82–83
    • as texts28
    • practice(s) 2, 9, 79, 81, 84, 86, 99
    • stancetaking 105, 112, 115–118, 126
    • strategies 79, 81, 99
  • Nationalism 79–86, 99–100
  • Negative affective stance 114–115
  • Nesting 4, 28, 31, 38
  • Nomic present-tense89
  • Non-canonical narrative practices79
  • Northern Italy 8, 58–59, 61
  • Northern League 53, 58–61, 74

O

  • Offline narratives57
  • Online communicative practices 80, 86, 98
  • Online narrative(s) 29, 79
  • Online Reviews 12, 19
  • Reviewers 11, 20, 72, 99

P

  • Page, Ruth 2, 8–9, 20, 23, 28–29, 33–34, 40, 42, 44, 46, 48, 55, 82–83, 85–86, 88, 106, 108, 116, 118
  • Parallelism 4, 69
  • Parody 3, 9–26, 55
  • Participant framework91
  • Participant roles 31–32
  • Participation 1–2, 4, 6, 27–29, 31–32, 35, 43–46, 49, 51, 54, 63–64, 71–72, 105–107, 119, 123, 125
    • framework 28, 35, 63–64
  • Perform 9, 13, 38, 52, 62
  • Performance 6, 10–11, 24, 40, 49–51, 73, 76, 100
  • Performative 11, 13, 19, 24, 30, 74
  • Personal Experience 3, 8–9, 11, 18, 23–24, 102, 124
  • Portuguese diaspora in France 79–80, 86–87
  • Portuguese migration87
  • Pre-selection 105, 107, 116, 121–122, 125
  • Principal 32, 36, 43
  • Product Features23
  • Product 3, 9, 12–25, 56, 85
  • Protagonists 35–37
  • Pseudonymity10

R

  • Racialized language 8, 53–54, 57–58, 62–63, 65, 72
  • Racializing 54, 67, 74, 76
  • Racism 7, 57, 60, 62, 68–70, 73, 75
  • Racist remark 4, 54, 60–62, 70–71
  • Rating 12, 19
  • Reader 14, 48
  • Recontextualization 2, 4, 38, 56, 60, 62
  • Resemiotization 7, 29–31, 38, 51
  • Retelling 4, 27–32, 35, 37–38, 41, 43, 46–47, 49–50, 52
  • Review 6, 8, 10–11, 13–21, 23, 50, 73, 82, 105, 107, 126
  • Roots tourism 79, 87

S

  • Scale 1, 4–7, 43, 53–56, 58, 62, 65–68, 71, 73–74, 77, 82, 84, 99, 102
  • Schiffrin, Deborah 29–30, 56, 89
  • Self-Disclosure 3, 9, 16, 24
  • Selfie 5, 105, 107, 109–111, 117–119, 121, 126–127
  • Semiotic resources 4, 28–29, 35, 42–43, 49
  • Share-ables 120
  • Shared check-ins 116
  • Shared experiences 79, 96, 99
  • Sharing 3, 5–8, 27–28, 30–31, 39, 44–45, 49–52, 55, 81–82, 85–86, 88, 93, 105–110, 112–113, 115–116, 119–126
  • Sharing life-in-the-moment 108–109
  • Simultaneity 5, 81–82, 85, 87, 89, 95–96, 98
  • Small stories 1, 5, 7, 22–23, 25, 50, 88, 101, 105, 107–109, 121, 125–127
  • Snapchat Stories 105, 112, 122
  • Social 1–8, 10, 12, 15, 17, 20, 24–36, 38–41, 44–46, 49–52, 55–57, 69, 73, 75–77, 79–87, 98–103, 105–110, 112, 117, 120–121, 123–127
    • media 2, 4–8, 10, 12, 17, 20, 25, 27–28, 30–36, 38–41, 44–46, 49–52, 55, 75, 83, 86–87, 101, 103, 105–110, 112, 117, 120–121, 123–124, 126–127
  • Spatial scales 5, 53–54, 58 ; see also Temporal scales
  • Stance 4–5, 7, 24, 53–54, 57–58, 60, 62–68, 71, 74–75, 93, 102, 105, 107, 112–116, 118–121, 124, 126
    • Stance-taking 4–5, 102
  • Stereotypes 13, 22
  • Story 1, 3, 18, 22, 27–28, 30–49, 53, 56, 83, 105–109, 112–115, 117–118, 120–124
    • curation107
    • form5
    • Story-ingredients 120
    • Story-linking 105, 107, 120–121, 123
    • Story-openers 112–113
    • Storytelling 1–3, 5–8, 25, 27–30, 34, 36, 43–44, 49–50, 52–53, 55, 57, 72, 75–76, 81–82, 101–102, 126

T

  • Tagging 5, 116–119
  • Takei, George 20–21
  • Tellability 34, 40, 46–47, 49
  • Teller 4, 28, 31, 36–37, 43–45, 48–49, 86, 108, 112–113, 124
    • Tellership 1, 31, 36, 43–44, 75
  • Telling 7, 13, 27, 31, 38, 41, 43, 46, 49–50, 52, 76, 83, 105, 107, 109, 113, 117, 124
    • rights41
  • Temporal scales 5, 53–54, 58 ; see also Spatial scales
  • Text 1, 4–5, 9–25, 28–29, 31, 36–38, 40, 42, 44, 50–51, 56, 75, 85–86, 88, 101, 103, 117, 124, 127
  • Thematic focus 35–36, 48
  • Transformation 2, 18, 20–21, 23, 27, 38–39, 74–75
  • Transformative 15–16, 21
  • Transgression26
  • Transgressive 16, 18, 23
  • Transmedia 5, 105, 107, 119–120, 123, 125
  • Transmedia connections 120, 123, 125
  • Transnationalism 100, 103
  • Twitter 2–3, 7–8, 20, 26–29, 31–40, 43, 45, 48–49, 51, 55, 75, 109, 120–121

U

  • Updates 25, 33, 75, 110, 115, 127
  • User 3, 6, 9–10, 14, 27–28, 31, 33, 35–36, 106, 108, 119

V

  • Vacation 5, 79–80, 86–89, 91, 93, 95, 98
    • travel 80, 87–88, 91
  • Viral 3, 27–28, 31, 34–36, 38–39, 41, 43–44, 48–50
  • Visual posts 88, 111, 113, 117, 119

W

  • Wortham, Stanton 11, 30, 50, 56–57, 84

Y

  • YouTube 2, 4, 7–8, 29, 51, 53–58, 60–65, 69–73, 75–76, 80, 88, 102, 107, 109–111, 119–121, 126–127