Part of
Reception Studies and Audiovisual Translation
Edited by Elena Di Giovanni and Yves Gambier
[Benjamins Translation Library 141] 2018
► pp. 319
Abercrombie, Nicholas and Longhurst, Brian
1998Audiences: A Sociological Theory of Performance and Imagination. London: Sage.Google Scholar
Athique, Adrian
2016Transnational Audiences: Media Reception on a Global Scale. Cambridge: Polity Press.Google Scholar
Anderson, Benedict
1991Imagined Communities: Reflections on the Spread of Nationalism. London: Verso.Google Scholar
Hall, Stuart
1996 ‘Who Needs Identity?’ In Questions of Cultural Identity, eds Stuart Hall and Paul du Gay, 1–17. London: Sage.Google Scholar
Hammersley, Martin
1992What’s Wrong with Ethnography: Methodological Explorations. London/New York: Routledge.Google Scholar
Hesmondhalgh, David, and Baker, Sarah
2011Creative Labour, London/New York: Routledge.Google Scholar
Hill, Annette
2012 ‘Audiences in the Round: Multi-method Research in Factual and Reality Television.’ In The Handbook of Media and Communication Research, Bruhn Jensen, Klaus (ed), 302–317. London/New York: Routledge.Google Scholar
2015Reality TV: Key Ideas. London: Routledge.Google Scholar
Hill, Annette and Turnbull, Sue
2017 ‘Nordic Noir’ in Oxford Research Encyclopedia of Crime, Media and Popular Culture, 1–21. Oxford: Oxford University Press.Google Scholar
Moran, Albert
(ed) 2009TV Formats Worldwide: Localising Global Programs. Bristol: Intellect.Google Scholar
Neale, Steve
1980Genre. London: British Film Institute.Google Scholar
Rose, Gillian
2016Visual Methodologies (Fourth Edition). London: Sage.Google Scholar
Seale, Clive, Silverman, David, Gubrium, Jaber, F. and Giampietro, Gobo
(eds) 2004Qualitative Research Practice. London/New York: Sage.DOI logoGoogle Scholar
Straubhaar, Joseph
2007World Television: from Global and Local. London: Sage.Google Scholar
Waade, Ane Marit
2011 ‘Crime Scenes: Conceptualizing Ystad as Location in the Swedish and the British Wallander TV crime series.’ In Northern Lights, 9: 9–25.Google Scholar
Cited by

Cited by 15 other publications

Bonea, Amelia
2023. Electric News in Colonial Algeria. Media History 29:3  pp. 426 ff. DOI logo
Chen, Luyu & Milad Mehdizadkhani
2022. Disney’s Two Versions of Mulan (1998, 2020) and Twitter: A Reception Study in Terms of (Im)politeness. Journal of Intercultural Communication Research 51:6  pp. 595 ff. DOI logo
Gambier, Yves & Haina Jin
2019. A connected history of audiovisual translation. Translation Spaces 8:2  pp. 193 ff. DOI logo
Ogunnubi, Olusola & Dare Leke Idowu
2023. Humour and Laughter in Reality TV: Assessing the Mental Health Effects of the Big Brother Naija Show. In Big Brother Naija and Popular Culture in Nigeria,  pp. 83 ff. DOI logo
Perego, Elisa & Ralph Pacinotti
2020. Audiovisual Translation through the Ages. In The Palgrave Handbook of Audiovisual Translation and Media Accessibility [Palgrave Studies in Translating and Interpreting, ],  pp. 33 ff. DOI logo
Rodwell, Elizabeth A
2021. The machine without the ghost: Early interactive television in Japan. Convergence: The International Journal of Research into New Media Technologies 27:5  pp. 1376 ff. DOI logo
[no author supplied]
2024. Interactivity and Gatekeeping. In Push the Button,  pp. 46 ff. DOI logo
[no author supplied]
2024. Introduction. In Push the Button,  pp. 1 ff. DOI logo
[no author supplied]
2024. Cultures of Independent Journalism. In Push the Button,  pp. 64 ff. DOI logo
[no author supplied]
2024. Conclusion. In Push the Button,  pp. 129 ff. DOI logo
[no author supplied]
2024. The New Interactive Television. In Push the Button,  pp. 89 ff. DOI logo
[no author supplied]
2024. Notes. In Push the Button,  pp. 143 ff. DOI logo
[no author supplied]
2024. Teaching Citizen Journalism. In Push the Button,  pp. 108 ff. DOI logo
[no author supplied]
2024. Bibliography. In Push the Button,  pp. 163 ff. DOI logo
[no author supplied]
2024. The Interactive Consumer-Viewer. In Push the Button,  pp. 25 ff. DOI logo

This list is based on CrossRef data as of 23 may 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.