Part of
Opera in Translation: Unity and diversity
Edited by Adriana Şerban and Kelly Kar Yue Chan
[Benjamins Translation Library 153] 2020
► pp. 1333
References

References

Abbate, Carolyn
1996Unsung Voices: Opera and Narrative in the Nineteenth Century. Princeton, NY: Princeton University Press.Google Scholar
Albright, Daniel
2007Musicking Shakespeare: A Conflict of Theatres. Woodridge: Rochester University Press.Google Scholar
2009Music Speaks: On the Language of Opera, Dance, and Song. Rochester: The University of Rochester Press.Google Scholar
2014Panaesthetics: On the Unity and Diversity of the Arts. New Haven: Yale University Press.Google Scholar
Baker, Mona
1992In Other Words: A Coursebook on Translation. New York: Routledge.Google Scholar
Born, Georgina
2010 “For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn.” The Journal of the Royal Musical Association 135 (5): 205–243. DOI logoGoogle Scholar
Bourdieu, Pierre
1971 “Systems of Education and Systems of Thought.” In Knowledge and Control, ed. by Michael F. D. Young, 189–207. London: Collier-Macmillan.Google Scholar
Burnard, Pamela, Elizabeth MacKinley, and Kimberley Powell
(eds) 2016The Routledge International Handbook of Intercultural Arts Research. New York: Routledge. DOI logoGoogle Scholar
Cachopo, João Pedro
2013 “Opera’s Screen Metamorphosis: The Survival of a Genre or a Matter of Translation?The Opera Quarterly 30 (4): 315–329. DOI logoGoogle Scholar
Cook, Nicholas
2010 “Intercultural Analysis as Relational Musicology,” First Conference on Analytical Approaches to World Music. The University of Massachusetts Amhurst, [URL], last accessed 16 July 2018.
2012 “Anatomy of the Encounter: Intercultural Analysis as Relational Musicology,” in Critical Musicological Reflections: Essays in Honour of Derek B. Scott, ed. by Stan Hawkins, 193–208. Farnham: Ashgate.Google Scholar
Desblache, Lucile
2019Music and Translation: New Mediations in the Digital Age. London: Palgrave Macmillan. DOI logoGoogle Scholar
Desblache, Lucile, and Helen Julia Minors
2013 “Translating Music,” [URL], last accessed 23 March 2020.
Gabrieli, Daniele
2014 “ Sogni di una note di mezza estate: A New Opera.” Unpublished MA dissertation, Università degli studi di Macerata.Google Scholar
Hermans, Theo
2003 “Cross cultural translation studies as thick translation.” Bulletin of the School of Oriental and African Studies 66 (3): 380–389. DOI logoGoogle Scholar
Jakobson, Roman
1960 “Closing Statement: Linguistics and Poetics.” In Style in Language, ed. by Thomas Albert Sebeok, 350–377. Cambridge: MIT Press.Google Scholar
Kildae, Paul
2013Benjamin Britten: A Life in the Twentieth Century. London: Penguin.Google Scholar
Kress, Gunther
2010Multimodality: A Social Semiotic Approach to Contemporary Communication. London: Routledge.Google Scholar
Micheli, Francesco
2013 “ Sogni: Score of the New Production of A Midsummer Night’s Dream .” Rehearsal Copy. Sferisterio Macerata Opera Festival.Google Scholar
Minors, Helen Julia
(ed.) 2013Music, Text and Translation. London: Bloomsbury.Google Scholar
2016 “Mediating Cultures and Musics: Researching an Intercultural Production of A Midsummer Night’s Dream .” In The Routledge International Handbook of Intercultural Arts Research, ed. by Pamela Burnard, Elizabeth MacKinley, and Kimberley Powell, 417–430. Abingdon: Routledge.Google Scholar
2019 “Translations between Music and Dance: Analysing the Choreomusical Gestural Interplay in Twentieth- and Twenty-First-Century Dance Works.” In Translation and Multimodality: Beyond Words, ed. by Monica Boria, Ángeles Carreres, María Noriega-Sánchez and Marcus Tomalin, 158–178. Abingdon: Routledge. DOI logoGoogle Scholar
Powell, Neil
2013Benjamin Britten: A Life in Music. London: Windmill Books.Google Scholar
Rosand, Ellen
1992 “Operatic Madness: A Challenge to Convention.” In Music and Text: Critical Inquiries, ed. by Steven Paul Sacher, 241–287. Cambridge: Cambridge University Press. DOI logoGoogle Scholar
Steiner, George
1975After Babel: Aspects of Language and Translation. Oxford and New York: Oxford University Press.Google Scholar
Susam-Sarajeva, Şebnem
(ed.) 2008Translation and Music. Special issue of The Translator, 14 (2).Google Scholar
Weaver, Sarah
2010 “Opening Doors to Opera: The Strategies, Challenges and General Role of the Translator.” inTRAlinea 12, [URL], last accessed 23 March 2020.
Cited by

Cited by 2 other publications

Minors, Helen Julia
2021. Desblache, Lucile (2019): Music and Translation: New Mediations in the Digital Age. London: Macmillan, 407 p. . Meta: Journal des traducteurs 66:1  pp. 230 ff. DOI logo
Ożarowska, Aleksandra
2021. Od czynów do słów: intersemiotyczne nadpisy w uwspółcześnionych spektaklach operowych. Przekładaniec :43  pp. 162 ff. DOI logo

This list is based on CrossRef data as of 23 march 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.