This paper shows in detailed ways how animation is the evolutionary and existential ground floor of our being alive in the world and making sense of it, and thus how animation is the proper point of departure not only for basic understandings of perception, affectivity, cognition, meaning, movement, and world, but for basic understandings of the natural interrelationship of these dimensions of life. In the process of doing so, it takes a critical look at certain conceptual approaches that deflect us from a proper recognition and understanding of these multi-faceted realities of animation, or in other words, from being true to the truths of experience. Keywords: species-specific kinetic/tactile-kinesthetic invariants; meaning; movement; synergies of meaningful movement; qualitative structure of movement; embodied/embodiment; motorology; semantic congruency; dynamic congruency
2022. Configuring a Concept - On Iteration and Infinity. In Mind and Matter - Challenges and Opportunities in Cognitive Semiotics and Aesthetics,
Mendoza-Collazos, Juan Carlos
2021. Responsibility of Action and Situated Cognition in Artefact—User Relationship. In Proceedings of the 21st Congress of the International Ergonomics Association (IEA 2021) [Lecture Notes in Networks and Systems, 219], ► pp. 211 ff.
2012. From movement to dance. Phenomenology and the Cognitive Sciences 11:1 ► pp. 39 ff.
[no author supplied]
2019. Intersemiotic translation: meaning-making in film and musical art. Cognition, Communication, Discourse :19
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