A History of Literature in the Caribbean
Volume 3: Cross-Cultural Studies
Editor
Cross-Cultural Studies is the culminating effort of a distinguished team of international scholars who have worked since the mid-1980s to create the most complete analysis of Caribbean literature ever undertaken. Conceived as a major contribution to postcolonial studies, cultural studies, cultural anthropology, and regional studies of the Caribbean and the Americas, Cross-Cultural Studies illuminates the interrelations between and among Europe, the Caribbean islands, Africa, and the American continents from the late fifteenth century to the present. Scholars from five continents bring to bear on the most salient issues of Caribbean literature theoretical and critical positions that are currently in the forefront of discussion in literature, the arts, and public policy.
Among the major issues treated at length in Cross-Cultural Studies are: The history and construction of racial inequality in Caribbean colonization; The origins and formation of literatures in various Creoles; The gendered literary representation of the Caribbean region; The political and ideological appropriation of Caribbean history in creating the idea of national culture in North and South America, Europe, and Africa; The role of the Caribbean in contemporary theories of Modernism and the Postmodern; The decentering of such canonical authors as Shakespeare; The vexed but inevitable connectedness of Caribbean literature with both its former colonial metropoles and its geographical neighbors.
Contributions to Cross-Cultural Studies give a concrete cultural and historical analysis of such contemporary critical terms as hybridity, transculturation, and the carnivalesque, which have so often been taken out of context and employed in narrowly ideological contexts.
Two important theories of the simultaneous unity and diversity of Caribbean literature and culture, propounded by Antonio Benítez-Rojo and +douard Glissant, receive extended treatment that places them strategically in the debate over multiculturalism in postcolonial societies and in the context of chaos theory. A contribution by Benítez-Rojo permits the reader to test the theory through his critical practice.
Divided into nine thematic and methodological sections followed by a complete index to the names and dates of authors and significant historical figures discussed, Cross-Cultural Studies will be an indispensable resource for every library and a necessary handbook for scholars, teachers, and advanced students of the Caribbean region.
Among the major issues treated at length in Cross-Cultural Studies are: The history and construction of racial inequality in Caribbean colonization; The origins and formation of literatures in various Creoles; The gendered literary representation of the Caribbean region; The political and ideological appropriation of Caribbean history in creating the idea of national culture in North and South America, Europe, and Africa; The role of the Caribbean in contemporary theories of Modernism and the Postmodern; The decentering of such canonical authors as Shakespeare; The vexed but inevitable connectedness of Caribbean literature with both its former colonial metropoles and its geographical neighbors.
Contributions to Cross-Cultural Studies give a concrete cultural and historical analysis of such contemporary critical terms as hybridity, transculturation, and the carnivalesque, which have so often been taken out of context and employed in narrowly ideological contexts.
Two important theories of the simultaneous unity and diversity of Caribbean literature and culture, propounded by Antonio Benítez-Rojo and +douard Glissant, receive extended treatment that places them strategically in the debate over multiculturalism in postcolonial societies and in the context of chaos theory. A contribution by Benítez-Rojo permits the reader to test the theory through his critical practice.
Divided into nine thematic and methodological sections followed by a complete index to the names and dates of authors and significant historical figures discussed, Cross-Cultural Studies will be an indispensable resource for every library and a necessary handbook for scholars, teachers, and advanced students of the Caribbean region.
This volume is part of a book set which can be ordered at a special discount: https://www.benjamins.com/series/chlel/chlel.special_offer_history_of_literature_in_the_caribbean.pdf
[Comparative History of Literatures in European Languages, XII] 1997. xviii, 399 pp.
Publishing status: Available
Published online on 21 October 2008
Published online on 21 October 2008
© John Benjamins B.V. / Association Internationale de Littérature Comparée
Table of Contents
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Charting the Caribbean as a Literary RegionA. James Arnold | p. xii
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Preliminary Approaches
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Mapping the Caribbean: Cartography and the Cannibalization of CultureMichael Palencia-Roth | p. 3
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Islands, Enclaves, Continua: Notes Toward a Comparative History of Caribbean Creole LiteraturesGeorge Lang | p. 29
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The Cross-Cultural Unity of Caribbean Literature: Toward a Centripetal VisionSilvio Torres-Saillant | p. 57
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Literary Creoleness and Chaos Theory
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Chaos and Rhizome: Introduction to a Caribbean PoeticsKeith Alan Sprouse | p. 79
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Resistance and Globalization in Caribbean Discourse: Antonio Benítez-Rojo and Edouard GlissantRomán de la Campa | p. 87
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Problematics of Literary Historiography
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A Comparative Analysis of Caribbean Literary Magazines: 1960–1980Luz Rodríguez-Carranza and Nadia Lie | p. 119
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History is Bunk! Recovering the Meaning of Independence in Venezuela, Colombia, and Curaçao: A Cross-Cultural Image of Manuel PiarIneke Phaf-Rheinberger and Matthias Röhrig-Assunção | p. 161
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Literature and Popular Culture
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Oral Tradition and New Literary Canon in Caribbean PoetryEmilio Jorge Rodríguez | p. 177
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When the Popular Sings the Self: Heterology, Popular Songs, and Caribbean WritingIris M. Zavala | p. 187
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Carnival and Carnivalization
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Caribbean Culture: A Carnivalesque ApproachAntonio Benítez-Rojo | p. 203
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Writers Playin' Mas': Carnival and the Grotesque in the Contemporary Caribbean NovelLizabeth Paravisini-Gebert | p. 215
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Gender and Identity
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New World Seductions and Old World Seducers: When Columbus Met Don JuanJosephine V. Arnold | p. 239
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Closure and Disclosure of the Caribbean Body: Gabriel García Márquez and Derek WalcottLuis Fernando Restrepo | p. 251
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Anglophone and Francophone Fiction by Caribbean Women: Redefining ”Female Identity“Kathleen Balutansky | p. 267
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The Caliban Complex
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The Cult of Caliban: Collaboration and Revisionism in Contemporary Caribbean NarrativeVera M. Kutzinski | p. 285
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(Post) Modernity and Caribbean DiscourseTheo D’haen | p. 303
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Genre and Postcoloniality
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From Prince to Lorde: The Politics of Location in Caribbean AutobiographyGillian Whitlock | p. 325
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Caribbean Sublime: On TransportAleid Fokkema | p. 339
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Cross-Cultural Currents and Conundrums
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D. H. Lawrence and Alejo Carpentier: The Politics of ReligionAlfred MacAdam | p. 351
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Caribbean Negritude and Africa: Aspects of Black DilemmaFemi Ojo-Ade | p. 357
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Republican Code, Working Conditions, and Cross-Cultural Hybridity in the Literature of Suriname and CubaIneke Phaf-Rheinberger | p. 375
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Index to Names | p. 393
Cited by (5)
Cited by five other publications
Febel, Gisela & Natascha Ueckmann
Lang, George
[no author supplied]
[no author supplied]
This list is based on CrossRef data as of 3 december 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
Subjects
Main BIC Subject
DSB: Literary studies: general
Main BISAC Subject
LIT000000: LITERARY CRITICISM / General