Romantic Poetry
Editor
Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.
This volume is part of a book set which can be ordered at a special discount: https://www.benjamins.com/series/chlel/chlel.special_offer.romanticism.pdf
[Comparative History of Literatures in European Languages, XVII] 2002. xii, 537 pp.
Publishing status: Available
Published online on 21 October 2008
Published online on 21 October 2008
© John Benjamins B.V. / Association Internationale de Littérature Comparée
Table of Contents
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IntroductionAngela Esterhammer | pp. vii–xi
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1. The Evolution of Sensibility and Representation
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1.1 Autumn in the Romantic Lyric: An Exemplary Case of Paradigm ShiftLilian R. Furst | pp. 3–22
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1.2 Reflection as Mimetic TropeFrederick Burwick | pp. 23–38
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1.3 On Romantic CognitionMaria Cieśla-Korytowska | pp. 39–53
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1.4 Vörösmarty and the Poetic Fragment in Hungarian RomanticismMihály Szegedy-Maszák | pp. 55–61
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1.5 Loss and Expectation: Temporal Entwinement as Theme and Figure in Novalis, Wordsworth, Nerval, and LeopardiJohn M. Baker | pp. 63–89
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1.6 Poetry as Self-Consumption: Women Writers and Their Audiences in British and German RomanticismKari Lokke | pp. 91–111
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2. The Evolution of Genre
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2.1 Lyric Poetry in the Early Romantic Theory of the Schlegel BrothersErnst Behler | pp. 115–141
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2.2 The Romantic Ode: History, Language, PerformanceAngela Esterhammer | pp. 143–162
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2.3 The European Romantic Epic and the History of a GenreIrena Nikolova | pp. 163–180
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2.4 The Sublime Sonnet in European RomanticismIan Balfour | pp. 181–195
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2.5 Elegiac Muses: Romantic Women Poets and the ElegyPatrick Vincent | pp. 197–221
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3. Romantic Poetry and National Projects
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3.1 Awakening Peripheries: The Romantic Redefinition of Myth and FolkloreGeorge Bisztray | pp. 225–248
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3.2 “National Poets” in the Romantic Age: Emergence and ImportanceVirgil Nemoianu | pp. 249–255
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3.3 Romanian Poetry and the Great Romantic Narrative about the Mission of the PoetMonica Spiridon | pp. 257–267
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3.4 Greek Romanticism: A Cosmopolitan DiscourseGregory Jusdanis | pp. 269–286
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3.5 Time and History in Spanish Romantic PoetryDonald L. Shaw | pp. 287–303
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3.6 The Experience of the City in British Romantic PoetryMichael Gassenmeier and Jens Martin Gurr | pp. 305–331
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3.7 “Sons of Song”: Irish Literature in the Age of NationalismJulia M. Wright | pp. 333–353
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3.8 Near the Rapids: Thomas Moore in CanadaD.M.R. Bentley | pp. 355–371
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3.9 Address and Its Dialectics in American Romantic PoetryFrederick Garber | pp. 373–399
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3.10 Romantic Poetry in Latin AmericaGwen Kirkpatrick | pp. 401–416
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4. Interpretations, Re-creations, and Performances of Romantic Poetry
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4.1 Baudelaire’s Re-reading of Romanticism: Theorizing Commodities / The Commodification of TheoryGeraldine Friedman | pp. 419–441
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4.2 Nachtigallenwahnsinn and Rabbinismus: Heine’s Literary Provocation to German-Jewish Cultural IdentityThomas Pfau | pp. 443–460
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4.3 Reception as Performance: The Case of Shelley in GermanySusanne Schmid | pp. 461–472
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4.4 Implications of an Influence: On Hölderlin’s Reception of RousseauStanley Corngold | pp. 473–489
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4.5 Organicist Poetics as Romantic Heritage?John Neubauer | pp. 491–507
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4.6 The Uses of Romantic Poetry: Feminine Subjects in Modern Spanish CultureSusan Kirkpatrick | pp. 509–524
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Index of Names | pp. 525–530
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Index of Titles | pp. 531–537
“Ausführliche Namen- und Titelregister geben in Romatic Poetry Auskunft über das gesamte Spektrum dessen, was der Band umfasst; sie sind Fundgruben für denjeningen, der sich über Autoren, über Quellen, über Gemeinsamkeiten und Unterschiede von romantischer Poesie in der west-östlichen Welt informieren möchte. Auf diese Weise machen sie den Band zu einem unverzichtbaren Hilfsmittel für eine international interessierte Romatik-Forschung...”
Sandra Pott, in Institut für Deutsche Philologie, July 2003
Cited by (6)
Cited by six other publications
Dinler, Caner & Muharrem Köklü
2024. Öğretmenlerin Algılarına Göre Yönetici Söylemleri İle Öğretmenlerin Örgütsel Bağlılıkları Arasındaki İlişki. İnönü Üniversitesi Eğitim Bilimleri Enstitüsü Dergisi 11:21 ► pp. 151 ff. 
ten Kate, Laurens & Bart Philipsen
2023. “A Sign We Are”: A Poetical Theology of Passing in Hölderlin’s “Rousseau” and Other Late Poems. Religions 14:8 ► pp. 1053 ff.
Isbell, John Claiborne
2022. An Outline of Romanticism in the West,
Corinne Ondine Pache, Casey Dué, Susan Lupack & Robert Lamberton
2020. The Cambridge Guide to Homer,
Labbe, Jacqueline
2012. Poetics. In A Handbook of Romanticism Studies, ► pp. 143 ff.
Bordoni, Silvia
2007. From Madame de Staël to Lord Byron: The Dialectics of European Romanticism. Literature Compass 4:1 ► pp. 134 ff.
This list is based on CrossRef data as of 3 december 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
Subjects
Literature & Literary Studies
Main BIC Subject
DSB: Literary studies: general
Main BISAC Subject
LIT000000: LITERARY CRITICISM / General