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Part of
Landscapes of Realism: Rethinking literary realism in comparative perspectives
Edited by Svend Erik Larsen, Steen Bille Jørgensen and Margaret R. Higonnet
[Comparative History of Literatures in European Languages XXXIII] 2022
► pp. xi–xi

List of illustrations

Figure 1.James Gillray, The King of Brobdingnag and Gulliver, 1803. Hand-colored etching and aquatint. 30.6 × 24.4 cm. Metropolitan Museum of Art. 17.3.888-313 (from wikimedia.commons public domain)292
Figure 2.Anonymous, Caricature Shop, 1801. Hand-colored print. 26.5 × 31.5 cm. Lewis Walpole Library, New Haven. 53.502.5 (wikimedia.commons public domain)296
Figure 3.Grandville, Gertrude, 1844 (Grandville, Un Autre Monde (Paris: Fournier, 1844, p. 242) (photo Royal Library, Copenhagen)298
Figure 4.Eugène Delacroix, La Liberté guidant le people (Liberty leading the peuple), 1830. Oil on canvas, 260 × 325 cm, Musée du Louvre, Paris. RF129 (wikimedia.commons public domain)325
Figure 5.Honoré Daumier, L’émeute ou Scène de révolution, ou la destruction de Sodome (Uprising or scene of revolution, or the destruction of Sodome), c. 1850. Gouache, 58 × 43 cm. Ashmolean Museum, Oxford. WA1937.15 (with courtesy of the Ashmolean Museum)327
Figure 6.Honoré Daumier: La blanchisseuse (The Laundress), 1863. Oil on wood. 49 × 35.5 cm. Musée d’Orsay, Paris. RF2630 (wikimedia.commons public domain)328
Figure 7.King at the March on Washington. From March: Book Two, p. 172-73. Art by Nate Powell from March: Book Two © John Lewis and Andrew Aydin, courtesy Top Shelf Productions / IDW Publishing540
Figure 8.Danny Lyon takes photograph. From March: Book Two, p. 120. Art by Nate Powell from March: Book Two © John Lewis and Andrew Aydin, courtesy Top Shelf Productions / IDW Publishing543
Figure 9.Car crashes into a young girl. From March: Book Two, p. 121. Art by Nate Powell from March: Book Two © John Lewis and Andrew Aydin, courtesy Top Shelf Productions / IDW Publishing545