A Comparative History of the Literary Draft in Europe

• Acknowledgements | pp. ix–x
• List of figures | pp. xi–xiv
• Introduction: The draft in literary history
  Dirk Van Hulle | pp. 1–19
• Part 1. TEXT
• 1.1. TEMPORAL COMPARISON
• 1.1.1. Medieval holograph manuscripts: Absence and ubiquity
  Daniel Wakelin | pp. 23–34
• 1.1.2. Early modern holograph manuscripts: English literary manuscripts, 1450–1700
  H. R. Woudhuysen | pp. 35–46
• 1.1.3. The eighteenth century: The progressive emergence of eighteenth-century European literary manuscripts
  Nathalie Ferrand | pp. 47–59
• 1.1.4. The nineteenth century: Textual studies in an age of abundance
  Seamus Perry | pp. 60–74
• 1.1.5. The twentieth century: Nib, type, word
  Bryony Randall | pp. 75–86
• 1.1.6. The twenty-first century: From paper notebooks to keystroke logging
  Lamyk Bekius and Dirk Van Hulle | pp. 87–98
• 1.2. SPATIAL COMPARISON
• 1.2.1. Nordic traditions: The study of modern Finnish and Scandinavian manuscripts
  Sakari Katajamäki | pp. 100–111
• 1.2.2. Russian traditions: Textology, Pushkin studies and the digital future
  Igor Pilshchikov | pp. 112–126
• 1.2.3. Eastern European traditions: Czech, Hungarian, Polish, Slovak, and Ukrainian literary drafts
  Mateusz Antoniuk, Jiří Flaišman, Michal Kosák, Ágnes Major, Martin Navrátil and Dmytro Yesypenko | pp. 127–140
• 1.2.4. Anglophone traditions: Dealing with drafts of modern literary manuscripts
  Paul Eggert | pp. 141–159
• 1.2.5. German traditions: Between author-centricity and dynamic texts
  Katrin Henzel | pp. 160–173
• 1.2.6. French traditions: Confronting the traces of creation
  Franz Johansson | pp. 174–186
• 1.2.7. Italian traditions: From Humanism to authorial philology
  Paola Italia | pp. 187–201
• 1.2.8. Drafts on the Iberian Peninsula
  João Dionísio | pp. 202–213
• 1.2.9. Postcolonial traditions: Toward comparative genetic criticism through a Caribbean lens
  Rachel Douglas | pp. 214–227
• 1.3. PROCESSUAL COMPARISON
• 1.3.1. Writer’s block
  Diane Purkiss | pp. 229–240
• 1.3.2. Revision: Rereading, reliving, rewriting
  Hannah Sullivan | pp. 241–252
• 1.3.3. Translation archives: Ontologies of the translation draft over time
  Anthony Cordingley | pp. 253–267
• 1.4. GENERIC COMPARISON
• 1.4.1. Poetry: The form and culture of poetic creation in English poetry manuscripts, 1600–2000
  Wim Van Mierlo | pp. 269–287
• 1.4.2. Drama: How the page becomes a stage
  Edith Cassiers | pp. 288–304
• 1.4.3. Prose: Extended and distributed creativity in prose fiction
  Olga Beloborodova | pp. 305–319
• 1.4.4. Kleine Prosa: The poetics of the draft in prose sketches, prose poems, flash fiction and related small forms
  Dirk Göttsche | pp. 320–333
• 1.5. EDITORIAL COMPARISON
• 1.5.1. Textual fluidity: Biography, history, and adaptive revision
  John Bryant | pp. 335–352
• 1.5.2. Pruning: Editorial intervention and its effects
  Tim Groenland | pp. 353–364
• 1.5.3. Orthography. <hie>rogueglyphics: Spelling between manuscript and print
  Kathryn Sutherland | pp. 365–377
• 1.5.4. Punctuation: Dorothy Richardson, the long modernist novel, and the literary draft
  Scott McCracken | pp. 378–389
• Part 2. BEYOND TEXT
• 2.1. MATERIAL COMPARISON
• 2.1.1. Paper
  Andrew Honey | pp. 393–409
• 2.1.2. Born-digital documents
  Isabelle Van Ongeval | pp. 410–416
• 2.1.3. Archiving practices: The preservation and loss of autograph English literary manuscripts
  Christopher Fletcher | pp. 417–432
• 2.2. CONCEPTUAL COMPARISON
• 2.2.1. Metaphors for the writing process
  Dirk Van Hulle | pp. 434–449
• 2.2.2. Models for genetic criticism
  Daniel Ferrer | pp. 450–456
• 2.3. INTERMEDIAL COMPARISON
• 2.3.1. Film: Authorship, versions and revisions
  Tom Paulus | pp. 458–472
• 2.3.2. Television: From pre-production to programme-making and dissemination
  Jonathan Bignell | pp. 473–486
• 2.3.3. Architecture: The culture of building
  Eireen Schreurs and Lara Schrijver | pp. 487–495
• 2.3.4. Music: Sketching performance
  John Rink | pp. 496–513
• 2.3.5. Radio: Between text and sound
  Pim Verhulst | pp. 514–526
• Epilogue
  Hans Walter Gabler | pp. 527–529
• Notes on contributors | pp. 531–537
• Index | pp. 539–549

Main BIC Subject

Main BISAC Subject