Chapter 11
Contemporary Scandinavian colonial-historical fiction
Slavery and exceptional whiteness
The chapter examines a body of twelve historical novels published 2015–2021 about Scandinavian
colonialism and slavery in West Africa and the Caribbean, serving as a case study of the current state of the colonial
imaginary in Scandinavia as seen from the perspective of the national majorities. Many of the common features of the
examined novels can be traced back to a continuation of the structuring of Atlantic history according to a national
paradigm: the emphasis on certain events and geographies, the privileging of the national language, and the
reiteration of persistent national narratives in the literary and public discourse on Scandinavian colonialism. Among
these narratives are exceptionalist claims of the comparatively marginal, innocent, or benevolent character of
Scandinavian involvement in colonization, enslavement, and other forms of exploitation based on power imbalances. How
does contemporary fiction set in the colonial era position itself in relation to the renewed public interest in the
colonial past, to other artistic projects addressing past and present transoceanic entanglements, and to current
patterns of the memorialization of Atlantic history?
Keywords: colonial-historical novels, contemporary Scandinavian literature, slavery, colonialism, whiteness, exceptionalism, historical fiction, maritime fiction, Caribbean, Black Atlantic, White Atlantic
Article outline
- Scandinavian colonialism and Atlantic history in research, art and literature
- White Atlantic and Black Atlantic
- Colonial-historical novels 2015–2021
- Sources and research
- Colonial-historical fiction and the colonial past
- Colonial-historical fiction as Bildungsroman
- Coming-of-age in times of slavery
- Young Scandinavian men and the fantasy of colorblind innocence
- Young Scandinavian women, race and family ties
- Women of color and questions of agency
- Conclusion
- Author queries
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Notes
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References
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