Nonfictional Romantic Prose

Expanding borders

Editors
| Brigham Young University
| Catholic University of America
Collaborator
| Stanford University
HardboundAvailable
ISBN 9789027234513 (Eur) | EUR 198.00
ISBN 9781588114525 (USA) | USD 297.00
 
e-Book
ISBN 9789027295651 | EUR 198.00 | USD 297.00
 
Nonfictional Romantic Prose: Expanding Borders surveys a broad range of expository, polemical, and analytical literary forms that came into prominence during the last two decades of the eighteenth century and the first half of the nineteenth. They stand in contrast to better-known romantic fiction in that they endeavor to address the world of daily, empirical experience rather than that of more explicitly self-referential, fanciful creation. Among them are genres that have since the nineteenth century come to characterize many aspects of modern life like the periodical or the psychological case study; others flourished and enjoyed wide-spread popularity during the nineteenth century but are much less well-known today like the almanac and the diary. Travel narratives, pamphlets, religious and theological texts, familiar essays, autobiographies, literary-critical and philosophical studies, and discussions of the visual arts and music all had deep historical roots when appropriated by romantic writers but prospered in their hands and assumed distinctive contours indicative of the breadth of romantic thought.

SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series’ total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism’s own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Publishing status: Available
Table of Contents
Preface
vii
I. General Introduction
Virgil Nemoianu
1–10
II. Romantic Theoretical and Critical Writing
11–12
Theories of Romanticism: The First Two Hundred Years
Monika Schmitz-Emans
13–36
Romantic Disavowals of Romanticism, 1800–1830
John Isbell
37–55
Hegel and Hegelianism in European Romanticism
Gerhart Hoffmeister
57–68
The Aesthetics of German Idealism and Its Reception in European Romanticism
Manfred Engel and Juergen Lehmann
69–95
Romantic Theories of National Literature and Language in Germany, England, and France
Mary Anne Perkins
97–106
Sir Walter Scott and the Beginnings of Ethnology
Carolyn Buckley-LaRocque
107–113
III. Expansions in Time
115
Burke’s Conservatism and Its Echoes on the Continent and in the United States
Michael Gassenmeier and Jens Martin Gurr
117–139
Distorted Echoes: The Mythologies of Nordic Nationalism
Steven P. Sondrup
141–161
IV. Expansions in Space
163
Romantic Travel Narratives
Mircea Anghelescu
165–180
Romanticism and Nonfictional Prose in Spanish America, 1780–1850
Joselyn M. Almeida
181–193
V. Expansions of the Self
195–196
Allegories of Address: The Poetics of the Romantic Diary
Frederick Garber
197–121
The Romantic Subject in Autobiography
Eugene Stelzig
223–239
Educating for Women’s Future: Thinking New Forms
Carol Strauss Sotiropoulos and Margaret R. Higonnet
241–264
VI. Generic Expansions
265–266
The Romantic Familiar Essay
Frederick Garber
267–284
The Unending Conversation: The Role of Periodicals in England and on the Continent during the Romantic Age
John Boening
285–301
Almanacs and Romantic Non-fictional Prose
Madison U. Sowell
303–316
The Romantic Pamphlet: Stylistic and Thematic Impurity of a Double-Edged Genre
Monica Spiridon
317–331
Costumbrismo in Spanish Literature and its European Analogues
José Manuel Losada
333–346
VII. Intersections: Scientific and Artistic Discourses in the Romantic Age
347–348
Romanticism, the Unconscious, and the Brain
Alan Richardson
349–364
Literary Sources of Romantic Psychology
Joel Black
365–375
Romantic Discourse on the Visual Arts
Gerald Gillespie
377–402
Aspects of German Romantic Musical Discourse
Steven P. Sondrup
403–419
VIII. Intimations of Transcendence
421
Sacrality as Aesthetic in the Early Nineteenth Century: A Network Approach
Virgil Nemoianu
423–432
The Myth of the Fallen Angel: Its Theosophy in Scandinavian, English, and French Literature
José Manuel Losada
433–457
IX. Conclusion: Romanticism as Explosion and Epidemic
Virgil Nemoianu
459–466
Index
467–477
Cited by

Cited by other publications

Saglia, Diego
2018.  In European Literatures in Britain, 1815–1832: Romantic Translations, Crossref logo

This list is based on CrossRef data as of 24 november 2020. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.

Subjects
BIC Subject: DSB – Literary studies: general
BISAC Subject: LIT000000 – LITERARY CRITICISM / General
U.S. Library of Congress Control Number:  2003055679 | Marc record