Chapter 6
Sad girls
Melancholy and adolescence in Skating the Edge and Touching Earth Lightly
This chapter explores melancholy’s rich signifying potential beyond psychoanalytic frameworks. To do so, it explores its expression as a unique cluster of emotions characterised by sadness without a clear cause in both Julia Lawrinson’s Skating the Edge (2002) and Margo Lanagan’s Touching Earth Lightly (1996). In both books, melancholy girl protagonists are confronted with the death of a friend, mobilizing a journey towards happiness that is, I argue, emblematic of the way Western society treats girls and their feelings. Because girls are subjugated as both adolescents and women, their feelings – especially those deemed bad, unnecessary, or indulgent – are strenuously policed. Situating my analysis within discussions of the centrality of happiness (or at least its promise) to Western neoliberalism, I show how feelings that might be radical or resistant must be sacrificed in order to achieve ‘successful’ adult womanhood, marked by pursuits of work, romance, and happiness.
Keywords: girlhood, adolescence, melancholy, sadness, depression, suicide, mental illness, happiness, failure, queer, friendship, psychiatric institutions, Australian literature, young adult literature, Australian young adult literature
Article outline
- Introduction
- The pursuit of unhappiness
- Girls and feelings
- Melancholy
- Melancholy and institutionalization in Skating the Edge
- Melancholy desire in Touching Earth Lightly
- The pursuit of happiness as the pursuit of adulthood in Skating the Edge
- Achieving adulthood through queer disavowal in Touching Earth Lightly
- Conclusion
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Notes
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References