“We live in a time of un-naming, in a time when old names for the land, names given in honor, happiness, and sorrow have been set aside for marketing jingles that commemorate little more than a desire for sales, for ka mea poepoe, the round thing, money” (DeSilva 1993). Hawaiian place names are storied symbols reflecting Hawaiian spatial and environmental knowledge. Performed in daily rituals they were a conscious act of reimplacing genealogical connections, recreating cultural landscapes, and regenerating cultural mores. This chapter highlights the sensuous nature of Hawaiian place names, examines the processes by which they are incorporated into the cultural landscape, investigates cultural conflicts and problems involved with naming places in the post-contact/modern-colonial era including the standardization of place names, and advances transmodern solutions that re-place the old names DeSilva refers to without fueling existing cultural conflicts.
2024. Indigenous peoples’ geographies I: Indigenous spatialities beyond place through relational, mobile and hemispheric & global approaches. Progress in Human Geography
Reid, Geneviève & Renée Sieber
2020. Do geospatial ontologies perpetuate Indigenous assimilation?. Progress in Human Geography 44:2 ► pp. 216 ff.
Greenlee, John Wyatt
2015. Eight Islands on Four Maps: The Cartographic Renegotiation of Hawai‘i, 1876–1959. Cartographica: The International Journal for Geographic Information and Geovisualization 50:3 ► pp. 119 ff.
Heikkilä, Karen
2014. ‘The forest is our inheritance’: An introduction to Semai Orang Asli place‐naming and belonging in the Bukit Tapah Forest Reserve. Singapore Journal of Tropical Geography 35:3 ► pp. 362 ff.
Pearce, Margaret Wickens
2014. The Last Piece Is You. The Cartographic Journal 51:2 ► pp. 107 ff.
[no author supplied]
2017. Bibliography. In The Power of the Steel-tipped Pen, ► pp. 247 ff.
This list is based on CrossRef data as of 14 november 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
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