This study compared the effectiveness of two teaching methods on the production of Mandarin Tone 3 by English-speaking students. The control group (n=12) received pitch direction-focused instruction in which Tone 3 was introduced as a falling-rising contour tone while the experimental group (n=12) received pitch height-focused instruction in which Tone 3 was introduced as a low level tone. The ability to produce this tone in monosyllabic words, disyllabic words and sentences was assessed after 1 month, 2 months, and 3 months of instruction. The results showed that the pitch height-focused teaching method improved Tone 3 production in connected tonal environments at the sentence level, whereas the pitch direction-focused teaching method was more effective in training students to produce this tone in isolation. More importantly, unlike the pitch direction-focused method, the effectiveness of the pitch height-focused teaching method generalized to new words. It helped L2 learners to develop a self-learning skill for pronouncing unfamiliar words.
1994 “Phonation Types Analysis in Standard Chinese.” Proceedings of
ICSLP’94
, Yokohama, Japan, 343–346.
Chao, Yuen-Ren
(1930) “A System of Tone-letters.” Le Maître Phonétique, 451: 24–27.
Chen, Qinghai
1997 “Toward a Sequential Approach for Tonal Error Analysis.” Journal of the Chinese Language Teachers Association 32(1): 21–39.
Duanmu, San
2000The Phonology of Standard Chinese. Oxford: OUP.
He, Yunjuan
2014 “The Factors Affecting the Production of Mandarin Chinese Coarticulated Tones by American Learners.” Guoji Hanyu Jiaoyu (International Chinese Language Education) 11: 136–146.
Liu, Yuehua. et al.
2010Integrated Chinese. Boston, MA: Cheng & Tsui Company, Inc.
Liu, Xun
2010New Practical Chinese Reader. Beijing, China: Beijing Language and Culture University Press.
Miracle, W. Charles
1989”Tone Production of American Students of Chinese: A Preliminary Acoustic Study.”Journal of the Chinese Language Teachers Association 241: 49–65.
Moore, Corinne B., and Allard Jongman
1997 “Speaker Normalization in the Perception of Mandarin Chinese.” Journal of the Acoustical Society of America 102 (3): 1864–1877.
Shen, Susan X-N
1989 “Toward a Register Approach in Teaching Mandarin Tones.” Journal of the Chinese Language Teachers Association 24(3): 27–47.
Shi, Feng, and Qibin Ran
2011 “A Comment on “Mandarin Tone Perception: A Report on a Low Level Tone.”Zhongguo Yuwen (Studies of the Chinese Language) 61: 550–555.
Wang, Xinchun
2012 “Auditory and Visual Training on Mandarin Tones: A Pilot Study on Phrases and Sentences.” International Journal of Computer-Assisted Language Learning and Teaching 2(2): 16–29.
Wang, Yue, Allard Jongman, and Joan A. Sereno
2003 “Acoustic and Perceptual Evaluation of Mandarin Tone Productions Before and After Perceptual Training.” Journal of the Acoustical Society of America 1131: 033–1044.
Wayland, Ratree, and Bin Li
2008 “Effects of Two Training Procedures in Cross-language Perception of Tone.” Journal of Phonetics 36(2): 250–267.
Wen, Baoying, and Fang Yan
2015留学生汉语声调习得中阳上合流的实验研究 “Merging between the Second Tone and the Third Tone in Mandarin Acquisition by L2 Learners.”Journal of the Chinese Language Teachers Association 51 (1): 19–41.
Wu, Sue-meiet al.
2011Chinese Link. Upper saddle river, NJ: Person Education, Inc.
Xu, Yi
(1997) Contextual Tonal Variations in Mandarin. Journal of Phonetics 251: 61–83.
This list is based on CrossRef data as of 27 april 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.