The role of emotions in literary communication: Joyce’s The Portrait of the Artist as a Young Man

Anderson, David R.

1993 “Razing the framework: Reader-response criticism after Fish.” In After Poststructuralism: Interdisciplinarity and Literary Theory. Nancy Easterlin and Barbara Riebling (eds), 155-176. Evanston Il: Northwestern University Press.

Barker, Martin (with Thomas Austin

) 2000 From Antz to Titanic: Reinventing Film Analysis. London: Pluto Press.

Beja, Morris

1971 Epiphany in the Modern Novel. London: Peter Owen.

Booth, Wayne C.

2003 [1983] “The problem of distance in The Portrait of the Artist.” In James Joyce’s A Portrait of the Artist as a Young Man: A Casebook. Mark A. Wollaeger (ed.), 59-83. Oxford: Oxford UP.

1988 The Company We Keep: An Ethics of Fiction. Berkeley: University of California Press.

Boyd, Brian

1998 “Jane, Meet Charles: Literature, evolution, and human nature.” Philosophy and Literature 22: 1-30.

Brown, Homer Obed

1972 James Joyce’s Early Fiction: The Biography of a Form. Cleveland: The Press of Case Western University.

Carroll, Joseph

2004 Literary Darwinism: Evolution, Human Nature, and Literature. London: Routledge.

Cosmides, Leda and John Tooby

2000 “Evolutionary psychology and the emotions.” In Handbook of Emotions, 2nd ed. Michael Lewis and Jeanette M. Haviland-Jones (eds), 91-115. New York: Guilford.

Damasio, Antonio

2000 The Feeling of What Happens: Body, Emotion and the Making of Consciousness. London: Vintage.

De Beaugrande, Robert

1993 “Closing the gap between linguistics and literary study: Discourse analysis and literary theory.” Journal of Advanced Composition 13: 423-448

Easterlin, Nancy

2012 A Biocultural Approach to Literary Theory and Interpretation. Baltimore: Johns Hopkins University Press.

Ellmann, Richard

1982 James Joyce. Rev. ed. Oxford: Oxford University Press.

Fish, Stanley

1980 Is There a Text in This Class? The Authority of Interpretative Communities. Cambridge MA: Harvard University Press.

Gottschall, Jonathan and D.S. Wilson

2005 The Literary Animal: Evolution and the Nature of Narrative. Chicago: Northwestern University Press.

Greene, Joshua and Jonathan Haidt

2002 “How (and where) does moral judgement work?” TRENDS in Cognitive Sciences 6: 517-523.

Hamilton, Craig A. and Ralph Schneider

2002 “From Iser to Turner and beyond: Reception theory meets cognitive criticism.” Style 36: 640-658.

Herman, David

2009 Basic Elements of Narrative: What’s the story? Malden, MA: Blackwell-Wiley.

Hogan, Patrick Colm

2011 What Literature Teaches Us about Emotion. Cambridge: Cambridge University Press.

Iser, Wolfgang

1994 Der Akt des Lesens. Stuttgart: UTB.

Joyce, James

1992 A Portrait of the Artist as a Young Man. London: Penguin.

Kenner, Hugh

2003 [1948] “The Portrait in perspective.” In James Joyce’s A Portrait of the Artist as a Young Man: A Casebook. Mark A. Wollaeger (ed.), 27-57. Oxford: Oxford University Press.

Lodge, David

1996 The Practice of Writing. London: Penguin.

Mellmann, Katja

2010 “Objects of ‘empathy’: Characters (and other such things) as psycho-poetic effects.” In Characters in Fictional Worlds. Jens Eder, Fotis Jannidis and Ralph Schneider (eds), 416-441. Berlin: De Gruyter.

Mey, Jacob L.

1999 When Voices Clash: A Study in literary pragmatics. Berlin and New York: de Gruyter.

Müller-Wood, Anja

2012 “No ideology without psychology: The emotional effects of Shakespeare’s Henry V.” Style 46: 355-377.

Nichols, Shaun

2005 “Innateness and moral psychology.” In The Innate Mind: Structure and Contents. Peter Carruthers, Stephen Laurence and Stephen Stich (eds), 353-369. Oxford: Oxford University Press.

Nolan, Emer

2003 [1995] “Portrait of an aesthete.” In James Joyce’s A Portrait of the Artist as a Young Man: A Casebook. Mark A. Wollaeger (ed.), 281-296. Oxford: Oxford University Press.

Parrinder, Patrick

2003 [1984] “A Portrait of the Artist.” In James Joyce’s A Portrait of the Artist as a Young Man: A Casebook. Mark A. Wollaeger (ed.), 85-128. Oxford: Oxford University Press.

Phelan, James

2007 Experiencing Fiction: Judgments, Progressions, and the Rhetorical Theory of Narrative. Columbus, OH: Ohio State University Press.

Pilkington, Adrian

2010 “Metaphor comprehension: Some questions for current accounts in relevance theory.” In Explicit Communication. Belén Soria and Esther Romero (eds), 156-172. Houndmills, Basingstoke: Palgrave Macmillan.

Plotkin, Henry

2002 The Imagined World Made Read: Towards a Natural Science of Culture. London: Allen Lane.

Rossman, Charles

1982 “The reader’s role in A Portrait of the Artist as a Young Man.” In James Joyce: An International Perspective. Suheil Badi Bushrui and Bernard Benstock (eds), 19-37. Gerrards Cross: Barnes and Noble Books.

Sell, Roger D.

(ed.) 1991 Literary Pragmatics. London: Routledge.

2000 Literature as Communication. Amsterdam: John Benjamins.

Slingerland, Edward

2008 What Science Offers the Humanities: Integrating Body and Culture. Cambridge: Cambridge University Press.

Snow, C.P.

1993 [1964] The Two Cultures. Cambridge: Cambridge University Press.

Tan, Ed S.H. and Nico H. Fridja

1999 “Sentiment in film viewing.” In Passionate Views: Film, Cognition, and Emotion. Carl Plantinga and Greg M. Smith (eds), 48-64. Baltimore: The Johns Hopkins University Press.

Tooby, John and Leda Cosmides

2001 “Does beauty build adapted minds? Toward an evolutionary theory of aesthetics, fiction and the arts.” SubStance 30: 6-27.

Tooby, John, Leda Cosmides and H. Clark Barrett

2005 “Resolving the debate on innate ideas: Learnability constraints and the evolved interpenetration of motivational and conceptual functions.” In The Innate Mind: Structure and Contents. Peter Carruthers, Stephen Laurence and Stephen Stich (eds), 305-337. Oxford: Oxford University Press.

Valente, Joseph

2003 [1994] “Thrilled by his touch: The aestheticizing of homosexual practice in A Portrait of the Artist as a Young Man.” In James Joyce’s A Portrait of the Artist as a Young Man: A Casebook. Mark A. Wollaeger (ed.), 245-280. Oxford: Oxford University Press.

Van Ghent, Dorothy

1967 The English Novel: Form and Function. 1953. New York: Harper and Row.

Zunshine, Lisa

2006 Why We Read Fiction: Theory of Mind and the Novel. Columbus, OH: Ohio State University Press.

The role of emotions in literary communication

Joyce’s The Portrait of the Artist as a Young Man

References