Article published in:
Dialogue across MediaEdited by Jarmila Mildorf and Bronwen Thomas
[Dialogue Studies 28] 2017
► pp. 19–36
Pragmatic stylistics and dramatic dialogue
Re-assessing Gus’s role in Pinter’s The Dumb Waiter
In this chapter, I follow Short (1989, 1998) and view dramatic dialogue as a form of exchange that can be read on the page just as legitimately as it can be experienced on stage. Employing a pragmatic stylistic analysis linking the text on the page to my interpretation, I offer a re-reading of Pinter’s The Dumb Waiter. While for Burton (1980) Ben was “the dominating and superior interactant,” and Gus “the dominated and inferior one” (70), I argue here that it is Gus who can be considered the dominating character and show in the concluding discussion why this recalibration of power is significant for our wider understanding of the play.
Published online: 19 January 2017
https://doi.org/10.1075/ds.28.02man
https://doi.org/10.1075/ds.28.02man
References
Bakhtin, Mikhail
Brewer, Mary
Brown, Penelope, and Stephen Levinson
Carter, Ron
Clark, Billy
Fish, Stanley
Grice, H. Paul
Nastić, Radmila
Norman, Lance
Patterson, Michael
Prentice, Penelope
Rees, Catherine
Rose, Brian
Rufford, Juliet
Searle, John R
Shaw, Marc
Shandell, Jonathan
Short, Mick
Sinclair, John, and Malcolm Coulthard
Thomas, Jenny