Review article published In:
Interdisciplinary approaches to the language of pop culture
Edited by Rocío Montoro and Valentin Werner
[English Text Construction 16:2] 2023
► pp. 109118
References (36)
References
Anthony, Laurence. 2022. AntConc (Version 4.0.10). Tokyo: Waseda University. [URL]
Bednarek, Monika. 2020. On the usefulness of the Sydney Corpus of Television Dialogue as a reference point for corpus stylistic analyses of TV series. In Christian R. Hoffmann & Monika Kirner-Ludwig (eds.), Telecinematic stylistics, 39–61. London: Bloomsbury. DOI logoGoogle Scholar
Bednarek, Monika, Valentin Werner & Marcia Veirano Pinto (eds.). 2021. Corpus approaches to telecinematic language. Special Issue of the International Journal of Corpus Linguistics. DOI logoGoogle Scholar
Boberg, Charles. 2021. Accent in north American film and television. Cambridge: Cambridge University Press. DOI logoGoogle Scholar
Csomay, Eniko & Ryan Young. 2021. Language use in pop culture over three decades. International Journal of Corpus Linguistics 26(1). 71–94. DOI logoGoogle Scholar
Denscombe, Martyn. 2021. The good research guide: Research methods for small-scale social research projects. London: Open University Press.Google Scholar
Dynel, Marta. 2009. Beyond a joke: Types of conversational humour. Language and Linguistics Compass 3(5). 1284–1299. DOI logoGoogle Scholar
. 2017. But seriously: On conversational humour and (un)truthfulness. Lingua 1971. 83–102. DOI logoGoogle Scholar
Hoffmann, Christian R. & Monika Kirner-Ludwig (eds.). 2020. Telecinematic stylistics. London: Bloomsbury. DOI logoGoogle Scholar
Lacey, Nick. 1998. Image and representation: Key concepts in media studies. Houndmills: Palgrave Macmillan. DOI logoGoogle Scholar
Maudlin, Julie G. & Jennifer A. Sandlin. 2015. Pop culture pedagogies: Process and praxis. Educational Studies: A Journal of the American Educational Studies Association 51(5). 368–384. DOI logoGoogle Scholar
Merskin, Debra. 2008. Popular culture. In Wolfgang Donsbach (ed.), The international encyclopedia of communication. Malden: Wiley-Blackwell. DOI logoGoogle Scholar
Montoro, Rocío. 2018. Investigating syntactic simplicity in popular fiction: A corpus stylistics approach. In Ruth Page, Beatrix Busse & Nina Nørgaard (eds.), Rethinking language, text and context, 60–75. New York: Routledge. DOI logoGoogle Scholar
Montoro, Rocío & Dan McIntyre. 2019. Subordination as a potential marker of complexity in serious and popular fiction: A corpus stylistic approach to the testing of literary critical claims. Corpora 14(3). 275–299. DOI logoGoogle Scholar
Noblit, George W. & R. Dwight Hare. 1988. Meta-ethnography: Synthesizing qualitative studies. Los Angeles: Sage. DOI logoGoogle Scholar
Partington, Alan. 2006. The linguistics of laughter: A corpus-assisted study of laughter-talk. London: Routledge. DOI logoGoogle Scholar
. 2008. From Wodehouse to the White House: A corpus-assisted study of play, fantasy and dramatic incongruity in comic writing and laughter-talk. Lodz Papers in Pragmatics 4(2). 189–213. DOI logoGoogle Scholar
Rayson, Paul. 2008. From key words to key semantic domains. International Journal of Corpus Linguistics 13(4). 519–549. DOI logoGoogle Scholar
Sacks, Harvey, Emanuel A. Schegloff & Gail Jefferson. 1974. A simplest systematics for the organization of turn-taking for conversation. Language 50(4). 696–735. DOI logoGoogle Scholar
Sattar, Raabia, Rebecca Lawton, Maria Panagioti & Judith Johnson. 2021. Meta-ethnography in health care research: A guide to using a meta-ethnographic approach for literature synthesis. BMC Health Services Research 21. 50. DOI logoGoogle Scholar
Schneider-Mayerson, Matthew. 2010. Popular fiction studies: The advantages of a new field. Studies in Popular Culture 33(1). 21–35. [URL]
Schubert, Christoph & Valentin Werner (eds.). 2023. Stylistic approaches to pop culture. London: Routledge. DOI logoGoogle Scholar
Strinati, Dominic. 2004. An introduction to theories of popular culture London: Routledge. DOI logoGoogle Scholar
Walshe, Shane. 2012. “Ah, laddie, did ye really think I’d let a foine broth of a boy such as yerself get splattered...?”: Representations of Irish English speech in the Marvel universe. In Frank Bramlett (ed.), Linguistics and the study of comics, 264–290. Houndmills: Palgrave Macmillan. DOI logoGoogle Scholar
. 2013. “Irish accents drive me nuts”: The representation of Irish speech in DC comics. Cahiers de l’ILSL 381. 91–119. DOI logo
Weinstock, Jeffrey Andrew. 2022. Pop culture for beginners. Calgary: Broadview Press.Google Scholar
Wells, Juliette. 2006. Mothers of Chick Lit? Women writers, readers and literary history. In Suzanne Ferris Suzanne & Mallory Young (eds.), Chick Lit: The new woman’s fiction, 47–70. London: Routledge. DOI logoGoogle Scholar
Werner, Valentin. 2018. Linguistics and pop culture: Setting the scene(s). In Valentin Werner (ed.), The language of pop culture, 3–27. New York: Routledge. DOI logoGoogle Scholar
. 2021a. Catchy and conversational? A register analysis of pop lyrics. Corpora 16(2). 237–270. DOI logoGoogle Scholar
. 2021b. A register approach toward pop lyrics in EFL education. In Elena Seoane & Douglas Biber (eds.), Corpus-based approaches to register variation, 209–234. Amsterdam: Benjamins. DOI logoGoogle Scholar
. 2022. Pop cultural linguistics. In Mark Aronoff (ed.), The Oxford research encyclopedia of linguistics. Oxford: OUP. DOI logoGoogle Scholar
Werner, Valentin & Christoph Schubert. 2023. Zooming in: Stylistic approaches to pop culture. In Christoph Schubert & Valentin Werner (eds.), Stylistic approaches to pop culture, 1–19. London: Routledge. DOI logoGoogle Scholar
Werner, Valentin & Friederike Tegge (eds.). 2021. Pop culture in language education: Theory, research, practice. London: Routledge. DOI logoGoogle Scholar
West, David (ed.). 2019. The challenges of the song lyric. Special issue of Language and Literature. [URL]