Decolonizing World Literature
References (40)
Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin (eds). 1995. The Post-Colonial Studies Reader. London and New York: Routledge.
Auerbach, Erich. 1946. Mimesis: Dargestellte Wirklichkeit in der abendländischen Literatur. Bern: Francke.
’Awad, Lewis. 1961. “Almasrah almisri: Ma’sat al-Insan bayna al-Fan wa’l-Din” (“The Tragedy of Man between Art and Religion in the (ancient) Egyptian Theatre”). In
Dirasat fi adabina al-Hadith
(Studies in modern Arabic Literature), 11–71. Cairo: Dar al-Maarifa.
Curtius, Ernst Robert. 1948. Europäische Literatur und lateinisches Mittelalter. Bern: Francke.
Drioton, Étienne. 1942. Le théâtre egyptien. Paris: Editions de la Revue du Caire.
El-Gindi, Yusri. 1971. Baghl el-Baladiyya (The Mule of the County Council). Manuscript. In private ownership.
Escarpit, Roger. 1958. Sociologie de la littérature. Paris: PUF.
Espmark, Kjell. 1986. Det litterära Nobelpriset: Principer och värderingar bakom besluten. Stockholm: Norstedt.
Espmark, Kjell. 1991. The Nobel Prize in Literature: A Study of the Criteria behind the Choices. Boston: G.K. Hall.
Étiemble, René. 1974. Essais de littérature (vraiment) générale. Paris: Gallimard.
Étiemble, René. 1979. Innovation? Feu l’eurocentrisme; ou feu sur l’eurocentrisme? Paris: Gallimard.
Fairman, H.W (ed.). 1974. The Triumph of Horus: An Ancient Egyptian Sacred Drama. Berkeley: University of California Press.
Gnisci, Armando. 2001. Una Storia Diversa. Rome: Meltemi Editore.
Gnisci, Armando. 2003. “Letteratura globale e letteratura dei mondi.” In La letteratura europea vista dagli altri, ed. by Franca Sinopoli, 107–123. Rome: Meltemi Editore.
Gran, Peter. 1979. Islamic Roots of Capitalism: Egypt: 1760–1840. Austin, TX and London: University of Texas Press.
Hilferding, Rudolf. 1910. Das Finanzkapital: Eine Studie über die jüngste Entwicklung des Kapitalismus. Vienna: Wiener Volksbuchhandlung.
Jost, François. 1974. Introduction to Comparative Literature. Indianapolis and New York: Pegasus/Bobbs-Merril.
Metscher, Thomas. 2001. Moderne Weltliteratur und die Stimme Schwarzafrikas. Essen: Neue Impulse Verlag.
Retamar, Roberto Fernandez. 1975. “Para una theoría de la literatura hispanoamericana.” In Para una teoría de la literatura hispanoamericana e otras aproximaciones, 41–52. Havana: Casa de las Américas.
Riesz, Janos. 1983. “‘Weltliteratur’ zwischen ‘Erster’ und ‘Dritter’ Welt: Die Verantwortung der vergleichenden Literaturwissenschaft (Komparatistik) heute.” Zeitschrift für Kulturaustausch 33: 140–148.
Rüdiger, Horst. 1981. “Europäische Literatur–Weltliteratur: Goethes Konzeption und die Forderungen unserer Epoche.” In Komparatistik: Theoretische Überlegungen und südosteuropäische Wechselseitigkeit, ed. by Fridrun Rinner and Klaus Zerinschek, 27–42. Heidelberg: Carl Winter.
Ruprecht, Hans-George. 1971. “Weltliteratur vue du Mexique en 1826.” Bulletin hispanique 73: 307–318.
Said, Edward W. 1978. Orientalism. New York: Pantheon Books.
Said, Edward W. 1988. “Yeats and Decolonization.” In Nationalism, Colonialism And Literature, ed. by Terry Eagleton, Fredric Jameson, and Edward Said, 69–98. Minneapolis and London: University of Minnesota Press.
Said, Edward W. 1993. Culture and Imperialism. New York: A. Knopf.
Schmeling, Manfred. 1995. Weltliteratur heute: Konzepte und Perspektiven. Würzburg: Königs hausen and Neumann.
Sethe, Kurt Heinrich (ed.). 1928. Dramatische Texte zu altägyptischen Mysterienspielen. Leipzig: Hinrichs.
Sinopoli, Franca (ed.). 1999. Il mito della letteratura europea. Rome: Meltemi Editore.
Sinopoli, Franca (ed.). 2003. La letteratura europea vista dagli altri. Rome: Meltemi Editore.
Youssef, Magdi. 1976. Brecht in Ägypten: Versuch einer literatursoziologischen Deutung. Bochum: Brockmeyer Universitätsverlag.
Youssef, Magdi. 1985. “Literary and Social Transformations: The Case of Modern European and Arabic Literatures.” In Proceedings of the Xth Congress of the International Comparative Literature Association, ed. by Anna Balakian, James J. Wilhelm, and Douwe W. Fokkema, et al., 51–57. New York: Garland.
Youssef, Magdi. 1993. al-Tadakhul al-Hadari wa‘l Istiqlal al-Fikri [Socio-Cultural Interference and Intellectual Independence]. Cairo. [In Arabic.]
Youssef, Magdi. 1994. “Brecht’s Theatre and Social Change in Egypt (1954–71).” Bulletin of the Faculty of Arts 63: 59–73. Cairo: Cairo University Press.
Youssef, Magdi. 1996. “Towards a Multi-Centric Literary Canon: The Arab Contribution in Language and Literature Today.” In
Proceedings of the 19th Triennial Congress of the International Federation for Modern Languages and Literatures
, 496–498. [Abstract.]
Youssef, Magdi. 1998a. The Myth of European Literature. Aachen and Rotterdam: Symposium.
Youssef, Magdi. 1998b. “Towards a Real Decentralization of the Literary Canon: The Arab Contribution.” In
Humanism and the Good Life: Proceedings of the Fifteenth Congress of the World Federation of Humanists
, ed. by Peter Horwath, William L. Hendrickson, L. Teresa Valdivieso, and Eric P. Thor, 381–389. New York: Peter Lang.
Youssef, Magdi. 2000. “The Problem of the Model in Contemporary Theatre.”Art in Society 0. [URL].
Youssef, Magdi. 2001. Min al-Tadakhul ila at-Tafa’ul al-Hadari [From Socio-Cultural Interference to Cross-Cultural Interaction]. Cairo: Kitab al-Hilal’s popular book Series. [In Arabic.]
Youssef, Magdi. 2003. “Il mito della letteratura europea.” In letteratura europea vista dagli altri, ed. by Franca Sinopoli, 65–105. Rome: Meltemi Editore.
Youssef, Magdi. 2009. “From a Philological to a Social Scientific Approach with Regard to Comparative Literary Research.” In Beyond Binarisms: Crossings and Contaminations, ed. by Eduardo F. Coutinho and Pina Coco, 14–19. Rio de Janeiro: Aeroplano.
Cited by (2)
Cited by two other publications
Fang, Weigui
2022.
World Literature in China: Aspiration, Anxiety and Some Theoretical Questions. In
Universal Localities [
Schriften zur Weltliteratur/Studies on World Literature, 13],
► pp. 49 ff.
This list is based on CrossRef data as of 24 july 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.