Literature in Contemporary Media Culture

Technology - Subjectivity- Aesthetics

Editors
| Norwegian University of Science and Technology
| Norwegian University of Science and Technology
HardboundAvailable
ISBN 9789027201294 | EUR 95.00 | USD 143.00
 
e-Book
ISBN 9789027267542 | EUR 95.00 | USD 143.00
 
How does contemporary literature respond to the digitalized media culture in which it takes part? And how do we study literature in order to shed light on these responses? Under the subsections Technology, Subjectivity, and Aesthetics, Literature in Contemporary Media Culture sets out to answer these questions. The book shows how literature over the last decade has charted the impact of new technologies on human conduct. It explores how changes in literary production, distribution, and consumption can be correlated to changes in social practices more generally. And it examines how (and if) contemporary media culture affects our understanding of literary aesthetics.
Addressing Scandinavian and Anglo-American poetry and fiction produced around the beginning of the present century, Literature in Contemporary Media Culture highlights both well-known and unfamiliar literary texts. It offers cross-disciplinary methodological tools and reading strategies for studying literary phenomena such as intermedial aesthetics, the autobiographical novel, conceptual literature, and digital poetry, all of which are prevalent across national borders at the outset of the twenty-first century. This book will be of interest to students and established scholars in the fields of literature, film and media studies, and visual studies, as well as to members of the general reading public.
[FILLM Studies in Languages and Literatures, 2]  2016.  xiii, 265 pp.
Publishing status: Available
Table of Contents
Series editor's preface
vii
Acknowledgements
ix–x
List of contributors
xi
Introduction: Technology – Subjectivity – Aesthetics: Three perspectives on contemporary media culture
Anders Skare Malvik and Sarah J. Paulson
1–20
Technology
From acoustic trace to information materialized: Archival poetics in Kenneth Goldsmith’s Soliloquy
Andrew Peart
23–40
Reading animated poetry between pragmapeia and prosopopeia
Anders Skare Malvik
41–62
Words with cybernetic senses: Questions of multimodality, programming and liveness in digital poetry
Mette-Marie Zacher Sørensen
63–78
Media ecology in the literal sense: Mark Z. Danielewski’s House of Leaves
Knut Ove Eliassen
79–101
Subjectivity
Roman and the mediality of biographical writing
Anders Skare Malvik and Kristoffer Jul-Larsen
105–128
Mediatization, self and literature: Fictionality as a means of self-fashioning in Bret Easton Ellis and (Claus Beck-) Nielsen
Stefan Kjerkegaard
129–148
The literary magazine and the making of a writer: Gunnhild Øyehaug in the space of possibles
Sissel Furuseth
149–170
Aesthetics
Staging the present: Performativity and performance in Carl Frode Tiller’s Encircling
Sarah J. Paulson
173–205
Refigurations of Walden: Notes on contagious mediation
Asbjørn Grønstad
207–222
Transaesthetic temporalities: Ekphrasis and the poetics of deceleration
Asbjørn Grønstad
223–236
Showing seeing across media: The contemporary novel as visual event
Sarah J. Paulson
237–259
Index
Literature in Contemporary Media Culture is the first collection I’ve seen that rigorously applies media theory from Friedrich Kittler and Gilles Deleuze to Katherine Hayles and younger theorists, to specific recent literary works, both poetry and fiction. Its three-fold division—Technology—Subjectivity—Aesthetics--makes it possible to see just how thoroughly the literary field has been transformed. Studying the actual processes of authorial production in the new media climate – whether in Karl Ove Knausgård’s My Struggle or in Kenneth Goldsmith’s controversial Soliloquy – Sarah J. Paulson and Anders Skare Malvik have put together a superb set of essays, transformative in their thinking. Literature, the collection argues persuasively, shows no signs of going away: it is the understanding of literature that must change.”
“Against the apocalyptic suspicion of some pundits that literature has been made irrelevant by the explosion of new digital forms and formats, the crisply well-informed essays in this collection beg to differ. They show that text-based practices are by no means fuddy-duddy antiques but rather the privileged spot for viewing the tectonic stresses that computation places on art and letters. Anyone interested in understanding the cultural life of the new millennium will find instruction, delight, and a long menu of things to consider in this book.”
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Cited by other publications

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2020.  In Literary Communication as Dialogue [FILLM Studies in Languages and Literatures, 14], Crossref logo
Gunilla Hermansson & Jens Lohfert Jørgensen
2020.  In Exploring NORDIC COOL in Literary History [FILLM Studies in Languages and Literatures, 15], Crossref logo

This list is based on CrossRef data as of 26 november 2020. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.

Subjects

Communication Studies

Communication Studies

Literature & Literary Studies

Theoretical literature & literary studies
BIC Subject: DSA – Literary theory
BISAC Subject: LIT000000 – LITERARY CRITICISM / General
U.S. Library of Congress Control Number:  2015040031 | Marc record