Metaphor meets narrative
Audiovisual meaning-making as embodied artistic
production
Prevalent cognitive readings of narrative in film
have generally described it as a causal-logical re-organization of
audiovisually represented agents, actions and spaces that is achieved through
mental processing. Suggesting that such a perspective fundamentally
disregards the media mode of perception that distinguishes
film-viewing from other media experiences, the chapter proposes an
alternative view. It presents an analysis of a TV news feature in
order to demonstrate that metaphor and film share a coupling of two
distinct realms of experience that provides the grounds for a
fictional world and a narrative to emerge. The chapter concludes with an
understanding of narrative as a dynamic embodied process of “narrativizing” instead of a
product being reconstructed from given representations.
Article outline
- 1.Narrative and metaphor: Intertwining meaning-making principles in film
- 2.Filmic storytelling and understanding: As easy as it is?
- 3.Coupled realms of experience: How film and metaphor create fictional worlds
- 4.A feeling of standstill and a story of a controversial (trading)
project
- 4.1A feeling of complete standstill
- 4.2The flotation of Deutsche Bahn in terms of a stopped
train
- 4.3Being shunted aside by controversies
- 5.Narrativizing as embodied process: Creating stories from and through felt experience
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Notes
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Audiovisual sources
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References